The 1783 Statistical Survey of Dublin's Street Network
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SSOMS Itinerary 2019 - Linda Kinsey (Custom Travel) - IRELAND PRE CONFERENCE Itinerary for IRELAND - 3 Nights (Dublin & Shannon Region)
Saturday · May 4th, 2019 - Tuesday · May 7th, 2019 SSOMS Itinerary 2019 - Linda Kinsey (Custom Travel) - IRELAND PRE CONFERENCE Itinerary for IRELAND - 3 Nights (Dublin & Shannon Region) Saturday · May 4th OVERVIEW Georgian Dublin Christ Church Cathedral Dublin Castle Dingle Whiskey Bar The Shelbourne (2 nights) Sunday · May 5th OVERVIEW Kilmainham Jail Guinness Storehouse Trinity College Library and Book of Kells Monday · May 6th OVERVIEW Activities at Adare Manor Adare Manor (1 night) Tuesday · May 7th OVERVIEW Cliffs of Moher Burren National Park Saturday · May 4th OVERVIEW Today you will arrive into Dublin Airport. You will make your own way to your Dublin Hotel. Explore Dublin on your doorstep of this centrally located hotel. This afternoon enjoy an overview Walking tour of Dublin to include it's rich Georgian Historical buildings along with its Viking past. (This tour will be up to 2 hours) You will finish your tour at the Dingle Whiskey Bar for a private tasting experience. 1 Georgian Dublin 79 Lower Gardiner St, I.F.S.C., Dublin, Ireland At the beginning of the 18th Century, Dublin was a medieval city akin to Paris. During the course of the century it underwent a major rebuilding, with the Wide Streets Commission demolishing many of the narrow medieval streets and replacing them with large Georgian streets. Among the famous streets to appear following this redesign were Sackville Street (now called O'Connell Street), Dame Street, Westmoreland Street, and D'Olier Street. Five major Georgian squares were also laid out: Rutland Square (now called Parnell Square) and Mountjoy Square to the north, and Merrion Square, Fitzwilliam Square, and Saint Stephen's Green south of the River Liffey. -
The Social Topography of Eighteenth-Century Dublin
15 The Multi-Centred Metropolis: The Social Topography of Eighteenth-Century Dublin EDEL SHERIDAN-QUANTZ It is here necessary to remark, that the eastern side of the City, contiguous to the sea, is almost entirely laid out in elegant streets, for the residence of the gentry: and the western side, though more remote from the sea, and consequently not so conveniently situated for the purposes of commerce, is chiefly inhabited by merchants and mechanicks.1 IN A PORT CITY IT SEEMS RATHER ODD INDEED that the ‘merchants and mechanicks’ should dwell in the landward half of the city, leaving the area towards the coast to the ‘gentry’. As the following demonstrates, Dublin’s east–west social gradient as described in eighteenth-century and early nineteenth-century accounts, of which a typical sample is given above, was not quite as simple as many contemporaries liked to claim. The eastern and western sectors were fragmented and subdivided by the physical barrier of the River Liffey, so that different neighbourhood characters and subcentres of social and economic activity developed, not only in the eastern and western halves of the city but also within these sectors. With the Restoration of the monarchy in England and the consequent re-establishment of the Irish parliament in Dublin, the city began to expand rapidly again. Dublin in the eighteenth century was a capital city, nominally of a semi- autonomous kingdom, de facto of a state with effective colonial status subject to the English throne; nevertheless, the city had all the associated administrative, legal, cul- tural and economic functions of a capital. -
The Merrion History Book History
The Merrion History Book history years ago Tak250E a waLk IN DubLIN’S GEORGIaN HISTORIc HEaRT, through Merrion Square and along towards St Stephen’s Green, and you could find yourself feeling as if you have stepped back in time. The elegant redbrick buildings, with their sash windows designed to let in exactly the right amount of light, and their sets of granite steps sweeping up to gleaming, smartly painted doors, whisper of the lives that once went on inside. Along the west side of Merrion Square and towards Upper Merrion Street, your route brings you past the grand civic buildings of the National Gallery, Natural History Museum, and Leinster House: seat of the Irish Government, and said to be so ideal in proportion and design that it became the model for the White House in Washington DC. Further up, pass the Palladian façade of Government Buildings, where for almost a century the future of Ireland has been considered and shaped; and opposite, in one of the most elegant collections of four perfect Georgian town houses, find the Merrion Hotel. Image Detail from: "A Book of Maps and References to the Estaes of The Right Honourable Richard Lord Viscount Fitzwilliam, 1792, by John Barker." • • List of Lord Fitzwilliam tenants: NAI - 2011/3/1p.22 Map Detail: "A Plan of Merrion Street with the intended New Streets, being part of the Estate of thethe Right merrion Hon. hotel Lord Viscont Fitzwilliam", 1764, by John Barker. • Jonathan Barker 1764, NAI/2011/2/2/10 history ONE OF THE LIVING IN finest Georgian Georgian cities IN THE WORLD MEDIEDublinvaL DubLIN waS a cITY OF wINDING, NaRROw streets, and houses overhanging shadowed lane- THE MERRION ExISTS THaNkS TO THE vISION OF OwNERS ways but, from the 1750s on, this was to change. -
