DOCSLIB.ORG

Key Distribution Partners in China 2017/2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Key Distribution Partners in China 2017/2018 TOURISM AUSTRALIA’S KEY DISTRIBUTION PARTNERS IN CHINA 2017/2018 ORGANISATION NAME WEBSITE CITY CONTACT PHONE EMAIL EAST CHINA Shanghai Ctrip Commerce +86 21-3406 www.ctrip.com Shanghai Edison Chen [email protected] Co.,Ltd 4880*11435 Shanghai Airlines Tours International (Group) Co., www.satrip.com Shanghai Shen Wei +86 21-22832289 [email protected] Ltd Shanghai Jinjiang Travel +86 21- www.jjtravel.com Shanghai Zhu Tingting [email protected] Holding Co., Ltd 54662525*366 Shanghai China Travel www.ctish.cn Shanghai Li Xiang +86 21-62995692 [email protected] International Ltd. Shanghai Tong Sheng International Travel Service http://tsjqzmd.tmall.com Shanghai Xu Hui +86 21-63540132 [email protected] Co., Ltd Shanghai Spring International Travel Service www.springtour.com Shanghai Wang Zheng +86 21-52317300 [email protected] (Group) Co., Ltd Shanghai CYTS Tours www.scyts.com Shanghai Wang Bingjia +86 21-64747529 [email protected] Corporation Shanghai China Women International Travel Service http://sh.uu1.com Shanghai Zhang Zhenyuan +86 21-54893833 [email protected] Co., Ltd Shanghai Eastern Air https://shwllvyou.fliggy. [email protected] International Travel Service Shanghai Chen Li +86 21-22267308 com/ [email protected] Co., Ltd V-Tour Travel Service http://zjsjgjlxs.tmall.com Hangzhou Ni Qi +86 571-85090940 [email protected] Zhejiang Co., Ltd Zhejiang CYTS International www.zjcyts.com Hangzhou Chen Chai +86 571-85788421 [email protected] Travel Co., Ltd Zhejiang China Travel www.ctszj.com.cn Hangzhou Meng Lingming +86 571-87553547 [email protected] Service Group Co., Ltd Zhejiang Everbright http://www.gly999.cn/ Hangzhou Xu Qian +86 571-56773529 [email protected] International Travel Co., Ltd welcome/index China International Travel http://www.youshijie. Nanjing Huang Shan +86 25-83532604 [email protected] Service (Jiangsu) Co., Ltd com/ Beijing Tuniu International +86 25- www.tuniu.com Nanjing Barry Lin [email protected] Travel Service Co., Ltd 86853969*66717 NORTH CHINA [email protected];wang_rui@ China CYTS Holding Co., Ltd www.aoyou.com Beijing Xue Jun +86 10-58158317 aoyou.com Beijing CAISSA International +86 10- www.caissa.com.cn Beijing Yao Pei [email protected] Travel Service Co., Ltd 65983500*1214 +86 10- Utour Group Co., Ltd www.utourworld.com Beijing Zhou Fei [email protected] 64489696*60040 China Travel Service Head www.ctsho.com Beijing Li Yan +86 10-85908810 [email protected] Office Beijing Co., Ltd China International Travel www.cits.com.cn Beijing Liu Jie +86 10-85227547 [email protected] Service Limited Head Office Phoenix Travel Worldwide http://bjfhjq.tmall.com Beijing Liu Hongkai +86 10-65507577 [email protected] Co., Ltd Beijing Xinjie International +86 10- http://www.xjjq.net/ Beijing Zhao Shichuan [email protected] Travel Service Co., Ltd 64484158*8067 Qingdao Huaqing International Travel Service www.qhits.com.cn Qingdao Liu Menglin +86 532-83888772 [email protected] Co., Ltd ORGANISATION NAME WEBSITE CITY CONTACT PHONE EMAIL NORTH CHINA Liaoning Comfort International Travel Service http://www.lncct.com/ Shenyang Jiang Ying +86 24-82975069 [email protected] Co., Ltd SOUTH CHINA GZL International Travel www.gzl.com.cn Guangzhou Yu Yan +86 20-8633 8376 [email protected] Service Ltd Guangdong Yueqiao International Travel Service www.lbair.com Guangzhou Wen Chuxin +86 20-3878 1891 [email protected] Co., Ltd Guangdong China Travel tanlp@gdcts. www.gdcts.com Guangzhou Tan Liping +86 20-83359882 Service Co., Ltd com;[email protected] China Travel International www.ctsho.com Guangzhou Tan Jiexian +86 20-87327803 [email protected] (Guangdong) Ltd. Foshan Nanhu International www.nanhutravel.com Foshan Chen Yanqin +86 20-83318735 [email protected] Travel Service Co., Ltd Shenzhen CEPT Int'l Travel www.triporange.com Shenzhen Xu Hongming +86 755-83760480 [email protected] Service Ltd China International Travel www.eachtravel.com Shenzhen Zhuang Dan +86 755-8221 3036 [email protected] Service Shenzhen China Merchants International Travel www.ctsho. Com