Jauhar Vol2 Issue3 March2012
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Schedule for Written Test for the Posts of Lecturers in Various Disciplines
SCHEDULE FOR WRITTEN TEST FOR THE POSTS OF LECTURERS IN VARIOUS DISCIPLINES Please be informed that written test for the posts of Lecturers in the following departments / disciplines shall be conducted by the University of Sargodha as per schedule mentioned below: Post Applied for: Date & Time Venue 16.09.2018 Department of Business LECTURER IN LAW (Sunday) Administration, (MAIN CAMPUS) University of Sargodha, 09:30 am Sargodha. Roll # Name & Father’s Name 1. Mr. Ahmed Waqas S/o Abdul Sattar 2. Ms. Mahwish Mubeen D/o Mumtaz Khan 3. Malik Sakhi Sultan Awan S/o Malik Abdul Qayum Awan 4. Ms. Sadia Perveen D/o Manzoor Hussain 5. Mr. Hassan Nawaz Maken S/o Muhammad Nawaz Maken 6. Mr. Dilshad Ahmed S/o Abdul Razzaq 7. Mr. Muhammad Kamal Shah S/o Mufariq Shah 8. Mr. Imtiaz Ali S/o Sahib Dino Soomro 9. Mr. Shakeel Ahmad S/o Qazi Rafiq Ahmad 10. Ms. Hina Sahar D/o Muhammad Ashraf 11. Ms. Tahira Yasmeen D/o Sheikh Nazar Hussain 12. Mr. Muhammad Kamran Akbar S/o Mureed Hashim Khan 13. Mr. M. Ahsan Iqbal Hashmi S/o Makhdoom Iqbal Hussain Hashmi 14. Mr. Muhammad Faiq Butt S/o Nazzam Din Butt 15. Mr. Muhammad Saleem S/o Ghulam Yasin 16. Ms. Saira Afzal D/o Muhammad Afzal 17. Ms. Rubia Riaz D/o Riaz Ahmad 18. Mr. Muhammad Sarfraz S/o Ijaz Ahmed 19. Mr. Muhammad Ali Khan S/o Farzand Ali Khan 20. Mr. Safdar Hayat S/o Muhammad Hayat 21. Ms. Mehwish Waqas Rana D/o Muhammad Waqas 22. -
Final List MBBS.Xlsx
Final Selection Merit List of MBBS 2020-21 Application Merit Merit S.No Applicant Name Father/Guardian/Name Gender Number Standing Score 1 30524 2256 Vaneeza Khan Bhand Rehmatullah Bhand 62.218 F 2 31242 2289 Salwa Muhammad Saleem 62.15 F 3 22118 2384 Aisha Jatoi Muhammad Baqir Yousif 61.941 F 4 22645 2413 Warisha Waseem Waseem Ahmed Chohan 61.841 F 5 26993 2449 Irfan Khan Ali Khan Shar 61.736 M 6 20539 2453 Ramsha Shams Shams Ul Haque 61.736 F 7 12657 2507 Aqsa Zareen Abdul Hafeez Memon 61.595 F 8 32822 2554 Sandhya Parshotam 61.477 F 9 22949 2590 Iqra Abdul Waheed 61.364 F 10 24731 2594 Priyanka Devi Durga Das 61.355 F 11 26844 2597 Eman Asif Muhammad Asif 61.345 F 12 28577 2620 Dhan Raj Kumar Reva Chand 61.291 M 13 32385 2640 Ritu Tikam Das 61.223 F 14 25690 Add.List Hadiqa Khurram 61.18 F 15 32968 2697 Kainat Mustafa Ghulam Mustafa 61.041 F 16 21240 2704 Manoj Kumar Kishwar Das 61.018 M 17 19031 2760 Saifullah Khalid Hussain 60.873 M 18 24566 2796 Rizwan Ahmed Ghulam Zakir 60.791 M 19 20213 2844 Kashaf Naz Ghafoor Bux 60.686 F 20 18302 2846 Mehak Lal Dino 60.682 F 21 29855 2895 Rafidah Iqra Mohammad Jamshed Akhtar 60.573 F 22 22744 2961 Habibullah Muhammad Ali 60.432 M 23 12710 2982 Jawad Ali Akhtiar Ali 60.386 M 24 19252 3038 Laraib Noor Shaheed Dr Wilayat Ali Gopang 60.259 F 25 17996 3115 Shabeeh Ul Hassan Aijaz Ahmed 60.114 M 26 12734 3156 Yogeeta Jagdesh Kumar 60.036 F 27 26059 3165 Moatar Nisar Nisar Ahmed 60.009 F 28 16273 3172 Ali Fatima Khalid Hussain Hakro 59.991 F 29 19760 3175 Juhi Maheshwari Ashok Kumar 59.982 F 30 16080 -
Women Performing Artists in Colonial India There Were Few Women Painters in Colonial India
