DOCSLIB.ORG

Beyoncé Släpper Platinum Edition Box Set Den 24 November

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Beyoncé Släpper Platinum Edition Box Set Den 24 November 2014-11-04 15:15 CET Beyoncé släpper Platinum Edition Box Set den 24 november PLATINUM EDITION box set to release november 24, 2014 Deluxe package includes new songs and live performances Available now for pre-order worldwide (New York, NY; Parkwood Entertainment/Columbia Records; (Tuesday, November 4, 2014) – On Monday, November 24, 2014, Beyoncé will globally release BEYONCÉ Platinum Edition Box Set. The 2 CD/2 DVD limited edition package will include new songs, “7/11” and “Ring Off” plus four new and unreleased remixes with some superstar collaborators. The original, critically acclaimed self-titled visual album, featuring 14 songs and 17 videos, is also included. The special edition box set features a live performance DVD that chronicles the year-long “Mrs. Carter Show World Tour,” a mini version of the official 2015 Beyoncé calendar, and more. Each PLATINUM EDITION BOX SET contains: - MORE audio CD with two brand new songs and four unreleased remixes with collaborations from Kanye West, Nicki Minaj, Mr. Vegas and Pharrell Williams - “ LIVE” DVD featuring 10 live performances from the “Mrs. Carter Show World Tour” with artist commentary and an accompanying photo booklet - BEYONCÉ Original audio CD featuring 14 songs and accompanying photo booklet - BEYONCÉ Original DVD featuring 17 music videos - The official 2015 Beyoncé mini calendar Fans who previously purchased the original BEYONCÉ visual album digitally will be given the opportunity to add the bonus materials. PLATINUM EDITION BOX SET: MORE AUDIO CD 7/11 Flawless Remix (Featuring Nicki Minaj) Drunk in Love Remix (Featuring JAY Z & Kanye West) Ring Off Blow Remix (Featuring Pharrell Williams) Standing on the Sun Remix (Featuring Mr. Vegas) “LIVE” DVD Run The World (Girls) ***Flawless Get Me Bodied Blow Haunted Drunk In Love (Featuring JAY Z) 1 + 1 Partition Heaven XO ORIGINAL CD Pretty Hurts Haunted Drunk in Love (Featuring JAY Z) Blow Angel Partition Jealous Rocket Mine (Featuring Drake) XO ***Flawless (Featuring Chimamanda Ngozi Adichie) Superpower (Featuring Frank Ocean) Heaven Blue (Featuring Blue Ivy) ORIGINAL DVD Pretty Hurts Ghost/Haunted Drunk In Love Blow Angel Yoncé/Partition Jealous Rocket Mine XO ***Flawless Superpower Heaven Blue Grown Woman www.beyonce.com www.itunes.com/beyonce www.twitter.com/beyonce www.facebook.com/beyonce www.instagram.com/beyonce För mer information: Nina Thorsell, Sony Music [email protected] 0736-82 71 80 Kontaktpersoner Mikaela Lundberg Presskontakt Senior PR Manager [email protected] Isabel Rodriguez Presskontakt Senior PR Manager [email protected] +46 76 117 21 93 Nellie Sörman Presskontakt PR Manager [email protected] +46704713992 Janina Sibbel-Becker Presskontakt PR Manager - utländska artister [email protected] 073-643 45 55 08-412 17 00 Nina Thorsell Presskontakt Senior PR Manager [email protected] 0736-827180 08-412 1700.
Load more

Recommended publications
  • Black Music, Gender & Sexuality
    WGSS 391: Black Music, Gender & Sexuality Fumi Okiji [email protected] Tu/Th 10-11:15am Hasbrouck Laboratory, Room 130 Office hours: Tuesdays, 12-1:30pm, South College, W473 This course explores how black popular music cultures are shaped by performances and representations of gender and sexuality. The course will touch upon a number of themes including hip hop feminism, sex radicalism and camp, gender performativity and black masculinity. We will read music and film/video by artists such as Meshell Ndegeocello, Prince, Nicki Minaj, Bessie Smith and Beyonce as socio-historical texts that allow us access to an alternative source of knowledge supplementing the more theoretical. Students will be expected to build on their appreciation of black music to develop tools with which to critically engage with the expression, and with which to attend to the social, historical, performative and artistic complexes at play. This course fulfills critical race feminisms for UMass WGSS majors and minors. Offensive language and images You will be required to view, listen, think and talk about language, images and sounds that you might find offensive. This may include words and imagery that is sexist, homo- or transphobic, racist or obscene. It should go without saying that, I do not share or condone these words and actions. I do, however, believe that our engagement with these expressions is essential to an elucidation of the themes that underpin the course. It is important for each student to understand that by signing up to this course, you are agreeing to view and to listen to all material pertaining to it, regardless of its potentially offensive nature.
