2014 Festival Brochure

Total Page:16

File Type:pdf, Size:1020Kb

2014 Festival Brochure Celebrating the Blues 2 days featuring 8 more days featuring Plus: healdsburgjazz.org AN EVENING OF JAZZ ON FILM WITH ARCHIVIST MARK CANTOR Co-Produced by Healdsburg Jazz and Smith Rafael Film Center SUNDAY, MAY 18 • SMITH RAFAEL FILM CENTER 1118 Fourth Street, San Rafael 6PM FILM AND Q&A 8PM Wine and Music Reception with PIANO JAZZ by KEN COOK Ticket Cost: Discount for current members of CFI and Healdsburg Membership Card required Film & Q&A: $15/$12 for members Film, Q&A and Reception: $25/$20 members Advance tickets online at cafilm.org or at the Rafael Box Office Film archivist extraordinaire Mark Cantor returns this year for a Healdsburg Jazz Festival tune-up,“Jazz Night at the Movies” at the Smith Rafael Film Theater in San Rafael. There could be no better way for festival goers seeking a little (or a lot) of history about the great American art form Healdsburg Jazz presents every year than by attending a screening by Mark. His collection of jazz film clips is over 4,000 strong, including all the greats from most genres of jazz, blues and jazz dance: Dizzy, Tatum, Ella, Bird, Trane, Satchmo, Billie— you name it. Mark will have words to say about each of the clips he screens, and afterward viewers are invited to chat with him during a music and wine reception with Ken Cook on piano. Ticket sales and seat reservations secured by credit card available by phone only. Adults $25, must be accompanied by a child. Student seats must be reserved by credit card. 707.433.4644, M-F 11-4. A great friend of the Healdsburg Jazz Charles and Zakir’s band Sangam knows how Festival, saxophone sage Charles Lloyd well the saxophone and tablas match up. returns on June 8 in collaboration with tabla At the workshop the musicians will discuss legend Zakir Hussain and dancer Antonia the instruments’ mechanisms and histories Minnecola to present a free interactive and demonstrate how versatile they are in workshop geared for children called cross-cultural projects, including working “Common Ground.” The special event is with dancers like Antonia, who is one of free to children grades K-12, and $25 for American’s leading exponents of kathak, the adults, who must be accompanied by at rhythmic and expressive dance of North India. least one child. Anyone who has listened to FUNDED IN PART BY THE CITY OF HEALDSBURG. BOARD OF DIRECTORS Jessica Felix ARTISTIC DIRECTOR VICE CHAIR Rollie Atkinson CHAIR Edward Flesch SECRETARY A C M OU O N N T Dennis Abbe O Y S LIF CA ORN TREASURER IA REPUBLIC AGRICULTURE INDUSTRY RECREATION Randy Coleman Roy Gattinella Gloria Hersch Loretta Rosas HONORARY MB BOARD MEMBERS Elizabeth Candelario Frank Carrubba Doug Lipton Circe Sher Pamela Watson, CPA Background color - do not use GENERAL COUNSEL James DeMartini PROGRAM NOTES David Rubien City of Healdsburg DESIGN Project AHIMSA Ranch7 Creative Community Foundation Sonoma County Healdsburg Area Fund FESTIVAL PHOTOS Healdsburg Rotary Club Curtis Thomson Healdsburg Sunrise Rotary Club George Wells Kiwanis Club of Healdsburg COVER PHOTOS Tompkins/Imhoff Family Fund James Radke Steinway Pianos PRINTING provided by Barlow Printing HEALDSBURG JAZZ PRE-FESTIVAL CONCERTS At last year’s Healdsburg Jazz Festival, bassist Marcus Shelby—a composer of Ellingtonian sweep and ambition— enacted his suite Soul of a Movement: Meditations on Dr. Martin Luther King, Jr. with a 16-piece jazz orchestra and 100+ strong HJF Freedom Jazz Choir created especially for the festival with help from a grant provided by the James Irvine Foundation. This year, Shelby plans to repeat the magic on another of his suites, Harriet Tubman, Bound for the Promised Land. As with last year, the project is “about using music as a unifying force,” according to Jessica Felix, founder and creative director of the Healdsburg Jazz Festival and the project. “We want to involve Sonoma County’s diverse population by offering direct performance opportunities for participants to work alongside professional musicians, creating a profound cultural experience and fostering cooperation and understanding while expanding awareness and access to jazz.” The singers will get coaching from Shelby and singer Tiffany Austin. Adam Ivey, director of Santa Rosa’s Joyous Noise Community Baptist Church Ensemble, has been commissioned to compose two pieces for the ensemble. The dynamic Ms. Faye Carol will once again contribute her soulful MARCUS SHELBY ORCHESTRA vocals. When released on disc in FEATURING FAYE CAROL 2007, Bound for the Promised Land and the HJF FREEDOM JAZZ CHOIR proved a landmark effort. Combining performing modern jazz, soul and spirituals, it richly evoked the life of the escaped slave and abolitionist. With close to 100 singers telling her story in Healdsburg, transcendence is practically guaranteed. 