I. (A) Personal Details Role Name Affiliation Principal Investigator Prof. Sumita University of Allhabad Parmar Paper Coordinator Prof Rekha Pande University of Hyderabad Author Dr. Archana Verma Independent Scholar Content Reviewer (CR) Prof Rekha Pande University of Hyderabad Language Editor (LE) Prof. Sumita University of Allhabad Parmar (B) Description of Module Items Description of Module Subject Name Women’s Studies Paper Name Women and History Module Name/ Title, Women performers in colonial India description Module ID Paper- 3, Module-30 Pre-requisites None Objectives To explore the achievements of women performers in colonial period Keywords Indian art, women in performance, cinema and women, India cinema, Hindi cinema Women Performing Artists in Colonial India There were few women painters in Colonial India. But in the performing arts, especially acting, women artists were found in large numbers in this period. At first they acted on the stage in theatre groups. Later, with the coming of cinema, they began to act for the screen. Cinema gave them a channel for expressing their acting talent as no other medium had before. Apart from acting, some of them even began to direct films at this early stage in the history of Indian cinema. Thus, acting and film direction was not an exclusive arena of men where women were mostly subjects. It was an arena where women became the creators of this art form and they commanded a lot of fame, glory and money in this field. In this module, we will study about some of these women. Nati Binodini (1862-1941) Fig. 1 – Nati Binodini (get copyright for use – (https://commons.wikimedia.org/wiki/File:Binodini_dasi.jpg) Nati Binodini was a Calcutta based renowned actress, who began to act at the age of 12. -
BFA Entry Test Passed Candidates Result 2015-16 (Graphic Design, Textile Design, Painting)
University College of Art & Design University of the Punjab BFA Entry Test Passed Candidates Result 2015-16 (Graphic Design, Textile Design, Painting) Note: For Further information regarding the admission procedure, Kindly consult the newspaper to be published on 30th August 2015. (The University reserves the right to correct any typographical error, omission etc.) Roll # Name Father / Guardian's Name 3 Fawad Majeed Abdul Majeed 4 Isra Zia Muhammad Zil Ullah Rana 5 Amal Arif Muhammad Arif 6 Rabia Yaseen Haifz Ghulam Yaseen 7 Hamna Masood Masood Hussain Siddiqui 8 Hira Sultan Babar Sultan 10 Mahnoor Zahra Rizvi Syed Farhat Hussain 11 Aqas Amjad Amjad Ali 14 Anam Zia Mohammad Zia ul Haq 16 Haiqa Chaudhry Humayun Rasheed 17 Fatima Usman Muhammad Usman 19 Akash Faheem Muhammad Faheem 20 Muhammad Waqar Muhammad Farooq 21 Saman Imran Mumtaz Imran 24 Syed Badar Syed Altaf Hussain 25 Muhammad Rameez Saleem Muhammad Saleem 26 Sohail Afzal Muhammad Afzal 27 Fizza Raghib Raghib Ali Prepared by Admin. Officer Convener Admission Committee Principal University College of Art & Design University of the Punjab BFA Entry Test Passed Candidates Result 2015-16 (Graphic Design, Textile Design, Painting) Note: For Further information regarding the admission procedure, Kindly consult the newspaper to be published on 30th August 2015. (The University reserves the right to correct any typographical error, omission etc.) Roll # Name Father / Guardian's Name 28 Hira Amir Sarfraz Amir Sarfraz 30 Zunaira Wahab Abdul Wahab 32 Iqra Riaz Muhammad Riaz 33 Kiran Ashraf Muhammad Ashraf 34 Rimsha Rizvi Shakil ur Rahman Rizvi 35 Muhammad Yasir Altaf Hussain 36 Imran Shahid Shahid Maqbool Naz 37 Fizza Hassan Hassan Raza 38 Remsha Anwar Muhammad Anwar 39 Asia Fayyaz Fayyaz Ahmed 40 Murrad Rahim Khan Izhar Rahim Khan 41 Hooria Alam Shah Alam Zaidi 42 Zamiah Mehmood Mehmood Ahmad Khan 43 Duaa Nauman Nauman Nasir 45 Aneeka Farooqi Abdul Hannan Farooqi 46 Ameera Hasan Khan Ahmed Hassan Khan 47 Firza Razi Dar Razi ud Din Dar 48 Farhan Tufail Muhammad Tufail Prepared by Admin. -
