太古音樂大師：迪華特的馬勒 ─ 大地之歌 Swire Maestro: De Waart’s Mahler – The Song of the Earth
艾度．迪華特 節目 指揮 奧斯瓦多．格利荷夫 《最終回》─為弦樂團而寫 Edo de Waart conductor – 中場休息 –
古爾德 馬勒 《大地之歌》 男高音 Stephen Gould tenor Programme OSVALDO GOLIJOV Last round – 菊克 女中音 for string orchestra
Sasha Cooke – Intermission – mezzo-soprano MAHLER Das Lied von der Erde Parsons Ad
12月4日的音樂會由香港電台第四台(FM 97.6 - 98.9兆赫)現場錄音，節目將於2010年1月22日 (星期五)晚上8時播出，並於1月27日(星期三)下午2時重播。 The 4 Dec concert is recorded by RTHK. It will be broadcast on Radio 4 (FM Stereo 97.6 – 98.9 MHz) on 22 Jan 2010 (Fri) at 8pm and repeated on 27 Jan (Wed) at 2pm.
各位觀眾 欣賞美樂前，請關掉手提電話及其他響鬧裝置。場內不淮飲食、攝影、錄音或錄影。祝大家有 冠名贊助 一個愉快的音樂體驗。 Title Sponsor Dear patrons For a wonderful concert experience, kindly switch off your mobile phone and other beeping devices before the concert begins. Photography, recording, filming, eating or drinking are not allowed. We wish you a very enjoyable evening.
(ࠗಋဳ֞ᅥ྆ಋᅥܰԓݘਂʑԮეኒΔ The Hong Kong Philharmonic Orchestra (HKPO Ͻؿᅥ྆ɾȹcᔔఒࠗಋʼʝ́՜༩ȹ˖c is one of Asia’s leading orchestras. Enriching Hong Kong’s ɍɊαԞɰೕࢄιඑജɁၤࣵ̔ࠑᅥ၀ߜؿ cultural life for over a century, the Orchestra has grown intoٶ ˮᅥ྆cмʵ˖ވज़ᖚࡼ̎ᘆᖚeಋᅥ a formidable ensemble of Chinese and international talents Ұα༦൚༦ȹϛʄɊؿˮcᘩ৽ɀɊຒ in the last three decades, attracting world-class artists to ᅥ়ؿʶe perform on the same stage. HKPO annually touches the lives of 200,000 music lovers through more than 150 performances. ɣϴ۹fജऋეኒɎcܞΕԔᙷਝؿ Under the leadership of its internationally renowned conductor αˮ৺ٶಋᅥؿᖚˋ̡ྨঢ়ࢋeಋᅥ Edo de Waart, HKPO continues to scale new heights in musical Ͳࡨ͚ᚊςӡͶdჱࠑᅥผdඨ̀ᅥς excellence. The continuing cycle of Mahler symphonies and cҡۿؿྩณς͌cяݯᅥ়ֺᆅʘ౨̔˞ challenging programming outside the traditional repertoire, ᅥտؿ ιݯᅥ྆ᖚೕࢄؿԈೡຌe have become highly anticipated events as well as musical ᅕӴΛ٧ؿᒫԈෙჱࠑᅥผڈࠇᎻc milestones for the Orchestra. Beethoven’s Fidelio opera-in- ʥ৺ؿɣΔɾɺ˿cϤԯˢၤಋᅥ concert and Mahler’s Das Lied von der Erde are inarguably the i፡ೄࡼແˤdܢ˳ڬؿᕷᅥኋ̜ܱ̎ major highlights of the 2009/10 season. Many great artists ,ॗʩਥʥңၐcɩొೄࡼਜ̷਼քʥ perform with the HKPO, from pianists Jean-Yves Thibaudetּˈ ɣొೄࡼ͠СeඨթܞᖓऋӇਥ Boris Berezovsky and Paul Lewis, violinist Sarah Chang ɣቝᐽcᄤɣᅥ়ຒʜ፟༦e to cellist Steven Isserlis. The visit of the legendary Gennadi Rozhdestvensky is also an event not to be missed. ιݯټপਥڌα˂cʪ̀එ྆෯ഁ ᅥ྆ؿࠖᖳХc˞Хജऋྡྷଊˢྦྷᅥ྆ؿ From April 2006, The Swire Group Charitable Trust became ѩᗙeϊݯಋᅥ̌ɐɣؿͬพᖳХc˥ᅥ྆ the Hong Kong Philharmonic’s Principal Patron, enabling ၦ̎ᑺ൬ Maestro de Waart’s artistic vision for the Orchestra to beވ˖˞ΕᖚɐτҡɣؿೕࢄcΉ ,ؿࣂcੀঢ়ˋๅؿˮᄤɣ̵̟cᜑҡ realized. Swire’s sponsorship of the Hong Kong Philharmonic ΛɁઅᘩԷ̀ࠑᅥe the largest in the Orchestra’s history, supports artistic growth and development as the Orchestra takes its place on the world stage, and brings performances of musical excellence to the widest possible public. ॵฉ૯૯၇κcዶรઐᄤ HKPO stays in tune with our city by presenting the orchestra̟ےಋᅥࠗಋؿ ผΈආᄙcੀ၀ؿࠑᅥผ in unexpected venues and bringing the excitement ofمဳ֞ᅥϭ ԷΈࡼΈʸcɻɺʭࠇ߬ˮҡ༦ཋ̎ the concert experience to every home through radio and ൠΔ television broadcasts. These included, the largest symphonicכܢ˳ሌcʥཋ഼ᔝᅌͲಋ̵̟ ͚ᚊۗ z ʪ̀ event of the year, Swire Symphony Under the Stars at Happyێ༝ᅥᐾϷؿͲαɣ ಋᅥfܱէf͚ᚊςeݯȿొঢ়Ͳಋɻd Valley. The Orchestra runs a comprehensive schools education ɩdऋࣦነ́ྦྷ̀ࠑᅥؿጙመcಋᅥᐾፒ programme, Creative Notes, bringing the joy of classical music ࠑᅥઠөི߮෮ࠑଲcొԜЛࠑᅥผʥ to primary, secondary and special school kids, and once in a while, the Orchestra drops the formality of the classical Έඖઠөݠ৽eᅥ྆͛ཹምˮक़̀ࠑᅥؿ concerts to crossover with Western and Chinese pop stars. ᆲᕿcց౨ᑼᇼɻd̔ݚϷʹ̎ˮc ᜮଠઅᘩ̀ࠑᅥe The Orchestra also builds its reputation and raises its artisticڇмʵҡΛα standards by touring. In 2007/08 season, the Orchestra ᐰᙷ performed in the Shanghai Spring International Music͓ۺಋᅥؿࣵ̔Ԁিˮcᜑᅥ྆Εಋ̔ ʥ൬ȹүొʠᖚˋ̡eᅥտcಋᅥʗ Festival and the Beijing Music Festival. In 2009, the Orchestra ਝࠑᅥຝʥ˵ԕਝࠑᅥຝɻ undertook a major six-concert tour of China, including theܬɐࣵɾכП αcᅥ྆ҡΕϴ۹fജऋؿეኒ Xinghai Concert Hall in Guangzhou, Beijing’s National Centre eޚڋ ɎԷᄤήܱࣵࠑᅥᜨd˵ԕਝࡼɣჱʥɐࣵ for the Performing Arts and Shanghai Grand Theatre under .ɣჱАɻਝԀcݯᄤɣɻਝᚹଠˮʒ the leadership of Maestro Edo de Waart ၀ࠑᅥผe In February 2008, the Hong Kong Arts Development Council honoured the HKPO with the Arts Promotion Award, in α˂ཕೕᖚઐᄤ recognition of its success in expanding its audience base andכࠗಋᖚೕࢄѫ .αԞι˲ᒷ gaining public support in recent yearsٶಋᅥٲ˞ᆉʀࠗಋဳ֞ᅥ྆c ࢄᜮଠᄙࠍᏵՅʔଠʻܛe
The Hong Kong Philharmonic Orchestra is financially supported by the Government of the Hong Kong Special Administrative Region ༅Х SWIRE is the Principal Patron of the Hong Kong Philharmonic Orchestra֚ܧਂܧࠗಋဳ֞ᅥ྆ࠗͅಋऋПϷ ࠗಋဳ֞ᅥ྆ࠖᖳХiʪ̀එ྆ The Hong Kong Philharmonic Orchestra is the Venue Partner of the Hong ࠗಋဳ֞ᅥ྆ݯࠗಋʼʝɻʶΔ͟Ђ Kong Cultural Centre Salute ᑢ͟Ђ to Our Partners kܛࠗಋဳ֞ᅥ྆টʶᑢ˞ɎᖳХዀ࿚ؿྐྵష༅Хʻ The Hong Kong Philharmonic Orchestra would like to express our heartfelt thanks to the Partners below for their generous sponsorship and support!
˚߬ᖳХ ࠖᖳХ MAJOR FUNDING BODY PRINCIPAL PATRON
ຝ͌ᖳХMAJOR SPONSORS
˞ʔ̇ߜʼΊီѵIn alphabetical order of company name ϴ۹fജऋ Edo de Waart is the Artistic Director and Chief Conductorܞࠗಋဳ֞ᅥ྆ᖚᐢဟ࠹ᐢ of the Hong Kong Philharmonic Orchestra. Renowned as כّؿᙷcኞۺԔᙷਝcॖτᅥ྆ an “orchestral builder” who has the enviable ability to ι˲ੀԯეؿᅥ྆ొʠϭঢ়۹Կ൙ؿᖚ transform his orchestras into world-class ensembles, Edo i੪̛͚ᚊᅥ྆ de Waart has held such distinguished positions as Chiefܢ˳eˢ౦ኪͨؿ߬ᓻ̡ˋ d Conductor and Artistic Director of the Sydney Symphonyܞʥ୩ᙬཋ̎ෲᅥᅥ྆ؿᖚᐢဟ࠹ᐢ ୩ᙬჱᐢܞc˞ʥொऋɽෲᅥᅥ྆d and the Netherlands Radio Philharmonic, Chief Conductor ᘣ༠ᅥ྆ؿࠑᅥᐢဟe of the Netherlands Opera, as well as Music Director of̛עɍᖙ̟͚ᚊᅥ྆ the Rotterdam Philharmonic, San Francisco Symphony and ˢ͛ผͅ ᅥտˮͨਝဍӂਥ Minnesota Orchestras. He has also taken up the Music ͚ᚊᅥ྆ؿࠑᅥᐢဟe Directorship of the Milwaukee Symphony Orchestra from the 2009/10 season. Έάވ˖כ͚ᚊᅥ̔cജऋ͛౦ܞ As an opera conductor, Edo de Waart has enjoyed ഠऋdܖჱਨcΣi࠷ޫ٧්dᄨਝ success in many of the great opera houses of the world, ʱቭʱɡ֛dख़ɣผcԎ౦Εɍᖙ̟ including Covent Garden, Bayreuth, Bastille and the ੪̛ܞͲࡨജࣟढ़ܞჱࠑᅥผeˢ Metropolitan Opera. He has led highly regarded Wagner ಋᅥˮңྦf̌ऋؿଡ଼ᅥd Ring Cycles in San Francisco and Sydney. He has conductedܞ ȹྭ a series of critically acclaimed concert performancesुပᕉɡdɤع૯ࡾੱʊd of Richard Stauss’s Salome, Elektra, Der Rosenkavalier ʥ̛ࣳۖؿᇥᇦʩɁჱࠑᅥผcяᏵঢ়۹ and Act I of The Valkyrie, as well as Puccini’s Madama ിძe Butterfly with the Hong Kong Philharmonic.