Shenzhen Feng Kaili +86 755-82463630 [email protected] (Shenzhen) Co., Ltd Shenzhen Comfort Travel www.cctsz.com Shenzhen Jiang Zhenzhen +86 755-83776850 [email protected] Service Co Ltd Fujian Comfort www.87111111.com Fuzhou Zheng Binbin +86 591-87670975 [email protected] International Travel Co., Ltd WEST CHINA Sichuan China Youth Travel https://scdslxs.fliggy. Service Co., Ltd, Sunshine com/shop/view_shop. Chengdu Qing Yao +86 28-88880888 [email protected] Holiday htm Chongqing CAISSA Tourism International Travel Service www.51you.com Chongqing Ally Wang +86 23-88956901 [email protected] Co., Ltd For further information, please contact Andy Jiang Country Manager China Benjamin Chen Regional Business Development Manager, Greater China T: +86 (0)21 6010 3987 E: [email protected] com T: +86 (0)21 6010 3950 E: [email protected] Andrew Hogg Regional General Manager, North Asia T: +86 (0)21 6010 3973 E: [email protected].
Load more

Recommended publications
  • Actor Edison Chen Quits Business After Sex Photo Scandal 08:29, February 22, 2008
    Actor Edison Chen quits business after sex photo scandal 08:29, February 22, 2008 Hong Kong entertainer Edison Chen said on Thursday he was quitting show business indefinitely after admitting here that he had taken the photos embarrassing several well- known starlets that had been leaked to the Internet. Hong Kong singer and actor Edison Chen attends a news conference in Hong Kong Feb. 21, 2008. (China Daily Photo) The 27-year-old Canadian-born Chinese said he had come back to Hong Kong to "account for himself and to apologize to those involved in or effected by the scandal." "I would like to apologize to all the ladies involved in the scandal and their families for all their sufferings. I am sorry," the Vancouver native said at a press conference attended by hundreds of media. Chen said he would leave the Hong Kong entertainment industry indefinitely after fulfilling all existing contracts. He did not give a specific time frame for his withdrawal. He added he would devote himself to charity work in the coming months. The photo scandal started with the uploading of hundreds of sexually-explicit photos starting on Jan. 27 featuring Chen and various Hong Kong starlets. The pictures have spread like wildfire on the Internet ever since. Chen said at the press conference the photos were stolen and distributed without his approval. "These photos had not been shown to people and were never intended to be shown to anyone," he said. Hong Kong police were trying to find the first releaser of the photos and had made several arrests in connection with them.
    [Show full text]
  • Donnie Yen's Kung Fu Persona in Hypermedia
    Studies in Media and Communication Vol. 4, No. 2; December 2016 ISSN 2325-8071 E-ISSN 2325-808X Published by Redfame Publishing URL: http://smc.redfame.com Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia Dorothy Wai-sim Lau1 113/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong Correspondence: Dorothy Wai-sim Lau, 13/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong. Received: September 18, 2016 Accepted: October 7, 2016 Online Published: October 24, 2016 doi:10.11114/smc.v4i2.1943 URL: http://dx.doi.org/10.11114/smc.v4i2.1943 Abstract Latest decades have witnessed the proliferation of digital media in Hong Kong action-based genre films, elevating the graphical display of screen action to new levels. While digital effects are tools to assist the action performance of non-kung fu actors, Dragon Tiger Gate (2006), a comic-turned movie, becomes a case-in-point that it applies digitality to Yen, a celebrated kung fu star who is famed by his genuine martial dexterity. In the framework of remediation, this essay will explore how the digital media intervene of the star construction of Donnie Yen. As Dragon Tiger Gate reveals, technological effects work to refashion and repurpose Yen’s persona by combining digital effects and the kung fu body. While the narrative of pain and injury reveals the attempt of visual immediacy, the hybridized bodily representation evokes awareness more to the act of representing kung fu than to the kung fu itself.
