Grade 2: Foil, Epée, and Sabre

Total Page：16

File Type：pdf, Size：1020Kb

Grade 2: Foil, Epée, and Sabre. The Fencers “pledge of honour”, by taking part in a fencing competition, fencers “pledge their honour” to observe the rules for competitions and the decisions of the Judges, and to be respectful towards the President and members of the jury. All Fencers and Spectators at a competition: 1. Must remain orderly. 2. Must not disturb the smooth running of the competition. 3. Must not go near the Piste during the bouts. 4. Must not give advice to the Fencers. 5. Must not criticise or insult the President or the Judges. 6. Must not applaud before the President has awarded a hit. 7. Must not attempt to influence the president in any way. 8. Must be respectful towards the President, Judgers and All Officials. 9. Must obey at once all orders and commands given by the President. 10. Must at all times act with courtesy and sportsmanship. Before a bout commences, fencers must salute the President, Judges and each other. At the conclusion of a bout, each fencer must observe the normal courtesy of shaking hands with the opponent. Dimensions of a piste Foil, Epée, and Sabre On Guard Lines 2 2 2 Metres 3 Metres Metres 3 2 Metres to End Metres Metres to End 2 Metres line. line. Wide. Centre line 1.5 to 2 Liners indicating last 2 Metres of the Piste. 1.5 to 2 Metre Metre run off run off 14 Metres Long. Copyright © 1996 M.J. Dennis The Parts of a Foil: Tang Martingale Guard or “Coquille” Button Screw Foible Forte Pommel Handle Pad Hilt Blade Parts of an Epee: Inside Guard socket Handle Guard or “Coquille” Button or Tip Pommel Forte Foible Screw Pad Tang Hilt Blade With a non-electric Epee a martingale must be fitted, and the inside guard socket removed. Parts of a Sabre: Hilt Blade Handle Pommel Forte Foible Roll Guard Copyright © 1996 M.J. Dennis .

Copy Link

Recommended publications

Swordsmanship and Sabre in Fribourg
Acta Periodica Duellatorum, Hands-on section, articles 103 Hands-on section, articles Sweat and Blood: Swordsmanship and sabre in Fribourg Mathijs Roelofsen, PhD Student, University of Bern [email protected], and Dimitri Zufferey, Independant Researcher, GAFSchola Fribourg, [email protected] Abstract – Following a long mercenary tradition, Switzerland had to build in the 19th century its own military tradition. In Cantons that have provided many officers and soldiers in the European Foreign Service, the French military influence remained strong. This article aims to analyze the development of sabre fencing in the canton of Fribourg (and its French influence) through the manuals of a former mercenary (Joseph Bonivini), a fencing master in the federal troops (Joseph Tinguely), and an officer who became later a gymnastics teacher (Léon Galley). These fencing manuals all address the recourse to fencing as physical training and gymnastic exercise, and not just as a combat system in a warlike context. Keywords – Sabre, Fribourg, Valais, Switzerland, fencing, contre-pointe, bayonet I. INTRODUCTION In military history, the Swiss are known for having offered military service as mercenaries over a long time period. In the 19th century, this system was however progressively abandoned, while the country was creating its own national army from the local militias. The history of 19th century martial practices in Switzerland did not yet get much attention from historians and other researchers. This short essay is thus a first attempt to set some elements about fencing in Switzerland at that time, focusing on some fencing masters from one Swiss Canton (Fribourg) through biographical elements and fencing manuals.