ϴ۹fജऋንᔄԯˮؿࠑᅥιగ࿘ᏵΛඖ Maestro de Waart has received a number of awards for his ཕೕඐቺϽc outstanding achievements in music. He is a Knight in the֚ܧࣦ࿘eˢʗПᏵ୩ᙬ Order of the Dutch Lion and he was awarded the Order ኪͨ of Australia – a reflection of his invaluable contribution toכˢٲ˞ཕೕዌݘቺc֚ܧʥዌݘ˞ ੪̛͚ᚊᅥ྆ᖚᐢဟ࠹ᐢܞͨʑ౨ංcྦྷ Australian cultural life during his decade with the Sydney ʠዌݘʼʝᖚ́ݠֺАˮؿᘆeˢɌᏵ Symphony. He was appointed an Honorary Fellow of theొ ਝ Hong Kong Academy for Performing Arts in recognition ofכࠗಋᖚነཕೕ࿘ᙷɡc˞ٛցˢ his contribution to music internationally, and in particular, ංՅؿࠑᅥιగcऋПܰˢྦྷөࠗಋณȹ his commitment to developing future generations of .ˤࠑᅥࡼֺАˮؿЦɈe musicians in Hong Kong
古爾德 Stephen Gould
男高音 tenor
被《歌劇世界》雜誌譽為「國際級的湯豪舍」的 Hailed as “a Tannhäuser of international stature” by 古爾德，是現今炙手可熱的英雄男高音，備受 the Opernwelt magazine, Heldetenor Stephen Gould is 各大歌劇院、樂團和音樂節寵愛。2004年於 sought-after by today’s foremost operas houses, orchestras 拜萊特歌劇節與指揮提勒曼首演湯豪舍，是他 and festivals. An important milestone in his career came with his début as Tannhäuser under Maestro Christian 事業上的重要里程碑。現時，他頻繁的歌劇演唱 Thielemann at the 2004 Bayreuth Festival. His busy operatic 生涯快將踏進第二個十年。 singing schedule is now about to enter its second decade.
2010年的演出包括：在馬德里演唱《漂泊的 His upcoming opera performances include in 2010 a 荷蘭人》、在柏林德意志歌劇院和德累斯頓 new production of Der fliegende Holländer in Madrid, 歌劇院演唱《湯豪舍》、在維也納演出《漂泊的 Tannhäuser at both Deutsche Oper Berlin and Dresdener 荷蘭人》、《帕西法爾》及全套指環歌劇、於漢堡 Semperoper, Der fliegende Holländer, Parsifal, and Ring Cycles in Vienna, Lohengrin in Hamburg, his much 演唱《羅恩格林》及令人熱切期待的紐約大都會 anticipated début at the Metropolitan Opera in New York 歌劇院《漂泊的荷蘭人》首演，以及在東京新國家 in Der fliegende Holländer, and his first Tristan in a new 劇院演唱全新製作的《崔斯坦與伊索爾德》中， production Tristan und Isolde at the New National Theater 首次演唱崔斯坦一角。2011年的演出則有：在 in Tokyo. 2011 will include Der fliegende Holländer, 維也納演出的《漂泊的荷蘭人》和全套指環歌劇、 Tannhäuser, and Ring Cycles in Vienna, Götterdämmerung th 在柏林德意志歌劇院演唱《諸神的黃昏》、在萊比 at Deutsche Oper Berlin, Mahler’s 8 Symphony in 錫演唱馬勒第八交響曲，以及於薩爾斯堡音樂節 Leipzig, and his début at the world – renowned Salzburg Festival as Kaiser (Die Frau ohne Schatten). 演唱《沒有影子的女人》中皇帝一角。 Stephen Gould has performed with such conductors as 古爾德曾與無數著名指揮家合作，如：巴倫邦、 Daniel Barenboim, Ivor Bolton, Pierre Boulez, Myung- 保頓、布萊茲、鄭明勳、費魯、費殊、吉格耶夫、 Whun Chung, Gabriele Ferro, Ádám Fischer, Valery Gergiev, 希遜、楊諾夫斯基、雷西、梅塔、長野健、小澤 Hartmut Haenchen, Marek Janowski, Fabio Luisi, Zubin 征爾、沙羅倫和提勒曼。 Mehta, Kent Nagano, Seiji Ozawa, Esa-Pekka Salonen and Christian Thielemann.
除了歌劇演出，古爾德亦會擔任音樂會獨唱，曾經 As a concert singer he was heard in Beethoven’s 9th 為Telarc廠牌灌錄與阿特蘭大交響樂團合作的 symphony with Atlantic Symphony Orchestra (also recorded 貝多芬第九交響曲、於柏林、慕尼黑與芝加哥 by Telarc), in Berlin and Munich, Beethoven’s Missa Solemnis 交響樂團演唱貝多芬的《莊嚴彌撒曲》、於蒙特 with the Chicago Symphony Orchestra, Schönberg’s 利爾、柏林、布魯塞爾、阿姆斯特丹和赫爾辛基 Gurre-Lieder in Montreal, Berlin, Brussels, Amsterdam and th 演唱荀伯格的《古雷之歌》、在卑爾根音樂節、 in Helsinki, Mahler’s 8 symphony at the Bergen Festival, Carnegie Hall, and in Paris, Vienna and Budapest, Mahler’s 卡奈基音樂廳、巴黎、維也納、布達佩斯演唱 Das Lied von der Erde in Berlin, Graz as well as in Israel 馬勒第八交響曲、及柏林、格拉茨、以色列以及 and at the Lucerne Festival, and Stravinsky’s Oedipus Rex 琉森音樂節中演唱《大地之歌》，又於倫敦演唱史 in London. 達拉汶斯基的《俄狄浦斯王》。 Born in the United States of America, he trained at the 生於美國，古爾德於新英格蘭音樂學院學習， New England Conservatory of Music and apprenticed with 其後於芝加哥歌劇院美國藝術家中心接受在職 the Lyric Opera of Chicago Center for American Artists. Stephen Gould spent the first decade of his career in the 培訓，他首十年集中在美國發展其事業，為各大 United States, performing in concert, opera, and especially, 音樂會、歌劇、特別是音樂劇巡演演唱，期間， touring in musical theater. During this period, he continued 他師隨大都會歌劇院男中音菲奧里托，轉唱英雄 his studies with former Metropolitan Opera baritone John 男高音角色。 Fiorito, making the vocal transition to heldentenor.
