Japan in Architecture: Genealogies of Its
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2019 Annual Report
2019 Annual Report Te Hiranga Rū QuakeCoRE Aotearoa New Zealand Centre for Earthquake Resilience Contents ___ Directors’ Report 3 Chair’s Report 4 About Us 5 Our Outcomes 6 Research Research overview 7 Technology platforms 8 Flagship programmes 9 Other projects 10 Scrap tyres find new lives as earthquake protection 11 How effective is insurance for earthquake risk mitigation? 13 Toward functional buildings following major earthquakes 15 Collaboration to Impact Preparing for quakes: Seismic sensors and early warning systems 17 What makes a resilient community? 19 Collaboration a key tool in natural hazard public education 21 Human Capability Development Connections through quakes: International researchers tour New Zealand 23 Research in Te Ao Māori 25 The QuakeCoRE postgraduate experience 27 Recognition highlights 29 Financials, Community and Outputs Financials 33 At a glance 34 Community 35 Publications 41 Directors’ Report 2019 ___ Te Hiranga Rū QuakeCoRE formed in 2016 with a vision of transforming the QuakeCoRE continues to exhibit collaborative leadership domestically and earthquake resilience of communities throughout Aotearoa New Zealand, and in internationally. We highlight the strong alignment achieved with the ‘Resilience to four years, we are already seeing important progress toward this vision through our Nature’s Challenges’ National Science Challenge, progress associated with our on- focus on research excellence, deep national and international collaborations, and going commitment to Mātauranga Māori, partnership research between the public human capability development. and private sectors through community participation in seismic sensor deployment, and also the ‘Learning from Earthquakes’ programme as an example of international In our fourth Annual Report we highlight several world-class research stories, opportunities to study New Zealand as a natural earthquake laboratory. -
Katsura Imperial Villa: the Photographs of Ishimoto Yasuhiro
Art in the Garden Katsura Imperial Villa: The Photographs of Ishimoto Yasuhiro Winter 2011 Katsura Imperial Villa: The Photographs of Ishimoto Yasuhiro This exhibition celebrates one of the most exquisite Harry Callahan and Aaron Siskind. He received the magnum opus 1955 exhibition titled The Family of THE MA OF MODERNISM: THE BOX architectural and garden treasures of Japan— Moholy-Nagy Prize awarded to top students of the Man at the Museum of Modern Art, New York. CONSTRUCTIONS OF DANIEL FAGERENG Katsura Imperial Villa in Kyoto—and one of its finest Institute for two consecutive years in 1951 and 1952. The box constructions of Daniel Fagereng were on living photographers, Ishimoto Yasuhiro, whose In 1966, Ishimoto returned again to Japan, where he view in conjunction with the Katsura photography 1953 images of Katsura introduced this unrivalled In 1953, Ishimoto returned to Japan to photograph became a professor at the Tokyo University of Art exhibition. The artist reinterprets the elements and masterpiece to the world. Katsura Detached Palace, and published the and Design. In 1969, he became a Japanese citizen. book, Katsura: Tradition and Creation in Japanese He visited Kyoto again in 1982, re-photographing components of traditional Japanese architecture in Born in San Francisco in 1921, and raised in Japan, Architecture, in 1960 with text by Walter Gropius Katsura in color to capture his own personal these mixed media constructions using light, line, Ishimoto returned to the U.S. at the age of 17 to and Tange Kenzo, two of the greatest architects of the vision of the richer, more complex character of and shadow as compositional elements. -
The Book of Tea