[Show full text]
Downloaded and Shared for Private Use Only – Republication, in Part Or in Whole, in Print Or Online, Is Expressly Forbidden Without the Written Consent of the Author
The International Armizare Society Presents: Beginning Armizare An Introduction to Medieval Swordsmanship Gregory D. Mele © 2001 - 2016 Beginning Armizare: An Introduction to Medieval Swordsmanship Copyright Notice: © 2014 Gregory D. Mele, All Rights Reserved. This document may be downloaded and shared for private use only – republication, in part or in whole, in print or online, is expressly forbidden without the written consent of the author. ©2001-2016 Gregory D. Mele Page 2 Beginning Armizare: An Introduction to Medieval Swordsmanship TABLE OF CONTENTS Foreword 4 Introduction: The Medieval Art of Arms 5 I. Spada a Dui Mani: The Longsword 7 II. Stance and Footwork 9 III. Poste: The Guards of the Longsword 14 IV. Learning to Cut with the Longsword 17 V. Defending with the Fendente 23 VI. Complex Blade Actions 25 VII. Parrata e Risposta 25 Appendix A: Glossary 28 Appendix B: Bibliography 30 Appendix C: Armizare Introductory Class Lesson Plan 31 ©2001-2016 Gregory D. Mele Page 3 Beginning Armizare: An Introduction to Medieval Swordsmanship FOREWORD The following document was originally developed as a study guide and training companion for students in the popular "Taste of the Knightly Arts" course taught by the Chicago Swordplay Guild. It has been slightly revised, complete with the 12 class outline used in that course in order to assist new teachers, small study groups or independent students looking for a way to begin their study of armizare. Readers should note that by no means is this a complete curriculum. There is none of the detailed discussion of body mechanics, weight distribution or cutting mechanics that occurs during classroom instruction, nor an explanation of the number of paired exercises that are used to develop student's basic skills, outside of the paired techniques, or "set-plays," themselves.
[Show full text]
USA Fencing Rules for Competition Ii Version 6/1/18 Preface
FENCING RULES June 2018 Foreword This American Version of the international rules governing fencing competitions is translated and adapted from the 2001 French edition published by the FIE and incorporates changes made by the FIE Congresses and adopted by the USA Fencing Board of Directors through August 2016. Unless otherwise noted here or in the USA Fencing Operations Manual, these rules apply to fencing competitions in the United States. The publication in electronic format with year and revision dating at the bottom of each page is intended to simplify the incorporation of future changes to the rules. Updates to the rules will be made available as approved on the Fencing Officials Commission website. The United States Fencing Association, Inc. doing business as USA Fencing (founded as the Amateur Fencers League of America in 1891) is a not-for-profit, tax-exempt organization primarily engaged in increasing participation in the sport of fencing. Membership in USA Fencing, in an appropriate category, is open to anyone who has an interest in fencing. USA Fencing is the official governing body for amateur fencing activities in the United States, and is so recognized by the Unites States Olympic Committee and the International Fencing Federation (FIE). Accordingly, the authority to enact, amend, and repeal the rules governing amateur fencing in the United States rests solely with the Board of Directors of USA Fencing. As a matter of policy, USA Fencing normally follows the technical rules enacted for the sport by the FIE, with occasional minor exceptions that are duly announced. The rules for fencing, as set forth in this book, therefore apply to all USA Fencing championships and nationally-rated competitions, and, unless exceptions have been announced in advance by the appropriate authorities, apply also to all events scheduled by any Section or Division of USA Fencing, or held under USA Fencing auspices.