Reimagining Ireland, Volume 48 : Visualizing Dublin
REIR imagining 48 imagining ire land ire land VOLUME 48 Justin Carville (ed.) Dublin has held an important place throughout Ireland’s cultural history. The shifting configurations of the city’s streetscapes have been marked VISUALIZING DUBLIN VISUALIZING by the ideological frameworks of imperialism, its architecture embedded within the cultural politics of the nation, and its monuments and sculptures VISUALIZING DUBLIN mobilized to envision the economic ambitions of the state. This book examines the relationship of Dublin to Ireland’s social history through the VISUAL CULTURE, MODERNITY AND THE city’s visual culture. Through specific case studies of Dublin’s streetscapes, REPRESENTATION OF URBAN SPACE architecture and sculpture and its depiction in literature, photography and cinema, the contributors discuss the significance of visual experiences and representations of the city to our understanding of Irish cultural life, both past and present. Justin Carville (ed.) Drawing together scholars from across the arts, humanities and social sciences, the collection addresses two emerging themes in Irish studies: the intersection of the city with cultural politics, and the role of the visual in projecting Irish cultural identity. The essays not only ask new questions of existing cultural histories but also identify previously unexplored visual representations of the city. The book’s interdisciplinary approach seeks to broaden established understandings of visual culture within Irish studies to incorporate not only visual artefacts, but also textual descriptions and ocular experiences that contribute to how we come to look at, see and experience both Dublin and Ireland. Justin Carville teaches Historical and Theoretical Studies in Photography and Visual Culture at the Institute of Art, Design and Technology, Dun Laoghaire. -
Dublin's City Hall
837 1229 1230 City Hall played its part in the development 1403of Irish nationalism. The funerals of leading patriots, Charles Stewart Parnell and Jeremiah Dublin’s City Hall O’Donovan Rossa, were held there and the building was garrisoned by the insurgents during the Easter Rising of1665 1916, an event which is The Story of the Capital commemorated by a plaque at the front gates. In 1922, City Hall became the temporary headquarters of the Irish Provisional Government under its chairman, Michael Collins. The funerals of Collins, and of his colleague Dublin’s City Hall Arthur Griffith, took place from City Hall 1676in the same year. 837The Vikings invade The Story of the Capital 1711 Medieval Period 1779 The Anglo-Norman1170 invasion City hall HIStORy 1841 City Hall is an outstanding example of the Georgian Georgian Dublin architecture for which Dublin is world-renowned. It was built between 1769 and 1779 by the Guild of Merchants as the Royal 1852 Dublin’s1711 First Fire Brigade Exchange, at a cost of £58,000, mostly raised by public lotteries. The architect was Thomas Cooley, winner of a competition to design the building, with his more illustrious contemporary 1890 1916 James Gandon in second place. The Royal Exchange belonged Unrest in Dublin to the first rank of European architecture and marked the The Easter Rising introduction to Ireland of the neo-classical style fashionable in Modern Day Dublin Continental Europe. The circular entrance hall, or Rotunda, 1916 with its spacious dome, supported by twelve columns, is surrounded by an ambulatory, where the merchants strolled and 2000 discussed business. -
An Introduction to the Architectural Heritage of Dublin South City Read
AN INTRODUCTION TO THE ARCHITECTURAL HERITAGE of DUBLIN SOUTH CITY Niamh Marnham AN INTRODUCTION TO THE ARCHITECTURAL HERITAGE of DUBLIN SOUTH CITY "DUBLIN IN 1861" Illustrated map published by D. Edward Heffernan, civil engineer, showing the city, its principal landmarks and vistas. Oval vignettes highlight the public buildings then, as now regarded as among the best assets of Dublin's architectural heritage. Courtesy of Trinity College Dublin Foreword Dublin is the largest city in Ireland and This Introduction seeks to give a capital of the Republic. Aptly described by the representative picture of the south city and its poet Louis MacNeice as the 'Augustan capital architectural heritage. The area covered is of a Gaelic nation', the city is richly endowed bounded by the River Liffey on the north and with a fine, distinctive architectural heritage the Grand Canal on the south. It is bookended dating from the early medieval period to the on the west by the Royal Hospital and on the present day. Like all great cities, it has its share east by Ringsend on the south bank of the of large, declamatory public buildings Liffey. including the Dublin Castle complex, City The Architectural Inventory of Dublin South Hall, the Leinster House cultural and political City was carried out in phases from 2013 to precinct, the old Parliament House on College 2017. It should not be regarded as exhaustive Green and the neighbouring Trinity College as, over time, other buildings and structures of campus. The Royal Hospital, Kilmainham, has merit may come to light. The purpose of the often been described as the finest public inventory and of this Introduction is to explore building in the land. -
