DOCSLIB.ORG

Wolfgang Amadeus Mozart Die Zauberflöte - the Magic Flute • La Flute Enchantée Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wolfgang Amadeus Mozart Die Zauberflöte - the Magic Flute • La Flute Enchantée Mp3, Flac, Wma Wolfgang Amadeus Mozart Die Zauberflöte - The Magic Flute • La Flute Enchantée mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Die Zauberflöte - The Magic Flute • La Flute Enchantée Country: Germany Released: 1964 Style: Classical, Opera MP3 version RAR size: 1628 mb FLAC version RAR size: 1798 mb WMA version RAR size: 1357 mb Rating: 4.2 Votes: 308 Other Formats: MOD AHX DTS MP2 MIDI XM AA Tracklist A1 Ouvertüre A2 Erster Aufzug 1. Bis 4. Auftritt B Zweiter Aufzug 27. Bis 30. Auftritt C Erster Aufzug 5. Bis 11. Auftritt D Zweiter Aufzug 13. Bis 26. Auftritt E Erster Aufzug 12. Bis 16. Auftritt F Zweiter Aufzug 1. Bis 12. Auftritt Credits Artwork [Booklet] – Alexander Gnirke Artwork [Box Cover] – Horst Breitkreuz Choir – RIAS-Kammerchor Chorus Master – Günther Arndt Composed By – Wolfgang Amadeus Mozart Conductor – Karl Böhm Directed By, Liner Notes – Gustav Rudolf Sellner Engineer – Günter Hermanns Liner Notes – Andreas Holschneider*, Julia-Lotte Van Dijk, Ursula Von Rauchhaupt Orchestra – Berliner Philharmoniker Photography By – Siegfried Lauterwasser Photography By [Karl Böhm] – Werner Neumeister Producer – Otto Gerdes Recording Supervisor – Wolfgang Lohse Text By – Emanuel Schikaneder Vocals [Dritte Dame] – Sieglinde Wagner Vocals [Dritter Knabe] – Raili Kostia Vocals [Dritter Priester] – Manfred Röhrl Vocals [Erste Dame] – Hildegard Hillebrecht Vocals [Erster Geharnischter Mann] – James King Vocals [Erster Knabe] – Rosl Schwaiger Vocals [Erster Priester] – Hubert Hilten Vocals [Königin Der Nacht] – Roberta Peters Vocals [Monostratos, Ein Mohr] – Friedrich Lenz Vocals [Pamina] – Evelyn Lear Vocals [Papagena] – Lisa Otto Vocals [Papageno] – Dietrich Fischer-Dieskau Vocals [Sarastro] – Franz Crass Vocals [Sprecher] – Hans Hotter Vocals [Tamino] – Fritz Wunderlich Vocals [Zweite Dame] – Cvetka Ahlin Vocals [Zweiter Geharnichter Mann] – Martti Talvela Vocals [Zweiter Knabe] – Antonia Fahberg Vocals [Zweiter Priester] – Martin Vantin Notes Subscription release (SKL catalogue Number) Grey cloth box with title printed on Spine. Comes with a 62-page b/w full size libretto/booklet, texts in German, english and french. Records with Tulip Label No Timecode Barcode and Other Identifiers Matrix / Runout (Side A): 138981A 104381A Matrix / Runout (Side B): 138982-4A 104382-4A Matrix / Runout (Side C): 138983-3A 104383-3A Matrix / Runout (Side D): 138983-2B 104383-2B Matrix / Runout (Side E): 138982-5B 104382-5B Matrix / Runout (Side F): 138981-2B 104381-2B Other (Plate 1 Labels): 104 381 Other (Plate 2 Labels): 104 382 Other (Plate 3 Labels): 104 383 Rights Society (public Domain Declaration On Label): D.P. Other versions Category Artist Title (Format) Label Category Country Year Wolfgang Amadeus Mozart - Evelyn Wolfgang Lear • Lisa Otto • Amadeus Mozart - Roberta Peters • Evelyn Lear • Lisa Franz Crass • Otto • Roberta Dietrich Fischer- Peters • Franz Dieskau • Hans Crass • Dietrich Hotter • Fritz Deutsche 2709 017 2709 017 Germany Unknown Fischer-Dieskau • Wunderlich • Grammophon Hans Hotter • Berliner