    [Show full text]
  • And I Heard 'Em Say: Listening to the Black Prophetic Cameron J
    Claremont Colleges Scholarship @ Claremont Pomona Senior Theses Pomona Student Scholarship 2015 And I Heard 'Em Say: Listening to the Black Prophetic Cameron J. Cook Pomona College Recommended Citation Cook, Cameron J., "And I Heard 'Em Say: Listening to the Black Prophetic" (2015). Pomona Senior Theses. Paper 138. http://scholarship.claremont.edu/pomona_theses/138 This Open Access Senior Thesis is brought to you for free and open access by the Pomona Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. 1 And I Heard ‘Em Say: Listening to the Black Prophetic Cameron Cook Senior Thesis Class of 2015 Bachelor of Arts A thesis submitted in partial fulfillment of the Bachelor of Arts degree in Religious Studies Pomona College Spring 2015 2 Table of Contents Acknowledgements Chapter One: Introduction, Can You Hear It? Chapter Two: Nina Simone and the Prophetic Blues Chapter Three: Post-Racial Prophet: Kanye West and the Signs of Liberation Chapter Four: Conclusion, Are You Listening? Bibliography 3 Acknowledgments “In those days it was either live with music or die with noise, and we chose rather desperately to live.” Ralph Ellison, Shadow and Act There are too many people I’d like to thank and acknowledge in this section. I suppose I’ll jump right in. Thank you, Professor Darryl Smith, for being my Religious Studies guide and mentor during my time at Pomona. Your influence in my life is failed by words. Thank you, Professor John Seery, for never rebuking my theories, weird as they may be.
    [Show full text]
  • The Gays in This Gay Press Exclusive, Queen Bey Talks Being Inspired by Her Gay Fans, Loving Lady Gaga and Remaking ‘A Star Is Born’
    Beyoncé ‘4’ The Gays In this gay press exclusive, Queen Bey talks being inspired by her gay fans, loving Lady Gaga and remaking ‘A Star Is Born’ BY CHRIS AZZOPARDI f there’s any girl who runs the world, it’s Beyoncé. The reigning diva – she’s called Queen Bey for a reason, people – is one of the biggest and best voices behind a long run of hits dating back to the late ’90s, when she was part of Isupreme girl-group Destiny’s Child. Years later, Beyoncé still demonstrates just how irreplaceable she is as a solo artist, having released four albums – and dedicating her latest one, “4,” to that milestone – with some of the most memorable and gay-celebrated singles in pop music history. Not every artist can say they’ve had a gay boy lead a football team to glory by performing “Single Ladies,” as seen on “Glee.” And not every artist can say they have 16 Grammy Awards, making her one of the most honored artists in Grammy history. But that’s Queen Bey, who’s also assembled a gaggle of gay fans who are – you guessed it – crazy in love with her. In this exclusive chat with Beyoncé, her first gay press interview since 2006, the singer/actress/glamour-girl spoke about how the fierceness of her gay fans inspires her, the intimidation she’s feeling following in the footsteps of Judy and Barbra for her upcoming role in “A Star Is Born,” and what she really meant by the “girls” who run the world.