DUBLIN 1756 to 1847 the Dublin of the Mid Eighteenth Century Captured by John Rocque in His That Had Begun to Use Steam Power
Dublin, from Blaquiere Bridge, Royal Canal, looking south, 1831, by George Petrie (Dublin delineated, p. 24) DUBLIN 1756 TO 1847 The Dublin of the mid eighteenth century captured by John Rocque in his that had begun to use steam power. Other legislation, however, addressed the Exact survey of the city and suburbs of Dublin was a sizeable city for the administration of the city or measures for improvement. The removal of certain period, indeed one of the largest in Europe,1 and had a mixture of impressive administrative functions from Dublin Corporation into bodies under central contemporary features alongside surviving medieval and early modern urban government control in the 1780s, such as paving, cleansing and lighting the fabric. The modern age was represented in fine public buildings, including streets, policing and responsibility for Dublin port, arose from allegations the substantial and impressive barracks, the Parliament House and Trinity of mismanagement by the corporation.5 As a result ad hoc bodies were College. The latter two defined a significant urban space at College Green that created to implement new measures such as the making of wide streets and was captured in engravings by Joseph Tudor (1753) and others (Plate 4). Some the improvement of Sackville Street and Marlborough Street, Rutland (later elements with their origins in the previous century were still impressive, such Parnell) Square, Merrion Square and the Circular Road. After the enactment of as the Royal Hospital at Kilmainham, the Liffey quays and St Stephen’s Green. the Union the flow of acts continued, though not at quite the same rate. -
Evolution of O'connell Street
HERITAGE SUBMISSION PART I Appendix 2:2 THE EVOLUTION OF O’CONNELL STREET NOTES ON THE EVOLUTION OF O’CONNELL STREET 1. INTRODUCTION The history of the development of Upper O’Connell Street from its significant foundation as Gardiners Mall in 1749 to its formal renaming as Upper O’Connell Street in 1924, and from then to the present, has been extensively recorded and the following notes draw on those sources insofar as they tend to identify the association and circumstances and peculiar character of the street which the Dublin Central development seeks to conserve. A concise historical chronological history of the character of O’Connell Street forms part of the Conservation Report on ACA and Protected Structures prepared by David Slattery FRIAI Historic Buildings Consultant (Heritage Submission Part II) An elevational study (see Appendix 2:1 Composite Elevational Drawing Upper O’Connell Street 1770-2008), based on the prints photographs and descriptions, has been carried out by Brian O’Connell Associates Architects, to demonstrate the architectural progression through the 250 years of evolution in which the character of the street has changed radically several times, while retaining the essence of a Georgian urbanity in its scale and disposition. The Mid 19th Century image of the centre of Dublin centres on the GPO and Nelsons Pillar in the context of a linear street of generous proportions is typified in Wilson Archer and Watson’s description in the World and its Cities 1880: ‘Sackville Street, which runs due south from the Rotunda to the Liffey has long been the pride and boast of the citizens of Dublin. -
UNIVERSITY of CALIFORNIA Los Angeles Revolutionary Memories
UNIVERSITY OF CALIFORNIA Los Angeles Revolutionary Memories: Historical Subjectivity and Heritage Activism in Dublin Ireland A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Anthropology by Emily Anne Lucitt 2019 Ó Copyright by Emily Anne Lucitt 2019 ABSTRACT OF THE DISSERTATION Revolutionary Memories: Historical Subjectivity and Heritage Activism in Dublin Ireland by Emily Anne Lucitt Doctor of Philosophy in Anthropology University of California, Los Angeles, 2019 Professor Douglas W. Hollan, Chair This dissertation explores the theoretical concept of “historical subjectivity” in anthropology, which focuses on how individuals consider themselves as part of an ongoing historical narrative that extends from the past, into the present, and will be remembered in the future. This research was conducted through a case study of the ways in which activists involved with the Save Moore Street campaign in Dublin, Ireland (which revolves around saving historically significant building from being re-developed into a contemporary shopping center) invoke historical events, empathize with historical figures, and imagine how their city, and their actions, will be viewed by people in the future. Methods used are ethnographic: participant observation and in-depth interviews, and archival research (using both primary and secondary sources). The dissertation is composed of three primary standalone chapters and two sub- chapters. The Prelude sets the ethnographic present: primarily 2016 in Dublin, as the country celebrates the centenary of the 1916 Easter Rising, a seminal event in Ireland’s struggle for ii independence from Great Britain. Chapter 1 explores how activists use satire and invoke historical “ghosts” to appeal to the public to support their campaign, which is firmly rooted in the present state of economic uncertainty post-financial collapse. -
