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Nineteenth-Century Lunatic Asylums in South Australia and Tasmania (1830-1883)
AUSTRALASIAN HISTORICAL ARCHAEOLOGY, 19,2001 Convicts and the Free: Nineteenth-century lunatic asylums in South Australia and Tasmania (1830-1883) SUSAN PIDDOCK While most ofus are familiar with the idea ofthe lunatic asylum, few people realise that lunatic asylums were intended to be curative places where the insane were return to sanity. In the early nineteenth century a new treatment regime that emphasised the moral management of the insane person in the appropriate environment became popular. This environment was to be provided in the new lunatic asylums being built. This article looks at what this moral environment was and then considers it in the context ofthe provisions made for the insane in two colonies: South Australia and Tasmania. These colonies had totally different backgrounds, one as a colony offree settlers and the other as a convict colony. The continuing use ofnineteenth-century lunatic asylums as modern mental hospitals means that alternative approaches to the traditional approaches ofarchaeology have to be considered, and this article discusses documentary archaeology as one possibility. INTRODUCTION and Australia. In this paper a part of this study is highlighted, that being the provision of lunatic asylums in two colonies of While lunacy and the lunatic asylum are often the subject of Australia: South Australia and Tasmania. The first a colony academic research, little attention has been focused on the that prided itself on the lack of convicts within its society, and asylums themselves, as built environments in which the insane the second a colony which received convicts through the were to be bought back to sanity and returned to society. -
Tourism Snapshot Year Ending March 2020
Tourism Snapshot Year ending March 2020 1.31 M ► -1% Visitors ► 0% M ► -1% Interstate* Visitors 1,126,8 00 10.54 Visitor Nights Nights 8.16 m ► 0% Spend $2.08 b ▲ 3% B ► 1% % Share $2.52 Visitor Spend Origin Purpose Visitors to Tourism Regions International^ Visitors 254,400 ▼ -15% Spend m ▲ 7% North $523 698,700 % Share ► -2% East Coast 365,100 ▲ 4% Origin West by North West Image: Luke Tscharke 505,300 Tessellated Pavement, Eaglehawk Neck ▼ -3% South Percentage change refers to the same period in the previous year. 1,0 36,1 00 -1% *Source: Tasmanian Visitor Survey (TVS) ► ^Source: International Visitor Survey (IVS) Increase ▲ More detailed Tasmanian tourism statistics are available Steady (-2% to +2% change) ► at Tourism Tasmania’s corporate website at ▼ Decrease http://www.tourismtasmania.com.au/research. 1 Important update on data sources due to COVID-19 travel restrictions This Tourism Snapshot contains data for the year ending March 2020. These results have three key sources: the Tasmanian Visitor Survey (TVS), the International Visitor Survey (IVS) and the National Visitor Survey (NVS). Please note that these results include the impacts on travel behaviour from the recent Australian bushfire crisis and more recently the COVID-19 (novel coronavirus) pandemic. Data collection for the TVS and IVS involves face-to-face interviews with people leaving the state or country, which have now been ceased for safety reasons. The year ending March 2020 report will be the final TVS and IVS visitor data released until movement restrictions are lifted. The NVS data is collected from 100% mobile phone interviews, so will continue to be collected and reported. -
Voices of Aboriginal Tasmania Ningina Tunapri Education
voices of aboriginal tasmania ningenneh tunapry education guide Written by Andy Baird © Tasmanian Museum and Art Gallery 2008 voices of aboriginal tasmania ningenneh tunapry A guide for students and teachers visiting curricula guide ningenneh tunapry, the Tasmanian Aboriginal A separate document outlining the curricula links for exhibition at the Tasmanian Museum and the ningenneh tunapry exhibition and this guide is Art Gallery available online at www.tmag.tas.gov.au/education/ Suitable for middle and secondary school resources Years 5 to 10, (students aged 10–17) suggested focus areas across the The guide is ideal for teachers and students of History and Society, Science, English and the Arts, curricula: and encompasses many areas of the National Primary Statements of Learning for Civics and Citizenship, as well as the Tasmanian Curriculum. Oral Stories: past and present (Creation stories, contemporary poetry, music) Traditional Life Continuing Culture: necklace making, basket weaving, mutton-birding Secondary Historical perspectives Repatriation of Aboriginal remains Recognition: Stolen Generation stories: the apology, land rights Art: contemporary and traditional Indigenous land management Activities in this guide that can be done at school or as research are indicated as *classroom Activites based within the TMAG are indicated as *museum Above: Brendon ‘Buck’ Brown on the bark canoe 1 voices of aboriginal tasmania contents This guide, and the new ningenneh tunapry exhibition in the Tasmanian Museum and Art Gallery, looks at the following -
Submission by Music Tasmania