    [Show full text]
  • Run the World
    Run the World Het vermeende spanningsveld tussen feminisme en seksualiteit in de hedendaagse popmuziek Loes Berends 07-07-2015 Master Kunst- en Cultuurwetenschappen Radboud Universiteit Nijmegen Run the World This goes out to all the women getting it in, you on your grind To all the men that respect, point out that, please accept my shine Boy you know you love it how we smart enough to make these millions Strong enough to bear the children, then get back to business. (Beyoncé, Run the World (Girls), 2011) 1 Abstract Run the World The supposed field of tension between feminism and female sexuality in modern pop music. Recently more and more female pop stars started to declare to be feminists. Singer Beyoncé Knowles-Carter is one of them. During her VMA performance in 2014 she made a significant feminist statement while performing her song ***Flawless, standing in front of a giant luminous FEMINIST sign. A lot of critique on this statement followed. Although Beyoncé is claiming to be a feminist, she has been putting a lot of emphasis on her body, looks and sexuality, in both her music and her videos. Therefore, the current study examines how Beyoncés feminist claim can be interpreted through theories about (modern) feminism and sexualization in pop culture, and thereby how these subjects intertwine and contradict. It analyses how core values in pop culture like authenticity, image, sexuality, tone of voice, context, commerciality, and personal autonomy are used in creating a personal message like Beyoncé does. The research focuses on Beyoncé as an artist, her career, and her newest self-titled album including the song ***Flawless.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • Steve Pamon President & Chief Operating Officer Parkwood Entertainment
    Steve Pamon President & Chief Operating Officer Parkwood Entertainment Launch With GS External Advisory Council Steve Pamon is the President and Chief Operating Officer of global entertainer Beyoncé’s management and production company, Parkwood Entertainment. In his time at Parkwood Entertainment, the team has continued its history of critical and commercial success in the media, entertainment, and consumer products business, as evident in the Super Bowl 50 Halftime Show, Lemonade visual album, 22 Days Nutrition, The Formation World Tour, Coachella Homecoming, On the Run II world tour, Everything is Love album, Global Citizen Africa Festival, Adidas / Ivy Park partnership, Disney’s The Lion King: The Gift album, among many others. In addition, his team manages the careers of rapper/songwriter, Ingrid and actresses/musicians, Chloe x Halle. Prior to joining Parkwood Entertainment, Pamon was the head of sports and entertainment marketing for JPMorgan Chase, where he led a team responsible for the ongoing operations around the bank’s broad sponsorship portfolio, including Madison Square Garden (NY Knicks & NY Rangers), NY Jets, NY Giants, Radio City Music Hall, The Rockettes, The US Open Tennis Tournament, Chicago Theater, and the Los Angeles Forum. Before joining JPMC, Pamon was the Vice President of Strategy and New Business Development for the National Football League. He also served as the Senior Vice President and General Manager of HBO's digital distribution. His career began with stints at Merrill Lynch, Citigroup, McKinsey & Co., and Time Warner. Outside of his full-time role, Pamon recently completed a 10 year term as a board member of New York Road Runners ("NYRR"), a non-profit organization that produces more than 100 sports events each year - including the famed New York City Marathon.
    [Show full text]
  • Due to Overwhelming Demand Jay-Z and Eminem's Historic
    DUE TO OVERWHELMING DEMAND JAY-Z AND EMINEM’S HISTORIC “HOME AND HOME” TOUR ADD ADDITIONAL SHOWS IN DETROIT AND NEW YORK TICKETS GO ON SALE FRIDAY, JUNE 25TH Tickets to EMINEM and JAY-Z’ historic “Home And Home” tour went on sale today to presale partners with overwhelming fan demand. In response to the tremendous demand, and in preparation for tomorrow’s public on-sale, another show has been added in Detroit at Comerica Park on Friday, September 3rd and in New York at Yankee Stadium on Tuesday, September 14th. This is the only time these two superstars will perform together. Tickets for all four shows, produced by Live Nation, go on sale to the public on Friday, June 25 at 10:00 am local time at LiveNation.com. JAY-Z AND EMINEM’S “HOME AND HOME” TOUR DATES INCLUDE: September 2 Detroit, MI Comerica Park September 3 Detroit, MI Comerica Park September 13 New York, NY Yankee Stadium September 14 New York, NY Yankee Stadium. The same day that tickets go on sale, EMINEM and JAY-Z take over late night television in support of the tour when they perform together on the roof of the Ed Sullivan Theater building on LATE SHOW with DAVID LETTERMAN, taped Monday, June 21 to be broadcast Friday, June 25 (11:35 PM-12:37 AM, ET/PT) on the CBS Television Network. Since 1996, 10-time Grammy award-winner, Shawn “JAY-Z” Carter has dominated the rap industry and set trends for a generation. Through his own label, Roc Nation, JAY-Z released The Blueprint 3, his 11th number one album, putting him ahead of Elvis for the most number one albums by any solo artist.