2014 SCHEDULE FRIDAY 5/30 MONDAY 6/2 CONT. FRIDAY 6/6 CONT. Marc Cary “Tribute to Mission Gold Jazz Band and Walter Savage Bucket List Abbey Lincoln” New Horizon Stompers HOTEL HEALDSBURG LOBBY HEALDSBURG SHED COSTEAUX BAKERY & CAFÉ 25 Matheson Street 25 North Street 417 Healdsburg Avenue 9PM-Midnight | No Cover 7PM & 9PM | $25 7PM | $30 (includes cookie) Pre-Concert Dinners at 5:30 and 7:30 SATURDAY 6/7 Reservations required TUESDAY 6/3 Benny Barth Trio Groovemasters w/Rhonda Benin SEASONS OF THE VINEYARD SUNDAY AM 6/1 HEALDSBURG PLAZA 113 Plaza Street Blues Brunch with Guy Davis 6-8PM | Free 4-6PM | No Cover DAVIS FAMILY VINEYARDS Carlitos Medrano & Meet the Vintners 52 Front Street Sabor de Mi Cuba ERICKSON FINE ART GALLEY 11AM | $20 PARTAKE BY K-J 324 Healdsburg Avenue SATURDAY 5/31 241 Healdsburg Avenue 4-6PM | No Cover SUNDAY 6/1 8-10PM | Reservations recommended Ron Carter Quartet plus the “Celebrating the Blues” WEDNESDAY 6/4 Healdsburg High Jazz Band 2 days featuring Charlie Musselwhite Mads Tolling Quartet RAVEN THEATER JACKSON THEATER SPOONBAR 115 North Street 4400 Day School Place, Santa Rosa 219 Healdsburg Avenue 7:30PM | $75 | $55 7:30PM | $75 | $55 | $45 7:30-10:30PM | No Cover Reserved Seating Reserved seating. Dinner reservations recommended Lorca Hart Trio SAT. DAY 1, BLUES MEETS JAZZ THURSDAY 6/5 HOTEL HEALDSBURG LOBBY 25 Matheson Street Set 1: “Blues on the Porch” Marcus Shelby Orchestra 9PM-Midnight | No Cover Musselwhite, Elvin Bishop, Guy Davis & the HJF Freedom Jazz Choir Set 2: “Continental Drifter” RAVEN THEATER SUNDAY 6/8 John Santos y Sus Soneros, with 115 North Street Charles Lloyd & Zakir Hussain Charlie Musselwhite 7PM | $20 Interactive Workshop SUN. DAY 2, JAZZ MEETS BLUES FRIDAY 6/6 RAVEN THEATER Set 1: Joshua Redman Quartet with 115 North Street Smith Dobson Quartet guest Charlie Musselwhite 11AM | K-12 Free PARTAKE BY K-J Set 2: Charlie Musselwhite Band with Adults accompanied by child $25 241 Healdsburg Avenue Joshua Redman Purchase & reserve: 707.433.4644 5-7PM | Reservations recommended Poncho Sanchez Latin Jazz Band MONDAY 6/2 Bill Charlap & Renee Rosnes Duo Claudia Villela Trio Jazz and Wine Dinner With very special guest RODNEY STRONG VINEYARDS Kai Devitt-Lee Trio Bobby Hutcherson 11455 Old Redwood Highway DRY CREEK KITCHEN RAVEN THEATER 3PM, gates open at 2PM 317 Healdsburg Avenue 115 North Street $65 Shaded Chairs | $45 Lawn 7-10PM | Reservation recommended 7:30PM | $65 | $45 Reserved Seating TO PURCHASE TICKETS ONLINE: healdsburgjazz.org PHONE: 24/7 ticket hotline 800.838.3006 WALK-IN: Levin & Cº., 306 Center St., Healdsburg No service fees for cash and checks. All credit card sales will include service fees. TICKETS ARE ON SALE AT THE VENUES ON THE DAY OF THE EVENT, SUBJECT TO AVAILABILITY. JUNE blues brunch SUN 1 G U Y DAV IS Davis Family Vineyards | 52 Front Street | Healdsburg 11:00am | $20 | Brunch Vendor TBA Healdsburg Jazz & Wine Club Event: Wine Club Members receive one free ticket and a glass of wine. Non-members welcome. Guy Davis may be from Hopkins, Robert Johnson Yorker, son of actors Ruby New York City, but when and Taj Mahal. After Dee and Ossie Davis, has you hear him play the joining Healdsburg Jazz won a Blues Album of guitar you are instantly Festival honoree Charlie the Year award and was transported to the Deep Musselwhite and Elvin nominated nine times South, creekside. In Bishop for a “Blues on for W.C. Handy awards. his slick fingerpicking the Porch” set May 31, As an artist who not only and raspy vocals, Davis Guy will do a solo Blues embraces the bygone brings to mind a host of Brunch the following rural blues