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AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS -
Cashbox/News RCA Records Profits Over 1 00% Over
.. — cashbox/news MCA Account RCA Records Profits Over 1 Over Categories 00% 74; 1 last 975 week but the improvement was base for entering its diamond jubilee an- Largest In 74 Years not sufficient to enable the company to Due This Week niversary year.” . show gains for the full year according to RCA sales were spearheaded by Gary Cohen NEW YORK — RCA Records in 1975 the released figures by domestic sales passing the 100,000,000 more than doubled its profits over 1974 RCA Corp fourth quarter net income NEW YORK — An official announcement mark by John Denver who resulting in the largest of sales was $33.4 million or 43 cents a share earned three from MCA Records on their volume new account gold singles and three gold alburns dur- and the best profits in its 74 year history. compared to $16 6 million or 21 cents in categorization and pricing plan is ex- ing the year, the re-emergence of This statement was released by Ken the same period in 1974. Sales and re- Jef- pected this week, according to Rick Frio, ferson Airplane/Starship, David Glancy, president of for venues rose by 9 83 percent to $.34 Bowie vice president of marketing for RCA Records MCA (four gold LPs), Charley Pride (two gold Records. the past two years. The statement com- billion from $1 .22 billion. Net income for LPs) and Elvis Presley (his 21st gold mented that "In 1975 Records con- RCA Corp. however slipped by 2.91 per- LP). Frio, who was in Atlanta for a series of RCA In the country field, the label received tinued the dramatic turnaround it began cent to $110 million, or $1 40 a share, continued on pg 20 " five major awards out of 10 awarded, in 1974 from $113 3 million or $1.45 a share in scored with Morris Albert and Silver Glancy added that “substantial sales 1 974. -
Rca Records to Release American Idol: Greatest Moments on October 1
THE RCA RECORDS LABEL ___________________________________________ RCA RECORDS TO RELEASE AMERICAN IDOL: GREATEST MOMENTS ON OCTOBER 1 On the heels of crowning Kelly Clarkson as America's newest pop superstar, RCA Records is proud to announce the release of American Idol: Greatest Moments on Oct. 1. The first full-length album of material from Fox's smash summer television hit, "American Idol," will include four songs by Clarkson, two by runner-up Justin Guarini, a song each by the remaining eight finalists, and “California Dreamin’” performed by all ten. All 14 tracks on American Idol: Greatest Moments, produced by Steve Lipson (Backstreet Boys, Annie Lennox), were performed on "American Idol" during the final weeks of the reality-based television barnburner. In addition to Kelly and Justin, the show's remaining eight finalists featured on the album include Nikki McKibbon, Tamyra Gray, EJay Day, RJ Helton, AJ Gil, Ryan Starr, Christina Christian, and Jim Verraros. Producer Steve Lipson, who put the compilation together in an unprecedented two-weeks time, finds a range of pop gems on the album. "I think Kelly's version of ‘Natural Woman' is really strong. Her vocals are brilliant. She sold me on the song completely. I like Christina's 'Ain't No Sunshine.' I think she got the emotion of it across well. Nikki is very good as well -- very underestimated. And Tamyra is brilliant too so there's not much more to say about her." RCA Records will follow American Idol: Greatest Moments with the debut album from “American Idol” champion Kelly Clarkson in the first quarter of 2003. -
RCA Records and Legacy Recordings Celebrate the 15Th Anniversary Of
RCA Records and Legacy Recordings Celebrate the 15th Anniversary of Chris Brown's RIAA Triple-Platinum Self-Titled Debut Album with First Digital Release of 3 Extended Play Singles --"Run It!," "Yo (Excuse Me Miss)" and "Gimme That"--on All DSPs Now 15th Anniversary Edition of Chris Brown Available Now in 360 Reality Audio New Chris Brown Interactive Timeline Microsite Live Online Now RCA Records and Legacy Recordings, the catalog division of Sony Music Entertainment, are celebrating the 15th anniversary of Chris Brown's self-titled debut album with the launch of a new interactive microsite tracking Brown's musical career and the first digital release of three EPs (with bonus tracks) from the album--"Run It!," "Yo (Excuse Me Miss)" and "Gimme That"-- available on all DSPs since Friday, November 27. Available now, Chris Brown has been upgraded to 360 Reality Audio in honor of its 15th anniversary. RCA/Legacy commemorate the first 15 years of Chris Brown's amazing career with a new microsite featuring an interactive timeline that takes fans through Chris' career, providing insights on his successes, stats and awards. Created in partnership with Modern English Digital (a visionary technology and digital production company), the Chris Brown microsite/timeline is online now, showcasing audio, video content and more. Chris Brown 15th anniversary microsite: https://ChrisBrown.lnk.to/HallofFame Fans can experience multiple aspects of Chris Brown's artistry in this career-spanning sizzle reel: https://ChrisBrown.lnk.to/CB15PR Chris Brown's video catalog has been upgraded to High Definition resolution with new HD versions on YouTube now. -