ദК Sasha Cooke
ɤɻࠑ mezzo-soprano
ᚉӯؿɤɻࠑദКಲሃΕჱˮdၤᅥ྆ The fast-rising mezzo-soprano Sasha Cooke has beenྩ ዟˮcқֶᐾϷዟผcяᘰΡിe acclaimed for her opera performances, as soloist with ᔁής orchestra, as well as in song recitals. Her 2009/10 seasonכiܢ˳ᅥտؿˮ כ ɻʶd˱ήּ୩ԓࡧˀᖚຝdౝནኽ۩ᅥຝ engagements include concerts at the Lied Center of ʥജଞནΧքผᐾϷؿࠑᅥผdʥၤဍӂਥd Kansas, the SummerFest in La Jolla (CA), the Bridgehampton Chamber Music Festival and the Cosmos Club in Washington dےᖓּΛdϹඏ྇dୣᄨμdᔁޫ DC, and her débuts with the Symphony Orchestras of ؿܞࡐ͚ᚊᅥ྆ͅ᪐ʼ˱Δˑࡐd٠ັ Milwaukee, Colorado, Seattle, Modesto, Kansas City, San ̯ࠑᅥຝᅥ྆Аeځ Diego, Chicago and the Aspen Festival Orchestra under the direction of David Zinman. iၤϹඏ྇ჱАؿܢ˳౨ˮٶؿ ؿɍᖙᤇ͚ᚊᅥ྆ˮ Her recent engagements include Falstaff with the Seattleܞࣺɡᄨdၤսढ़ ɣผჱࠖԓ Opera, Iolanthe with the San Francisco Symphony andכϴෙᙬऋeɌ ߜਝਝࡼ conductor George Manahan. She also sang the role ofכɌ܃ࡈɥɡɻແȹӯcԯ ჱАჱؿᅩݘࠖeԯˢˮτiၤࡥ Kitty Oppenheimer in the Metropolitan Opera première of ᄨၬན͚ᚊᅥ྆ᒚᄨဍᎴᑩԓdၤϴ John Adams’s Doctor Atomic, which she later performed .ؿʱဍؿᄾ͚ᚊᅥ྆В࢟դؿ with English National Opera in her European débutܞॗౝ Other engagements included Handel’s Messiah with the ځαᖚࡼ˚ፒd̀ڇᖅeദКɌၤͅާ ٛɻʶᖐ͉ፗɡ Edmonton Symphony Orchestra, Bernstein’s Opening Prayer׳ؿັ༏Кᅥ྆Εܞᖓ with the Baltimore Symphony Orchestra under Marin Alsop. ऋּၐʩؿ˞ϳͶჱכؿࡧէe౦ Cooke was presented by Young Concert Artists at Lincoln ɻෙ˱ȹӯcټfෙँټࣜ˿ʩਥʮ Center in Berlioz Les nuits d’été with the Orchestra of ЃၬऋᐾϷؿຒᗸ༏۩ᅥຝeכɌၤα St. Luke’s under Giancarlo Guerrero. Cooke sang the role of Olga in Tchaikovsky’s Eugene Onegin with the Israeli αࠑᅥࡼɣᑩɻዷ Opera in Tel Aviv and participated in the 2008 MarlboroڇαਝכദК .c Chamber Music Festival in Vermont܃αࠑᅥࡼடऋਅᐰᅥϽeԯڇϤˮcᘰ αʗПῈাɻʶ࣮৺ჱʥ˺ժਥכɌ αࠑᅥࡼ˚ፒ As a winner of the 2007 Young Concert Artists InternationalڇࠑᅥᜨᖳКဍᜨᐾϷȿԭͅ .ؿዟผeദКɌᘰαʪඈӱჱᐰᅥ Auditions, Cooke holds the Lindemann Vocal Chair of YCA ɣᑩʥʱႠᐰᅥɣᑩe Later that year, she gave two début recitals in the Young Concert Artists Series at the Kennedy Center’s Terrace Сԓ Theater and at Carnegie’s Zankel Hall. Cooke won Firstכ܃ᕤɣነՅነɡነϽcԯכദК ࠑᅥነϣՅဨɡነϽcԎၤณСԓ Prizes in the 2007 Sun Valley Opera Vocal Competition and .ۗ྆ؿࠖˮe͛ܰɣผჱؿ the 2006 Bach Vocal Competition αᖚೕࢄི߮ؿଓพ́eڇ Sasha Cooke received her Bachelor’s Degree from Rice University and her Master’s Degree from The Juilliard School, where she was frequently heard in premières by the New Juilliard Ensemble. She is a graduate of the Lindemann Young Artist Development Program of the Metropolitan Opera. ෙ̿ΛfࣟС୩ʩ Osvaldo Golijov b.1960כ́
ୄΑĶ ݯ֞ᅥ྆Ϥᄘ Last round – for string orchestra
ȹϽˮʷАςࡼ͊ԓІּ Astor Piazzolla, the last great Tango composer, was at the܃αc .ɻࠓcࣂˢؿɈʋಳΣˀɻʨeˢ peak of his creativity when a stroke killed him in 1992כϋ ᔴȿ҈ࠨ Ķ ࡨ͂ᓿʷؿീcȹᐰ༞Пɖ He left us, in the words of the old tango, “without saying good bye”, and that day the musical face of Buenos Aires Ӏτeԅʨc̠փጻϴСؿࠑᅥࠍႜޯಳ was abruptly frozen. The creation of that face had started cိࠑᅥࠍႜնکཫȿ͵ЍؿeϛΛα a hundred years earlier from the unlikely combination of ݘؿຝۗdঢ়ฟɁڈѼι Ķ ԅܰȹိȿ African rhythms underlying gauchos’ couplets, sung in ؿྦྷ̏dϹϹԈɩςЍؿഈd˞Ϊ༠ቧϹԓ the style of Sicilian canzonettas over an accompanying ˢЂۗؿթऋࠑᅥࠓࣟe༦ั˂ݟᓤc Andalucian guitar. As the years passed all converged ɐ߸ိိ⾫കΕऒΛख़ʹࠓೄӸɐiȹͧ towards the bandoneon: a small accordion-like instrument ؿᄨਝᅥኂcᗘЍɩʹࠓೄЎӀτ without keyboard that was invented in Germany in theעೕ˖ th ,αˤ 19 century to serve as a portable church organ and which ഼ݯ˿ᙙβ㣍ਦࠓೄcٱᒄᆚc αˤΑ after finding its true home in the bordellos of Buenos Ε̠̟ஔ̵ਂؿѠໃΔ࣓́c Aires’s slums in the 1920’s, went back to Europe to ʷܰقȹ܃ผcɾمࠓᗕʱቭɐݚ܃ᓊᅩݘ conquer Paris’ high society in the 1930’s. Since then it ᅥඅ̦ௐe reigned as the essential instrument for any Tango ensemble.
ֺτോᄩʷؿိိወᐛΕ͊ԓІּؿऒΛख़ Piazzolla’s bandoneon was able to condense all the ࠓೄiၦ৽ᔶၠӸᔜؿֲോᄩcగܰˢ symbols of tango. The eroticism of legs and torsos in theʹ ᓯ௰ؿ&ɣሁ dance was reduced to the intricate patterns of his virtuoso ܞࠔ҄Δ༝Ӷd৽А፟၃ᇲᔵؿɊ cᄦّۗ fingers (a simple C major scale in the bandoneon zigzags۾ㅶҏڳࠑආcΕऒΛख़ʹࠓೄᄦؒ hّᄯᝎؿᐰᇃcᛰι so much as to leave an inexperienced player’s fingers̨ܞʹɈႫɖผ˲ ऒΛख़ʹࠓೄɺᒾؿՓмᐰhၦّؿӘɥ tangled). The melancholy of the singer’s voice was transposed to the breathing of the bandoneon’s continuous ԓІּΕ̎ɐؿۜබiӸॎ͊כଊڬࣩล opening and closing. The macho attitude of the tangueros ടऒΛख़יඪćၠምട຺ཱcɐࠍکcॳɟق was reflected in his pose on stage: standing upright, chest ʹࠓೄcࣂϤᐾdࣂϤଁᎾdࣂϤႦᅍe forward, right leg on a stool, the bandoneon on top of it, being by turns raised, battered, caressed. αc҈ΕᅩʩfЦμʱСfᑇʩਅར I composed Last Round in 1996, prompted by Geoff Nuttall αc҈੪͊ԓІּɻ and Barry Shiffman. They heard a sketch of the second ɎᄘιୄΑe cᄘɎȿɀᅥؿউᆨeЦμ movement, which I had written in 1991 upon hearing the܃ࠓؿࣱࢠ news of Piazzolla’s stroke, and encouraged me to finish ᑇʩਅᚹ༦˞܃cར҈ҐᅥѧιcԎΛᄘ it and write another movement to complement it. The title ȹᅥeᅟᕀˮϬ߈Сෙfޫෑᔁဍ is borrowed from a short story on boxing by Julio Cortázar, ȹᆵ˞ࢪᎾݯ˚ᕀؿᆵɩ႓cᒔ௵͊ԓІּ the metaphor for an imaginary chance for Piazzolla’s ؿᆢΛωၤɁ৽ଷ e spirit to fight one more time (he used to get into fistfightsکˢ́ ؿრብʹωฉ ҐᅥςАȹ̎ଉɻؿऒΛख़ʹࠓೄe throughout his life). The piece is conceived as an idealized҈ ईΔᏀᎦͧᅥኂcɀᅥ bandoneon. The first movement represents the act of aଁٲȹᅥˤ ȹᐰོࢠcȹᐰѽ̷֣ಲͤ˅ؿୄรོࢠ violent compression of the instrument and the secondכնڬ ԑྡྷɐcᅥܰࠖʲςc࣓ኣඨթʹ a final, seemingly endless opening sigh (it is actually a αˤΊςጱෲؿ̠փጻ fantasy over the refrain of the song My Beloved Buenos ݤf༆ᄨဍ˺ Aires, composed by the legendary Carlos Gardel in the ϴС৹ᄘιe ୄΑɖʷၦςؿ 1930’s). But Last Round is also a sublimated tango ҊጫcͅɻංؿГࠑɣొೄޚജeԭୂ̒ࠇۗʃק dance. Two quartets confront each other, separated by the ʗངcɩొೄʹɻొೄʹॎടۗcగཫ focal bass, with violins and violas standing up as in the ɻࠔཛؿɶcగཫᐣ traditional tango orchestras. The bows fly in the air asيඨʷᅥඅȹᅚeΕ мʵ inverted legs in crisscrossed choreography, always attractingޚၦ৽ؿၠiࣂԳʃي͚፟ؿၦүcཫ࠾ ,Ɍॶ and repelling each other, always in danger of clashingڳખ̬cࣂԳτຆᅁؿ፮ޚɌʃڳ ɷॶᅚ always avoiding it with the immutability that can only beྸێᑷ༦c̋τҐውੱᔝʝݯक़૱ၦү ȹߎe acquired by transforming hot passion into pure pattern.
Osvaldo Golijov ࣟС୩ʩ
৺ Gustav Mahler 1860-1911
ɣΔɾ Das Lied von der Erde
α˂c৺ࠍྦྷᑶሃdᜮଠཀྵؿଁई In March 1907 Mahler had been obliged to resign his Ꮎc߾ᖽ˾ၐɖढ़ਝࡼჱࠑᅥᐢဟؿ position as Musical Director of the Vienna State Opera ᓻ৻h˿ܰာɺ௰Ϸcˢ̒ัؿɤԫနСԓΕ in the face of mounting criticism from the press, the audiences and the musicians themselves. To add to his ᆅe৺ྡྷΕՇɺȿᅚ಼כα˂ˀϋ woes, on 5th July his four-year-old daughter, Maria, died of డʨగˮଊใؿ܃ؿᔶࠇ̨Ꮎcɤԫʫҗ scarlet fever. The cumulative effect on Mahler was too much eᔢ́ൈᒾˮˢ੩τᔶࠍͱʨֲرʶᚺञट and, a few days after Maria’s death, he suffered a mild ܰ heart attack. The doctors identified a “double-sided ʶᕾॠฌcຑ˅ˢౙүdም௰ӹಌ؈ ˢ௩ᚭؿࣱඃݠ৽ c߬ˢͲࠍͤࢠe˿ܰ৺ congenital valve defect”, banned him from his favourite նɺፇΔԷΈਝ pastimes of walking, cycling and swimming and orderedڏඩඩͤࢠȿȹ˂c Εख़ΐડ϶टϤȹञɺc a complete rest. He allowed himself barely one month’sכhୄܞኪͨ ԭ˂ʑ࿄ʹྈኑe respite before embarking on a heavy schedule of international conducting engagements and, inevitably, he collapsed in New York, was found to have septicaemia, and ӶԷొݤဍ܃ωʶᚺञೕٱαc৺Ε was dead within two months. ɬॵcϢϢྡྷྡྷؿͤࢠ˾eగΕࣂcˢˎؿ ʤɁऋෙᎏᄨfؐ৺Кȿȹ̯ီݯɻਝɾର It was in the aftermath of the first onset of the heart ؿඑˢcԯɻν፣ȿΛࠖࡌؿᄨᘭ̯e condition in 1907, when Mahler did permit himself a ,ᄨᘭ̯ᒖ႓ˮϬfӴऋࣟɾʹcЎᘭّྦྷ brief rest in the Tyrolean mountains, that Theobald Pollak ࡌˤႍԯྡྷӀτȻᒨႏᖫc࣓̋ܰኣߜdؒ a friend of his father-in-law, gave him a book called The ԭိᘭ̯ҝᄘϤɰe̳Σ৺ʪʪኙ߸iˢ Chinese Flute which contained a number of poems written (ɥӀȿcʶᚺɌˮȿɣ by various Chinese poets of the Tang Dynasty (618-907ADۦ௩ᚭඑɥeଊΕ۾ translated into German by Hans Bethge. (In fact Bethge had ΡՓᎶȿˢʶɻؿ̳܆ਐᕀmɻಲသؿᄯ no real knowledge of the language in which the original ࠍɐᑹΕͤࢠcٲαࡧc৺ᒖಳ ᝎe poems were written – an old Chinese dialect fairly close Ўɰፕȿԯɻȼࠖնᖪςe to modern-day Cantonese – and his so-called translations were more in the form of loose adaptations taken from various translations of them into English and French.) As Mahler’s wife later recalled; “He was delighted with it and after the loss of his child and the alarming verdict on his heart, the poems’ infinite melancholy answered his own.” While still ostensibly resting in the summer of 1907, he had selected seven of the poems and begun to set them to music.