THE BOOK OF TEA KAKUZO OKAKURA ORIGINAL EDITION Prepared by JULIAN TAI Amazing-Green-Tea.com Sussex, United Kingdom Real Tea Directly from the Source www.amazing-green-tea.com Page 1 of 75 Steal This eBook! Well, okay, not quite. But actually, you now own, absolutely free, resale, reprint and redistribution rights to this ebook! This book currently sells at Amazon.com for at least $9.95! What does that really mean? It means that you can sell this ebook for any price you'd like and you keep 100% of the profits...or you can use it as a free bonus and give it away on your site... or you can print out as many copies as you want... or you can send it as a file to your friends and family who might be interested in reading it. It's your choice. Ebook Distribution The only restriction is that you cannot modify the ebook or its contents in any way. The entire ebook must be distributed in full. If you enjoy reading this ebook, please consider sharing it with others, so that they too can start discovering their next great tea! To tell a friend, click http://www.amazing-green-tea.com/share-this-site.html Real Tea Directly from the Source www.amazing-green-tea.com Page 2 of 75 Contents Chapter 1: The Cup of Humanity 4 Chapter 2: The School of Tea 14 Chapter 3: Taoism and Zennism 24 Chapter 4: The Tea Room 36 Chapter 5: Art Appreciation 49 Chapter 6: Flowers 58 Chapter 7: Tea Masters 70 About Amazing Green Tea 75 Real Tea Directly from the Source www.amazing-green-tea.com Page 3 of 75 Chapter 1: The Cup of Humanity Tea began as a medicine and grew into a beverage. -
Delft University of Technology Tatami
Delft University of Technology Tatami Hein, Carola Publication date 2016 Document Version Final published version Published in Kyoto Design Lab. Citation (APA) Hein, C. (2016). Tatami. In A. C. de Ridder (Ed.), Kyoto Design Lab.: The tangible and the intangible of the Machiya House (pp. 9-12). Delft University of Technology. Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. TATAMI Inside the Shōkin-tei, located in the garden of the Katsura Imperial Villa. A joint of three tatami. Tatami Carola Hein Use of the tatami mat reportedly goes back to the 8th century (the Nara period in Japan) when single mats began to be used as beds, or brought out for a high-ranking person to sit on. Over centuries it became a platform that has hosted all facets of life for generations of Japanese. From palaces to houses, from temples to spaces for martial art, the tatami has served as support element for life. -
Japanese Gardens at American World’S Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan
A Publication of the Foundation for Landscape Studies A Journal of Place Volume ıv | Number ı | Fall 2008 Essays: The Long Life of the Japanese Garden 2 Paula Deitz: Plum Blossoms: The Third Friend of Winter Natsumi Nonaka: The Japanese Garden: The Art of Setting Stones Marc Peter Keane: Listening to Stones Elizabeth Barlow Rogers: Tea and Sympathy: A Zen Approach to Landscape Gardening Kendall H. Brown: Fair Japan: Japanese Gardens at American World’s Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan Book Reviews 18 Joseph Disponzio: The Sun King’s Garden: Louis XIV, André Le Nôtre and the Creation of the Garden of Versailles By Ian Thompson Elizabeth Barlow Rogers: Gardens: An Essay on the Human Condition By Robert Pogue Harrison Calendar 22 Tour 23 Contributors 23 Letter from the Editor times. Still observed is a Marc Peter Keane explains Japanese garden also became of interior and exterior. The deep-seated cultural tradi- how the Sakuteiki’s prescrip- an instrument of propagan- preeminent Wright scholar tion of plum-blossom view- tions regarding the setting of da in the hands of the coun- Anthony Alofsin maintains ing, which takes place at stones, together with the try’s imperial rulers at a in his essay that Wright was his issue of During the Heian period winter’s end. Paula Deitz Zen approach to garden succession of nineteenth- inspired as much by gardens Site/Lines focuses (794–1185), still inspired by writes about this third friend design absorbed during his and twentieth-century as by architecture during his on the aesthetics Chinese models, gardens of winter in her narrative of long residency in Japan, world’s fairs. -