    [Show full text]
  • Sex Scandal Science in Hong Kong
    Article Abstract This article gives an overview of my experience as a researcher using visual ethnography and sex studies to probe hidden strands of Chinese sex culture. More specifically, it shows how sexually explicit materials and sex studies became influential to undergraduate students at City University of Hong Kong on my course, ‘Gender Discourse’, in 2008 as a result of a celebrity sex scandal. The article considers the production and circulation of DIY pornographies made by ordinary people and attributed to celebrities by journalists, emotive and politicized reactions to pornographic media and sex scandals, and the development of teaching which encourages students to carry out creative experiments as sexually active subjects in media environments. Keywords Chinese media, DIY pornography, Gender Studies, Internet Studies, sex scandals Katrien Jacobs City University of Hong Kong Sex Scandal Science in Hong Kong The Edison Chen sex scandal When I arrived in Hong Kong in 2005, I soon found that its culture was characterized by a near-absence of sex talk amongst friends or colleagues. Hong Kong is a metropolis with a booming sex market offering services such as love hotels, online sex workers and dating services, but sex talk has not proliferated here as in the West. When attending parties or cultural events, people still shy away from divulging the state of their private sex affairs. As a gweilo or non-Chinese citizen and outsider to the Chinese culture, it was easy to be eccentric and different from the moral main- stream, yet I had to take a leap of faith when igniting dialogues about sexual arousal and pornography.
    [Show full text]
  • Who's Blocking the Chinese Internet? the Rise of Cybercultures and The
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queensland University of Technology ePrints Archive Who’s blocking the Chinese Internet? The rise of cybercultures and the generational conflicts in China Wilfred Yang Wang As a decentralised communication technology, the Internet has offered much autonomy and unprecedented communication freedom to the Chinese public. Yet the Chinese government has imposed different forms of censorship over cyberspace. However, the Hong Kong erotic photo scandal reshuffles the traditional understanding of censorship in China as it points to a different territory. The paper takes the Hong Kong erotic photo scandal in 2008 as a case study and aims to examine the social and generational conflicts hidden in China. When thousands of photos containing sexually explicit images of Hong Kong celebrities were released on the Internet, gossip, controversies and eroticism fuelled the public discussion and threatened traditional values in China. The Internet provides an alternative space for the young Chinese who have been excluded from mainstream social discourse to engage in public debates. This, however, creates concerns, fear and even anger among the older generations in China, because they can no longer control, monitor and educate their children in the way that their predecessors have done for centuries. The photo scandal illustrates the internal social conflicts and distrust between generations in China and the generational conflict has a far-reaching political ramification as it creates a new concept of censorship. Key Words: censorship, China, cyberculture, generational conflicts, moral panics, the Internet, youth culture. ***** 1. Introduction At approximately 8:30 p.m.
    [Show full text]
  • INFERNAL AFFAIRS (2002, 101 Min.) Online Versions of the Goldenrod Handouts Have Color Images & Hot Links
    November 13 2018 (XXXVII:12) Wai-Keung Lau and Alan Mak: INFERNAL AFFAIRS (2002, 101 min.) Online versions of The Goldenrod Handouts have color images & hot links: http://csac.buffalo.edu/goldenrodhandouts.html DIRECTED BY Wai-Keung Lau (as Andrew Lau) and Alan Mak WRITING Alan Mak and Felix Chong PRODUCED BY Wai-Keung Lau producer (as Andrew Lau), line producers: Ellen Chang and Lorraine Ho, and Elos Gallo (consulting producer) MUSIC Kwong Wing Chan (as Chan Kwong Wing) and Ronald Ng (composer) CINEMATOGRAPHY Yiu-Fai Lai (director of photography, as Lai Yiu Fai), Wai-Keung Lau (director of photography, as Andrew Lau) FILM EDITING Curran Pang (as Pang Ching Hei) and Danny Pang Art Direction Sung Pong Choo and Ching-Ching Wong WAI-KEUNG LAU (b. April 4, 1960 in Hong Kong), in a Costume Design Pik Kwan Lee 2018 interview with The Hollywood Reporter, said “I see every film as a challenge. But the main thing is I don't want CAST to repeat myself. Some people like to make films in the Andy Lau...Inspector Lau Kin Ming same mood. But because Hong Kong filmmakers are so Tony Chiu-Wai Leung...Chen Wing Yan (as Tony Leung) lucky in that we can be quite prolific, we can make a Anthony Chau-Sang Wong...SP Wong Chi Shing (as diverse range of films.” Lau began his career in the 1980s Anthony Wong) and 1990s, serving as a cinematographer to filmmakers Eric Tsang...Hon Sam such as Ringo Lam, Wong Jing and Wong Kar-wai. His Kelly Chen...Dr.