馬勒i《大地之歌》 MAHLER: Das Lied von der Erde
ᅥ྆dӘঢ়ࠑʥɤГࠑ It was Mahler’s own decision to cast these seven poemsێҐȼࠖୂݯݯɣ ԭࠖԡݯ (the last two combined into a single movement) as a܃ Әɻࠑ Ϥᄘؿ͚ᚊςֶ ȹᅥ cܰ৺Ϭɯؿ˚෮eᄘА౨ංc Symphony for “large orchestra, tenor and contralto (or ,α˂ baritone)”, and he had completed it by October 1909 ৺Λೌ࠳ҝӴऋࣟؿᘭ̯hͲς having along the way made frequent alterations to Bethge’s ˞ٱɺ͚ܰᚊςeᅥςڳᆨcЎᅟᕀ texts. But instead of calling it a symphony, he first gave it α˂ˀ ྈ˖భඬɾݯᕀcЎԷȿ the title Das Lied vom Jammer der Erde (“The Song of ,Ґࡈ̯ Earthly Sorrows”) which, by the time of its premièreڳ cܞͅʤɁജဍऋ Εᄮ̛ඣࠖࣂ ҶᄯᝎؿᅟᕀҝݯɣΔɾeɣΔɾ conducted by his friend Bruno Walter in Munich on cɖܰˢАς́ԭɣ 20th November 1911, had been changed to the less gloomyۂȹࠖѧኬА܃৺ܰ ͚ᚊςၤဳ֞ᅥᐲᆵς ؿౠe Das Lied von der Erde (“The Song of the Earth”). It stands ιగ as one of Mahler’s final completed works and serves as an effective summation of the two principal musical focuses in his composing career; the symphony and the orchestral song-cycle. 馬勒i《大地之歌》 MAHLER: Das Lied von der Erde
ʒᅥͅӘঢ়ࠑɤɻࠑ͚౧ˮeȹᅥ The movements alternate between those sung by tenor భɣΔɾৈ࣓ኣң͉ؿభϷᄘιc and mezzo-soprano, the first, Das Trinklied vom Jammer ඨ der Erde (“The Drinking Song of Earth’s Sorrow”) beingޚң͉ܰࡌˤτΊؿɁɾȹcৈιֲc based on a poem by Li Tai Po (who was one of the more ϱcӮ˂ᄧcɃˋࢴ˂Ϥϋeᅥ྆؟էංሶৈ popular Tang Dynasty poets. Well known for being almost ʵɥࣩබΣߧc໔Ɋʗޯˮh፭܃Әঢ়ࠑঢ় continually drunk, it is said that he died of drowning when, ࠥৈࣱ෴ؿќ୮e sitting drunk in a boat at night, he attempted to seize the moon’s reflection from the water). It opens with a sweeping orchestral introduction with prominent horn calls after which the tenor extols the joys of wine as a way of facing sorrow.
భԞ˝cభԞ˝k Schon winkt der Wein im gold’nen Pokale, The wine beckons in its golden goblet, ˚Ɂτৈ˘ୣฒc doch trinkt noch nicht, erst sing’ ich euch but do not drink yet, first I will sing ᚹ҈ȹςభԞх ein Lied! a song! భԞɺхᑹɺॐc Das Lied vom Kummer soll auflachend The song of sorrow shall resound .ʶe in die Seele euch klingen. in your soul with laughter҈كʨɎಲɁ Wenn der Kummer naht, When sorrow draws near, liegen wüst die Gärten der Seele, the gardens of your soul will fade, Welkt hin und stirbt die Freude, der Gesang. Joy, friendship and song will all die. Dunkel ist das Leben, ist der Tod. Dark is life; dark is death.
зτᅕʽৈc Herr dieses Hauses! Master of this house! Dein Keller birgt die Fülle des Your cellar is full of golden wine! goldnen Weins! ҈τɍʯೄc Hier, diese Laute nenn’ ich mein! Here, this is my own lute! ೄსৈᅥԭޚc Die Laute schlagen und die Gläser leeren, Playing the lute and emptying the glasses, das sind die Dinge die zusammen passen. these things go together. Ein voller Becher Weins zur rechten Zeit A full glass of wine at the right time e ist mehr wert, ist mehr wert, is worth more, is worth moreټɺɝ൹״ȹ ist mehr wert, als alle Reiche dieser Erde! is worth more than all the earth’s riches! Dunkel ist das Leben, ist der Tod. Dark is life; dark is death. భԞ˝cభԞ˝k Das Firmament blaut ewig, und die Erde The skies are always blue and the earth .cΔᒖɔc wird lange fest steh’n und aufblüh’n will stand fast and bloom in the Springٽʨᒖ im Lenz. ?ਦᎶɺΨe Du aber, Mensch, wie lang lebst denn du? But you, man, how long will you live̽ټ ఒൔϛαॶడЄj Nicht hundert Jahre darfst du Not 100 years are given to you to enjoy dich ergötzen, !τe an all dem morschen Tande dieser Erde! all the rotten triviality of this earthޑΰȹ۹Ɂ
Seht dort hinab! Look down there! վђᄉɐ˂c Im Mondschein auf den Gräbern In the moonlight shining on the graves hockt eine wildgespenstische Gestalt. Crouches a wild and ghostly figure – Ein Aff’ ist’s! It’s an ape! Hört ihr, wie sein Heulen hinausgellt Hear how its piercing howls in den süßen Duft des Lebens! Disturb the sweet scents of life! ɻৈc Jetzt nehmt den Wein! Jetzt ist es Zeit, Now take the wine! Now is the time״ȹඝ˘ Genossen! to enjoy! Leert eure gold’nen Becher zu Grund! Empty the golden goblet Dunkel ist das Leben, ist der Tod! Dark is life; dark is death!
馬勒i《大地之歌》 MAHLER: Das Lied von der Erde
೫ቂ Der Einsame im Herbst (“The Lonely One in Autumn”) sets ٽࡈݯ፠ࢽ̀ޭէ ˀվ۪ޭ ȹᔝcͅබɺГᛰιࣱҶठኗcΕ֞ᅥؿГᐰ words based on a poem by Qian Qi. The mood is changed ЂۗɎcվДДؿᔶᓫဳԳིˮޭˀ෴ၑcɤɻࠑ from the defiance of the first song to a sense of weariness as, above hushed strings, a solitary oboe depicts the ˮፘኚၤಞશؿ෮ྊeڬ sadness of Autumn while the contralto sings of regret and longing.
ޭࠔ̽ᒗc Herbstnebel wallen bläulich überm See, Blue autumn mists waft over the lake, vom Reif bezogen stehen alle Gräser; the grass stands rigid with the frost; man meint’, ein Künstler habe Staub it is as if an artist has sprinkled jade dust vom Jade über die feinen Blüten ausgestreut. Over all the lovely flowers.
˵ࠓઍ୩ࠗe Der süße Duft der Blumen ist verflogen; The sweet scent of flowers has drifted away; ein kalter Wind beugt ihre Stengel nieder. Their stems are forced low by a cold wind. Bald werden die verwelkten, gold’nen Blätter Soon the withered, golden leaves der Lotosblüten auf dem Wasser zieh’n. of the lotus-flowers will drift on the water.
фੱ॒ᓱվသc Mein Herz ist müde. Meine kleine Lampe My heart is weary. My little lamp erlosch mit Knistern; has spluttered out; es gemahnt mich an den Schlaf. it reminds me of sleep. Ich komm’ zu dir, traute Rühestätte! I am coming to you, my comfortable bed! Ja, gib mir Ruh’, ich hab’ Erquickung Not! Yes, give me rest, I need rejuvenating!
.e Ich weine viel in meinen Einsamkeiten. I weep much in my lonelinessٽ܆ޚ૫ܚ Der Herbst in meinem Herzen währt zu lange. The autumn in my heart has lasted too long. Sonne der Liebe, willst du nie mehr scheinen, Sun of love, will you never again shine um meine bittern Tränen mild aufzutrocknen? gently to dry my bitter tears?
馬勒：《大地之歌》 Mahler: Das Lied von der Erde
《青春》(原詩為李白《宴陶家亭子》)是全套作品 Von der Jugend (“Youth”) returns to a poem by Li Tai Po 裡最興高采烈的一首。長笛和叮叮作響的三角鈴 and offers the most cheerful music in the entire work. 奏出模仿中國風格的旋律，因此一直有「中國風 It has been described as “musical Chinoiserie” with 的音樂」。 its mock-Chinese melody introduced by the flutes and tinkling triangle.
曲卷幽人宅， Mitten in dem kleinen Teiche In the middle of the small pool 高門大士家 steht ein Pavillon aus grünem stands a pavilion of green 池開照膽鏡 und aus weißem Porzellan. and white porcelain. 林吐破顏花， 綠水藏春日， Wie der Rücken eines Tigers Like a tiger’s back 青軒秘晚霞。 wölbt die Brücke sich aus Jade the bridge of jade 若聞絃管妙， zu dem Pavillon hinüber. arches across to the pavilion. 金谷不能誇。 In dem Häuschen sitzen Freunde, In this small house sit friends, schön gekleidet, trinken, plaudern, brightly dressed, drinking, chatting, manche schreiben Verse nieder. many of them writing verses.
Ihre seidnen Ärmel gleiten Their silk sleeves glide rückwärts, ihre seidnen Mützen backwards, their silk caps hocken lustig tief im Nacken. sit jauntily on their necks.
Auf des kleinen Teiches stiller The small pool’s still surface Wasserfläche zeigt sich alles reflects all things wunderlich im Spiegelbilde. wonderfully in reverse.
