Can You Survive a Zombie Apocalypse? STEM Learning Activity Resources
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Automatic Food Intake Assessment Using Camera Phones
Michigan Technological University Digital Commons @ Michigan Tech Dissertations, Master's Theses and Master's Dissertations, Master's Theses and Master's Reports - Open Reports 2012 Automatic Food Intake Assessment Using Camera Phones Fanyu Kong Michigan Technological University Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the Computer Engineering Commons Copyright 2012 Fanyu Kong Recommended Citation Kong, Fanyu, "Automatic Food Intake Assessment Using Camera Phones", Dissertation, Michigan Technological University, 2012. https://doi.org/10.37099/mtu.dc.etds/494 Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the Computer Engineering Commons AUTOMATIC FOOD INTAKE ASSESSMENT USING CAMERA PHONES By Fanyu Kong A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY (Computer Engineering) MICHIGAN TECHNOLOGICAL UNIVERSITY 2012 c 2012 Fanyu Kong This dissertation, "Automatic Food Intake Assessment Using Camera Phones," is hereby approved in partial fulfillment of the requirements for the Degree of DOCTOR OF PHI- LOSOPHY IN COMPUTER ENGINEERING. Department of Electrical and Computer Engineering Signatures: Dissertation Advisor Dr. Jindong Tan Department Chair Dr. Daniel R. Fuhrmann Date Dedication To my wife and my parents! . Contents List of Figures . .xviii List of Tables ......................................xix Preface .........................................xxi Acknowledgments . .xxiii Abstract .........................................xxv 1 Introduction .................................... 1 1.1 Obesity: A challenge to public health . .1 1.2 Food intake assessment . .3 1.3 Opportunity and challenges . .4 1.4 Goals and specific aims . .5 1.5 Organization of this thesis . .6 Reference . .7 vii 2 DietCam: Automatic Dietary Assessment with Mobile Camera Phones . 11 Abstract . 11 2.1 Introduction . -
WITH OUR DEMONS a Thesis Submitted By
1 MONSTROSITIES MADE IN THE INTERFACE: THE IDEOLOGICAL RAMIFICATIONS OF ‘PLAYING’ WITH OUR DEMONS A Thesis submitted by Jesse J Warren, BLM Student ID: u1060927 For the award of Master of Arts (Humanities and Communication) 2020 Thesis Certification Page This thesis is entirely the work of Jesse Warren except where otherwise acknowledged. This work is original and has not previously been submitted for any other award, except where acknowledged. Signed by the candidate: __________________________________________________________________ Principal Supervisor: _________________________________________________________________ Abstract Using procedural rhetoric to critique the role of the monster in survival horror video games, this dissertation will discuss the potential for such monsters to embody ideological antagonism in the ‘game’ world which is symptomatic of the desire to simulate the ideological antagonism existing in the ‘real’ world. Survival video games explore ideology by offering a space in which to fantasise about society's fears and desires in which the sum of all fears and object of greatest desire (the monster) is so terrifying as it embodies everything 'other' than acceptable, enculturated social and political behaviour. Video games rely on ideology to create believable game worlds as well as simulate believable behaviours, and in the case of survival horror video games, to simulate fear. This dissertation will critique how the games Alien:Isolation, Until Dawn, and The Walking Dead Season 1 construct and themselves critique representations of the ‘real’ world, specifically the way these games position the player to see the monster as an embodiment of everything wrong and evil in life - everything 'other' than an ideal, peaceful existence, and challenge the player to recognise that the very actions required to combat or survive this force potentially serve as both extensions of existing cultural ideology and harbingers of ideological resistance across two worlds – the ‘real’ and the ‘game’. -
"Eustace the Monk" and Compositional Techniques
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor Samuel Howard Stokes Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Stokes, Samuel Howard, "An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor" (2013). LSU Doctoral Dissertations. 1053. https://digitalcommons.lsu.edu/gradschool_dissertations/1053 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AN ORIGINAL COMPOSITION, SYMPHONY NO. 1, "EUSTACE THE MONK" AND COMPOSITIONAL TECHNIQUES USED TO ELICIT MUSICAL HUMOR A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements of the degree of Doctor of Philosophy in The School of Music by Samuel Stokes B.M., University of Central Missouri, 2002 M.A., University of Central Missouri, 2005 M.M., The Florida State University, 2006 May 2013 ACKNOWLEDGMENTS I would like to thank Dinos Constantinides for his valuable guidance and enthusiasm in my development as a composer. He has expanded my horizons by making me think outside of the box while leaving me enough room to find my own compositional voice. -
"WEIRD AL" YANKOVIC: POLKAS, PARODIES and the POWER of SATIRE by Chuck Miller Originally Published in Goldmine #514
"WEIRD AL" YANKOVIC: POLKAS, PARODIES AND THE POWER OF SATIRE By Chuck Miller Originally published in Goldmine #514 Al Yankovic strapped on his accordion, ready to perform. All he had to do was impress some talent directors, and he would be on The Gong Show, on stage with Chuck Barris and the Unknown Comic and Jaye P. Morgan and Gene Gene the Dancing Machine. "I was in college," said Yankovic, "and a friend and I drove down to LA for the day, and auditioned for The Gong Show. And we did a song called 'Mr. Frump in the Iron Lung.' And the audience seemed to enjoy it, but we never got called back. So we didn't make the cut for The Gong Show." But while the Unknown Co mic and Gene Gene the Dancing Machine are currently brain stumpers in 1970's trivia contests, the accordionist who failed the Gong Show taping became the biggest selling parodist and comedic recording artist of the past 30 years. His earliest parodies were recorded with an accordion in a men's room, but today, he and his band have replicated tracks so well one would think they borrowed the original master tape, wiped off the original vocalist, and superimposed Yankovic into the mix. And with MTV, MuchMusic, Dr. Demento and Radio Disney playing his songs right out of the box, Yankovic has reached a pinnacle of success and longevity most artists can only imagine. Alfred Yankovic was born in Lynwood, California on October 23, 1959. Seven years later, his parents bought him an accordion for his birthday. -