    [Show full text]
  • The Information Search Facing the Reality of the Chinese Internet
    The information search facing the reality of the Chinese Internet It exists around 7 200 languages in the world, but only 5% of them are used on the Internet, and half of the websites are in English. The main language is by far the most used for every kind of research and also for monitoring. Nonetheless, since 2000’s, emerging countries arose on the international scene, and their idiom and culture can be very different from the Occident (no Latin alphabet, writing with characters or symbols). These countries becoming more and more important, in 2010 the Icann1 authorized globalized domain names, that is to say domain names written in Cyrillic, Arabic or Chinese characters. But they only represent 2% of the global Internet. The role of China, for instance, is worth paying attention to the information in Chinese language, in order to have a better understanding of the evolution of the country. It is then essential to develop a method of information search in Chinese and on the Chinese Internet. For that, we have to analyze sources of information, databases, social medial and media in mandarin2. Because of censorship, the linguistic approach has to be mentioned, to identify the best key words. I‐ China relation to Internet As soon as it appears, the country quickly realized the assets of this huge network, but also the negative impact it can have on the authoritarian system in place. In 1997, China record in its legislation the ban of using Internet “to harm national unification, incite hatred or discrimination among nationalities, make falsehoods or distort the truth, spread rumors, destroy the order of society or incite terrorism or criminal activity”.
    [Show full text]
  • Howard Choya4
    Global Cities Schizophrenic Hong Kong: Postcolonial Identity Crisis in the Infernal Affairs Trilogy HOWARD Y. F. CHOY Michel Foucault avers: «one should totally and absolutely suspect anything that claims to be a return. there is in fact no such thing as a return.» It is, however, in rigid irredentist claims of the return that Hong Kong was handed over from British to Chinese rule in 1997. To the natives of Hong Kong, this postcolonial turn is actually less a decolonization than a recolonization of the capitalist Cantonese city by the mainland Mandarin master. They find themselves helplessly trapped in the dual nationality of overseas British and Chinese nationals. This existential agony is deftly cinematized in the Infernal Affairs trilogy under the disguise of a police epic. The 2002 box-office success and its 2003 prequel and sequel tell a story about an undercover cop and a mafia mole. A crisis of consciousness arises from both the former’s desire to regain his true identity and the latter’s struggle to become a real cop. The identity crisis is not only about, as critics suggest, split personalities between good and evil, but also political tensions between the colonized and colonizers. This paper argues that the collective failure of identity change before and after the fin de siècle changeover characterizes the Special Administrative Region’s schizophrenic return. Schizophrenic Hong Kong : Postcolonial Identity Crisis in the Infernal Affairs Trilogy Chineseness/Britishness: Return and Depart Michel Foucault avers: «One should totally and absolutely suspect anything that claims to be a return. there is in fact no such thing as a return».1 It was, however, in rigid irredentist claims of a «return» that the People’s Republic of China (PRC) took over Hong Kong from Great Britain in 1997.
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Hong Kong Cinema Since 1997: The Response of Filmmakers Following the Political Handover from Britain to the People’s Republic of China by Sherry Xiaorui Xu Thesis for the degree of Doctor of Philosophy December 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Doctor of Philosophy HONG KONG CINEMA SINCE 1997: THE RESPONSE OF FILMMAKERS FOLLOWING THE POLITICAL HANDOVER FROM BRITAIN TO THE PEOPLE’S REPUBLIC OF CHINA by Sherry Xiaorui Xu This thesis was instigated through a consideration of the views held by many film scholars who predicted that the political handover that took place on the July 1 1997, whereby Hong Kong was returned to the sovereignty of the People’s Republic of China (PRC) from British colonial rule, would result in the “end” of Hong Kong cinema.
    [Show full text]
  • A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong B
    Paper Number: 7 January 2003 Between Globalisation and Localisation: A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong Baptist University The author welcome comments from readers. Contact details: Ho Wai Chung, Department of Music & Fine Arts, Hong kong Baptist University Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. The preferred type is Times New Roman, not less than 11 point.