Alles auf dem Kopfe stehend Everything is standing on its head in dem Pavillon aus grünem in the pavilion of green und aus weißem Porzellan. and white porcelain.
Wie ein Halbmond scheint die Brücke, The bridge stands like a half moon, umgekehrt der Bogen. Freunde, its arch is inverted. Friends, schön gekleidet, trinken, plaudern. brightly dressed, drinking, chatting. 馬勒：《大地之歌》 Mahler: Das Lied von der Erde
《美人》(原詩為李白《採蓮曲》)刻劃荳芽夢和青年 Von der Schönheit (“Beauty”) again uses a poem from 男子驚動文靜少女的潛能：溫文爾雅的少女 (以 Li Tai Po to depict young love and the power young men 精緻的弦樂及管樂代表) 和朝氣勃勃青年(以獵號 have to disturb the gentle calm of young women. The music 和定音鼓代表) 形成鮮明的對比。 contrasts the women’s gentleness (with delicate string and woodwind writing) with the men’s exuberance (with hunting horns and timpani).
若耶溪旁採蓮女， Junge Mädchen pflücken Blumen, Young maidens are plucking flowers, pflücken Lotosblumen an dem Uferrande. plucking lotus flowers by the shore. Zwischen Büschen und Blättern sitzen sie, among the leaves and bushes they sit, 笑隔荷花人共語。 sammeln Blüten in den Schoß und rufen gathering flowers in their laps and calling sich einander Neckereien zu. playfully among themselves
Gold’ne Sonne webt um die Gestalten, Golden sunlight weaves among them, 日照新妝水底明， spiegelt sie im blanken Wasser wider. reflecting them in the water’s surface. Sonne spiegelt ihre schlanken Glieder, The sun reflects their slender limbs, Ihre süßen Augen wider, and their sweet eyes, Und der Zephir hebt mit Schmeichelkosen and the zephyr caresses das Gewebe ihrer Ärmel auf, the soft fabric 風飄香袂空中舉。 führt den Zauber ihrer of their sleeves, wafting their Wohlgerüche durch die Luft. magical scent into the air.
岸上誰家游冶郎， O sieh, was tummeln sich für Oh see, the handsome young men schöne Knaben galloping dort an dem Uferrand auf mut’gen Rossen, along the shore on their lively horses, weithin glänzend wie die Sonnenstrahlen; glittering like sunbeams; 三三五五映垂楊。 schon zwischen dem Geäst der bright amongst the green willow grünen Weiden branches trabt das jungfrische Volk einher! the fresh young men are approaching! Das Roß des einen wiehert fröhlich auf, One of their horses whinnies merrily und scheut, und saust dahin, and shies, and rushes off, ,c über Blumen, Gräser, wanken hin die Hufe, Over flowers and grass, hooves are flying˾㐇ᄃɃໃ٦ sie zerstampfen jäh im Sturm die creating a storm of hingesunk’nen Blüten, fallen blossom, hei! wie flattern im Taumel seine Mähnen, ah! how wildly their horses’ manes fly, dampfen heiß die Nüstern! how their hot nostrils flare!
Gold’ne Sonne webt um die Gestalten, Golden sunlight weaves among them, spiegelt sie im blanken Wasser wider. reflecting them in the water’s surface. Und die schönste von den And the fairest of the young Jungfrau’n sendet women casts lange Blicke ihm der Sehnsucht nach. a long, yearning gaze at them. .ᒾືe Ihre stolze Haltung is nur Verstellung. Her proud bearing is only a pretenceيӮϊሟ㔽 In dem Funkeln ihrer großen Augen, In the flash of her large eyes, in dem Dunkel ihres heißen Blicks in the darkness of her fervent glance schwingt klagend noch die Erregung her agitated heart ihres Herzens nach. cries out for them.
馬勒i《大地之歌》 MAHLER: Das Lied von der Erde
ˀሶӰҁ Ґ˚ Der Trunkene im Frühling (“The Drunkard in Spring”) isܬࡈݯң͉ ˀሶৈܬ ూᖒ based on another of Li Tai Po’s poems, in which Mahler’sرᐽؿੱ֧ܬɁ।ؿ⦐⿷ሶྸdᘨξ Ƀκe music beautifully conveys the drunkard’s clumsy ways and his astonishment at the sudden arrival of the Spring.
୮˖ߗɣྒc Wenn nur ein Traum das Leben ist, When we are told that life is just a dream, ?߈ݯԯ́j warum denn Müh und Plag’!? why then this misery and torment ,ֺ˞ୄˀሶc Ich trinke, bis ich nicht mehr kann, I drink, until I can take no more den ganzen, lieben Tag! the entire, life-long day!
Und wenn ich nicht mehr trinken kann, And when I can drink no more, weil Kehl’ und Seele voll, because my stomach and soul are full, So tauml’ ich bis zu meiner Tür I stagger to my door !หe und schlafe wundervoll! and sleep wonderfullyکಳ㡖
!c Was hör’ ich beim Erwachen? Horch! What do I hear when I awaken? ListenکޞᘨԞ .ȹை٦ංსe Ein Vogel singt im Baum. A bird singing in a tree ࠥਐϊЄࣂc Ich frag’ ihn, ob schon Frühling sei. I ask him if bright Spring is here. Mir ist, als wie im Traum. It’s like a dream to me.
ࠓႍݚᚗe Der Vogel zwitschert: Ja! Ja! Der Lenz, The bird twitters: Yes! Yes! Springܬ der Lenz ist da, sei kommen über Nacht! is here, it came during the night! ɾ્ོࢠc Aus tiefstem Schauen lauscht’ ich auf, I listen intently, der Vogel singt und lacht! und lacht! the bird sings and laughs! and laughs!
ྦྷৈᑹϬඪe Ich fülle mir den Becher neu I fill my goblet anew und leer’ ihn bis zum Grund and drain it to the bottom c und singe, bis der Mond erglänzt and sing until the moon shines˂עۿࣽ am schwarzen Firmament! in the dark sky!
ςသɰѿੱe Und wenn ich nicht mehr singen kann, And when I can sing no more, So schlaf’ ich wieder ein. I fall asleep again. Was geht mich denn der Frühling an!? What does Spring mean to me? Laßt mich betrunken sein! Leave me to get drunk! 馬勒i《大地之歌》 MAHLER: Das Lied von der Erde
йП࣓ኣսࣽಳ ɣ˸́̋ܰ౩ɻɩւ The final movement, Der Abschied (“The Farewell”) ˢؿɬˋ combines two poems by Mong Kao Yen (who spent most พɬָ౨Ȼɣɺϭ˞ʥ˔ၐ਼ ೋɖᅚௐՇઐ Пԭࠖ˞ᔴПɾߕݯ of his life as a low-ranking government administrator) and ᕀؿАᄘιe፭ടɤɻࠑʦᔍˮ̷Ⴉ Wang Wei (who was also a highly respected landscape˚ painter), both of which concern the sorrow of departure. ȹീcࠑᅥ܃ࣱౙe The music fades away to nothing at the end as the contralto repeatedly sings the word “ewig” (“forever”).
.ɢඈ۹ϹᎰc Die Sonne scheidet hinter dem Gebirge. The sun sets behind the mountains ະᎧ৲ɰ࿓e In alle Täler steigt der Abend nieder In all the valleys evening descends mit seinen Schatten, die voll Kühlung sind. with its shadows, which cool everything. ˂́էe O sieh! Wie eine Silberbarke schwebt O look! Like a silver ship Der Mond am blauen Himmelssee herauf. the moon floats high in the blue heavens. Ich spüre eines feinen Windes Weh’n I feel the fine wind wafting hinter den dunklen Fichten! behind the dark pine-trees! .ࠓݖᚹc Der Bach singt voller Wohllaut durch The brook sings loudly in the darkness das Dunkel. Die Blumen blassen im Dämmerschein. The flowers appear pale in the twilight.
Die Erde atmet voll von Ruh’ und Schlaf, The earth breathes, full of peace and sleep, Alle Sehnsucht will nun träumen. All thoughts now become dreams. Ɂᓊ્သc die müden Menschen geh’n heimwärts, Weary men head homewards, um im Schlaf vergess’nes Glück and in their sleep they remember und Jugend neu zu lernen! the happiness of their youth! .ցe Die Vögel hocken still in ihren Zweigen. The birds sit quietly among the branchesٱைํ Die Welt schläft ein! The world sleeps! ɾɥԯ਼Ԟc Es wehet kühl im Schatten meiner Fichten. It blows coolly in the shadow of the pines. Ich stehe hier und harre meines Freundes. I stand and wait for my friend here; Ich harre sein zum letzten Lebewohl. I wait to bid him a final farewell. Ich sehne mich, O Freund, an deiner Seite I want, o friend, to be at your side die Schönheit dieses Abends zu genießen. and relish the beauty of this evening. Wo bleibst du? Du läßt mich lang allein! Where are you? You have left me for so long! վೄ࠰ᛮe Ich wandle auf und nieder mit meiner Laute I wander up and down with my lute auf Wegen, die vom weichem Grase on paths, thick with soft grass. schwellen. O Schönheit! O ewigen Liebens, O beauty! O eternal love! Lebens trunk’ne Welt! Undying world! Ɏඝзৈc Er stieg vom Pferd und reichte ihm den Trunk He dismounts and hands him the drink .ਐзЄֺɾe des Abschieds dar. of departure Er fragte ihn, wohin er führe He asks him, where und auch warum,warum es müßte sein. and why, he must depart. Er sprach, seine Stimme war umflort: He spoke, his voice choked with emotion: Du, mein Freund, Oh, my friend, зӰɺɰc mir war auf dieser Welt das Glück fortune has not been kind to me in nicht hold! this world! ɬඌc Wohin ich geh’? Ich geh’, ich wandre in Where do I go? I will wander inڲᓊ㡖 die Berge. the mountains Ў˾ୣనਐc Ich suche Ruhe, Ruhe für mein einsam Herz! to seek peace for my lonely heart! ͉ඔಲသࣂe Ich wandle nach der Heimat, meiner Stätte. I wander in search of my homeland. Ich werde niemals in die Ferne schweifen. I will never venture into foreign lands. Still ist mein Herz und harret seiner Stunde! My heart is still and waiting for its hour! Die liebe Erde allüberall The dear earth all around us blüht auf im Lenz und grünt aufs neu! blooms in the Spring and grows green. allüberall und ewig Everywhere and always and forever blauen licht die Fernen! there are blue skies in the distance! Ewig... ewig... Forever... forever...