36Th Session 1951)
Pakistan Engineering Congress in Retrospect (1912 – 2012) Centenary Celebration 659 CONGRESS IN PICTURES PUNJAB ENGINEERING CONGRESS (36TH SESSION 1951) 6th Row Standing: Nisar Ahmed Malik; Abdul Mannan Sheikh; M. Aslam Mufti; M. A. Malik; R. R. Shariff 5th Row Standing: M. Ahmed; N. M. Chaudri; Mazhar Munir; Khalid Faruq Akbar; M. I. Chishti; M. Masud Ahmed; A. W. Khokhar; Mazhar-ul-Haq; Latif Hussain; Muhammad Rashid Vehra; Kamal Mustafa; Ashfaq Hasan; Ferozeuddin Ahmad; S. I. Ahmed; M. Shamim Ahmed; S. M. Niaz; Monawar Ali; Syed Irfan Ahmed; Mir Sadaqat Hassan; Muhammad Ashraf Cheema; G. M. Sheikh; Kh. Maqbool Ahmad; Mian Bashir Ahmed. 4th Row Standing: Muhammad Saadat Ali; Mian Muhammad Hayat; G. M. Subhani; M. A. Hamid Rahmani; Sh. Zahoor ul Haq; Khawaja Saleemud Din; S Ahmed Ali Shah; Abdul Hamid; S. A. Majeed; Ch. Muhammad Ali; M. T. Shah; A. Khalique; Malik Aman Ullah; Syed Iftikhar Ahmed; Muhammad Hanif; Shafique Ahmed; M A. Rashid; Fazal Karim; Shaukat Omar; Aziz Omar; M. A. Hafiz Khan; H. S. Zaidi; Ch. Abdul Hamid; Syed Mahdi Shah; Asrar Qureshy. 3rd Row Standing: S.A. Qureshi; S. M. Serajuz Zaman; S. Hamiud Din Ahmed; Sh. Abdur Rawoof; D. M Khanzada; M. H. Siddiqi; Rab Nawaz Batra; Sh. Mukhtar Mahmood; S. Jaffar Hussain; Malik N. M. Khan; Jameel A. Parvez; M. Faizanul Haq; H. J. Asar; F. Rahman: M. Saeed Ahmed; S. I. A. Shah; Muhammad Akram; M. M. Haque; M. S. Minhas; Yusuf Ali Siddiqi; S. S. Kirmani; I. A. S. Bokhari. 2nd Row Standing: Muhammad Aslam Butt; Ch. Abdul Azjz; Mian Muhammad Yunas; S. -
Roshan Ara Begum
Roshan Ara Begum Performing Classical Music, Gender, and Muslim Nationalism in Pakistan Fawzia Afzal-Khan The performance — or lack thereof — of (North Indian) classical music in Pakistan, and espe- cially the obstacles women performers have faced, cannot only be blamed on Islam’s putative hostility to the musical and performing arts in general and to women performing in public in particular. Rather, the discourse of a religiously inflected nationalism collides with gendered, classed bodies within the performative space of a political imaginary such that the role played by music both constitutes and deconstructs this history. Women singers’ roles are crucial in Fawzia Afzal-Khan is University Distinguished Scholar/Professor of English at Montclair State University and Visiting Professor at NYU Abu Dhabi. She is the author of Cultural Imperialism: Genre and Ideology in the Indo-English Novel (Penn State Press, 1993), A Critical Stage: The Role of Secular Alternative Theatre in Pakistan(Seagull Press, 2005), and Lahore with Love: Growing Up with Girlfriends Pakistani Style (Syracuse University Press, 2010); and editor of The PreOccupation of Postcolonial Studies (Duke University Press, 2000) and Shattering the Stereotypes: Muslim Women Speak Out (Interlink Books, 2005). Siren Song: Pakistani Women Singers is her award-winning NEH- funded short film and forthcoming book from Oxford University Press. She is an Indian classical singer, a playwright, and a poet. [email protected] TDR: The Drama Review 62:4 (T240) Winter 2018. ©2018 8 Fawzia Afzal-Khan Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/dram_a_00790 by guest on 02 October 2021 both shaping and resisting this politically performative historical space of the Pakistani nation, yet are hardly well understood or appreciated. -