DENNIS KOOKER President, Global Digital Business and U.S
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF DENNIS KOOKER President, Global Digital Business and U.S. Sales, Sony Music Entertainment PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION TESTIMONY OF DENNIS KOOKER BACKGROUND My name is Dennis Kooker. I have been employed in the recorded music business for approximately 20 years. Since 2012, I have served as President, Global Digital Business and U.S. Sales, for Sony Music Entertainment (“Sony Music”), a wholly owned subsidiary of Sony Corporation, and currently the second largest record company in the United States. In this capacity, I am responsible for overseeing all aspects of the Global Digital Business Group and the U.S. Sales Group. The Global Digital Business Group handles business and partner development and strategy for the digital business around the world. The U.S. Sales Group oversees sales initiatives on behalf of each of Sony Music’s various label groups in the United States. The areas within the organization that report to me include Business Development & Strategy, Partner Development, Digital Finance, Digital Business & Legal Affairs, U.S. Sales, and Sony Music’s distribution service company, RED Distribution. From 2007-2012, I held two different positions at Sony Music. First, I was Executive Vice President, Operations, for the Global Digital Business and U.S. Sales, and oversaw physical sales, aspects of marketing and finance for the division, new product development, and customer relationship management activities in relation to Sony Music’s artist websites. -
Consolidated Financial Results for the Fiscal Year Ended March 31, 2006
6-7-35 Kitashinagawa Shinagawa-ku News & Information Tokyo 141-0001 Japan No: 06-035E 3:00 P.M. JST, April 27, 2006 Consolidated Financial Results for the Fiscal Year Ended March 31, 2006 Tokyo, April 27, 2006 -- Sony Corporation today announced its consolidated results for the fiscal year ended March 31, 2006 (April 1, 2005 to March 31, 2006). (Billions of yen, millions of U.S. dollars, except per share amounts) Fiscal Year ended March 31 Change in 2005 2006 Yen 2006* Sales and operating revenue ¥7,159.6 ¥7,475.4 +4.4% $63,893 Operating income 113.9 191.3 +67.9 1,635 Income before income taxes 157.2 286.3 +82.1 2,447 Equity in net income of affiliated 29.0 13.2 -54.6 113 companies Net income 163.8 123.6 -24.5 1,057 Net income per share of common stock — Basic ¥175.90 122.58 -30.3% $1.05 — Diluted 158.07 116.88 -26.1 1.00 * U.S. dollar amounts have been translated from yen, for convenience only, at the rate of ¥117=U.S.$1, the approximate Tokyo foreign exchange market rate as of March 31, 2006. Unless otherwise specified, all amounts are on the basis of Generally Accepted Accounting Principles in the U.S. (“U.S. GAAP”). Consolidated Results for the Fiscal Year Ended March 31, 2006 Sales and operating revenue (“sales”) increased 4.4% compared with the previous fiscal year; on a local currency basis sales increased slightly. (For all references herein to results on a local currency basis, see Note I on page 9.) Sales within the Electronics segment increased 1.7% (a 3% decrease on a local currency basis). -
Audience Hears Recorded Music at Il Divo Concert | Artsatl 8/21/12 1:10 PM
Silenced: ASO used as musical “prop,” audience hears recorded music at Il Divo concert | ArtsATL 8/21/12 1:10 PM SEARCH ? ? ? ? FOLLOW US ABOUT US/CONTACT SUBSCRIBE TO OUR NEWSLETTER SHARING THIS ARTICLE Silenced: ASO used as musical “prop,” audience hears recorded music at Il Divo concert AUTHOR August 14, 2012 Mark Gresham TEXT SIZE MORE ARTICLES BY AUTHOR By MARK GRESHAM Will ASO musicians be “locked out”? As deadline looms, union offers to take 11 percent pay cut Atlanta Chamber Players announce semi-finalists in national Rapido! contest The ArtsATL Q&A (Part 2): Joe Bankoff on creativity, community, Midtown and Atlanta’s future Il Divo's management preferred prerecorded music to live ASO musicians. Sunday night’s concert at the Verizon Wireless Amphitheatre was billed as “Il Divo and the Atlanta Symphony Orchestra,” but what the audience heard over the sound system was not the Atlanta Symphony Orchestra. Instead, it heard prerecorded audio tracks by an entirely different orchestra. The Il Divo singers were live, but the orchestra was relegated to the role of visual window dressing. According to sources, the musicians were informed at the beginning of a three-hour rehearsal in the afternoon that another orchestra’s audio tracks would be heard by the audience. The tracks included instruments that were not present on stage, such as a synthesized bass guitar. Melissa Sanders, the ASO’s senior director of communications, confirmed late Monday that the ASO management on site at Verizon also didn’t find out until the rehearsal that while the orchestra would perform the music live, the audience would hear the prerecorded http://www.artsatl.com/2012/08/atlanta-symphony-forced-pantomime-pre-recorded-tracks-sunday’s-il-divo-concert/ Page 1 of 12 Silenced: ASO used as musical “prop,” audience hears recorded music at Il Divo concert | ArtsATL 8/21/12 1:10 PM orchestra. -