[Show full text]
Swordplay Through the Ages Daniel David Harty Worcester Polytechnic Institute
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects April 2008 Swordplay Through The Ages Daniel David Harty Worcester Polytechnic Institute Drew Sansevero Worcester Polytechnic Institute Jordan H. Bentley Worcester Polytechnic Institute Timothy J. Mulhern Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Harty, D. D., Sansevero, D., Bentley, J. H., & Mulhern, T. J. (2008). Swordplay Through The Ages. Retrieved from https://digitalcommons.wpi.edu/iqp-all/3117 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. IQP 48-JLS-0059 SWORDPLAY THROUGH THE AGES Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by __ __________ ______ _ _________ Jordan Bentley Daniel Harty _____ ________ ____ ________ Timothy Mulhern Drew Sansevero Date: 5/2/2008 _______________________________ Professor Jeffrey L. Forgeng. Major Advisor Keywords: 1. Swordplay 2. Historical Documentary Video 3. Higgins Armory 1 Contents _______________________________ ........................................................................................0 Abstract: .....................................................................................................................................2
[Show full text]
Technical Rules Restructured
Technical rules restructured Former Type of New article article inconsistency TITLE IN INDEX number Correction number detected GENERAL RULES AND RULES COMMON TO ALL WEAPONS Chapter 1: APPLICATION OF THE RULES t.1 t.1 Chapter 2: GLOSSARY t.2 t.2 t.3 t.3 t.4 t.4 t.5 t.107.1 t.6 t.5 Explanation of technical terms t.7 footnote (1) t.8 t.6 t.9 t.7 t.10 t.8.1 t.11 t.8.2 t.12 t.8.3 t.13 t.8.4 t.14 t.9 t.15 t.10 Chapter 3: THE FIELD OF PLAY t.16 t.11 t.17 t.12 t.18 t.13 t.19 t.14 Chapter 4: THE FENCER'S EQUIPMENT Responsibility of Fencers t.20 t.15 Chapter 5: FENCING Method of Holding the Weapon t.21 t.16 Coming on guard t.22 t.17 Beginning, stopping and restarting the bout t.23 t.18 Fencing at close quarters t.24 t.19 Corps a corps t.25 t.20, t.63.1 Corps a corps and fleche attacks t.26 t.63.3-4 Displacing the target and Passing the Opponent t.27 t.21.1/2 t.28 t.21.3-5 Substitution and use of the non-sword hand and arm t.22.1 & 3, t.29 t.72.2 t.30 t.23 Ground gained or lost t.31 t.24 t.32 t.25 Crossing the limits of the Piste t.33 t.26 t.34 t.27 t.35 t.28 t.36 t.29 Duration of the bout t.37 t.30,1-2 t.30.3 removed and replaced by o.17 that became t.38 t.38 o.17 transfer from book o.
[Show full text]
Introduction to Rapier
INTRODUCTION TO RAPIER Based on the teachings of Ridolfo Capo Ferro, in his treatise first published in 1610. A WORKBOOK By Nick Thomas Instructor and co-founder of the © 2016 Academy of Historical Fencing Version 1 Introduction The rapier is the iconic sword of the renaissance, but it is often misunderstood due to poor representation in popular culture. The reality of the rapier is that it was a brutal and efficient killer. So much so that in Britain it was often considered a bullies or murderers weapon. Because to use a rapier against a person is to attempt to kill them, and not just defend oneself. A result of the heavy emphasis on point work and the horrendous internal damage that such thrust work inflicts. Rapier teachings were first brought to Britain in the 1570’s, and soon became the dominant weapon for civilian wear. Of course many weapons that were not so different were also used in the military, featuring the same guards and slightly lighter and broader blades. The rapier was very commonly used with offhand weapons, and Capo Ferro covers a range of them. However for this work book, we will focus on single sword, which is the foundation of the system. This class is brought to you by the Academy of Historical Fencing (UK) www.historicalfencing.co.uk If you have any questions about the class or fencing practice in general, feel free to contact us – [email protected] Overview of the weapon The First thing to accept as someone who already studies one form or another of European swordsmanship, is that you should not treat the rapier as something alien to you.