Parliamentary Inquiry into the Australian music industry : Submission by Music Tasmania Parliamentary Inquiry into the Australian music industry: Submission by Music Tasmania Introduction On behalf of Music Tasmania, thank you for the opportunity to provide input into the Parliamentary Inquiry regarding: Factors contributing to the growth and sustainability of the Australian music industry. Music is the soundtrack to the creative economy in Tasmania. Acts like ASTA, Striborg, Psycroptic, Monique Brumby, The Innocents, The Paradise Motel, The Wolfe Brothers, and Luca Brasi, are all part of a legacy of Tasmanian musicians who have a powerful impact on our national and international reputation. Local music festivals such as MONA FOMA, Dark MOFO, Party in the Paddock, and a festival called Panama, are gaining worldwide attention and putting Tasmania on the music map. Apart from their talent, the people working in the Tasmanian music sector are highly committed and resourceful in an environment where funding is scarce, paid opportunities limited, and the music marketplace is increasingly competitive and globalised. Some of the challenges faced by musicians are endemic to the nature of this evolving artform; others however, are more determined by the local music ecosystem in Tasmania. In August 2016, Music Tasmania, in partnership with APRA AMCOS and the Live Music Office, facilitated a statewide consultation to understand the challenges and opportunities facing the Tasmanian sector. The consultation involved face-to-face sessions with key stakeholders, -
Arts and Health Overseas Experience
Submission to Joint Select Committee Preventative Health Care Inquiry Strengthening the contribution that creativity makes to the health and wellbeing of Tasmanians An opportunity not to be missed! Closeknit” Beaconsfield Scarf Project. Beaconsfield District Health Service. Time to be creative network March 2013 Table of Contents Introduction and Time to Be Creative Network 3 How arts can benefit our health 4 Helping communities in times of crisis Building community Contributing to the healing process Creating a healing environment through the arts Caring for caregivers/health professionals Enriching the medical curriculum Effective Health Education/illness prevention Engaging with disadvantaged groups/sensitive health issues Tasmanian experience 6 Research and evaluation Partnerships with the private sector Partnerships with other levels of government National and overseas developments 8 National framework on Arts and Health Overseas experience Arts and a Preventative Health Care System 9 Recommendations 10 Letters of support 11 References 12 Attachments 1. Program can Creativity Save the Day conference 2. Letter from Jerril Rechter, CEO VicHealth, congratulations on the formation of the network 3. Arts and Health the evidence DHHS 4. Arts and Health a Guide to the Evidence, Arts and Health Foundation 5. Letters of support - - 2 Introduction- Time to be creative Network The TTBCN is please to have the opportunity to make a submission to this important inquiry. In considering the terms of reference the network has chosen to address the questions in this written submission but also requests of the committee the opportunity to “Let the Arts speak for themselves” in the form of a presentation. It is envisaged that the presentation will comprise of visual images of a variety of arts programs that has a positive impact on health and wellbeing and particularly include people who are adversely affected by the social determinants of health. -
Black and White Children in Welfare in New South Wales and Tasmania, 1880-1940
‘Such a Longing’ Black and white children in welfare in New South Wales and Tasmania, 1880-1940 Naomi Parry PhD August 2007 THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Parry First name: Naomi Abbreviation for degree as given in the University calendar: PhD School: History Faculty: Arts and Social Sciences Title: ‘Such a longing’: Black and white children in welfare in New South Wales and Tasmania, 1880-1940 Abstract 350 words maximum: When the Human Rights and Equal Opportunities Commission tabled Bringing them home, its report into the separation of indigenous children from their families, it was criticised for failing to consider Indigenous child welfare within the context of contemporary standards. Non-Indigenous people who had experienced out-of-home care also questioned why their stories were not recognised. This thesis addresses those concerns, examining the origins and history of the welfare systems of NSW and Tasmania between 1880 and 1940. Tasmania, which had no specific policies on race or Indigenous children, provides fruitful ground for comparison with NSW, which had separate welfare systems for children defined as Indigenous and non-Indigenous. This thesis draws on the records of these systems to examine the gaps between ideology and policy and practice. The development of welfare systems was uneven, but there are clear trends. In the years 1880 to 1940 non-Indigenous welfare systems placed their faith in boarding-out (fostering) as the most humane method of caring for neglected and destitute children, although institutions and juvenile apprenticeship were never supplanted by fostering. Concepts of child welfare shifted from charity to welfare; that is, from simple removal to social interventions that would assist children's reform. -