but re-creates country blues artists, like morning at Davis Family it, Guy is as invaluable Charley Patton, Lightnin’ Vineyards. This New as he is entertaining. marc cary solo & trio M AY TRIBUTE TO ABBEY LINCOLN FRI 30 Healdsburg SHED | 25 North Street | Healdsburg 7:00pm & 9:00pm | $25 | Pre-concert dinners at 5:30 & 7:30 Pre-Concert Dinners 5:30 and 7:30 | Reservations required: 707-431-7433 Reserved concert seating for ticket holders with dinner reservations. Jazz tends to be an mostly of his solo piano, than they do on the CD, extroverted type of but on a few numbers just as they don’t sound on music. Musicians create he will be joined by the CD the way he played and then push the two highly sympathetic them when he was in her sounds out dynamically. players, David Ewell band. Improvisation, of Occasionally, though, on bass and Howard course, is supposed to artists show up who Wiley on drums guarantee that live jazz doesn’t repeat itself. have the gift of letting By the time Marc released But there’s a formality everything come to For the Love of Abbey, his to that concept that has them.
Recommended publications
  • APFJ-June 08.Pub
    A P A PLACE FOR JAZZ O R June 2008 Editor: Tim Coakley WEBSITE: HTTP://WWW.APLACEFORJAZZ.ORG—UPDATED DAILY Enjoy Summer, then swing into Fall by Tim Coakley There will be plenty Bassist Ben Allison Please join us of jazz to enjoy this summer, has been called an adventur- In the back of the and inside this newsletter you ous improviser and a visionary newsletter you will find a will find information on a composer by Jazz Times. His ticket order form for the fall VOLUNTEER HELP number of jazz concerts and 2004 CD "Buzz" was number concert series, as well as a WANTED festivals scheduled in the one on national radio charts membership signup form. As Capital Region for June, July for 6 weeks. On October 10, always, we depend on the and August. his quintet, which he calls generous support of our We need help: Once September Man Size Safe, will give us a members to keep the music With publicity: distributing fliers and rolls around, we will be get- chance to sample his unique coming. Your membership posters ting ready for our fall season approach. As for what the now will help us as we make name of the group means, Writing music reviews for the newsletter of jazz, to be held in the our way into the fall season, acoustically superb Great Hall you'll have to attend the con- and will also ensure that we Greeting people and handing out pro- of the First Unitarian Society cert to find out! can begin planning just as grams at the concerts of Schenectady.
    [Show full text]
  • Winter 2019 Director’S Column
    WINTER 2019 DIRECTOR’S COLUMN If you’ll pardon a personal memory, I remember people who studied households, hearing a short news piece on the radio in, it had to have work and leisure, popular reli- been 1972, when I was twelve. It started, “And here’s a story gion, and what some French you may be hearing more about.” Of course it was about the scholars were calling mental- break-in at Democratic headquarters at the Watergate Hotel. ités. Avoiding kings, queens, For the next year and a half, I heard and read a lot and presidents, this was scholarship about things that more about that story. As a kid who wanted to be a mattered to me, especially in wake of how Watergate serious person, I was a fan of politics and political encouraged me to doubt not just the self-righteousness history as much as baseball, and I knew the names and but the very importance of the powerful. I could have parties of all of the presidents and their vice presidents, taken an alternative approach, writing for example, about who ran against them, and some of the major issues of Watergate and southern history (and now that sounds like their presidencies. As a twelve year old, that’s what I an intriguing conference), but in the 1980s my first US assumed history was. So I followed the Watergate news history survey classes rarely said much about presidents as I followed baseball, every day and with great detail. If and people like them. there had been box scores or trading cards for politicians, Pretty quickly there were scholars challenging parts I would have read and collected them.