    [Show full text]
  • Big Hits Karaoke Song Book
    Big Hits Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID 3OH!3 Angus & Julia Stone You're Gonna Love This BHK034-11 And The Boys BHK004-03 3OH!3 & Katy Perry Big Jet Plane BHKSFE02-07 Starstruck BHK001-08 Ariana Grande 3OH!3 & Kesha One Last Time BHK062-10 My First Kiss BHK010-01 Ariana Grande & Iggy Azalea 5 Seconds Of Summer Problem BHK053-02 Amnesia BHK055-06 Ariana Grande & Weeknd She Looks So Perfect BHK051-02 Love Me Harder BHK060-10 ABBA Ariana Grande & Zedd Waterloo BHKP001-04 Break Free BHK055-02 Absent Friends Armin Van Buuren I Don't Wanna Be With Nobody But You BHK000-02 This Is What It Feels Like BHK042-06 I Don't Wanna Be With Nobody But You BHKSFE01-02 Augie March AC-DC One Crowded Hour BHKSFE02-06 Long Way To The Top BHKP001-05 Avalanche City You Shook Me All Night Long BHPRC001-05 Love, Love, Love BHK018-13 Adam Lambert Avener Ghost Town BHK064-06 Fade Out Lines BHK060-09 If I Had You BHK010-04 Averil Lavinge Whataya Want From Me BHK007-06 Smile BHK018-03 Adele Avicii Hello BHK068-09 Addicted To You BHK049-06 Rolling In The Deep BHK018-07 Days, The BHK058-01 Rumour Has It BHK026-05 Hey Brother BHK047-06 Set Fire To The Rain BHK021-03 Nights, The BHK061-10 Skyfall BHK036-07 Waiting For Love BHK065-06 Someone Like You BHK017-09 Wake Me Up BHK044-02 Turning Tables BHK030-01 Avicii & Nicky Romero Afrojack & Eva Simons I Could Be The One BHK040-10 Take Over Control BHK016-08 Avril Lavigne Afrojack & Spree Wilson Alice (Underground) BHK006-04 Spark, The BHK049-11 Here's To Never Growing Up BHK042-09
    [Show full text]
  • 2020 C'nergy Band Song List
    Song List Song Title Artist 1999 Prince 6:A.M. J Balvin 24k Magic Bruno Mars 70's Medley/ I Will Survive Gloria 70's Medley/Bad Girls Donna Summers 70's Medley/Celebration Kool And The Gang 70's Medley/Give It To Me Baby Rick James A A Song For You Michael Bublé A Thousands Years Christina Perri Ft Steve Kazee Adventures Of Lifetime Coldplay Ain't It Fun Paramore Ain't No Mountain High Enough Michael McDonald (Version) Ain't Nobody Chaka Khan Ain't Too Proud To Beg The Temptations All About That Bass Meghan Trainor All Night Long Lionel Richie All Of Me John Legend American Boy Estelle and Kanye Applause Lady Gaga Ascension Maxwell At Last Ella Fitzgerald Attention Charlie Puth B Banana Pancakes Jack Johnson Best Part Daniel Caesar (Feat. H.E.R) Bettet Together Jack Johnson Beyond Leon Bridges Black Or White Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey Break Free Ariana Grande Brick House The Commodores Brown Eyed Girl Van Morisson Butterfly Kisses Bob Carisle C Cake By The Ocean DNCE California Gurl Katie Perry Call Me Maybe Carly Rae Jespen Can't Feel My Face The Weekend Can't Help Falling In Love Haley Reinhart Version Can't Hold Us (ft. Ray Dalton) Macklemore & Ryan Lewis Can't Stop The Feeling Justin Timberlake Can't Get Enough of You Love Babe Barry White Coming Home Leon Bridges Con Calma Daddy Yankee Closer (feat. Halsey) The Chainsmokers Chicken Fried Zac Brown Band Cool Kids Echosmith Could You Be Loved Bob Marley Counting Stars One Republic Country Girl Shake It For Me Girl Luke Bryan Crazy in Love Beyoncé Crazy Love Van Morisson D Daddy's Angel T Carter Music Dancing In The Street Martha Reeves And The Vandellas Dancing Queen ABBA Danza Kuduro Don Omar Dark Horse Katy Perry Despasito Luis Fonsi Feat.