ຝ͌ʍଽɻʼᓺᘭiሲኮѻ Programme notes by Marc Rochester
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ࠗಋဳ֞ᅥ྆ Hong Kong Philharmonic Orchestra
ȹɩొೄ First Violins
χၳ ܆˔ สۺࡧց֦ ષ John Harding Leung Kin-fung Wong Sze-hang Zhu Bei ٽɍ৹྆ ٽɀ৹྆ ٽConcertmaster ȹ৹྆ٽ྆ First Associate Second Associate Third Associate Concertmaster Concertmaster Concertmaster PHOTO Bobby Lee PHOTO ϴ۹fജऋ Edo de Waart ᖚᐢဟ࠹ᐢܞ Artistic Director & Chief Conductor ˉജ ೡ͓ Ґʼౠ ࣔᗫ Mao Hua Cheng Li Ba Wenjing Gui Li Maestro’s Chair – endowed by ᐢܞϽͅ˞Ɏዀ࿚ᖳХ The Octavian Society & Y.S. Liu Foundation
࠵ᘂ ٮଔਝ ᗫڣ ᎘Ѵ Long Xi Mao Yiguo Rachael Mellado Ni Lan
ඡֱཽ ࢘ᰟ ਜ਼Ѵ ڋ˔ Wang Liang Christine Wong Xu Heng Zhang Xi Kar-yee PHOTO Lawrence Chan PHOTO ᘣ݇শ ՚ᙂࠔ Perry So Zhou Tengfei ඖ͌ਂمઠөʥܞХଉ Assistant Conductor (Education and ɀɩొೄ Community Programmes) Second Violins
´ߑȻ ¶ષʼ☚ ཽᇘ ༻˃͎ࠗ Fan Ting Leslie Ryang Katrina Rafferty-Ma Miyaka Suzuki Moon-sun
ɥ ሲɾણ ңཽ༞ ʿᅳكɻ̈́ڣ Tomoko Tanaka Mao Cheng Chi-man Ricardo de Mello Fang Jie
ڋᓯѩ༞ ѳਝต ᅾѸ ژЄཽ PHOTOS Gallant Ho Ka-chun Russell Kan Wang-to Mo Kwok-fai Martin Poon Cheung Chi Wai & Keith Hiro Ting-leung 第二小提琴 Second Violins
閻宇晴 * 柯雪 * 劉芳希 * 王粵 Alisa Yan Yuqing * Ke Xue * Liu Fang-xi * Wang Yue
中提琴 Violas
▲熊谷佳織 黎明 羅舜詩 崔宏偉 范欣 洪依凡 Kaori Wilson Li Ming Alice Rosen Cui Hong-wei Fan Yan Ethan Heath
金俊立 凌威廉 白明 孫斌 王駿 * 范星 Jonathan Kim William Lane Pak Ming Sun Bin Wang Jun * Fan Xing
* 張姝影 * Zhang Shu-ying
大提琴 Cellos
●鮑力卓 ■方曉牧 ▲林穎 陳怡君 關統安 陳屹洲 Richard Bamping Fang Xiaomu Dora Lam Chen Yi-chun Anna Kwan Ton-an Chan Ngat Chau
張明遠 霍添 李銘蘆 宋亞林 * 李成 Cheung Ming-yuen Timothy Frank Li Ming-lu Yalin Song * Li Cheng
低音大提琴 Double Basses
○林傑飛 ▲姜馨來 馮榕 費利亞 Jeffrey Lehmberg Jiang Xinlai Feng Rong Samuel Ferrer ● 首席 Principal ○ 署理首席 Acting Principal ■ 聯合首席 Co-Principal ▲ 助理首席 Assistant Principal
* 「何鴻毅家族基金 ─ 林達僑 鮑爾菲 范戴克 香港管弦樂團駐團學員培訓」計劃樂手 George Lomdaridze Philip Powell Jonathan Van Dyke * Fellows of The Robert H.N. Ho Family Foundation Orchestral Fellowship Scheme ࠗಋဳ֞ᅥ྆ Hong Kong Philharmonic Orchestra
ର ର Piccoloٽ Flutes
´̌ᄨಿ ¶ያࠏᅩ ܪࡼᇘ Megan Sterling Olivier Nowak Linda Stuckey
ߜਝဳ ᔶᓫဳ Cor Anglais Oboes
ڌஹዿ ࠏဍႫ ½̠ߗ١´ Michael Wilson Ruth Bull Christopher Chen
Гࠑ௰ᓫဳ Bass ௰ᓫဳ Clarinet Clarinets
´̌Ϊी ¶̌ࡼ ᓯʼ Andrew Simon John Schertle Michael Campbell
Гࠑʱဳ Contra ʱဳ Bassoon Bassoons
¶ңࣽɬ ੌीټ½ Kam Shui Vance Lee Adam Treverton Jones
໔ Horns
´ࠏோК ½ᖓԿ܆ ¶՚ౣͦ ң᫉ձ ңʭ፲ ঢ়ҁሑ Mark Vines Lisa Rogers Chow Chi-chung Natalie Lewis Homer Lee Siu-lam Marc Gelfo
໔ٽ ɩ໔ Trumpets Trombones
Կ ജ༠ᄨ ´ࠏඏᅥ ࠏɈթ܆К ¶ୣּ˺´ Jonathan Clarke Christopher Moyse Douglas Waterston Jarod Vermette Maciek Walicki
໔ٽГࠑ ɣ໔ ցࠑར Bass Tuba Timpani Trombone
Ӵဍ ´݇ ´ᕡᅥ܆ Michael Priddy Paul Luxenberg James Boznos
Ꮎᅥኂ ሉೄ ᒄᆚ Percussion Harp Keyboard
؎່֗´ ࣮Ӵࣚ ષ৩ജ ߈ૠᎵ ´̌ਥ༞´ Shaun Tilburg Raymond Leung Sophia Woo Christopher Sidenius Shirley Ip Wai-wa Shuk-fai
ֻၬ୩ᙬཋ̎ෲᅥᅥ྆ʐஈၤˮ ᖓೄڀର ௰ᓫဳ ሉೄ ਅٽ ऋᅥʹ ۪ࠖɻొೄ ۪ࠖʱဳ Гࠑɣొೄ Extra players Guest Principal Viola Guest Principal Bassoon Double Bass Flute Clarinet Harp Mandolin With kind permission of the Netherlands Radio Philharmonic Orchestra ᅥ྆ʐஈၤˮپ ፆᅥԓ ֻၬዌټ ࢘ଉ ЄɈഢ ਂૠშ ᘣ ࠾ᛷऽ ̹̌ਅ Andrew Ling Johan Steinmann Xu Li# Michael Hallit Rita Au Maria Zorkina Stephen Lalor With kind permission of the Macao Orchestra
ࠗಋဳ֞ᅥ྆ Hong Kong Philharmonic Orchestra
ΊᙷᖳХɁ HONORARY PATRON ਨϷկࡗผ EXECUTIVE COMMITTEE ւ The Chief Executive ჳʏ́ͱ́ Mr Y S LiuٽܧϷ ౦ᇚᚬͱ́ The Hon Donald Tsang Yam-kuen, GBM ˚ Chair
ͱ́ Mr Chung Shui-ming, GBS, JPעဟྦկࡗผ BOARD OF GOVERNORS ᒉ ჳʏ́ͱ́ Mr Y S Liu ͢ˀ๑ͱ́ Mr Daniel Ng Yat-chiu ˚ Chairman ᘣዉͮͱ́ Mr Jack C K So, JP ݇ͱ́ Mr Stephan Spurr ͱ́ Mr Chung Shui-ming, GBS, JPעᒉ ৹˚ Vice-Chairman ল৻կࡗผ FINANCE COMMITTEE ͱ́ Mr Chung Shui-ming, GBS, JPעᒉ ஹी؈ɤɡ Ms Joanne Chan ˚ Chair ਜ਼˔̢࠷ʩɁ Mrs Michelle Ong Cheung ፳ᜃͱ́ Mr Glenn Fok ፳ᜃͱ́ Mr Glenn Fok ๖ͮͱ́ Mr Lam Woon-kwong, GBS, JP ჳʏ́ͱ́ Mr Y S Liu׳ ͱ́ Mr Nicholas Sallnow-Smithעષඟ˥შᔢ́ Dr Lilian Leong, BBS, JP ᘣͰ ჳཎɾ㣍 Prof Liu Ching-chih ᪐ඏ࢟ͱ́ Mr Benedict Sin Nga-yan ͢ˀ๑ͱ́ Mr Daniel Ng Yat-chiu ඡ፦ɬͱ́ Mr Kenny Wong Kam-shan ͱ́ Mr Nicholas Sallnow-Smith ඡʼᘚͱ́ Mr Robert T. WongעᘣͰ ᪐ඏ࢟ͱ́ Mr Benedict Sin Nga-yan ᘣዉͮͱ́ Mr Jack C K So, JP ᘐಁկࡗผ FUNDRAISING COMMITTEE ݇ͱ́ Mr Stephan Spurr ͢ˀ๑ͱ́ Mr Daniel Ng Yat-chiu ሳ̷ᗌᏲɡ Sir David Tang, KBE ˚ Chair ඡ፦ɬͱ́ Mr Kenny Wong Kam-shan ᇯཽʆͱ́ Mr David Zacharias ᇞᗐዷೄ܁ Mrs Janice Choi ാພɤɡ Ms Winnie Chiuٹ կࡗผ ENDOWMENT TRUST FUND 7DVKD/DOYDQLɤɡ Ms Tasha LalvaniټᖳХਥ BOARD OF TRUSTEES ৹˚ Vice-Chair ͱ́ Mr Chung Shui-ming, GBS, JPעᒉ ᄨͱ́ Mr Peter Siembab֤ܪ Chair˚ ᘣዉͮͱ́ Mr Jack C K So, JP ჳʏ́ͱ́ Mr Y S Liu ͢ˀ๑ͱ́ Mr Daniel Ng Yat-chiu ೕࢄկࡗผ DEVELOPMENT COMMITTEE ݇ͱ́ Mr Stephan Spurr Ίᙷᚋਐ HONORARY ADVISERS ˚ Chair ஹ̷ജ㣍 Prof Chan Wing-wah, JP ɡ Dr the Hon Marvin Cheung, OBE, SBS, JP ஹी؈ɤɡ Ms Joanne Chanۺਜ਼ ՚̷ιͱ́ Mr Vincent Chow Wing-shing, MBE, JP ɣᇯઠ Prof David Gwilt, MBE Є൚ᕽɤɡ Ms Pansy Ho Chiu-king ң৩Ϊͱ́ Mr Warren Lee ߈ؒͮͱ́ Mr Hu Fa-kuang, GBS, CBE, JP ષඟ˥შᔢ́ Dr Lilian Leong, BBS, JP ཽ༞ଉቺᏲʩɁ Lady Kadoorie ሳ̷ᗌᏲɡ Sir David Tang, KBE ષցԄᔢ́ Dr Ronald Leung, OBE, JP ࠏோКͱ́ Mr Mark Vines Ѱɷ́ͱ́ Mr Shum Choi-sang, SBS, OBE, MA, JP ඡߜೇɤɡ Ms Ada Wong Ying-kay, JP ฦᚁᅨᏲɡ The Hon Sir T. L. Yang, GBM, JP ϷܧɁࡗ MANAGEMENT ̟ઐᄤ MARKETING ᘣѣӪͱ́ Mr So Hau Leung ᖭͰ̵ͱ́ Mr Paul Tam Ϸܧᐢസ Chief Executive ̟ઐᄤᐢဟ Director of Marketing