A Sense of Unending: Apocalypse and Post-Apocalypse in Novels of Late Capitalism" (2019)
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2019 A Sense of Unending: Apocalypse and Post- Apocalypse in Novels of Late Capitalism Brent Linsley University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the American Literature Commons, Literature in English, North America Commons, and the Modern Literature Commons Recommended Citation Linsley, Brent, "A Sense of Unending: Apocalypse and Post-Apocalypse in Novels of Late Capitalism" (2019). Theses and Dissertations. 3341. https://scholarworks.uark.edu/etd/3341 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. A Sense of Unending: Apocalypse and Post-Apocalypse in Novels of Late Capitalism A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Brent Linsley Henderson State University Bachelor of Arts in English, 2000 Henderson State University Master of Liberal Arts in English, 2005 August 2019 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. _____________________________________ M. Keith Booker, Ph.D. Dissertation Director _____________________________________ ______________________________________ Robert Cochran, Ph.D. Susan Marren, Ph.D. Committee Member Committee Member Abstract From Frank Kermode to Norman Cohn to John Hall, scholars agree that apocalypse historically has represented times of radical change to social and political systems as older orders are wiped away and replaced by a realignment of respective norms. This paradigm is predicated upon an understanding of apocalypse that emphasizes the rebuilding of communities after catastrophe has occurred. -
Battleswithbitsofrubber.Com Page 1 CONTENTS
battleswithbitsofrubber.com Page 1 CONTENTS Credits and thanks....................................................................................... Page 3 Foreword by Joe Nazzaro ........................................................................... Page 4 Introduction ................................................................................................. Page 5 Effects in chronological order 1. ‘Haven’t you had your tea?’ ................................................................... Page 6 2. ‘In the garden ... there’s a girl’................................................................ Page 7 3. ‘He’s got an arm off...’ ............................................................................. Page 9 4. ‘Which one do you want? Girl or bloke?’ ........................................... Page 11 5. ‘We take care of Philip.’ .......................................................................... Page 13 6. ‘We’re gonna borrow your car, okay...’ ................................................ Page 13 7. ‘I guess we’ll have to take the Jag.’ ...................................................... Page 14 8. ‘I’ll just flip the mains breakers...’ ........................................................ Page 15 9. ‘I didn’t want to say anything.’.............................................................. Page 16 10. ‘Cock it!’.................................................................................................. Page 17 11. ‘I’m sorry Mum.’ ..................................................................................... -
Apocalypse in the Novels of Cormac Mccarthy
“The Salitter drying from the earth”: Apocalypse in the novels of Cormac McCarthy A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Christopher Yee University of Canterbury 2010 Contents Acknowledgements ................................................................................................................... 3 Abstract ..................................................................................................................................... 4 Introduction ............................................................................................................................... 5 1. Apocalypse ........................................................................................................................ 6 2. Manifest Destiny ............................................................................................................... 8 3. Overview of Chapters...................................................................................................... 12 Chapter One: Apocalyptic Time in Blood Meridian ............................................................... 18 1. Resistance of linear time: Holden and the narrator ......................................................... 20 2. The Kid ............................................................................................................................ 32 3. The Epilogue .................................................................................................................. -
How the Obamacare Dependency Crisis Could Get Even Worse — and How to Stop It