[Show full text]
2018-2019 All-American Team
2018-2019 All-American Team Last Name First Name Team Weapon City State High School Club Algonquin Regional Andreev Arthur 1st Epee Southborough MA High School Marx Fencing Academy Academy of Aerospace & Tim Morehouse Fencing Andrews Nathan 1st Foil East Hartford CT Engineering Club Anglade Jr. Ronald 1st Saber Johns Creek GA Westminster Schools Nellya Fencers Attig Will 1st Saber Portland OR Catlin Gabel School Oregon Fencing Alliance upper saddle Northern Highlands Gutkovskiy Fencing Augustine Ethan 1st Foil river NJ Regional HighSchool Academy West Coast Fencing Avakian Mikaela 1st Saber Arcadia CA LaSalle High School Academy Pacific LA International Fencing Beddingfield Claire 1st Epee Palisades CA Marlborough School Center Bender Rhys 1st Epee Grovetown GA Harlem High School Augusta Fencers Club Benoit Adelaide 1st Saber Carmel IN Park Tudor School IndySabre Bissinger Michael 1st Epee Houston TX Memorial High School Alliance Fencing Academy Bolton Braydon 1st Saber Chandler AZ Hamilton High School Phoenix Fencing Academy Bolton Dawson 1st Saber Chandler AZ Hamilton High School Phoenix Fencing Academy Texas Military Institute - The Episcopal School of Boys Nishta 1st Epee San Antonio TX Texas Alamo Fencing Academy Barrington High Rhode Island Fencing Breker Anika 1st Foil Barrington RI School Academy and Club Los Angeles International Brill Sophie 1st Epee Los Angeles CA Marlborough School Fencing Center Anaheim Hills Fencers Brondum Alexandra 1st Foil Anaheim CA Canyon High School Club Peter Westbrook Browne Jr. Rolston 1st Saber
[Show full text]
Income and Working Time of a Fencing Master in Bologna in the 15Th And
Acta Periodica Duellatorum, Scholarly Volume, Articles 153 DOI 10.1515/apd-2016-0005 Income and working time of a Fencing Master in Bologna in the 15th and early 16th century Alessandro Battistini and Niki Corradetti translated by Luca Dazi, Sala d’Arme Achille Marozzo (www.achillemarozzo.it) [email protected], [email protected] Abstract – Since ancient times, the master-at-arms profession has always been considered essential for the education of the nobility and the common citizenship, especially in the Middle Ages. Yet, we know nothing about the real standard of living of these characters. The recent discovery of documents, which report the sums earned by fencing masters to teach combat disciplines, has brought us the possibility to estimate how highly this profession was regarded, and what its actual economic value was in the Italian late Middle Ages. They also give us also a material view into the modes of operation of a sala d’arme in those times. Using different comparative methods based on the quoted currencies, primary goods and the cost of living, it was possible to analyze prices and duration of various military teachings offered by the fencing Masters in the late Middle Ages and equivalent viable activities of the time. We use three ways to calculate equivalent income levels in euros: from the silver content of the coins (bolognini, equivalent to the soldo); from purchasing power in relation to bread prices; and from equivalent wages. As a result we were able to define more accurately both the accessibility of these services for citizens and the relative value to other professions.
[Show full text]
Glossary of Terms, 2016 (PDF Version)
The Society of American Fight Directors GLOSSARY OF TERMS (revised as of 3/19/16) It is important to note that the terms listed below may not correspond to the proper definitions of the actions as they are applied to historical or modern fencing, swordplay, boxing or wrestling. These terms are theatrical in nature, not tactical, describing the action as it is executed in the performance environment. General Use Terms Active Hand: The non-weapon bearing hand used to block, check, lock, parry, strike, or trap the opposing weapon or parts of a partner’s body. Attacker (also called Aggressor): The actor/combatant who initiates the offensive action or attack. Center Line: An imaginary line that bisects the body. Horizontal Center Line (also called Mid Line): The imaginary line that bisects the body horizontally at waist level delineating High Line and Low Line. Vertical Center Line: The imaginary line that bisects the body vertically through the center delineating Inside Line and Outside Line. Cue: a physical action or event that is a signal for someone to do something. Cue-Reaction-Action: A basic stage combat principle/process used to achieve a safe and dramatically effective sequence of events Distance (also called Measure, Fighting Measure, and/or Fencing Measure): The proper measure between two or more combatants to safely execute any particular technique in stage combat. En Garde: The basic physical "ready" position of a combatant. Eye Contact: A look to one’s partner to assure mutual awareness and readiness to perform the techniques. Fighting Measure/Fencing Measure): see Distance Hand Positions: Pronation: The palm is turned down.