Law Enforcement in Japan - Wikipedia, the Free Encyclopedia Law Enforcement in Japan from Wikipedia, the Free Encyclopedia
9/25/2014 Law enforcement in Japan - Wikipedia, the free encyclopedia Law enforcement in Japan From Wikipedia, the free encyclopedia Law enforcement in Japan is provided by the Prefectural Police under the oversight of the National Police Agency or NPA. The NPA is headed by the National Public Safety Commission thus ensuring that Japan's police are an apolitical body and free of direct central government executive control. They are checked by an independent judiciary and monitored by a free and active press. Japanese Police logo Contents 1 History 2 National Organization 2.1 National Public Safety Commission 2.1.1 National Police Agency 2.1.1.1 Police Administration Bureau Aichi Prefecture Toyota Crown police car 2.1.1.2 Criminal Investigation in the parking lot in the Expo 2005 Aichi Japan Before the South Korean pavilion. Bureau 2.1.1.3 Traffic Bureau 2.1.1.4 Security Bureau 2.1.1.5 Regional Public Safety Bureaus 2.1.1.6 Police Communications Divisions 2.1.1.7 Imperial Guard 3 Strength 4 Local organization 4.1 Prefectural Police 4.1.1 Kōban 5 Riot police 6 Special police http://en.wikipedia.org/wiki/Law_enforcement_in_Japan 1/20 9/25/2014 Law enforcement in Japan - Wikipedia, the free encyclopedia 6.1 Special judicial police officials (特別司法警 察職員) 6.1.1 Cabinet Office 6.1.2 Ministry of Justice 6.1.3 Ministry of Health, Labour and Welfare 6.1.4 Ministry of Agriculture, Forestry and Fisheries 6.1.5 Ministry of Economy, Trade and Industry 6.1.6 Ministry of Land, Infrastructure, Transport and Tourism 6.1.6.1 Coast Guard Officer (海上保 安官) 6.1.7 -
The Akamon of the Kaga Mansion and Daimyō Gateway Architecture in Edo1
AUTOR INVITADO Mirai. Estudios Japoneses ISSN-e: 1988-2378 http://dx.doi.org/10.5209/MIRA.57100 Painting the town red: The Akamon of the Kaga mansion and daimyō gateway architecture in Edo1 William H. Coaldrake2 Abstract: Built in 1827 to commemorate the marriage of the daimyō Maeda Nariyasu to a daughter of the shogun Tokugawa Ienari, the Akamon or ‘Red Gateway’ of the University of Tokyo, is generally claimed to be a unique gateway because of its distinctive colour and architectural style. This article uses an inter- disciplinary methodology, drawing on architectural history, law and art history, to refute this view of the Akamon. It analyses and accounts for the architectural form of the gateway and its ancillary guard houses (bansho) by examining Tokugawa bakufu architectural regulations (oboegaki) and the depiction of daimyō gateways in doro-e and ukiyo-e. It concludes that there were close similarities between the Akamon and the gateways of high ranking daimyō in Edo. This similarity includes the red paint, which, it turns out, was not limited to shogunal bridal gateways but was in more general use by daimyō for their own gateways by the end of the Edo period. Indeed, the Akamon was called the ‘red gateway’ only from the 1880s after the many other red gateways had disappeared following the fall of the Tokugawa shogunate. The expression ‘to paint the town red’ refers not only to the way the Akamon celebrated the marriage of Yōhime, but also more broadly to characterize the way many of the other gateways at daimyō mansions in the central sectors of Edo had entrances that were decorated with bright red paint. -
Houses and Gardens of Kyoto
houseskyoto and gardens of Photography by Akihiko Seki Text by Thomas Daniell Tuttle Publishing Tokyo • Rutland, Vermont • Singapore 2 houses and gardens of kyoto HGK_0Prelims_5.1z.indd 2-3 3/9/10 12:40:30 PM Published by Tuttle Publishing, an imprint of Periplus AUTHOR’S NOTE Editions (HK) Ltd., with editorial offi ces at 364 Innovation All Japanese names are given in Drive, North Clarendon, Vermont 05759 USA and 61 Tai the traditional order, with the Seng Avenue, #02-12, Singapore 534167 family name fi rst. As is Text copyright © 2010 Th omas Daniell customary, famous cultural Photographs copyright © 2010 Akihiko Seki fi gures are