Review of the Tasmanian Arts Advisory Board and Screen Tasmania Advisory Board – Consultation Paper
This area is used for a longer descriptive document title. Review of the Tasmanian Arts Advisory Board and Screen Tasmania Advisory Board – Consultation Paper CONTENTS 1. INTRODUCTION ............................................................................................................. 1 2. REVIEW PRINCIPLES ..................................................................................................... 2 3. BACKGROUND ................................................................................................................ 3 4. CURRENT ARRANGEMENTS ........................................................................................ 5 4.1 TAAB and Screen Tasmania Advisory Board (STAB) .............................................. 5 5. RECOMMENDATION ..................................................................................................... 7 6. OVERVIEW– RECOMMENDED OPTION .................................................................... 7 7. SUMMARY....................................................................................................................... 11 Appendix 1 -Tasmanian Arts Governance Review ............................................................. 12 1. INTRODUCTION The arts and cultural sector is increasingly important to the Tasmanian community and economy. Culture, and the cultural sector, is a major contributor to the Tasmanian brand, particularly as Tasmania is increasingly being recognised as an attractive destination for tourists and for its cultural environment and -
Annual Report 2011-12
Annual Report 2011-12 Department of Economic Development, Tourism and the Arts Submission to Ministers Dear Ministers In accordance with the requirements of Section 36 of the State Services Act 2000 and Section 27 of the Financial Management and Audit Act 1990, I submit to you, for presentation to parliament, this report on the affairs and activities of the Department of Economic Development, Tourism and the Arts 1 2 3 4 for the financial year ended 30 June 2012. Separate reports will be presented to you by Tasmania 1 Lara Giddings MP 3 Scott Bacon MP Development and Resources, the Board of Tourism Tasmania Premier Minister for Tourism and the Board of Trustees of the Tasmanian Museum and Art Gallery in accordance with state legislation. Treasurer Minister for Hospitality Minister for the Arts Yours sincerely 2 David O’Byrne MP 4 Michelle O’Byrne MP Minister for Economic Development Minister for Sport and Recreation Minister for Innovation, Science and Technology Mark Kelleher Secretary Department of Economic Development, Tourism and the Arts October 2012 Department of Economic Development, Tourism and the Arts © State of Tasmania October 2012 ISSN 1837–9648 Disclaimer The information contained within the Annual Report 2011-12 is considered to be correct at the time of publication. Images used within this publication remain the property of the copyright holder. An electronic version of this report is available at www.development.tas.gov.au 2 :: Annual Report 2011-12 Contents 2 Submission to Ministers 37 Our activities 74 Financial statements 4 About this publication 59 People and culture 132 Photo credits and acknowledgements 5 Message from the Secretary 62 Supporting information 133 How to contact us 7 About us 69 Glossaries and index 3 :: Annual Report 2011-12 About this publication Each year the Department of Economic Development, Tourism and the Arts (department) is required by legislation to produce an annual report. -
Tasmanian Government's Submission
Tasmanian Government's submission Inquiry into the impact of the 2014 and 2015 Commonwealth Budget decisions on the Arts Document title 1 Introduction The Tasmanian Government welcomes the opportunity to contribute to the Senate Legal and Constitutional Affairs References Committee's inquiry into the impact of the 2014 and 2015 Commonwealth Budget decisions on the Arts. The Tasmanian Government recognises the importance of the cultural sector to the Tasmanian community and the economic value it brings to the State. Tasmania currently holds a unique place in the world’s imagination. Our culture, cultural sector and products, and expression are a major contributor to our brand, particularly as we are increasingly being recognised as an attractive destination for tourists and for our cultural environment and industries. This success is the product of work over many years, with the opening of MONA in January 2011 providing a significant boost in the State's development and profile, and the Tasmanian Government is actively working to continue to grow this vibrant sector and encourage more cultural experiences and events in the State. To remain competitive, Tasmania needs to build upon its current unique position through characteristics and capabilities that distinguish it from its competitors and acknowledge both its advantages and constraints – culture is one such attribute. As an island state, with a regionally dispersed population, our unique cultural ecology is somewhat delicate and the impact of changes in policy and funding can have a significant impact on our Arts community. The Tasmanian Government recognises this, and has committed to maintaining State-based funding for Tasmania Arts grant programs, despite challenging budget conditions. -
