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Arts Backbone Vol 6 Issue 1.Indd ARTS BACKBONE Volume 6 Issue 1: March 2006 Alan Griffiths - Waringarri Arts, Kununurra Waringarri Dancers 1 & 2 © Waringarri Arts Photography Peter Eve Inside this issue... ANKAAA News • Alan Griffiths • Karen Dayman - Mangkaja Arts • Indigenous Artsworkers Conference 2005 • “Tayikuwapi” • Jean Baptiste Apuatimi • Waralungku Arts • Darwin Based ANKAAA Members • Cultural Strands / Woven Visions • Business Development • Richard Birrinbirrin • Daniel Walbidi of Yulparija Artists • Jilamara Arts • New Marketing Manager @ Tiwi Art Network • Anindilyakwa Arts • John Mawurndjul in Paris • Back Page News + Pull Out Exhibitions & Events Calendar www.aboriginalart.org ANKAAA News Art Centres endorsed at the AGM GPO BOX 2152 DARWIN in December 2005 – Yulparija NORTHERN TERRITORY Artists from Bidyadanga, WA, AUSTRALIA 0801 Laari Gallery in Yiyili Community Frog Hollow Centre for the Arts in WA and Anindilyakwa Arts 56 McMinn Street Darwin from Alyangula NT. Phone +61 (0) 8 8981 6134 Through the VACS funding Fax +61 (0) 8 8981 6048 support workshops and support email [email protected] 2006 is already shaping up to be for Art Centres and artists are www.ankaaa.org.au a busy and exciting for year for already underway. In February ANKAAA and the Art Centres. 2006 ANKAAA hosted Marissa www.aboriginalart.org Some of the highlights for Kingsley from Warmun Arts and All text & images are copyright the artist, ANKAAA include… Tina Hobbs from Mangkaja Arts Art Centres or ANKAAA (as indicated) for a week of work experience unless otherwise stated. ANKAAA Arts Vokili Shiell starting with ANKAAA and training in the ANKAAA Backbone is © ANKAAA 2006 as the Business Development office, thanks to Strategic The views & opinions expressed in this Officer to undertake the two Regional Partnership funding publication are those of the authors & do year DEWR supported Business through Country Arts WA. not necessarily reflect those of ANKAAA. Development project. Up to 27 Art Centres will benefit from In 2006 ANKAAA will be working ANKAAA is a non-profit incorporated working with independent closely with NAVA & Desart Aboriginal Association consultants to develop and in the development of the ANKAAA is proudly supported by: implement 3 year Business and “Indigenous Commercial Code Strategic plans incorporating of Conduct.” Tender submissions marketing and export initiatives. for this project have closed. All ANKAAA members will benefit from business development, ANKAAA will also be working management training and collaboratively with Desart, Ku assistance through this project. Arts & Umi Arts in developing an industry wide Art Centre ANKAAA will also collaborate operations manual. with Artback NT in the initial development of an ANKAAA We look forward to working with members touring exhibition, stay you and keeping you in the loop tuned for progress, its still early with news from the Art Centres days. and ANKAAA through the Arts Backbone. The ANKAAA Consumer Guide is now available in German and during 2006 will also be translated Pictured Above - Stephanie Hawkins, into French and Japanese. ANKAAA Manager & Djambawa Marawili, ANKAAA Chairperson Recruitment will commence in DCITA Staff with ANKAAA Staff & Executive March for the Kimberley Industry Members at the AGM in December 2005 Development Officer to now be based in Broome and the Katherine Industry Development Officer to now be based in the Darwin office. ANKAAA would like to welcome three new member Alan Griffiths Cathy Cummins - Waringarri Arts, Kununurra, W.A committed and extensive since Fellowship from West Australian he began pursuing this career Department of Culture and the as an artist in the mid 1980’s. Arts. Initially mapping his traditional The fellowship will give Alan the country Alan has extended his opportunity to devote his time imagery to recording aspects to producing new artworks in of his varied life as stockman, preparation for an exhibition at camel trek driver, dancer, the Darwin Festival in August teacher of traditional culture and this year. story teller. As part of his Fellowship activities Working primarily with the Alan will also participate in an traditional painted ochre artist-in-residency program at on canvas, Alan is also an Edith Cowan University Perth accomplished printmaker WA to work with Art Department Myamuk Ochre & Natural pigments on and a wood and boab carver. staff and students by sharing his canvas 2005 © Alan’s images range from ideas, his knowledge and his elegant depictions of “mapped” artistic practice. Alan Griffiths is a traditional elder traditional country to playful at Waringarri Aboriginal Arts. As and joyous celebrations of his Alan will also participate in a a senior lawman, artist, song- life and culture with images of residency at Northern Editions man and cultural leader he is the figurative presentations of - Charles Darwin University to committed to the presentation of dancers, camels trekking and further develop his printmaking images of cultural life that record stockyards of cattle recalling his skills and techniques in order to history