    [Show full text]
  • Marygold Manor DJ List
    Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start)
    [Show full text]
  • Scheme of the Research
    SCHEME OF THE RESEARCH TITLE OF THE RESEARCH THE IN FLUENCE OF SOCIAL CLASS TO THE USE OF SWEAR WORD IN NICKI MINAJS’S RAP SONGS LYRIC Sociolinguistic Study Social Class Language Variety Style and Regist - Uper-uper class - Lower-uper class - Uper-middle class - Lower-middle class Swear Word - Uper-Lower class - Lower-lower class THE INFLUENCE OF SOCIAL CLASS TO THE USE OF SWEAR WORDS IN NICKI MINAJ’S RAP SONGS LYRIC Darma Persada University POSTER OF THE RESEARCH THE FLUENCE OF SOCIAL CLASS TO THE USE SWEAR WORD IN NICKI MINAJ’S RAP SONGS LYRIC Mely Arfiyanti 2015130032 DARMA PERSADA UNIVERSITY BACKGROUND FRAME WORK OF THEORIES: Sociolinguistics is the study of the relationship between language and society. How social factors can influence the Sociolinguistics Theory: way people speak. Community development; Culture, - Factors of social technology andeven religion, has caused people to form classs - Type of scoial class certian groups of social class. This form social class demands that group identities differ fromn other social Language variety classes. This need cause the effort to be different; - Style and register Included in the use of language. Each social lass seeks to be different from other sociall classes through the use of a different language. METHOD OF THE RESEARCH RESULT OF THE RESEARCH In this research, the writer use Based on the songs that the writer analyzesd, style and qualitative method to collect the data. register theory use in rap songs. They use swear The sources of the data are from words as her style asher special language that use in journals, articles, books, and internet.
    [Show full text]
  • AN ANALYSIS on the USE of SLANG LANGUAGE in NICKI MINAJ's SONG LYRICS Vera Seprina [email protected] Djasminar Anwar
    AN ANALYSIS ON THE USE OF SLANG LANGUAGE IN NICKI MINAJ'S SONG LYRICS Vera Seprina [email protected] Djasminar Anwar [email protected] English Department Faculty of Letters ABSTRACT The phenomena of slang language use almost in all genres of music, inspired the writer choose to focused in the study to discusses about analysis of the types and meanings of the slang language in Nicki Minaj's song lyrics. The purpose of this study is to classify the types and determine the meanings of slang language that used, in Nicki Minaj's song lyrics. The method used in this study is descriptive qualitative method. The writer uses Eric Partridge theories and other relevant references as well in order to obtain the relevant analysis between the theory and the statement. From the results of the study, it is found out that Society slang was the slang language type that most often used in Nicki Minaj's song lyrics and the meanings of the slang language in this song is related to sexuality. Key words : Slang language, Song lyrics. Language ABSTRAK Fenomena penggunaan bahasa gaul di hampir seiiap genre musik saai ini, menginsiprasi penulis untuk fokus dalam penelitian yang membahas tentang analisis bahasa gaul yang digunakan dalam lirik lagu Nicki Minaj. Tujuan dari penelitian ini adalah untuk menentukatt tipe dan makna dari bahasa gaul yang digunakan dalam lirik lagu Nicki Minaj. Melode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Penulis menggunakan teori Eric Partridge dan beberapa teori pendukung lain yang relevan untuk menjadikan penelitian ini bersifat relevan antara teori yang digunakan dengan halyang akan diieliti oleh penults.
    [Show full text]