Fritz Wunderlich Philharmoniker • • Berliner Karl Böhm - Die Philharmoniker • Zauberflöte - The Karl Böhm Magic Flute • La Flute Enchantée (3xLP, RE + Box) Wolfgang Amadeus Mozart - Evelyn Lear • Lisa Otto • Wolfgang Roberta Peters • Amadeus Mozart - Franz Crass • Evelyn Lear • Lisa Dietrich Fischer- Otto • Roberta Dieskau • Hans Peters • Franz 004 381/ Hotter • Fritz 004 381/ Crass • Dietrich Deutsche 004 382/ Wunderlich • 004 382/ Germany Unknown Fischer-Dieskau • Grammophon 004 383 Berliner 004 383 Hans Hotter • Philharmoniker • Fritz Wunderlich Karl Böhm - Die • Berliner Zauberflöte - The Philharmoniker • Magic Flute • La Karl Böhm Flute Enchantée (3xLP + Box, Mono) Wolfgang Amadeus Mozart - Evelyn Wolfgang Lear • Lisa Otto • Amadeus Mozart - Roberta Peters • Evelyn Lear • Lisa Franz Crass • Otto • Roberta Dietrich Fischer- Peters • Franz Dieskau • Hans Deutsche 104 104 Crass • Dietrich Hotter • Fritz Grammophon, 381/82/83, 381/82/83, Germany 1972 Fischer-Dieskau • Wunderlich • Deutsche 2709 017 2709 017 Hans Hotter • Berliner Grammophon Fritz Wunderlich Philharmoniker • • Berliner Karl Böhm - Die Philharmoniker • Zauberflöte - The Karl Böhm Magic Flute • La Flute Enchantée (3xLP, RP + Box) Mozart* - Evelyn Mozart* - Evelyn Lear • Roberta Lear • Roberta Peters • Lisa Otto Peters • Lisa Otto • Fritz Wunderlich • Fritz • Dietrich Fischer- XL 172 XL 172 Wunderlich • Dieskau • Franz Ex Libris, Ex 687 / 689, 687 / 689, Switzerland Unknown Dietrich Fischer- Crass • Berliner Libris 63 406 63 406 Dieskau • Franz Philharmoniker • Crass • Berliner Karl Böhm - Die Philharmoniker • Zauberflöte = La Karl Böhm Flute Enchantée (3xLP, RE + Box) Wolfgang Amadeus Mozart - Evelyn Wolfgang Lear • Lisa Otto • Amadeus Mozart - Roberta Peters • Evelyn Lear • Lisa Franz Crass • Otto • Roberta Dietrich Fischer- Peters • Franz Dieskau • Hans Crass • Dietrich Hotter • Fritz Deutsche 2709 017 2709 017 UK Unknown Fischer-Dieskau • Wunderlich • Grammophon Hans Hotter • Berliner Fritz Wunderlich Philharmoniker • • Berliner Karl Böhm - Die Philharmoniker • Zauberflöte - The Karl Böhm Magic Flute • La Flute Enchantée (3xLP + Box) Related Music albums to Die Zauberflöte - The Magic Flute • La Flute Enchantée by Wolfgang Amadeus Mozart Gotthold Ephraim Lessing - "Der Rechte Ring War Nicht Erweislich" Wolfgang Amadeus Mozart, RIAS Symphonie-Orchester Berlin, Ferenc Fricsay - Die Zauberflöte Wolfgang Amadeus Mozart - Erika Köth, Lotte Schädle, Kurt Böhme, Fritz Wunderlich, Friedrich Lenz, Eugen Jochum - Die Entführung Aus Dem Serail Richard Wagner - Chor Und Orchester Der Staatsoper Berlin, Franz Konwitschny - Tannhäuser Und Der Sängerkrieg Auf Wartburg - Gesamtaufnahme Der Dresdener Fassung Richard Strauss - Lisa Della Casa, Anneliese Rothenberger, Dietrich Fischer-Dieskau, Joseph Keilberth - Arabella Wolfgang Amadeus Mozart, Karl Böhm, Berliner Philharmoniker - Sinfonia nº 40 em Sol Menor, K.550 - Sinfonia nº41 em Dó Maior, K.551 "Júpiter" Wilhelm Furtwängler - Wilhelm Furtwängler dirigiert Opern von Richard Wagner Mozart - Berliner Philharmoniker, Karl Böhm - Die Zauberflöte (The Magic Flute) (La Flûte Enchantée) Maria Wimmer - Maria Wimmer Spricht Wagner, Lotte Lehmann, Lauritz Melchior, Emanuel List, Wiener Philharmoniker, Bruno Walter - Die Walküre: 1.Aufzug.