Phil Guerini Joins Jonas Group Entertainment As
May 21, 2021 The MusicRow Weekly Friday, May 21, 2021 Phil Guerini Joins Jonas Group SIGN UP HERE (FREE!) Entertainment As CEO If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Phil Guerini Joins Jonas Group Entertainment RCA Records Partners With Sony Music Nashville On Elle King Blake Shelton To Hit The Road In August Kelsea Ballerini To Join Jonas Brothers On Tour Jonas Group Entertainment has announced that music industry power player Phil Guerini has joined the team as CEO, effective immediately. James Barker Band Signs To Villa 40/Sony Music Nashville Based in Nashville, Guerini will be at the helm of Jonas Group Entertainment. The company was founded in 2005 by Kevin Jonas, Sr., Logan Turner Inks With who was managing his sons, Grammy-nominated, multi-Platinum selling UMPG Nashville group Jonas Brothers. Jonas Group Entertainment now houses entertainment, publishing, and marketing divisions, with offices in Nashville Jason Aldean Announces and Charlotte, North Carolina. Back In The Saddle Tour Guerini last oversaw music strategy for Disney Channels Worldwide Lady A To Launch What A networks, alongside all aspects of Radio Disney and Radio Disney Country. He played a vital role within three divisions and five businesses of Song Can Do Tour The Walt Disney Company with highlights that include spearheading the development and launch of the annual Radio Disney Music Awards in Jacob Durrett Inks With Big 2013, and reimagining Radio Disney’s highly-acclaimed artist development Loud And Warner Chappell program Next Big Thing (NBT). Prior to that he spent time in roles at radio stations in Miami and Atlanta, in addition to record labels like MCA More Tour Announcements Records, A&M Records, Chrysalis Records, and East West Records. -
A Day in the Life of the Digital Music Wars: the RIAA V. Diamond Multimedia Lisa M
William Mitchell Law Review Volume 26 | Issue 4 Article 8 2000 A Day in the Life of the Digital Music Wars: The RIAA v. Diamond Multimedia Lisa M. Needham Follow this and additional works at: http://open.mitchellhamline.edu/wmlr Recommended Citation Needham, Lisa M. (2000) "A Day in the Life of the Digital Music Wars: The RIAA v. Diamond Multimedia ," William Mitchell Law Review: Vol. 26: Iss. 4, Article 8. Available at: http://open.mitchellhamline.edu/wmlr/vol26/iss4/8 This Note is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in William Mitchell Law Review by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Needham: A Day in the Life of the Digital Music Wars: The RIAA v. Diamond A DAY IN THE LIFE OF THE DIGITAL MUSIC WARS: THE RIAA V. DIAMOND MULTIMEDIA Lisa M. Needhamt I. INTRO DUCTIO N .................................................................... 1136 II. THE AUDIO HOME RECORDING ACT OF 1992 ...................... 1137 A. The Debate Over Home Copying and FairUse ................. 1138 B. The Relevant AHRA Definitions................................... 1140 III. M P3 TECHNOLOGY .............................................................. 1143 IV . THE RLAA CASES .................................................................. 1147 A. RIAA I-The District Court Decision ............................ 1147 1. The PreliminaryInjunction StandardDebate ............. 1148 2. The District Court's Review of the A-RA .................. 1150 3. The District Court Examination of AHRA Legislative H is tory ................................................................ 115 1 4. Serial Copying and the District Court's Decision ......... 1153 B. RIAA II-The Appellate Court Decision ....................... -
Sony Music Entertainment and Tencent Announce a Strategic Distribution Arrangement for Mainland China