JAN 16, 2018 How the ObamaCare dependency crisis could get even worse — and how to stop it AUTHORED BY: Nic Horton Research Director Jonathan Ingram Vice President of Research TheFGA.org An overview of the ObamaCare dependency crisis Lured by the false promise of free money, states across the country that chose to expand Medicaid to able-bodied adults through ObamaCare are now paying the price. As a result of a 2012 Supreme Court ruling on the Affordable Care Act, states were given the option to expand their Medicaid programs to a new class of able-bodied, working-age adults.1 Thirty- one states and the District of Columbia took the bait.2 Although the federal government promised to cover all of the initial costs of expansion, states began paying a share of those costs in 2017, with that share growing over time.3 Given that one out of every three dollars in state budgets already goes to Medicaid, these additional costs are like gasoline on an already out-of-control wildfire.4 Unless states change course, the pain will only worsen. Even more troubling, states that have expanded Medicaid are signing up far more able- bodied adults than expected.5 This means states are not only having to deal with higher costs, but they are scrambling to find funds for more than twice as many adults as anticipated.6 Just how wrong were expansion enrollment projections? The Foundation for Government Accountability began tracking ObamaCare expansion enrollment since the program’s initial implementation and has released multiple reports that scrutinize state -
“Apocalypse Whatever,” by Tara Isabella Burton “Chaos of Facts,” by Nathan Jurgenson “What Was the Nerd” by Willie Osterweil “Broken Windows, Broken Code,” by R
FASCISM “Apocalypse Whatever,” by Tara Isabella Burton “Chaos of Facts,” by Nathan Jurgenson “What Was the Nerd” by Willie Osterweil “Broken Windows, Broken Code,” by R. Joshua Scannell With the rise of fascist leaders in the U.S. and elsewhere, it’s natural to want to investigate the degree to which new communication technologies have facilitated it. Much as Horkheimer and Adorno indicted the incipient mass media and the “culture industry” for mid–20th century fascism, we might look at 21st century social media in the same light. Online platforms have become instruments for meting out brutality, suppressing freedom of thought, reinforcing marginalization and social exclusion, and enforcing orthodoxy. But it makes sense also to think of fascism itself as a political technology, an approach to social control that relies on negating the truth, sowing confusion, destabilizing shared values, and setting unmoored bureaucracies against the population and one another. We face an unprecedented combination of seemingly opposed ideologies that have come to reinforce each other: Big Data positivism generates an endless stream of uninterpretable information that post-truth demagoguery can triumphantly push aside. —Rob Horning FASCISM APOCALYPSE magic”—when something espoused and af- firmed in the digital realm also becomes true be- WHATEVER yond it. Memes about Hillary Clinton being sick, The making of a racist, for example, “came true” when she collapsed of pneumonia this past September 11. And Fidel sexist religion of nihilism Castro’s death—occurring on the capitalist on 4Chan by TARA ISABELLA BURTON holiday of Black Friday—has been making the Twitter rounds with the same “praise Kek” tag. -
FAMILIES AGAINST MANDATORY MINIMUMS 2016 Annual Report
FAMILIES AGAINST MANDATORY MINIMUMS 2016 Annual Report Years TABLE OF CONTENTS From the Founder.................................................. 2 25 Years of Advocacy............................................. 4 FAMM in the States............................................... 5 Federal Efforts ....................................................... 9 Communications ................................................... 12 25th Anniversary Dinner........................................ 16 Board of Directors, Staff, and Donors.................... 18 2016 Financials...................................................... 22 2016 Annual Report Families Against Mandatory Minimums 1 From Our Founder With my decision to leave came a long look at all we’ve accomplished. More than 330,000 individuals have received shorter, fairer Dear FAMM Supporters, sentences because of the reforms we helped to get passed. And I never tire of hearing from those families who were reunited a In many ways, 2016 was as momentous little sooner because of our efforts. I realize, too, that without their a year for me as 1991, the year I willingness to let us share their stories, FAMM’s work to reform launched FAMM. Armed with little more sentencing laws would be much harder. than a card table, a box full of letters from prisoners, and outrage fueled by A highlight for me in 2016 was our celebration of FAMM’s 25 years. an experience in my own family, I was The sold-out dinner was attended by fellow advocates, supporters, driven to fight for sentencing reform. and former prisoners whose sentences were shortened because Now, 25 years later, FAMM has grown of FAMM’s work. During their stay in Washington, many of these well beyond that table and that box. former prisoners went with us to Capitol Hill so that they could FAMM has flourished into a $2 million share their stories firsthand and remind lawmakers of the very real annual operation, with 14 employees, impact of the laws they pass. -
The Difference They Can Make
find any fault at all, it is the low ex- citement level of the entire thing. All the fal de ral about what led up to this record has put undue pressure on the man and his music. Somehow this time Bob perseveres because of his Bozak Hectron UnLs music. For, with all the muted, mel- low, essence of this work, it manages for Your Vusic System to be simply the most musical he has ever done. His early records were simply folk and part of the definition You'd Never Believe of what is folk music: "its got to be somewhat crude." Dylan has passed through sophisto-crude to a well -con- the Difference ceived, relaxed, unhyped personal music. Even if you were to consider his style a hype (and I assure you it's They Can Make not), the style has mellowed too. (It's unobtrusive time in Woodstock.) Best A Perfect Complement to Your Bozak Speakers! of all, along with a more sensual Dylan we get a bonus in a yet more poetic, Now the same standard which has kept Bozak in the forefront of quality more sensitive, and more sensual loudspeaker manufacturers for more than a quarter century - designing to Dylan all at once. No longer the Boy take full advantage of modern technology without overstepping the bound- Troubadour pranging with con- aries of science - has been incorporated into what we believe are the finest sciousness and causes! Now the man - audio electronics on the market. They are intended to give a lifetime of traveler who sings like one who ex- pleasure.