Load more

Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • Eberhard Waechter“
    DIPLOMARBEIT Titel der Diplomarbeit „Eberhard Waechter“ Verfasserin Mayr Nicoletta angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl: A 317 Studienrichtung: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.-Prof.Dr. Hilde Haider-Pregler Dank Ich danke vor allem meiner Betreuerin Frau Professor Haider, dass Sie mir mein Thema bewilligt hat und mir mit Rat und Tat zur Seite stand. Ich danke der Familie Waechter und Frau Anneliese Sch. für die Bereitstellung des Materials. Ich danke meiner Schwester Romy und meiner „Seelenverwandten“ Sheila und all meinen Freunden für ihre emotionale Unterstützung und die zahlreichen motivierenden Gespräche. Ich danke meinem Bruder Florian für die Hilfe im Bereich der Computertechnik. Ein großer Dank gilt meiner Tante Edith, einfach dafür, dass es dich gibt. Außerdem danke ich meinen Großeltern, dass sie meine Liebe zur Musik und zur Oper stets enthusiastisch aufgenommen haben und mit mir Jahr für Jahr die Operettenfestspiele in Bad Ischl besucht haben. Ich widme meine Diplomarbeit meinen lieben Eltern. Sie haben mich in den letzten Jahren immer wieder finanziell unterstützt und mir daher eine schöne Studienzeit ermöglicht haben. Außerdem haben sie meine Liebe und Leidenschaft für die Oper stets unterstützt, mich mit Büchern, Videos und CD-Aufnahmen belohnt. Ich danke euch für eure Geduld und euer Verständnis für eure oft komplizierte und theaterbessene Tochter. Ich bin glücklich und froh, so tolle Eltern zu haben. Inhalt 1 Einleitung ..........................................................................................
    [Show full text]
  • The Inventory of the Deborah Voigt Collection #1700
    The Inventory of the Deborah Voigt Collection #1700 Howard Gotlieb Archival Research Center Voigt, Deborah #1700 6/29/05 Preliminary Listing I. Subject Files. Box 1 A Chronological files; includes printed material, photographs, memorabilia, professional material, other items. 1. 1987-1988. [F. 1] a. Mar. 1987; newsletters of The Riverside Opera Association, Verdi=s AUn Ballo in Maschera@ (role of Amelia). b. Apr. 1987; program from Honolulu Symphony (DV on p. 23). c. Nov. 1987; program of recital at Thorne Hall. d. Jan. 1988; program of Schwabacher Debut Recitals and review clippings from the San Francisco Examiner and an unknown newspaper. e. Mar. 1988; programs re: DeMunt=s ALa Monnaie@ and R. Strauss=s AElektra@ (role of Fünfte Magd). f. Apr. 1988; magazine of The Minnesota Orchestra Showcase, program for R. Wagner=s ADas Rheingold@ (role of Wellgunde; DV on pp. 19, 21), and review clippings from the Star Tribune and the St. Paul Pioneer Press Dispatch. g. Sep. - Oct. 1988; programs re: Opera Company of Philadelphia and the International Voice Competition (finalist competition 3; DV on p. 18), and newspaper clippings. 2. 1989. [F. 2] a. DV=s itineraries. (i) For Jan. 4 - Feb. 9, TS. (ii) For the Johann Strauss Orchestra on Vienna, Jan. 5 - Jan. 30, TS, 7 p. b. Items re: California State, Fullerton recital. (i) Copy of Daily Star Progress clipping, 2/10/89. (ii) Compendium of California State, Fullerton, 2/13/89. (iii) Newspaper clipping, preview, n.d. (iv) Orange County Register preview, 2/25/89. (v) Recital flyer, 2/25/89. (vi) Recital program, program notes, 2/25/89.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • The Blake Collection in Memory of Nancy M
    The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma.