    [Show full text]
  • Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
    1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
    [Show full text]
  • Acoustic Blues Festival Port Townsend Jerron Paxton, Artistic Director
    Summer FeStival Schedule CENTRUM creativity in community Fort Worden State Park, Port Townsend July 31–auguSt 7 ACOUSTIC BLUES FESTIVAL PORT TOWNSEND Jerron Paxton, Artistic Director Corey Ledet Supplement to the July 22, 2015 Port Townsend & Jefferson County Leader summer at centrum Hello friends! It is a great pleasure to welcome you all to this Welcome to Centrum’s year’s acoustic blues festival! I have been fortunate to have rd spent the last eight of my 27 years teaching at Centrum. 43 Summer Season! Growing with and learning from this festival has been one of the biggest pleasures of my life. Being made artistic director In partnership with Fort is a great honor. Worden State Park, Centrum serves as a We have plenty of friends and faculty eager to help this year gathering place for creative and it is a safe bet that it’s going to be a hoot. We’re glad you are here to join us! artists and learners of all Blues and the culture surrounding it has been a part of my life since the ages seeking extraordinary beginning. My forebears came from the plantations of Louisiana and Arkansas cultural enrichment. bringing their culture and music with them and instilling it in me. The both OUR MISSION is to foster creative experiences lively and lowdown music that was the soundtrack of their lives should not be that change lives. From exploring the roots of preserved as an old relic, but be kept as alive and vibrant as it was when it was in the blues or jazz, to the traditions of American its heyday.
    [Show full text]
  • Seeger Sings Again (In Canada)
    Seeger Sings Again (In Canada) Lorne Brown They were the most eagerly sought after tickets. No sin” Guy Davis, son of actor/activists Ossie and Ruby advance publicity, no media release, no advertise- Davis. ments. Good old-fashioned word of mouth (or maybe Already Hugh’s Room was filling up with di- word of email) and magically the news spread: “Pete ners. People waited in line, some carrying banjos, Seeger’s singing in Toronto! Pass it on!” “He’s sing- which I thought strange. Turns out they were hoping ing in Hugh’s Room with his grandson! Pass it on!” Pete would sign them after the show. He didn’t; he Now how on earth could this happen? Mr. Seeg- went up one flight of stairs to the green room and er is 89 years old and vowed some years ago that his down another and out the door to his van. Eventually touring days were over. “I’m so busy at home with we got seated at Bram Morrison’s table, a table for chores, answering mail, that I never think of leaving nine directly in front of the stage. Unfortunately, the [Hudson] valley,” he said, “My banjo’s hanging Bram and Ruth were unable to attend, but Sharon on the wall and if anyone visits I can take it down Hampson and her daughter were there, along with and play it.” As usual, Pete is being too modest. other friends and relatives. Larry, a tablemate, said People dropping in include the Boss himself, Bruce that Pete Seeger was just ahead of him when he came Springsteen, who made a recording with Pete.