6455.Pdf, PDF, 1.27MB
Overall List Along With Domicile and Post Name Father Name District Post Shahab Khan Siraj Khan PESHAWAR 01. Station House Incharge (BPS-16) Sana Ullah Muhammad Younas Lower Dir 01. Station House Incharge (BPS-16) Mahboob Ali Fazal Rahim Swat 01. Station House Incharge (BPS-16) Tahir Saeed Saeed Ur Rehman Kohat 01. Station House Incharge (BPS-16) Owais Qarni Raham Dil Lakki Marwat 01. Station House Incharge (BPS-16) Ashfaq Ahmad Zarif Khan Charsadda 01. Station House Incharge (BPS-16) Saud Khan Haji Minak Khan Khyber 01. Station House Incharge (BPS-16) Qamar Jan Syed Marjan Kurram 01. Station House Incharge (BPS-16) Kamil Khan Wakeel Khan PESHAWAR 01. Station House Incharge (BPS-16) Waheed Gul Muhammad Qasim Lakki Marwat 01. Station House Incharge (BPS-16) Tanveer Ahmad Mukhtiar Ahmad Mardan 01. Station House Incharge (BPS-16) Muhammad Faheem Muhammad Aslam PESHAWAR 01. Station House Incharge (BPS-16) Muslima Bibi Jan Gul Dera Ismail Khan 01. Station House Incharge (BPS-16) Muhammad Zahid Muhammad Saraf Batagram 01. Station House Incharge (BPS-16) Riaz Khan Muhammad Anwar Lower Dir 01. Station House Incharge (BPS-16) Bakht Taj Abdul Khaliq Shangla 01. Station House Incharge (BPS-16) Hidayat Ullah Fazal Ullah Swabi 01. Station House Incharge (BPS-16) Wajid Ali Malang Jan Mardan 01. Station House Incharge (BPS-16) Sahar Rashed Abdur Rasheed Mardan 01. Station House Incharge (BPS-16) Afsar Khan Afridi Ghulam Nabi PESHAWAR 01. Station House Incharge (BPS-16) Adnan Khan Manazir Khan Mardan 01. Station House Incharge (BPS-16) Liaqat Ali Malik Aman Charsadda 01. Station House Incharge (BPS-16) Adnan Iqbal Parvaiz Khan Mardan 01. -
Jauhar Quarterly Newsletter Vol4 Issue2
G 9 Faculties G 39 Departments G 27 Centres of Excellence and Research G 238 Courses G 991 Faculty Members G Over 16,500 Undergraduate, Post-Graduate and Diploma/Certificate Students Contents Maulana Mohamed Ali ‘Jauhar’ Founder, Jamia Millia Islamia From the Officiating Vice-Chancellor IN FOCUS Of human bonds Jamia’s green brigade Author Asghar Wajahat’s impressions of Jamia since 1971 ......................................................... Work that researchers are doing for environment in 22 are for environment requires scientific understanding of the processes around us. In order to various disciplines at Jamia ................................4 know how environmental degradation is happening, and how to mitigate the losses, scientific Also Cdata is required. At Jamia, researchers have been working diligently on understanding air, water ON CAMPUS and soil pollution and are engaged in developing appropriate technologies for environment protection. COURSE OF ACTION Happenings in Jamia Our green research is not confined to sciences. Social science researchers are working on policy and Dental pride .................................. 8 legal aspects of environment, working on global green politics and response of communities by way of The Faculty of Dentistry has developed enviable course correction. This issue of Jauhar is devoted to the green cause (read our Lead Story ‘Jamia’s infrastructure in just five years ........................14 FACULTY PROFILE Green Brigade’). Honours for Jamia Another area where Jamia is conscientiously working is gender sensitization. The Sarojini Naidu faculty................. 23 SPECIAL STORY Centre for Women’s Studies has brought the ‘One Billion Rising’ campaign — started by noted activist Kishanganj experiment author Eve Ensler — to the campus. Eve Ensler visited the campus in December 2013 and gave a mov - ing performance. -