referred to by their All photographs by Akihiko Seki except given name, not their family Page 55—photo from istockphoto name. Traditional Japanese Photo on page 10 by courtesy of Urasenke/Tanko-sha. architecture is subject to an ongoing process of addition and All rights reserved. No part of this publication may be alteration, and it is oft en reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, impossible to defi nitively state recording, or by any information storage and retrieval when a particular building was system, without prior written permission from the completed. Many dates (birth, publisher. deaths, constructions, ISBN: 978-4-8053-1091-5 demolitions, and so on) are still debated among historians. In Distributed by each case, I have taken the most North America, Latin America & Europe commonly accepted date, or Tuttle Publishing that provided by the institution 364 Innovation Drive North Clarendon, VT 05759-9436 U.S.A. -
Zen Garden Case Study
“CONTEMPORARY LANDSCAPE APPROACH FOR A BUDDHISM TEMPLE.” BY NHI NGUYEN NARATIVE Buddhism is a faith that was founded by Siddhartha Gautama who is known as the Buddha more than 2,500 years ago. This is a major religion in East and Southeast Asia, but its influence is growing in the west. For the Buddhism follower, they don’t acknowledge a supreme God or Deity. They focus on achieving enlightenment - a state of inner peace and wisdom. The followers reach this spiritual echelon. Also, the Buddhists often meditate because they believe it helps awaken the truth. Zen is defined as a school of Mahayana Buddhism and is what lies at the core of Japanese culture. Zen meditation is a way of attentiveness and self-discovery which custom gives the experience of living from a second to a minute in the present. This is the way that Siddharta Gautama was enlightened and became the Buddha. Zen Buddhism is a concept or an idea. Zen gardens played a dominant role in their technique of contemplation and understanding . Zen garden (karesansui) is a Japanese rock garden which creates the landscape a miniature stylized landscape through carefully composed or arrangement of rocks, water feature, moss, prune trees and shrubs, sand, and gravel. They reflect on how essential the natural world is. The garden is an excellent idea for contemplatives to reflect on life and nature. Today, Zen garden is an urbanized world. They are presented in homes, libraries, offices, and schools around the world. CONTEMPORARY LANDSCAPE APPROACHED RESEARCH Name Desinger Size/Location Material Narrative Honshū Four Gods Protecting Mirei Shigemori The stone: 4-2-5-7 Inspired by an iwakura cliff rock formation on the Four Heaven ( arrangement instead the west side of the temple, he designed a Sekizo-ji / of the usual 3-5-7 garden for the gods. -
Roof Typology and Composition in Traditional Japanese Architecture
Roof Typology and Composition in Traditional Japanese Architecture I Introduction…………………………………………………………………...1 II Basic Roof Forms, Structures and Materials………………………………….3 II.1 Basic Roof Forms II.1.1 Kirizuma, Yosemune and Irimoya II.1.2 Combined Roofs II.1.3 Gable Entered (tsuma-iri) and Side Entered (hira-iri) II.2 Roof Trusses II.2.1 Sasu-gumi II.2.2 Wagoya II.2.3 Shintsuka-gumi II.2.4 Noboribari-gumi II.2.5 Combined Systems II.3 Roofing Materials II.3.1 Tile II.3.2 Thatch II.3.3 Wood: Planks, Shingle and Bark III Traditional Japanese Architecture III.1 Prehistoric and Antique Architecture………..………………………………11 III.1.1 Tateana Jukyo III.1.2 Takayuka Jukyo III.1.3 Nara Period Residences III.1.4 Menkiho III.2 Shinto Shrines……………………………………………………………….18 III.2.1 Shimei, Taisha and Sumiyoshi Styles III.2.2 Nagare and Kasuga Styles III.2.3 Later Styles III.3 Aristocrats’ Houses………………………………………………………….25 III.3.1 Shinden Style III.3.2 Shoin Style III.4 Common People Houses: Minka…………………………………………….29 III.4.1 Structure III.4.2 Type of Spaces III.4.3 Plan Evolution III.4.4 Building Restrictions III.4.5 Diversity of Styles III.4.5.1.1 City Dwellings, machiya III.4.5.1.2 Farmers’ Single Ridge Style Houses III.4.5.1.3 Farmers’ Bunto Style Houses III.4.5.1.4 Farmers’ Multiple Ridges Style Houses IV Relation Between Different Functional Spaces and the Roof Form………….48 IV.1 Type 1 ……………………………………………………………………..50 IV.2 Type 2 ……………………………………………………………………..67 IV.3 Type 3 ……………………………………………………………………..80 V The Hierarchy Between Functionally Different Spaces Expressed Trough the Roof Design………………………………………………………………….109 VI Conclusion……………………………………………………………..