Catalogue of Wide Street Commission Architectural Drawings
DUBLIN CITY LIBRARY AND ARCHIVES; WIDE STREETS COMMISSION ARCHITECTURAL DRAWINGS CATALOGUE OF WIDE STREET COMMISSION ARCHITECTURAL DRAWINGS Dublin City Library and Archives, 138-144 Pearse Street, Dublin 2 Twitter: @DCLAreadingroom Phone: 01 674 4997 Email: [email protected] Text: Mary Clark, Dublin City Archivist Dublin City Council DUBLIN CITY LIBRARY AND ARCHIVES; WIDE STREETS COMMISSION ARCHITECTURAL DRAWINGS WIDE STREETS COMMISSION ARCHITECTURAL DRAWINGS: INTRODUCTION The Wide Street Commission (formal title: ‘Commissioners for Making Wide and Convenient Ways, Streets and Passages in the City of Dublin’) was established by Act of Parliament in 1757. The Commission’s original purpose was to make a passage ‘from Essex Bridge to the Royal Palace or Dublin Castle’; this was opened as Parliament Street in 1762. Following this initial success, the Commission went on to widen and develop such thoroughfares as Dame St., Westmoreland St., D’Olier St., and Lower Sackville St. It was also responsible for building Carlisle Bridge, thus shifting the city centre axis to Sackville St. from Capel St. The Commission’s powers were extensive. It had the authority to acquire property by compulsory purchase, demolish it, lay down new streets and set lots along the new streets to builders for development. The Commission was financed mainly by grants from the Irish Parliament in College Green and by a duty of 1s. per ton upon coals imported into Dublin Harbour. After the abolition of the Irish Parliament under the Act of Union 1800, the revenues available to the Commission were severely cut. For the remainder of its existence it adopted a supervisory role in the development of Dublin, rather than taking the initiative as it had done before 1800. -
The Miser Program
Molière’s The Miser. Molière 1622-1673 Harpagon is a descendant of the old curmudgeon Euclio from Plautus' Pot of Gold - one of the many Roman plays Molière studied at his Jesuit school - and then latterly borrowed from. He is also modelled on Pantalone, the tightfisted old merchant of commedia dell'arte – who like Harpagon also loves young flesh – this time in the form of Mariane. However it is probable that Molière was as inspired by the misers of his own day. On 24 August 1665 two beggars had tried to rob Jean Tardieu, a notorious usurer and putatively the richest man in Paris. When Tardieu screamed "thief," the young men panicked and silenced Tardieu and his wife by slitting their throats. (The mother-in-law, who lived with them as a servant, was also known to steal oats from horses for her breakfast.) The good citizens of Paris saw in Tardieu's death the just judgment of a righteous God, who had punished the old miser for a life of greed. Sad tales circulated orally in seventeenth-century France about usurers and the miserable ends they met, but with growth of commerce lending with interest increased – and more often than not at Harpagon like rates which exceeded the King’s legal rate of 5%. Under Louis XIV, aristocrats found themselves in a quandary. The monarch wanted the most brilliant court in Europe, and to shine at court cost a king's ransom – and the nobility were effectively banned from working in trade. If one did not get a sinecure from the king or marry into the wealthy bourgeoisie, one would be forced to deal with the devil: a moneylender. -
Dublin and the Consequences of Union
7 Death of a Capital? Dublin and the Consequences of Union DAVID DICKSON DUBLIN’S LONG CYCLE OF GROWTH from modest walled town in the 1590s to one of the premier European cities two hundred years later rested on a fortunate conjuncture of factors: its emergence as Ireland’s leading port and unchallenged national centre of dis- tribution of goods and printed information; its pivotal position in the provision of financial services during the long commercialisation of Irish agriculture; its monopoly of certain professional services, notably higher education and the higher courts of law; the (intermittent) presence of a viceregal court and a national legislature; and, linked to that, the social imperative that brought the landed classes to Dublin in wintertime to live, play and consume to excess. There is more than a faint echo in all this of early modern London. I The set of factors that had powered Dublin’s growth were still emphatically present in the final decades of the eighteenth century. The city was still functioning as national warehouse in the distribution of consumer imports, and its huge artisan population were still the chief manufacturers of luxury and high quality commodities for the whole country. And Dublin’s tastes and fashions—cultural, political and material—were now being broadcast across the island by its unprecedently busy printing presses. The 1780s and early 1790s were also crucial years in planning terms, when a neo-classical template was imposed on the city core and a new trunk canal system came to define the city limits. A number of great building projects in the city were well under way when war, domestic political crisis and economic uncertainty began to change the climate of development.