    [Show full text]
  • Downbeat.Com April 2011 U.K. £3.50
    £3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz,
    [Show full text]
  • Azzschool at C ALIFORNI a J a Z Z CON SERVATORY
    the azzschool at C ALIFORNI A J A Z Z CON SERVATORY 2019 FALL CATALOG CLASSES • WORKSHOPS • CONCERTS “The California Jazz Conservatory Contents is an exceptional institution, fostering the next generation of artists and educators, INTRODUCTION ADULT VOCAL CLASSES (continued) many on the cutting edge, CJC Concert Series 2 Composition 28 performing, composing, The California Jazz Conservatory 4 Young Singers 28 teaching and touring The Jazzschool at CJC 6 Vocal Mentor Program 29 throughout the world.” ADULT VOCAL WORKSHOPS Dr. Jeff Denson ADULT PERFORMANCE ENSEMBLES Dean of Instruction, CJC Vocal Workshops 30 Jazz 8 Funk 12 Brazilian 12 YOUNG MUSICIANS PROGRAM World 13 Introduction 35 Latin 13 Program Requirements 35 Blues 13 Placement and Audition Requirements 36 ADULT INSTRUMENTAL CLASSES Large Performance Ensembles 37 Small Performance Ensembles 40 Piano and Keyboards 14 Voice 41 Guitar 17 Bass 1 9 Drums and Percussion 20 WORKSHOPS Saxophone 20 For all instruments and voice 4 2 THEORY, IMPROVISATION AND INFORMATION COMPOSITION CLASSES Monterey Jazz Festival Partnership Theory 21 for Excellence in Jazz Improvisation 21 Performance and Education 38 Composition 21 Jazzschool Faculty 53 Board and Staff 60 ADULT VOCAL CLASSES Instructions and Technique and Musicianship 22 Application Form 62 Performance 23 Map 63 Ensemble Singing 26 Support 64 Blues 27 Latin 27 IMPORTANT INFORMATION Dr. Jeff Denson is just • Fall Performance Series takes place 12/9 – 12/15. one of the reasons the California Jazz Conservatory Many opportunities fill early, so sign up now! Visit cjc.edu for current information, as schedules are subject to change. For the latest news from CJC, sign up for succeeds in transforming In a Musician, Out an Artist! our monthly mailed Postcard Calendar and our E-Newsletter at cjc.edu! musicians into artists.
    [Show full text]
  • De 4001 0 13491 40012 9
    DE 4001 0 13491 40012 9 JOE WILLIAMS: nothin’ but the blues with Red Holloway & His Blues All-Stars Joe Williams, vocals Red Holloway, leader & tenor sax Eddie Cleanhead Vinson, vocal & alto sax Jack McDuff, organ & piano Phil Upchurch, guitar Ray Brown, bass Berryck King, drums 1. Who She Do (J. Williams/BMI) 5:15 2. Just A Dream (B. Broonzy/BMI) 4:44 3. Hold It Right There 2:42 (E. Vinson/BMI) 4. Please Send Me Someone To 5:11 Love (L. Fulsom/BMI) 5. Going To Chicago Blues 4:48 (Rushing & Basie/ASCAP) Ray Brown With Joe Williams 6. Ray Brown’s In Town 3:51 (R. Holloway/BMI) 7. In the Evening/Rocks In My Bed 6:55 (L. Carr/ASCAP/D. Ellington/ASCAP) 8. Alright, OK, You Win 4:41 Produced by Ralph Jungheim (Wyche & Watts/BMI) Executive Producer: Amelia Haygood Associate Producer: Phyllis Bernard 9. Mean Old World/Wee Baby Blues 7:34 Recording Engineer: John Eargle JVC Digital Process: CMS Digital (A. Frazier/BMI/Turner & Johnson/BMI) Recorded at Annex Studios, Hollywood, CA, No - vember 16&17, 1983 10. The Comeback (A. Frazier/BMI) 5:03 Cover Photo: Mary Ellen Webster B & W photos: Ray Avery 11. Tell Me Where To Scratch 5:04 Album notes interview: Devra Hall Design: Tri-Arts, Inc. (J. Williams/BMI) 12. Sent For You Yesterday 3:29 0 N 1983 Delos Productions, Inc., (Basie, Rushing & Durham/ASCAP) P.O. Box 343, Sonoma, California 95476-9998 (800) 364-0645 • (707) 996-3844 • [email protected] Made in USA • www.delosmusic.com According to Joe… Enthusiasm coming from every pore! That’s how I’ve felt about this album, right from the first day, when Ralph Jungheim hit me with the idea of doing an all-blues album with an all-star blues band.