ஹဦɤɡ Ms Rida Chan ࠗఉɩմ Ms Elaine Kwee Ϸܧो࣊ Executive Secretary ̟ઐᄤଉ Marketing Manager (ઐᄤۧඨ (Concert Promotions ᖚϷܧ ARTISTIC ADMINISTRATION Mr Nick Chan ՚⌿ɤɡ Ms Mio Margarit Chow ஹࡄᏟͱ́ ঢ়ज़ᤇʥ Senior Marketing Communications Officer ᖚ೪ི Artistic Administrator ඨ˚ͨ ˔ཽᆋɩմ Miss Michelle Wong ඡዷɩմ Miss Natalie Wong Хଉଉ Assistant Manager ᤇʥඨ˚ͨ Marketing Communications Officer ᖚࡼԑ৻ (Artist Liaison) ஹཽయɩմ Ms Tiphanie Chan Mr Jason Wan ɿҁশͱ́ ᇁፎ Publications Editor ᖚϷܧХଉ Artistic Administration Assistant Ȼඔɩմ Miss Natalie Ting ೕࢄ DEVELOPMENT ઠөʥ̔ࢄᘐ˚ͨ Education and Outreach Coordinator ஈዷඓɤɡ Ms Angela Hui ɩմ Miss Alice Lamށ׳ ೕࢄᐢဟ Director of Development ৻˚ͨ Customer Service Officer۪ ɤɡ Ms Edith Ngעдௗ ೕࢄଉ Development Manager ᅥ྆ԑ৻ ORCHESTRA AND OPERATIONS ᅥ߹ͱ́ Mr Luke Shawٷ ષႼͱ́ Mr Henry Leung ᅥ྆ԑ৻˚ဳ Head of Orchestra and Operations Хଉೕࢄଉ Assistant Development Manager ฦჴᙂͱ́ Mr Ambrose Yeung ధɩմ Miss Ruby Pang ᅥ྆Ɂԑଉ Orchestra Personnel Manager Хଉೕࢄଉ Assistant Development Manager ஹਝຮͱ́ Mr Steven Chan Stage Manager ল৻ʥϷܧ FINANCE AND ADMINISTRATION ၦ̎ଉ ߈ࡼᗸɩմ Ms Angel Woo Miss Betty Ho ল৻ʥϷܧ˚ဳ Head of Finance and Administration Є܆ણɩմ ᅥᖪဳଉ Librarian ңႼͱ́ Mr Homer Lee ஹᗗўɩմ Miss Vanessa Chan ল৻ଉ Finance Manager Хଉଉ Assistant Manager ᅥ྆ԑ৻ (Orchestra and Operations) ხͱ́ Mr Wong Chun Kimژඡ Assistant Manager, ɩմ Miss Christy Lawٮᖓ ܧল৻ʥϷ Finance and Administration Хଉଉ ࠑᅥϷܧྡྷୌࡗ Music Administration Intern
Ԅͱ́ Mr So Kan Pongٶਜ਼ཽඓɩմ Miss Cherish Cheung ᘣ ɁɈ༅ଉ Human Resources Manager ༜ፏ˚ͨ Transportation Officer (Musical Instruments)
ᘣဦജɩմ Miss Vonee So ল৻ʥϷܧঢ়ज़˚ͨ Senior Officer, Finance & Administration
Miss Pamela Chan ஹᗫᄐɩմ ᐲ҈ࠨ ɣᅢɄᅢܧࡗ Receptionist ࠗಋȾ᎘άҳՍʼʝɻʶϷۿઅ ཋiඨभi Mr Sammy Leung ષ፦᎘ͱ́ Contact us ,ፒʔ۩Хଉ Office Assistant Level 8, Administration Building, Hong Kong Cultural Centre Kowloon, Hong Kong ңࡼ࿘ͱ́ Mr Andrew Li Tel: 2721 2030 Fax: 2311 6229 ༅ޫҌʥඖ͌ଉ Manager, IT & Projects www.hkpo.com ClubMaestro ɣผ
Ⴉೕࢄʥᔔఒ̵̟ٽɣผऋПݯᆅෲဳ֞ᅥؿͬพʥɁɡϤஉcοΕઐ৽ࠗಋဳ֞ᅥ྆ؿ ؿʼʝ́ݠeಋᅥᔑϊΉɎͶΈɣผผࡗߎᑢe Club Maestro is established for the business community and individuals who are fond of symphonic music. It aims at supporting the long-term development of the Hong Kong Philharmonic Orchestra and enriching cultural life. We heartily thank the following Club Maestro members.
ผࡗPLATINUM MEMBERSټ͉
David M. Webb webb-site.com
ᝃ͏ผࡗDIAMOND MEMBERS
Mr Wilfred Ng MH, JP
၆ᗸ͏ผࡗEMERALD MEMBERS
ނकผࡗPEARL MEMBERS
Mr Peter Siembab
Miss Aliena Wong
˞ʔ̇ߜʼΊီѵIn alphabetical order of company name Λᑢʻܛ Thank You for Your Support
༠ͅটᑢ෮kٲࠗಋဳ֞ᅥ྆ΕϊΉ˞Ɏਆพዀ࿚ʥᆅʶɁɡ The Hong Kong Philharmonic Orchestra would like to express our gratitude to the following corporations and individuals for their generous support.
CHAIR ENDOWMENT FUNDټᅥ྆ϽᖳХਥ
The Maestro’s Chair endowed byټᖳХਥܞᐢ The Octavian Society Limited Y.S. Liu Foundationټჳʏ́෯ഁਥ
The Musician’s Chair endowed byټᅥᖳХਥ C.C. Chiu Memorial Fundټઢว֨ਥٹ
αANNUAL FUND
ဳᖳХɁGold Patron ႺဳᖳХɁSilver Patron ႻဳᖳХɁ Bronze Patronټ >HK$100,000 HK$50,000 – HK$99,999 HK$30,000 – HK$49,999
ଈ͞ᙎMr & Mrs E Chan Mr & Mrs David Friedۺਝඑ྆τࠉʔ̇ ஹןณ Hsin Chong International Holdings Ltd ਜ਼ဍయ͞ᙎMr & Mrs Lowell & Phyllis Chang Mr Fred William Scholle Ԉઁٖτࠉʔ̇Kerry Holdings Ltdཽ ɤɡMs Tse Chiu MingעષईΪ͞ᙎMr & Mrs Leung Lit On ᑢ൚
कᖳХɁPearl Patronע ᗸᖳХɁ Ruby Patron ၖၕᖳХɁJade Patron HK$10,000 – HK$29,999 HK$5,000 – HK$9,999 HK$3,000 – HK$4,999
ஹ፷ɤɡMs Vivien C C Chan ಲΊˊAnonymous ಲΊˊAnonymous Mrs Anna Chen Mr Barry John Buttifant ஹᒤႩͱ́Mr Chan Hung Yuen Robert Mr Cheung Ngai Sing ஹࢯᔢ́Dr Edmond Chan Mr Cheng Kwan Ming ᇞᏨԄͱ́Mr Edwin Choy ષᖳͱ́ʥ՚ཽ̡ɤɡ ሲң፦٧ɤɡMs Eva Cheng Dr & Mrs Carl Fung Mr Jan Leung & Ms Emily Chow ਜ਼ᘚ౬ͱ́Mr Cheung Yiu Tong ҁө༜৽ਝτࠉʔ̇ Mr & Mrs Michael & Angela Grimsdick ਜ਼ᄨ᎘ͱ́Mr Cheung Tak Lungڋ Gloss Mind Sports International Ltd ߈͓́ͱ́Mr Maurice Hoo Mr Chow Ping Wah ඟᄪᗌ͞ᙎMr & Mrs Kenneth H C Fung ည٠ജϢMs Teresa Hung Dr Affandy Hariman ͱ́ʩɁMr & Mrs Fung Shiu Lam Ms Hu Shu׳߈ጙ̳ᔢ́ʥʩɁDr & Mrs Wayne Hu ඟͰ ঢ়ᐶ͞ᙎMr & Mrs Ko Ying Ms Li Shuen Pui Agnes Mr Toru Inaoka ң৪ᒤᔢ́Dr Lee Kin Hung Dr John Malpas Ms Liu Ying ͱ́Mr Lawrence Mak ధ̷ါᔢ́ʥʩɁDr & Mrs Pang Wing Fuk Mr Joseph Pangעோᘚ ோᓤᔢ́Dr Mak Lai Wo ᅾܭჴͱ́Mr Poon Chiu Kim Raymond ᅾણձɩմMiss Lily Poon Man Nei ᔢ́Dr Paul Tat Ming SheaעMrs Anna Marie Peyer The Hon Mr Justice William Stone ༠ Mr Peter Siembab Ms Carley Shum & Mr Jeff Szeto ౦ʼ́ͱ́Mr Eric M S Tsang ஹౣʼͱ́Mr Stephen Tan Mr Tsunehiko Taketazu Ms Tsang Kwai Fong ผTin Ka Ping Foundation Ȼʨ͓͞ᙎMr & Mrs Ivan Ting ᑢయक़ɤɡMs Tse Wai Shun Susanټࡼݰਥ̈́ ֝ݘᔢ́Dr Tsao Yen Chow Ms Cindy Tse ߈ҁࡄͱ́Mr Wu Chi Kong Wang Family Foundationټҹᄩନ෯ഁਥ ͱ́Mr Wong Po Yanړඡ ͨᚪзͱ́Mr David Yee Kwan Yam Λᑢʻܛ Thank You for Your Support
༠ͅটᑢ෮kٲࠗಋဳ֞ᅥ྆ΕϊΉ˞Ɏਆพዀ࿚ʥᆅʶɁɡ The Hong Kong Philharmonic Orchestra would like to express our gratitude to the following corporations and individuals for their generous support.