    [Show full text]
  • New Kids on The
    14 發光的城市 A R O U N D T O W N FRIDAY, MARCH 6, 2009 • TAIPEI TIMES arch comes in like a lion, bringing with it spring, soon to be Spring Scream (春天吶喊), and the birth M PERFORMANCE NOTES: of all things new: leaves, flowers, baby animals — and brand new bands. Paul Gouriet, who goes by the SPACE FUNK with THE MONEY SHOT moniker Viba, was performing his live HORNS, 11pm tomorrow at VU Live House electronica in clubs when he decided to (地下絲絨), B1, 77, Wuchang St Sec 2, Taipei form a group: “Most people just thought City (台北市武昌街二段77號B1). NT$400 cover I was a DJ,” he said. “I got to know includes one drink musicians like Public Radio and saw the ong Kong singers HI-LIFE WEDDING, 9m March 13 at pull of live bands.” Jill Vidal (衛詩) Underworld (地下社會), B1, 45 Shida Rd, Taipei H He found bass player Justin Lewis and Kelvin Kwan (關楚耀) were City (台北市師大路45號B1). NT$300 cover (of Pan Africana and New Hong Kong arrested in Tokyo on Feb. 24 includes one drink Hair City) on Facebook, singer Claire over alleged possession of HI-LIFE WEDDING, 10pm March 20 at Bliss, Juan (阮筱芬) on MySpace, and drummer cannabis, according to a report 148, Xinyi Rd Sec 4, Taipei City (台北市信義路 Kyle Bajcer through a story in the Taipei in Sina.com earlier this week. 四段148號. NT$200 cover includes on drink Jay Chou might want to lay off the Times. They formed “funktronica” band The arrest allegedly came STOKED POKEY, 8pm April 11 at Gusto cake.
    [Show full text]
  • Hong Kong and Macau: Power and Struggle from the Post-Colonial Period to Today
    Hong Kong and Macau: power and struggle from the post-colonial period to today Federico Gori 071912 Thesis Supervisor: Professor Christian Blasberg 30 September 2015 1 Abstract La questione democratica messa in rilievo attraverso le manifestazioni studentesche di Hong Kong dell’autunno 2014, dimostra la volontà di un popolo di uscire dal sistema verticistico ed accentrato diretto da Pechino. Hong Kong essendo una Regione Amministrativa Speciale (RAS), gode sotto il profilo costituzionale, di un alto grado di autonomia negli ambiti delle politiche economiche, sociali ed amministrative. Non le sono al contrario riconosciute prerogative nei settori della difesa e degli affari esteri, che permangono sotto il totale controllo dello Stato unitario. La regione dovrebbe dunque godere di un’ampia sfera di autonomia amministrativa e gestionale con un governo regionale distinto da quello della Repubblica Popolare Cinese (RPC) almeno per quanto riguarda i settori cui sopra: dicotomia da cui deriva il principio “Un-Paese-Due-Sistemi”. Utile in questo contesto di analisi del sistema esecutivo, nonché legislativo del centro finanziario cinese per eccellenza, è sicuramente il manuale Hong Kong in Transition. One Country, Two Systems scritto da Ash e Ferdinand nel 2003 nel quale vengono sottolineate le peculiarità del sistema e delineata la nozione di “accountability” nei confronti del potere centralizzato di Pechino. L’influenza che esercita il Partito ed il governo centrali sulla struttura politica di Hong Kong viene egualmente ed esplicitamente descritta nel Codice Civile della regione, secondo il quale il governo pechinese gode di un alto livello di discrezionalità nella scelta dei candidati che andranno poi a ricoprire incarichi di governo della regione.
    [Show full text]
  • 1 Hip-Hop Street Fashion, Identity, and Cross
    HIP-HOP STREET FASHION, IDENTITY, AND CROSS-CULTURAL APPROPRIATION IN THE ASIAN DIASPORA Eric Ing University of Toronto Faculty of Arts and Science Booth Avenue, Toronto, Canada, M4M 2M5 [email protected] ABSTRACT Hip hop fashion originates from black American youths in the 1990s. The style of clothing has replicated and evolved from street fashion in inner cities where ethnic American blacks are the majority, to suburbs where the white middle-class predominates. On a world scale, these fashions are evident not only in Asian-American and Asian- Canadian communities, but also on the streets of Japan, Korea, China, and other industrialized economies. This paper examines whether (i) Asian-Americans and Asian-Canadians serve as a bridge to Asians, or (ii) Asians are adopting fashion trends directly. Ties run deep between the fashion styles in which a diasporic community dresses, and the hybrid identity in which they affiliate. This pattern of behaviour can be framed as cross-appropriation in the disclosing of new worlds. Contextual backgrounds are first provided on (i) clothing as a tool for identity, (ii) the origins of hip-hop fashion, and (iii) the origins of North America's diasporic Asian community. The phenomenon of hip-hop street fashion in the Asian diaspora is then described. Theories on identity and cross-cultural appropriation are outlined. Potential trends in the future are then projected. INTRODUCTION We will begin by discussing how fashion directly affects and displays identity. in three contextual backgrounds, (i) fashion and identity, (ii) hip hop fashion, and (iii) Asians arriving in North America. Contextual background: Fashion And identity Clothing is a tool for identity.
    [Show full text]