    [Show full text]
  • Ben Harper and Charlie Musselwhite Nightclub
    Ben Harper And Charlie Musselwhite Nightclub Posts about Carole King written by thedailyrecord. Mostrando entradas con la etiqueta Ben Harper. “It was heartwarming, because there’s a genuine affection for the Belly Up and the artists are able to support the club with these albums. Bobby Johnson - Get Up and Dance (2013) Funk, R&B, Soul | 320 kbps | MP3 | 148. We were so pleased to recieve the message that […] Do you like it? 16. Their first album, 2012’s Get Up! , spurred, at least in my mind at the time, comparisons to other blues and jazz artists such as John Lee Hooker and Muddy Waters. It’s the coolest makeover on the record, enigmatic and slinky as its originator. El llegendari músic va pensar que tots dos havien de tocar junts. Su destino Hamburgo, donde todavía vive con ochentaytantos años. Protoje, 9 p. 15 Dec 2019 - New at #TopMusic 7 days (15 Dec): 'The Way It Used To Be' by Trent Reznor & Atticus Ross; 'Nightclub' by Ben Harper & Charlie Musselwhite;. Download Ben Harper With Charlie Musselwhite "Get Up!" Now:iTunes: http://smarturl. Ben Harper & Charlie Musselwhite "When I Go": When I leave here I'll have no place to go And it's much too late to change my name I'm gonna take y. 08/03/2018 - Ben Harper & Charlie Musselwhite @ The Gothic Theatre - Englewood, CO Ben Harper & Charlie Musselwhite played the Gothic Theatre off Broadway to a sold out crowd last night. Get Up! is an album by the American musicians Charlie Musselwhite and Ben Harper , their twenty-ninth and eleventh album, respectively.
    [Show full text]
  • The 2017 NEA Jazz Masters Tribute Concert Honoring the 2017 National Endowment for the Arts Jazz Masters
    4-3 NEA JAZZ.qxp_WPAS 3/24/17 8:41 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN, Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 3, 2017 at 7:30 The Kennedy Center and the National Endowment for the Arts present The 2017 NEA Jazz Masters Tribute Concert Honoring the 2017 National Endowment for the Arts Jazz Masters DEE DEE BRIDGEWATER IRA GITLER DAVE HOLLAND DICK HYMAN DR. LONNIE SMITH Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-3 NEA JAZZ.qxp_WPAS 3/24/17 8:41 AM Page 2 THE 2017 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts KENNY BARRON, NEA Jazz Master DAN MORGENSTERN, NEA Jazz Master GARY GIDDINS, jazz and film critic JESSYE NORMAN, Kennedy Center Honoree and recipient, National Medal of Arts The 2017 NEA JAzz MASTERS Performances by PAQUITO D’RIVERA, saxophone LEE KONITz, alto saxophone Special Guests Bill Charlap, piano Sherrie Maricle and the Theo Croker, trumpet DIVA Jazz Orchestra Aaron Diehl, piano Sherrie Maricle, leader and drummer Robin Eubanks, trombone Tomoko Ohno, piano James Genus, bass Noriko Ueda, bass Donald Harrison, saxophone Jennifer Krupa , lead trombonist Booker T.
    [Show full text]
  • Arturo Sandoval Band Poncho Sanchez Latin Band
    ARTURO SANDOVAL PONCHO SANCHEZ BAND LATIN BAND A protégé of the legendary jazz master If music were about pictures, percussionist Dizzy Gillespie, ARTURO SANDOVAL PONCHO SANCHEZ’s music would was born in Artemisa, a small town in the best be described as a kaleidoscopic swirl outskirts of Havana, Cuba, on November of some of the hottest colors and brightest 6, 1949, just two years after lights to emerge from either side of the Gillespie became the first border. At any given show, on any given musician to bring Latin record, fragments of Latin jazz, swing, bebop, influences into American salsa and other infectious grooves collide Jazz. Arturo has since evolved and churn in a fiery swirl, with results that into one of the world’s most are no less than dazzling. acknowledged guardians of jazz trumpet and flugel horn, Sanchez grew up in a suburb of L.A., where as well as a renowned classical he was raised on an unusual cross section artist, pianist and composer. of sounds that included straightahead jazz, Latin Sandoval is one of the most jazz and American soul. By dynamic and vivacious live performers his teen years, his musical of our time, and has been seen by consciousness had been millions at the Oscars performing with solidified by the likes of John Celine Dion, at the Grammy Awards with Coltrane, Miles Davis, Cal Justin Timberlake and in his own right Tjader, Mongo Santamaria, as a leader. He also performed at the Wilson Pickett and James Billboard Awards with Alicia Keys. He has Brown. Whatever the genre, been awarded 9 Grammy Awards, and the mesmerizing array of nominated 17 times; he has also received 6 sounds and colors from Billboard Awards and an Emmy Award.
    [Show full text]
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]