Print Cruise Information
Treasures of the South Australian coast and Tasmania From 12/16/2022 From Sydney Ship: LE LAPEROUSE to 12/23/2022 to Hobart, Tasmania Join us aboard Le Lapérouse for a wonderful new 8-day expedition cruise from Sydney to Hobart, to discover thenatural and cultural treasures of the south-eastern coast of Australia and Tasmania. After sailing out of Sydney and its beautiful harbour, you will set a course for the Jervis Bay area, in New South Wales. Renowned for its white-sand beaches bathed in turquoise water, this dynamic and creative region with a rich biodiversity is also a popular refuge for many birds. Next on your itinerary, Eden on the New South Wales South coast will reveal its long-associated history with whales and let you explore the region's stunning National Parks and scenic coastline. Reaching Maria Island in Tasmania, discover the region's history and extraordinary wildlife sanctuaries alongside your team of expedition experts. On the Tasman Peninsula, navigate the rugged coastline and spot the various local marine life including Australian Fur Seals, little penguins and whales, as well as explore the beautiful inland woodland and forests. Your voyage will end in Hobart, Australia's second oldest capital, your port of disembarkation. The information in this document is valid as of 9/25/2021 Treasures of the South Australian coast and Tasmania YOUR STOPOVERS : SYDNEY Embarkation 12/16/2022 from 4:00 PM to 5:00 PM Departure 12/16/2022 at 6:00 PM Nestled around one of the world’s most beautiful harbours,Sydney is both trendy and classic, urbane yet laid-back. -
The Gardens and Culture of Melbourne and Tasmania, Australia
The Gardens and Culture of Melbourne and Tasmania, Australia October 24 to November 8, 2016 Escorted by Peter Olin Melbourne sits on the Yarra River, around the shores of Port Phillip Bay. Lauded for its sense of style and elegance, Melbourne boasts glamorous festivals and events, Australia's best shopping, a lively pas- sion for eating and drinking, and a flourishing interest in the arts. Restored and preserved nineteenth- century architecture, built following the discovery of gold, provides a heady reminder of a prosperous age, while beautifully tended parks and gardens present a therapeutic respite from the pace of city life. Tasmania is an island of spectacular coastlines, tall forests, rugged highlands, sunny beaches and wild rivers. There are vibrant cities, sleepy country towns, and picturesque fishing villages. With four distinct seasons and a mild, cool climate, Tasmania is well-suited to gourmet food production. Almost half of Tasmania’s land mass is protected in World Heritage Areas, national parks, and marine and forest reserves. Tasmania's protected, natural environment and soft, southern light attract artists and crafts makers from around the world, generating a dynamic, creative artistic and cultural scene. Call Carlson Wagonlit Travel at 763-852-8162 for more information and to register. About the Tour Join the Minnesota Landscape Arboretum and Peter Olin to explore the natural beauty, gardens, history, culture and culinary delights of Melbourne and Tasmania. The adventure starts with four nights in Melbourne. Here you will have time to explore this vibrant city and explore the charming coastal villages while on your way to visit the private and public gardens of the Mornington Peninsula and Mount Macedon. -
NOTES on the TASMANIAN "BLACK WAR" 1827 • 1830 [By J
495 NOTES ON THE TASMANIAN "BLACK WAR" 1827 • 1830 [By J. C. H. GILL, B.A., LL.B.] (Read to a meeting of The Royal Historical Society of Queensland on 23 May 1968.) (AU Rights Reserved) The Tasmanian Aboriginal, in general, and my topic, in particular, have an extensive bibliography and much archival material is also avaUable in the State Archives of Tasmania and in the Mitchell and Dixson Collections in the PubUc Library of New South Wales. James Bonwick (in 1870), J. E. Calder (1875) and C. TumbuU (1948) aU wrote accounts of the Black War con jointly with an account of the extirpation of the Tasmanoids.* It is obvious that to cover the subject properly one would require 900 pages instead of the 9,000 words to which I am Umited. Furthermore, unlimited time to research amongst archival material would be needed and research of this nature has not been possible at all. However, before Bonwick's work in 1870 there had already been written a number of Histories of Tasmania, as you will note from my own bibliography. MelvUle and Bischoff are virtuaUy contemporary with the topic and West little more than twenty years after the event. With these as my principal sources for the events of 1827-1830 I have sought briefly to recapitulate the sad story from its sorry beginning to its tragic aftermath with some observations on possible causes and effects. AN ENIGMA The Tasmanian aborigines, like all extinct peoples, must remain perforce something of an enigma, despite the fact that the last of them died within living memory.