    [Show full text]
  • Journal of the Conductors Guild
    Journal of the Conductors Guild Volume 32 2015-2016 19350 Magnolia Grove Square, #301 Leesburg, VA 20176 Phone: (646) 335-2032 E-mail: [email protected] Website: www.conductorsguild.org Jan Wilson, Executive Director Officers John Farrer, President John Gordon Ross, Treasurer Erin Freeman, Vice-President David Leibowitz, Secretary Christopher Blair, President-Elect Gordon Johnson, Past President Board of Directors Ira Abrams Brian Dowdy Jon C. Mitchell Marc-André Bougie Thomas Gamboa Philip Morehead Wesley J. Broadnax Silas Nathaniel Huff Kevin Purcell Jonathan Caldwell David Itkin Dominique Royem Rubén Capriles John Koshak Markand Thakar Mark Crim Paul Manz Emily Threinen John Devlin Jeffery Meyer Julius Williams Advisory Council James Allen Anderson Adrian Gnam Larry Newland Pierre Boulez (in memoriam) Michael Griffith Harlan D. Parker Emily Freeman Brown Samuel Jones Donald Portnoy Michael Charry Tonu Kalam Barbara Schubert Sandra Dackow Wes Kenney Gunther Schuller (in memoriam) Harold Farberman Daniel Lewis Leonard Slatkin Max Rudolf Award Winners Herbert Blomstedt Gustav Meier Jonathan Sternberg David M. Epstein Otto-Werner Mueller Paul Vermel Donald Hunsberger Helmuth Rilling Daniel Lewis Gunther Schuller Thelma A. Robinson Award Winners Beatrice Jona Affron Carolyn Kuan Jamie Reeves Eric Bell Katherine Kilburn Laura Rexroth Miriam Burns Matilda Hofman Annunziata Tomaro Kevin Geraldi Octavio Más-Arocas Steven Martyn Zike Theodore Thomas Award Winners Claudio Abbado Frederick Fennell Robert Shaw Maurice Abravanel Bernard Haitink Leonard Slatkin Marin Alsop Margaret Hillis Esa-Pekka Salonen Leon Barzin James Levine Sir Georg Solti Leonard Bernstein Kurt Masur Michael Tilson Thomas Pierre Boulez Sir Simon Rattle David Zinman Sir Colin Davis Max Rudolf Journal of the Conductors Guild Volume 32 (2015-2016) Nathaniel F.
    [Show full text]
  • Central Opera Service Bulletin • Vol
    CENTRAL OPERA SERVICE CONFERENCE/BULLETIN Volume 27, Number 1 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM la The MetropotttM Opera GaiM'* Fiftieth AwUveray New York - NoTfber Iud2, 015 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, NY. 10023 • (212) 799-3467 I i ; i Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212)799-346? CENTRAL OPERA SERVICE Volume 27, Number 1 Spring/Summer 1986 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM In Collaboration With "Opera News" Celebrating The Metropolitan Opera Guild's Fiftieth Anniversary New York - November 1 and 2,1985 This is the special COS Conference issue. The next number will be again a regular news issue with the customary variety of subjects and a performance listing. CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BEL MONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. B1NDHARDT National Vice Chairman MRS. MARY H. DARRELL Central Opera Service Bulletin • Vol. 27, No. 1 • Spring/Summer 1986 Editor: MARIA F. RICH Assistant Editor: CHERYL KEMPLER Editorial Assistants: LISA VOLPE-REISSIG FRITZI BICKHARDT NORMA LITTON The COS Bulletin is published quarterly for its members by Central Opera Service. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $12.00 Regular news issues: $3.00 ISSN 0008-9508 TABLE OF CONTENTS Friday, November 1, 1985 WELCOME 1 Margo H.
    [Show full text]
  • Die Grossen Sänger
    Jürgen Kesting DIE GROSSEN SÄNGER Bandi claassen IX Inhalt Vorwort xxv EINLEITUNG Eine Stimme zur rechten Zeit Vorspiel auf dem Theater 3 Vollendung und Ende des Belcanto: Enrico Caruso 5 Dialog mit der Ewigkeit 18 Auf der Suche nach der verlorenen Zeit 27 Sänger und Schallplatte 29 Von der wiedergefundenen Zeit 37 Von Treue und Untreue 41 Von den Perspektiven der Zeit 48 I. KAPITEL Schöner Ton ist der Stoff aller Musik Goldene Zeitalter 55 Belcanto 59 Ein seismischer Schock: Das hohe C 67 Die Stimmen im Höhenrausch 71 Die übernatürlich schöne Stimme 75 II. KAPITEL Der ferne Klang oder: Die alte Schule Die alte Schule 89 Nachtigall: Adelina Patti 89 • Primadonna assoluta: Marcella Sembrich 97 • Grandeur: Lilli Lehmann 102 • Marianne Brandt 110 • »Ich habe gelernt, nie zu schreien«: Ernestine Schumann-Heink in • Die einzigartige Stimme der Welt: Francesco Tamagno 116 Zeitenwende 120 • Tenor-Virtuose: Fernando de Lucia 121 • La Gloria d'Italia: Mattia Battistini 128 - Der vollkommene Sänger: Pol Plancon 134 • Die Schule INHALT • BAND I der Mathilde Marchesi 138 • Perlen von der Märchenfee: Nellie Melba 141 und andere III. KAPITEL Das schöne Ideal: Sänger aus Frankreich Le Beau Ideal 159 Französische Bassisten: Marcel Journet 166 - Jean-Emile Vanni Marcoux 169 • Französische Sopranistinnen: Emma Calve J72 • Felia Litvinne 176 • Lyrische Tragödin: Mary Garden IJ8 • und andere 181 • Französische Mezzos und Altistinnen: Blanche Deschamps-Jehin • Marie Delna • Jeanne Gerville-Reache • Alice Raveau 184 • Französische Tenöre 186 • Dramatische Tenöre: Leon Escalais 188 • Emile Scaremberg 19 r • Georges Imbart de la Tour 192 • Albert Alvarez 193 • Paul Franz 193 • Lyrische Tenöre: Edmond Clement 197 • Albert Vaguet 199 • David Devries 200 • Rene Lapalletrie • Louis Cazette • Eugene de Creus • Leon Beyle 203 • Charles Friant 20; • Miguel Villabella 207 • Andre d'Arkor 208 • Französische Baritone: Die Klassizisten: Jean-Baptiste Faure • Lucien Fugere • Gabriel Valentin Soulacroix 209 • Maurice Renaud 213 • Dinh Gilly 215 • Arthur Endreze 217 IV.