SONY MUSIC ENTERTAINMENT AND TENCENT ANNOUNCE A STRATEGIC DISTRIBUTION ARRANGEMENT FOR MAINLAND CHINA Landmark Agreement to bolster China’s fast developing consumer digital music market SHENZHEN/HONG KONG/NEW YORK, Tuesday, 16th December, 2014 Sony Music Entertainment (Sony Music) and Tencent Holdings Limited (“Tencent”, SEHK stock code: 0700) today announced an exciting strategic cooperation arrangement for the online digital distribution of Sony Music’s audio music master recordings in mainland China. Under the main terms of this major initiative, Tencent will distribute Sony Music’s repertoire via Tencent’s QQ Music services and manage the online distribution of Sony Music’s repertoire to legitimate local Chinese audio online music services in mainland China. Through Tencent’s advanced technological infrastructure and massive user-base and Sony Music’s music entertainment expertise and highly-talented artists’ music content, this new strategic arrangement will enable Tencent to provide an enhanced consumer experience music model in mainland China. Under the new strategic arrangement, Tencent will also promote Sony Music’s artists extensively on its platforms as well as license to other local online music service providers to sub-distribute Sony Music’s repertoire releases to their consumers in mainland China. Tencent will also leverage its popular gaming, mobile and social platforms (such as China’s leading social media service QQ that has more than 820 million monthly active uers) as well as its distribution capabilities to promote both Sony Music’s highly talented local and international artists and their music in mainland China. From a broader marketing perspective, Sony Music will continue to market its artists across a multitude of on-ground, online and other media platforms to connect with music fans right across the country with the aim to enhance the consumer experience and access to music and artists information. -
Issues in Transnational Media Management
P1: KVU LE117-10 LE117-Albarran.cls April 8, 2005 20:5 CHAPTER 10 Issues in Transnational Media Management Richard A. Gershon Western Michigan University Thetransnational corporation is a nationally based company with overseas operations in two or more countries. One distinctive feature of the transnational corporation (TNC) is that strategic decision making and the allocation of resources are predicated on economic goals and efficiencies with little regard to national boundaries. What distinguishes the transnational media corporation (TNMC) from other types of TNCs is that the principal commodity being sold is information and entertainment. It has become a salient feature of today’s global economic landscape (Albarran & Chan-Olmsted, 1998; Demers, 1999; Gershon, 1997, 2000; Herman & McChesney, 1997). The TNMC is the most powerful economic force for global media activity in the world today.As Herman and McChesney (1997) point out, transnational media are a necessary component of global capitalism. Through a process of foreign direct investment, the TNMC actively promotes the use of advanced media and information technology on aworldwide basis. This chapter will consider some of the critical issues facing today’s TNMC. Table 10.1 identifies the seven leading TNMCs, including information pertaining to their country of origin and principal business operations. THE TNMC: ASSUMPTIONS AND MISCONCEPTIONS During the past two decades, scholars and media critics alike have become increasingly suspicious of the better known, high-profile media mergers. Such suspicions have given waytoanumber of misconceptions concerning the intentions of TNMCs and the people 203 P1: KVU LE117-10 LE117-Albarran.cls April 8, 2005 20:5 204 GERSHON TABLE 10.1 The Transnational Media Corporation Companies World Hdq. -
Classical Albums, Ranked
This week's top-selling classical albums, ranked... more TWO LAST THIS TITLE, ARTIST RIAA PEAK WEEKS ON WEEKS WEEK WEEK IMPRINT | LABEL CERTIFICATION POS. CHART #1 27 wks Shatter Me 2 1 1 1 42 Lindsey Stirling Lindseystomp Wonders 3 3 2 The Piano Guys 1 19 Portrait | Sony Masterworks Celloverse 1 2 3 2Cellos 1 3 Portrait | Sony Masterworks GG Opera: The Ultimate Collection 4 4 4 1 17 Andrea Bocelli Sugar/Decca | Universal Music Classics Awakening 5 5 5 Jackie Evancho 1 21 Portrait | Sony Masterworks John Luther Adams: Become Ocean – 6 6 Seattle Symphony (Morlot) 4 17 Cantaloupe Love In Portofino 23 16 7 Andrea Bocelli 1 69 Sugar/Almud/Verve | VG Bass & Mandolin – 14 8 Chris Thile & Edgar Meyer 2 9 Nonesuch | Warner Bros. Love In Venice 11 8 9 Andre Rieu And His Johann Strauss Orchestra 3 15 Andre Rieu/Polydor | UMe Classical Treasures: Classics For Relaxation 9 11 10 Various Artists 9 18 Sonoma Classical Treasures: Romantic Piano 10 12 11 Various Artists 7 19 Sonoma Classical Treasures: Classical Favorites 12 10 12 Various Artists 7 19 Sonoma You Should Dream – 20 13 The Texas Tenors 5 45 The Texas Tenors The First 5 Years – 23 14 The Texas Tenors 11 6 The Texas Tenors Classical Treasures: Best Of The Classics 13 15 15 Various Artists 9 18 Sonoma Peter Hollens 8 9 16 Peter Hollens 5 16 One Voice/Portrait | Sony Masterworks Classical Treasures: Classical Moods 15 13 17 Various Artists 12 16 Sonoma In 27 Pieces: The Hilary Hahn Encores Re-Entry 18 Hilary Hahn / Cory Smythe 10 12 Deutsche Grammophon | Universal Music Classics Home Sweet Home