…….119 I- Introduction The purpose of this study is to analyze the typology and the composition of the roofs in Japanese traditional architecture. -
Title TOWARDS a DEFINITION of ANTONIN RAYMOND's
TOWARDS A DEFINITION OF ANTONIN RAYMOND'S "ARCHITECTURAL IDENTITY" : A STUDY BASED ON Title THE ARCHITECT'S WAY OF THINKING AND WAY OF DESIGN( Dissertation_全文 ) Author(s) GLOAGUEN, Yola Citation 京都大学 Issue Date 2008-03-24 URL https://doi.org/10.14989/doctor.k13809 Right Type Thesis or Dissertation Textversion author Kyoto University TOWARDS A DEFINITION OF ANTONIN RAYMOND’S “ARCHITECTURAL IDENTITY” -A STUDY BASED ON THE ARCHITECT’S WAY OF THINKING AND WAY OF DESIGN- アントニン・レーモンドの建築的アイデンティティの解読 －建築家の思考方法と設計方法の研究－ February 2008 YOLA GLOAGUEN ACKNOWLEDGEMENTS I would like to express my gratitude to the Japanese Ministry of Education 文部科 学省, and the Shadan-hōjin Kenchiku-gyō Kyōkai 社団法人建築業協会, for granting me the scholarships that allowed me to complete my doctor course at Kyoto University. I would like to thank Professor Takamatsu 高松 伸 and Takeyama 竹山 聖 of Kyoto University for accepting me in their laboratories, where I was able to carry out my research on Antonin Raymond. I would like to express my gratitude to Professor Monnai 門内 輝行 of Kyoto University for his moral and technical support, and to Professor Maeda 前田 忠直 for his advice and for accepting to be part of my jury. I would like to thank Raymond’s Architectural Design Office in Tokyo, for giving me access to their archives, in which I was able to find the invaluable material I needed for the analysis of Raymond’s residential designs. I would like to thank more particularly Matano Norisuke 的埜 教介 who provided precious assistance in the locating of the drawings that were relevant to my research and also for dealing with the practical matters of the drawings reproduction. -
Keydet Boxing Wins National Titles
wm ^^,)Sliii|k"Ka(r^ 6^ Run independently by cadets since 1907 $1.00 : ffSS::Eriaafe)VpriL Keydet Boxing Wins National Titles Todd Wilson, who won the competeion with a hrohen hand, recleves help from Tony Peters. Cadets work at the Habitat for Humanities site. By Shaun Jones saw one of its champion gional Championships national level. Cadets Wil fiUETOperations Manager boxers win his national title when his glove missed the son ’06, Osbome ’06, mid VMI Gives to the Commu tout witli a broken hand. body of a west point cadet The Keydet Box Petere ’04 each captiuv'd tlie Cadets Todd Wil md struck tlie other boxer’s ing Team ended tlieir most regional fii-st place title in nity During Corps FTX son and Tony Peters fin head, breaking tlie bones in successful sa ^ n of the ptist their weiglit cla.ss. Cadets By Margaret Smith Field Training Exercise ished as national champions Wilson’s hand. decade claiming two na- Fricke ‘05, Bodenheim ’04, (FTX) from April second in tlieir weight class, 1391b. The first step in CiifT News Writer tiomil titles ajid an overall Ginder ’04 advanced on as through the sixth, here at and 147 lb., respectively. tlieir toiunament took place team ranking of Fourth at second place finishers or Every year, those VMI and locations in the Tlie otlier team membei-s, at tlie regional champion the National Collegiate wild-cards. cadets not participating surrounding community, tliougli not individiuil cliiun- ships. There iu e tliree re Boxing Association Cham Their training be in a FTX with the Army, was a success from all pions, scored points which gions in the United Stiites, pionships in Reno, Nevada gan last September, two Navy, or Air Force De sides.