Details of Unclaimed Insurance Benefits As at June 30, 2019
DETAILS OF UNCLAIMED INSURANCE BENEFITS AS AT JUNE 30, 2019 S.NO NAME 1 Iftikhar Rafiq 2 Mudasar Zawar 3 Hamid Ali Khan 4 Muhammad Waseem 5 Aatif Maqsood 6 Azhar Hussain 7 Syed Fasih Uddin 8 Shameer Ali 9 M. Irfan Siddiqui 10 Abdul Hai 11 Abdul Qayum 12 Abdul Qayum 13 Nasreen Kausar 14 Muhammad Naeem 15 Muhammad Abdullah Tufail Khan 16 Nabila Sarwar 17 Tahir Abbas Kazmi 18 Saiqa Imtiaz Arif 19 Dr. Shazia Javed 20 Aman Ullah Tahir 21 Afzal Ahmed 22 Iqbal Hussain Shaikh S/O Bhoonger Shaikh 23 Iqbal Hussain Lakho S/O Ghulam Hussain Lakho 24 Muhammad Darvesh Lakhan S/O Ahmed Din Lakhan 25 Samreen Ahmed 26 Muhammad Shoukat 27 Saeed Ahmed 28 Muhammad Ijaz 29 Khalid Mahmood 30 Kamal Khan Laghri 31 Haleema Bibi 32 Faisal Aziz 33 Jamila Ali D/O Ali Muhammad Qureshi 34 Manzoor Ahmed Khokar 35 Faisal Cheema 36 Mohammad Ali DETAILS OF UNCLAIMED INSURANCE BENEFITS AS AT JUNE 30, 2019 S.NO NAME 37 Mazher Mohib 38 Zahid Mehmood 39 Naushad 40 Gulzar Hussain S/O Abdul Lateef 41 Iqbal Khanani S/O Muhammad 42 Iqbal Khanani S/O Muhammad 43 Bhagyou S/O Thado 44 Malik Nasrullah Jan S/O Malik Muhammad Ikram 45 Seema Jabeen W/O Shakeel Khan 46 Farah Zeba D/O Muhammad Hussain 47 Imran Ilyas Jutt S/O Mohammad Ilyas Jutt 48 Eagle Maritime Services 49 Shah Sikander S/O Sarwar Khan 50 Anwar Mohammad Ali S/O Hassain Mohammad Ali Ghulam 51 Nighat Kanwal Pervez W/O Pervez Ali Khan 52 Mohammad Khalid Alvi S/O Mohammad Iqbal Alvi 53 Muhammad Jandad S/O Fazal Dad 54 Nasir Khan S/O Ajmal Khan 55 Abdul Hameed S/O Muhammad Saddique 56 Ameer Hamza S/O Rehm Din 57 Shoaib Ali -
Voice of the Sufi a Musical Journey from Pakistan
Asia Society and Pakistani Peace Builders in association with the Mohatta Palace Museum present Voice of the Sufi A Musical Journey from Pakistan Featuring: Nadir Abbas Haji Sultan Chanay Zeb and Haniya Akhtar Chanal Zehri Soung Fakirs Abida Parveen Finale with all the artists Thursday, July 22, 2010 at 7:30 PM Lead Sponsors Pakistan International Airways and the Roosevelt Hotel Fiscal Sponsor Muslim Consultative Networks (MCN) Outreach Partners American Pakistan Foundation, CAMP (Council for the Advancement of American Muslim Professionals), COPO (Council of Peoples Organization), Breakthrough for Human Rights Culture, PAKPAC (Pakistani American Public Affairs Committee), DIL-NY, LRBT, YourDIL-NY, OPEN-NY, Pakistan League of America, Pakistan League of USA Asia Society and the Rubin Museum of Art are the Festival’s Program Partners About the Program “Be overflowing with peace and joy, and scatter them wherever you are and wherever you go.” Khwaja Moinuddin Chishti Committed to presenting the diversity of Islam, Asia Society is proud to host tonight’s concert “The Sufis of the Indus: A Musical Journey from Pakistan” as a Program Partner of the Pakistani Peace Builders New York Sufi Music Festival. This program is part of Asia Society’s ongoing Creative Voices of Islam in Asia initiative. Nadir Abbas – vocalist Haji Sultan Chanay – rabab Zeb and Haniya Akhtar Chanal Zehri – vocalist Soung Fakirs Abida Parveen About the Artists Nadir Abbas — is a classical music vocalist and a protégé of Ustad Salamat Ali Khan of the Shyam Chaurasi Gharana (school). The gharana takes its name from the founders’ village of Shamchaurasi in the Hoshiarpur district of Punjab. -