[Show full text]
Kingdom of Drachenwald Rulebook for Fencing
Kingdom of Drachenwald Rulebook For Fencing 2018-09-24 By Lord Duncan Chaucer, with thanks to the other members of the Drachenwald Fencing community for proofreading and suggestions. i INTRODUCTION ....................................................................................................................... iii Conventions ............................................................................................................................. 1 General Information ............................................................................................................. 1 Behaviour on the field .......................................................................................................... 2 Use Of Weapons and Parrying Devices .................................................................................. 2 Acknowledgement of Blows .................................................................................................... 4 Weapon and Parrying Devices ................................................................................................ 9 Blades ................................................................................................................................... 9 Parrying Devices .................................................................................................................12 Projectile Weapons .............................................................................................................13 Spears/Pikes/Polearms .......................................................................................................15
[Show full text]
Fencing Rules
FENCING RULES 1995 Edition United States Fencing Association, Inc. © United States Fencing Association, Inc. 1995 FOREWORD This American version of the international rules governing fencing competitions is translated and adapted from the 1994 French edition published by the FIE and incorporates changes made by the FIE Congresses through 1995. Unless otherwise noted here or in the USFA Operations Manual, these rules apply to fencing competitions in the United States. Two appendices are included with this 1995 edition: Appendix A – The Fencer’s Publicity Code is part of the FIE Rules for Competitions. Appendix B – The FIE has published a number of “Temporary Provisions” concerning competition formats and certain other rules. The complete, updated text is included in Appendix B; notes are also located in the text in appropriate locations. The USFA, Inc. (founded as the Amateur Fencers League of America in 1891) is a not-for-profit, tax-exempt organization primarily engaged in increasing participation in the sport of fencing. Membership in the USFA, in an appropriate category, is open to anyone who has an interest in fencing. The USFA is the official governing body for amateur fencing activities in the United States, and is so recognized by the United States Olympic Committee and the International Fencing Federation (FIE). Accordingly, the authority to enact, amend, and repeal the rules governing amateur fencing in the United States rests solely with the Board of Directors of the USFA. As a matter of policy, the USFA normally follows the technical rules enacted for the sport by the FIE, with occasional minor exceptions that are duly announced.
[Show full text]
USFA, 1750 East Boulder Street, Colorado Springs, CO S0909; (719) 578-4511
GEORGE SANTELLI, INC. United States Fencing Association, 1988-90 President: Michel Mamlouk EXL'<'utive Vice-President: Grorge G. Masin Vice President: Gerrie Baumgart Vice President: Paul Soter Secretary: John Higgs-Coulthard Treasurer: Elvira Orly Counsel: Frank Nagomey Official Publication of the United States Fencing Association, Inc. Dedicated to the memory of Jose R. DeCapriles, 1912-1969 Miguel A. DeCapriles, 1906-1981 CONTENTS Volume 42, Number 2 Editor: B. C. Milligan Business Manager: Laurel Clark Skillman Editorial ..............•........................................ 4 Poetry Editor: Leith Askins To The Editor ................................................... 5 Editors Emeritus: Ralph M. Goldstein, Mary T. In The Final Analysis .............................................. 8 Huddleson, Albert Axelrod. by Charles A. Selberg AMERICAN FENCING magazine (lSSN (0)2-8436) President's Corner ............................................... 9 is published quarterly by the United States Fencing by Michel Mamlouk Association, Inc. 1750 East Boulder Street, Colorado Springs, CO S0909. Subscription for non-members Foil Tactics and Tactical Drill ....................................... 10 of the U.S.F.A. is $12.00 in the U.S. and $1S.00 by Harold C. Hayes elsewhere. Single copies $3.00. Members of the U.S.F.A subscribe through their dues. Address all News Briefs ................................................... 12 correspondence concerning membership to the The Price of Pronation ........................................... 16 U.S.F.A. office in Colorado Springs, CO. Second by Rudy ~Ikmann class postage paid at Colorado Springs, CO and additional mailing offices. Technical Talks: How Does This Thing Work? ....................•...... 17 ©1991 United States Fencing Association by Joe Byrnes Editorial and advertising offices: These are cur Circuit Events: Good or Bad? ...................................... 18 rently in flux, as the editor relocated to the Balti by William ReIth more, MD, area as this issue went to press.
[Show full text]