    [Show full text]
  • Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
    Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet
    [Show full text]
  • Opera Recordings: a Very Personal Guide by Ralph Moore
    “Untouchable” and ”Most Recommendable” Opera Recordings: a very personal guide by Ralph Moore My handful of regular readers might have noticed some glaring omissions in the list of thirty-seven major operas whose discographies I have surveyed over the last couple of years - operas whose quality and popularity are such that one might reasonably have expected me to have included them in my labours. There are, after all, probably around fifty truly first-rate operas which have been most often performed and recorded and I have by no means covered them all. I received requests to survey some of the following but on consideration, I realised that there were good reasons for my reluctance to do so. The most obvious omissions are these twelve operas: Verdi’s La traviata and Il trovatore; Wagner’s Lohengrin and Tannhäuser; Mozart’s Don Giovanni; Puccini’s La bohème, Tosca, Madama Butterfly and Turandot; Rossini’s Il barbiere di Siviglia; Donizetti’s Lucia di Lammermoor and Beethoven’s Fidelio. My reason for not having reviewed them collectively is that either the opera in question has received one or two recordings of such definitive quality that consideration of the others is otiose or there are so many good recordings of it in the catalogue that making a helpful or meaningful recommendation becomes difficult. I have therefore decided to circumvent the problem by making some brief, annotated recommendations and guidance for those major operas hitherto neglected. Obviously, my selections are highly subjective and controversial, and other collectors will be dismayed that I have ostensibly rejected their own candidates for recordings of classic status or nominated one they loathe but at the same time I think I may fairly claim that these are, in general, recordings which have stood the test of time.
    [Show full text]
  • Alban Berg Wozzeck Mp3, Flac, Wma
    Alban Berg Wozzeck mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Wozzeck Country: Germany Released: 1965 Style: Modern, Twelve-tone, Opera MP3 version RAR size: 1872 mb FLAC version RAR size: 1914 mb WMA version RAR size: 1214 mb Rating: 4.8 Votes: 163 Other Formats: ADX ASF TTA APE AU MP1 RA Tracklist Oper In 3 Akten (15 Szenen) A Erster Akt, 1. Bis 3. Szene B1 Erster Akt, 4. Und 5. Szene B2 Zweiter Akt, 1. Und 2. Szene (1. Teil) C Akt, 2. Szene (2. Teil) Bis 5. Szene D Dritter Akt, 1. Bis 5. Szene Companies, etc. Printed By – Gebrüder Jänecke Credits Choir – Chor Der Deutschen Oper Berlin, Schöneberger Sängerknaben Composed By – Alban Berg Conductor – Karl Böhm Engineer – Günter Hermanns Libretto By – Georg Büchner Orchestra – Orchester Der Deutschen Oper Berlin Photography By – Max Jacoby Producer – Otto Gerdes Recorded By – Wolfgang Lohse Recording Supervisor – Gustav Rudolf Sellner Vocals [1. Handwerksbursch] – Kurt Böhme Vocals [2. Handwerksbursch] – Robert Koffmane Vocals [Andres] – Fritz Wunderlich Vocals [Der Narr] – Martin Vantin Vocals [Doktor] – Karl Christian Kohn* Vocals [Hauptmann] – Gerhard Stolze Vocals [Margret] – Alice Oelke Vocals [Marie] – Evelyn Lear Vocals [Soldat] – Walter Muggelberg Vocals [Tambourmajor] – Helmut Melchert Vocals [Wozzeck] – Dietrich Fischer-Dieskau Notes including 40-page Booklet in German, French and English. Printed in Germany by Gebrüder Jänecke Big "Tulip"-Label, "Alle Hersteller" Yellow sticker on front: "Sample Not For Sale" (P) 1965 Barcode and Other Identifiers Other
    [Show full text]