Saadat Hasan Manto Ashok Kumar
Ashok Kumar A Najmul Hasan made off with Devika Rani, Bombay Talkies was thrown into complete chaos. Filming had started, a few scenes had even been finished when Najmul Hasan pulled his heroine from the world of celluloid into the real world. But the person who was most distressed and worried at the Talkies was Himanshu Roy—Devika Rani’s husband and the behind-the-scenes brains of the company. In those days S. Mukherjee, brother-in-law of Ashok Kumar and the well-known filmmaker of many popular movies, was an assistant to Mr. Savak Vacha, the sound engineer at the Talkies. Being a Bengali himself he naturally felt for Himanshu Roy. Somehow or other he wanted Devika Rani to come back. So, without consulting Himanshu Roy, he made some efforts on his own and, by using his exceptional tact, he persuaded Devika Rani to fly from the arms of her lover back into the arms of the Talkies, which offered her talent more room to grow. And fly back she did. Then S. Mukherjee used his tact once again and prevailed upon his distraught mentor, Roy, to take her back. Poor Najmul Hasan joined the list of lovers separated from their beloveds by political, religious and capitalist intrigues. He was cut off—with a pair of scissors as it were—from the film and dumped into the wastebasket. This created a problem: who should now be cast opposite the already smitten Devika Rani as her lover on the screen? Himanshu Roy was an exceedingly hardworking filmmaker who pretty much kept to himself and remained quietly absorbed in his work. -
TABOR-DISSERTATION-2014.Pdf
Copyright by Nathan Lee Marsh Tabor 2014 The Dissertation Committee for Nathan Lee Marsh Tabor Certifes that this is the approved version of the following dissertation: A Market for Speech Poetry Recitation in Late Mughal India, 1690-1810 Committee: Syed Akbar Hyder, Supervisor Kathryn Hansen Kamran Asdar Ali Gail Minault Katherine Butler Schofeld A Market for Speech Poetry Recitation in Late Mughal India, 1690-1810 by Nathan Lee Marsh Tabor, B.A.; M.Music. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfllment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2014 Acknowledgments Dissertations owe their existence to a community of people who support their authors and the awkward acknowledgments section does little to give enough credit where it’s due. Nonetheless, I tip my hat to the myriad people who helped me. Fieldwork was a long process with strange turns. Fellow tea-drinkers and gossips in Muzafarnagar were witty, sagacious, hospitable, and challenging companions who helped me to chart this project albeit indirectly. Though my mufassal phase only gets a nod in the present work, Muzafarnagar-folks’ insights and values informed my understanding of Urdu literature’s early history and taught me what to look for while wading through compendiums. Now the next project will be better prepared to tell their complicated and intriguing stories. Had it not been for Syed Akbar Hyder, my advisor and guide, there would be no “speech market.” He knew me, my strengths, hopefully overlooked my shortcomings, and put me on a path perfectly hewn for my interests.