STUDENT TICKET FUNDټነ́༅Хਥ
कᖳХɁPearl Patronע ဳᖳХɁGold Patron ᗸᖳХɁRuby Patronټ >HK$100,000 HK$10,000 – HK$29,999 HK$3,000 – HK$4,999
㞫́ႺϷHang Seng Bank ஹұᄨᔢ́ʥʩɁDr & Mrs Chan Kow Tak Capital Well Investment Limited ผZhilan Foundation Mr David Chiu ஹᒤႩͱ́Mr Chan Hung Yuen Robertټ٠ᙬਥ ңٟ̽ɤɡMs Doreen Lee Mrs K L Chan ષయ౬ᔢ́Dr Thomas W T Leung ՚ᄮജɤɡMs Catherine Mo Wah Chau ႺဳᖳХɁSilver Patron Lo Kar Foon Foundation ஹ৪ജͱ́Mr Chen Chien Huaټᖓࡼ㚺෯ഁਥ HK$50,000 – HK$99,999 ͨᚪзͱ́Mr David Yee Kwan Yam Ms Katherine Cheung
Ԉઁٖτࠉʔ̇ ঢ়ᐶ͞ᙎMr & Mrs Ko Ying ާɣᇯઠProfessor David Clarkeཽ Kerry Holdings Limited ່ጷፓɡDr M T Geoffrey Yeh ፳ዷᎨͱ́Mr Fok Wing Huen ඟݯԙͱ́ʥඟ፳֗หɤɡ Mr Alex Fung & Mrs Hanne Froseth-Fung ႻဳᖳХɁBronze Patron ЄݰЇͱ́ʩɁ͞ᙎ HK$30,000 – HK$49,999 ၖၕᖳХɁJade Patron Mr & Mrs Phyllis & Adolf Ho HK$5,000 – HK$9,999 Item Industries Ltd ષࡼ͞ᙎMr & Mrs Alan Leong ңɣι͞ᙎMr & Mrs Henry & Angelina Lee Mr Ian D Boyce ңኹ࿘ɡDr Lee Shu Wing Ernest Mr Chan Ka Kui Mr Leung Cheuk Yan Mrs Anna Chen ңౡϷͱ́Mr Richard Li Mr Chu Ming Leong Mr Lo Cheung On, Andrew ᒉ܆ᔢ́Dr Chung See Yuen ж̷๑ͱ́Mr Lui Wing Chiu ᗐࡼඐᔢ́ʥʩɁDr & Mrs Kwan Ka Hung Mr Ray Luk ټᎉЕჴ֨ਥ ோሣιͱ́Mr Mak Fai Shing Lok Yu Kim Ching Memorial Fund Mr & Mrs John & Coralie Otoshi ࣍শ෮ਝτࠉʔ̇ Long Hin Creative International Ltd Oxford Success (Overseas) Ltd Mr Wong Kong Chiu Ѱɷ́ͱ́Mr Shum Choi Sang Ms Ophelia Tam ᇞႚͱ́Mr Tony Tsoi ඡܱജɡ Dr Dominic S W Wong, GBS,OBE,JP ଞ̡ʔᖬϷτࠉʔ̇ Zennon & Pierre Company Limited
ઠөඖ͌༅Хዀ࿚ EDUCATION OUTREACH SUPPORTER
The Hongkong Bank Foundationټ㟱ᔔႺϷ෯ഁਥ ࠗಋɻജ๏ࣩτࠉʔ̇The Hong Kong and China Gas Company Limited ENDOWMENT TRUST FUND ټᖳХਥ
ສΔτࠉʔ̇ ټ㟱ᔔႺϷ෯ഁਥ ټপਥڌࠗಋᑩผ෯ഁ The Hong Kong Jockey Club Charities Trust The Hongkong Bank Foundation The Hongkong Land Group
ผټ٦࿏ႺϷ ֱτࠉʔ̇ ࠗಋ໎ˊ෯ഁਥ Citibank. NA Jardine. Matheson & Company Ltd The Tung Foundation
.ȹȾɄɍᾳ˞ɐዀ࿚ᖳХ˞ι͓e The Endowment Trust Fund was set up in 1983 with these initial sponsorsכټᖳХਥ
ਆᖚමക PAGANINI PROJECT
ҹᐌɻͱ́ࢶᖲ Donated by Mr Patrick Wang ɥɩմԚ͂ • Emile Germaine (1907) Violin, played by Ms Tomoko Tanaka Maoكɻ̈́ڣɩొೄfͅ עϴਅfᑢਅ •
ਜ਼ဍయͱ́ࢶᖲ Donated by Mr Lowell Chang ͱ́Ԛ͂ • Lockey Hill (c.1800) Violin, played by Mr Wang Liangڋ˔F ɩొೄfͅ ݤ؝fѴဍ •
ᒉౝݗͱ́ࢶᖲ Donated by Mr Po Chung Ⴉͱ́Ԛ͂ • Dawne Hadded (1991) Violoncello, played by Mr Cheung Ming-yuenע ɣొೄfͅਜ਼ ༠ۄΛ̛f •
໊̌fᖓᙬɡͱ́ࢶᖲ Donated by Mr Laurence Scofield ɩొೄfͅਜ਼ѴɩմԚ͂ • Ansaldo Poggi (1910) Violin, played by Ms Zhang Xi Ϊॖ۹fౝਥ •
ϊི߮ͅਆᖚමകೕʥୂᓱeThis project is initiated and organizated by Business for Art Foundation.
ᅥኂࢶᖲINSTRUMENTAL DONATION
ࠗಋဳ֞Ծผਯɤผࢶᖲ Donated by The Ladies Committee of the Hong Kong Philharmonic Society
– ֺࢶᖲɾӢτᅥኂ– Rare instruments donated ɩొೄfͅೡ͓ͱ́Ԛ͂ • Enrico Rocca (1902) Violin, played by Mr Cheng Li Ϊਟঢ়fݤ˺ • ,Jean Baptiste Vuillaume (1866) Violin, played by Ms Bei Zhu • ٽ ɩొೄͅɍ৹྆ ࣚfʱແfၐဍ। • χၳɩմԚ͂ Third Associate Concertmaster Joseph Gagliano (1788) Violin, played by • ٽ ɩొೄͅɀ৹྆ f˱Ԉԓ̗ • ˔܆ͱ́Ԛ͂ Mr Wong Sze-hang, Second Associate Concertmaster ɩొೄc • Cario Antonio Testore (1736) Violin, played by Mr Ni Lan ݤfΪ̛ෙfӓΛ̛˺ • ͅ࠵ᘂͱ́Ԛ͂
ʠᅥ྆ᅥኂॖሔི߮Ϥࢶᖲɾԯˢᅥኂ– Other instruments donated in support of theొܛݯʻ “Instrument Upgrade and Echancement Project” – • ᄨਝᔝβɩ໔ԭʻ • Two German Rotary Trumpets • ᄨਝജࣟढ़ɣ໔Ⱥࡨ • A set of Wagner Tubas • ᐮ໔Ⱥʻ • A Flugelhorn 重點推介 FEATURED CONCERT 完美感覺莫扎特 The Mozart Effect 16 Dec 2009 wed 8pm 17 Dec 2009 thu 8pm 香港文化中心音樂廳 荃灣大會堂演奏廳 HK Cultural Centre Tsuen Wan Town Hall Concert Hall Auditorium HK$160 $120 $80 HK$120 $90 $60 夏定忠，指揮 張緯晴，鋼琴 John Harding, conductor Rachel Cheung, piano 韋麥克，圓號 Mark Vines, horn 賀蓁，單簧管 Natalie Jen Hoe, 王亮，小提琴 clarinet Wang Liang, violin 節目 Programme 十二首莫扎特經典作品精彩選段 An energizing selection from 12 of Mozart’s timeless classics 熱賣中 HOT PICK 港樂聖誕夜 Christmas with the Philharmonic 23&24 Dec 2009 節目 Programme wed & thu 8pm 韓德爾 皇家煙火音樂 HANDEL Royal Fireworks Music 香港文化中心音樂廳 韓德爾 《彌賽亞》選段 HK Cultural Centre HANDEL Excerpts from Messiah Concert Hall 韓德爾 水上音樂組曲，第二首 HK$320 $240 $120 HANDEL Water Music Suite No. 2 米高．海頓 《帕斯特羅》 畢克特，指揮 Michael HAYDN Pastorello Philip Pickett, conductor 海頓 《四季》：冬 HAYDN The Seasons: winter 格菱，女高音 里奧普特．莫扎特 玩具交響曲 Sara Crane, soprano Leopold MOZART Toy Symphony 香港兒童合唱團 比才 《阿萊城的姑娘》：法朗多爾舞曲 BIZET L’Arlésienne: fanrandole Hong Kong Children’s Choir 及其他聖誕頌歌 And many Christmas carols 熱賣中 HOT PICK 維也納新年音樂會：世界首演復刻版 Viennese New Year’s Gala 30&31 Dec 2009 香港文化中心音樂廳 懷德納，指揮 wed & thu 8pm HK Cultural Centre Concert Hall Johannes Wildner, HK$380 $280 $200 $120 conductor 節目 Programme 小約翰．史特勞斯 《蝙幅》：序曲 小約翰．史特勞斯 撥弦波爾卡 J STRAUSS II Die Fledermaus: overture J STRAUSS II Pizzicato Polka 安娜波爾卡 約翰．史特勞斯 中國人加洛普 Annen-Polka J STRAUSS I Chineser Galop 《帕斯曼騎士》：查爾達斯舞曲 小約翰．史特勞斯 常動曲 Ritter Pásmán: csardas J STRAUSS II Perpetuum mobile 晨報圓舞曲 埃及進行曲 Morgenblätter-Walzer Egyptischer Marsch 輕如鴻毛快速波爾卡 皇帝圓舞曲 Leichtes Blut, Polka schnell Kaiser-Walzer 維也納森林的故事圓舞曲 約瑟夫．史特勞斯 無憂無慮！快速波爾卡 Geschichten aus dem Wienerwald-Walzer Josef STRAUSS Ohne Sorgen! 蘇佩 《維也納的晨早、正午和夜晚》：序曲 Polka schnell von SUPPÉ Ein Morgen, Mittag und Abend in Wien: overture
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