and pass on knowledge years as a stockman. further explore the printmaking for future generations. medium. Alan has recently been awarded Alan’s art practice has been a Creative Development www.waringarriarts.com.au Karen Dayman Dallas Gold, RAFT Artspace - Darwin What happens to a person who some new blood to work with the has been the Arts Adviser at a fabulous Fitzroy mob. busy Art Centre for the past 15 years - is there life after Fitzroy Personally I will be sad to see Crossing? Is there anything Karen leave Mangkaja as I have to replace the intensity? Can gained some understanding one adapt to life outside the through Karen and her Art Centre? Can Will Stubbs at relationship with the artists. I Yirrkala beat the record? am convinced places like Fitzroy Crossing are the real centre, the For more than a decade Karen meeting place by the river where has handled the chaos that is stereotypical myths are blown Art Centre life with characteristic away, where disparate cultures grace and style and has played work at getting on. a part in confirming relationships to inspire confidence in the art, I admire the qualities of arts its connection to country and advisers and their mettle in promoting it’s significance in a acting as an intermediary global context. between two cultures. It will be Karen’s patience, generosity and It is with same grace that Karen, wisdom that will be missed at Karen at the KALACC festival after 15 years, steps aside for Mangkaja... 2005 Photograph by Peter Eve © ANKAAA ANKAAA Indigenous Artsworkers Conference 2005 In December 2006 over 60 artists Djambawa Marawili ‘Talking Strong’ & Artsworkers from almost 20 ANKAAA Chairperson, Australia communities across the Top Council ATSIA Board Member, End & WA attended the Annual Chairperson Buku Larrnggay Mulka, ANKAAA Indigenous Artsworkers Yirrkala 1994 - 2000, Artist, Community Leader Conference held at Charles Darwin Stephanie Hawkins ‘Opportunities for University. Artsworkers in the Industry’ - ANKAAA Don Whyte displaying bark strapping Manager On day one attendees visited Don Richard Birrinbirrin ‘Opening Whyte’s studio to look at framing, Exhibitions’ - ANKAAA Executive stretching & bark strapping Member, Bula’ bula Arts Chairman, techniques, the TNT Depot at Artist Darwin Airport & the Museum & Art Regis Pangiraminni ‘Talking at Garma Gallery of the Northern Territory Festival 2005’ - ANKAAA Executive, for “No Ordinary Place: the Art of Tiwi Art Network Chairperson 2004- David Malangi.” 2005, Artist Karen Mills ‘Artists’ Talks: Representing Day 2 was conference day on Yourself as an Artist’ - ANKAAA Public Officer, Darwin based Artist & Curator campus at CDU “Talking About Gary Lee ‘Talking to Audiences’ John Martin Tipungwuti ANKAAA Executives Talking.” ANKAAA Executive, Darwin Based Regis Pangiraminni from Munupi Artist, Curator, Writer Arts & Craft, Pirlangimpi and John Tony Duke ‘Networks & Networking’ Martin Tipungwuti from Jilamara Executive Officer, Art Back Arts & Crafts, Milikapiti were our Janice McEwen ‘Talking as Part of MCs. Marketing’ Top End Arts Marketing Like when I go ANKAAA strong. I became artist because meeting, they started from WA my father was artist. He knew. in Kimberley, they stretching to Now I’m artist today. the NT. I felt proud to talk in that I better go (I thought) and bring conference and to talk about different different pictures and my art and how I have been totems and stories to ANKAAA. opening exhibitions for my father We still paint from our country, and for Bula’bula artists. It was where we living. We talk to each really good to share that story other, sharing pictures, stories with everybody there. Thank and totems. you ANKAAA very much for the Djambawa Marawili & Tommy May opportunity. I support ANKAAA, really strong and they are growing really Richard Birrinbirrin, Bula’bula Arts During our ANKAAA meeting meeting and all the people in Darwin we got to meet from the Northern Territory and other people from different Art Kimberley. Centres. They shared a little about themselves and what We are looking forward for more they do at their Art Centre. We ANKAAA meetings in Darwin also went on a tour in Darwin. and to going on the exchange We went to see the gallery and program to see how another art saw different Aboriginal styles of centre works. painting. Marissa Kingsley and Marika We really enjoyed the ANKAAA Patrick, Warmun Art Centre Tiwi Design Story & images by Angela Hill Tiwi Design artists Cyril James the collaborative artistic process Kerinauia and John Patrick and sharing of Tiwi culture at the Kelantumama flew to Melbourne pottery shed at Tiwi Design. The recently to attend the opening works are hollow slab sculptures of “Tayikuwapi” (everyone) at decorated with underglaze Alcaston Gallery. C.J gave the in traditional body painting opening address and thanked designs. The sculptures are Beverly Knight for supporting representations of the creation the ceramic artists. The story figures, Tiwi birds and exhibition included 3-dimensional aspects of daily life such as a personal tour of the National ceramic sculptures by C.J.
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