DOCSLIB.ORG

ST. LUKE's EPISCOPAL CHURCH San Antonio, TX

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ST. LUKE's EPISCOPAL CHURCH San Antonio, TX September 4 Pentecost16 Charles Gounod: Sanctus from St. Cecilia Mass (827) Camille Saint-Saëns:Fantaisie in E flat (RJ) ST. LUKE’S EPISCOPAL CHURCH September 11 Rally Day (9:15 for 10:00) San Antonio, TX Martin Shaw: With a voice of singing (376) William Mathias: Fanfare (DH) September 18 Pentecost 18 MUSIC LIST L.J. White: Prayer of St Richard of Chichester (115) 2016-2017 Roy Douglas: Jubilate (DH) September 18 Choral Evensong (3:30 for 4:30) Christopher Tye: O Holy Spirit, Lord of Grace (806) Responses: Ayleward Psalm 34 (Norris) Canticles: Friedell in F (791) Anthem: Evening Hymn – Henry Balfour Gardiner (154) Voluntary: Te lucis (Tombeau de Titelouze) – Marcel Dupré (RJ) September 25 Pentecost 19 J.S. Bach: Subdue us by thy goodness (846) J.S. Bach: Praeludium in G, S.568 (RJ) The Rev. David G. Read Rector October 2 Pentecost 20 The Rev. John Badders Henry Loosemore: O Lord, increase our faith (784) Associate Rector Donald Verkuilen III: Toccata on “Gather Us In” (DH) October 9 Pentecost 21 Russell Jackson FLCM Anonymous: Rejoice in the Lord alway (785) Organist & Director of Music J.S. Bach: Prelude in C, S.547 (RJ) Dr. David Heller Associate Organist October 16 Pentecost 22 Felix Mendelssohn: Hear my prayer (T) Felix Mendelssohn: Fugue in D minor (DH) October 16 Choral Evensong November 23 – No Rehearsal Ralph Vaughan Williams: Let us now praise famous men (695) Responses: William Smith (812) Psalm 115 (Knight) November 27 Advent Sunday Canticles: Vaughan Williams in C (488) J.S. Bach: Wachet auf, ruft uns die Stimme (Cantata 140) Anthem: O for the wings of a dove (ms) J.S. Bach: C.P. Wachet auf, ruft uns die Stimme (RJ) Felix Mendelssohn: Prelude in D minor (DH) November 27 Advent Lessons and Carols (4:00 for 5:00) October 23 Pledge Sunday J.S. Bach: Wachet auf, ruft uns die Stimme (Cantata 140) Johannes Brahms: How lovely is thy dwelling place (122) Tomas Luis de Victoria: Ave Maria (603) J.S. Bach: Prelude in C minor, S.546 (RJ) Diego de las Muelas: Cum audisset Iohannes (ms) Gerald Near: Christ hath a garden (813) October 30 Pentecost 24 J.S. Bach: Nun komm, der Heiden Heiland, S.661 (DH) Richard Farrant: Lord, for thy tender mercies sake (34) Rebecca Groom te Velde: Ein feste Burg (DH) December 4 Advent 2 November 6 Confirmations Diego de las Muelas: Cum audisset Iohannes (ms) Basil Harwood: O how glorious is the kingdom (538) J.S. Bach: Prelude in E minor, S.533 (RJ) J.S. Bach: Dorian Toccata (RJ) December 11 Advent 3 November 13 Pentecost 26 Tomas Luis de Victoria: Ave Maria (603) Giuseppe Pitoni: Cantate Domino (805) – sung antiphonally J.S. Bach: Fuga sopra Magnificat, S.733 (DH) Louis Vierne: Postlude, Vingt-Quatre Pièces (DH) December 18 Pageant November 13 Requiem for Peace (5:00 for 6:00) Gerald Near: Christ hath a garden (813) Service: Healey Willan J.S. Bach: Toccata in F, S.540 (RJ) Introit: Plainsong (Mass IXX) Gradual: Crux fidelis – King John IV (821) December 24 Christmas Eve Sequence: O Savior of the world – John Goss (268) Antonio Vivaldi: Gloria Offertory: God so loved the world – John Stainer (681) Antonio Vivaldi: Et in terra pax Communion: When I am laid in earth – Henry Purcell (ms) Antonio Vivaldi/Bach: Concerto in A minor (RJ) Recessional: Steal away – Russell Jackson (804) November 20 Christ the King December 25 Christmas Day (RJ) Charles Villiers Stanford: Te Deum in B flat (ms) Offertory Hymn : Unto us a Boy is born (98) J.S. Bach: Prelude in E minor, S.548 (RJ) J.S. Bach: In dulci jubilo December 28 – No Rehearsal February 12 Epiphany 6 Southern Harmony: How firm a foundation (arr. RJ) January 1 Christmas 1 Dietrich Buxtehude: Praeludium in D, BuxWV 139 (DH) Tomas Luis de Victoria: Ave Maria (603) J.S. Bach: In dir ist Freude (RJ) February 19 Epiphany 7 Thomas Attwood: Teach me, O Lord (316) January 8 Epiphany 1 J.S. Bach: Prelude in B minor, S.544 (RJ) F.J. Haydn: Benedictus, Missa Sancti Johannes (798) February 19 – Tentative hold for Organ Dedication Georg Boehm: Prelude & Fugue in C (DH) February 26 Last Sunday of Epiphany January 15 Epiphany 2 Felix Mendelssohn: Verleih’ uns Frieden (825) Edward Bairstow: Let all mortal flesh keep silence (248) Louis Vierne: Kyrie from Messe Solennelle (DH) J.S. Bach: Prelude in G, S.541 (RJ) March 1 Ash Wednesday January 15 Choral Evensong Gregorio Allegri: Miserere mei, Deus Felix Mendelssohn: How lovely are the messengers (57) J.S. Bach: O Mensch, bewein dein Sünde gross (RJ) Responses: Craig Phillips Psalm 114 (Garrett) Canticles: St. Luke’s Service – Craig Phillips (751) March 5 Lent 1 Anthem: There shall a star – Recit, Trio, Chorus (375) Russell Jackson: Steal away (804) Craig Phillips: Fugue on the Carillon d’Alet (DH) Josef Rheinberger: Fughetta in E minor (DH) March 12 Lent 2 January 22 Epiphany 3 Edward Elgar: Ave verum (777) Craig Phillips: The house of faith (729) J.S. Bach: Ich ruf’ zu dir, Herr Jesu Christ (RJ) J.S. Bach: Prelude in A minor (RJ) March 19 Lent 3 January 29 Epiphany 4 Giovanni P. da Palestrina: Sicut cervus Orlando Gibbons: Almighty and everlasting God (266) Nicolas J. Lemmens: Prelude in E flat (DH) J.S. Bach: Sinfonia from Cantate 29 (DH) March 19 Choral Evensong February 5 Epiphany 5 Responses: John Merbecke Psalm 99 (Luther) William Crotch: Lo, star-led chiefs (836) Canticles: C.V. Stanford in C (563) J.S. Bach: Fugue in A minor, S.543 (RJ) Anthem: Save us, O Lord – Edward C. Bairstow Herbert Howells: Rhapsody No. 1 (DH) March 26 Lent 4 April 23 Easter 2 Stephen Caracciolo: Jesus, I adore thee John Rutter: All things bright and beautiful (460) J.S. Bach: Erbarme dich, mein Gott (RJ) Lynwood Farnam: Toccata on O Filii et Filiae (DH) April 30 Easter 3 March 26 Choral Evensong William Walton: Jubilate Deo Repeat of Lent 3 at St. Francis’ Episcopal, Victoria J.S. Bach: Fugue in G minor, S.542 (RJ) April 2 Lent 5 May 7 Easter 4 C.V. Stanford: Justorum animae (Three Motets) Leonard Bernstein: Adonai roi (Psalm 23) J.S. Bach: Fantasy in G minor, S.542 (DH) Dom Paul Benoit: Prelude & Fugue on Victimae Paschali (DH) April 9 Palm Sunday May 14 Easter 5 Tomas Luis de Victoria: Jesu dulcis memoria (822), and Olivier Messiaen: O sacrum convivium Tomas Luis de Victoria: Hosanna Filio David (ms) J.S. Bach: Dorian Fugue (RJ) Jehan Alain: Litanies (Trois Pièces – RJ) May 21 Easter 6 April 13 Maundy Thursday John Rutter: For the beauty of the earth (525) Kevin Salfen: Is not this the feast? (Foot washing) Alexandre Guilmant: March on a Theme of Handel (DH) Maurice Duruflé: Tantum ergo sacramentum (Offertory) May 21 Choral Evensong April 14 Good Friday Charles Gounod: O salutaris hostia (795) Psalm 22 (Wesley) Responses: Russell Jackson (803) Psalm 106 (Stanford) Canticles: Stanford in B flat (741) April 15 Holy Saturday Gerald Finzi: God is gone up Edward C. Bairstow: Sing ye to the Lord (838) Louis Vierne: Clair de Lune, Op. 53 (DH) J.S. Bach: Toccata and Fugue in D minor (DH) May 28 Sunday after Ascension April 16 Easter Day Gerald Finzi: God is gone up C.H.H. Parry: I was glad when they said unto me Olivier Messiaen: Transport de joie (RJ) Bach/Liszt: Ich hatte viel bekümmernis (RJ) June 4 Pentecost William Henry Smith: Ride the Chariot April 19 – No Rehearsal Bach/Reger: Brandenburg Concerto No. 4 (RJ & DH) Carry List RSCM Prayer Orchesteral Mass: Haydn, Mozart, Schubert…in Spring Requiem in November Bless, O Lord, us thy servants Handel’s Messiah Who minister in thy temple. Bach: Magnificat (and Vivaldi Gloria) Grant that what we sing with our lips Allegri: Miserere mei We may believe in our hearts; Britten: Missa Brevis And what we believe in our hearts Britten: Rejoice in the Lamb We may shew forth in our lives. Gorecki: Totus tuus Through Jesus Christ, our Lord. Amen. Hadley: My beloved spake Hampton: True Light Hogan: My soul’s been anchored in the Lord Pick-Up Choir continues through Fourth of July weekend Howells: Here is the little door Langlais: Masses – Simplicitate, Salve Regina, Solennelle Leaders sing remainder of July Lauridsen: O magnum mysterium/O nata lux Leighton: Let all the world Soloists sing in August Mathias: Let the people praise thee, O God Mawby: Ave verum corpus Pick-Up Choir resumes August 27 McFerrin: Twenty-third Psalm Parry: Crossing the bar First rehearsal is September 6, 2017 Parsons: Ave Maria Part: The Beatitudes Poulenc: O magnum mysterium/Hodie Christus – Four Motets Radcliffe: Responses Russell Jackson, Organist & Director of Music Fredrik Sixten: Mary’s Lullaby David Heller, Associate Organist Stainer: I saw the Lord Stainer: The Crucifixion (Good Friday) Tallis: Verily, verily I say unto thee Tavener: Hymn to the Mother of God Wood: Hail, gladdening light Wood: O Lord, that seest .
Load more

Recommended publications
  • A Eric an Choral Review
    A ERIC AN CHORAL REVIEW JOURNAL OF THE AMERICAN CHORAL FOUNDATION, INC. VOLUME XIX • NUMBER 3 • JULY, 1977 AMERICAN CHORAL REVIEW ALFRED MANN, Editar ALFREDA HAYS, Assistant Editor Associate Editors EDWARD TATNALL CANBY ANDREW C. MINOR RICHARD JACKSON MARTIN PICKER JACK RAMEY The AMERICAN CHORAL REVIEW is published quarterly as the official journal of the Association of Choral Conductors sponsored by The American Choral Foundation, Inc. The FOlmdation also publishes a supplementary Research Memorandum Series and maintains a reference library of current publications of choral works. Membership in the Association of Choral Conductors is available for an annual contribution of $20.00 and includes subscriptions to the AMERICAN CHORAL REVIEW and the Research Memorandum Series and use of the Foundation's Advisory Services Division and reference library. All contributions are tax deductible. Back issues of the AMERICAN CHORAL REVIEW are available to members at $2.25; back issues of the Research Memorandum Series at $1.50. Bulk prices will be quoted on request. THE AMERICAN CHORAL FOUNDATION, INC. SHELDON SOFFER, Administrative Director 130 West 56th Street New York, New York 10019 Editorial Address 215 Kent Place Boulevard Summit, New Jersey 07901 Material submitted for publication should be sent in duplicate to the editorial address. All typescripts should be double-spaced and have ample margins. Footnotes should be placed at the bottom of the pages to which they refer. Music examples should preferably appear on separate sheets. Copyright 1977 by THE AMERICAN CHORAL FOUNDATION, INC. Indexed in MUSIC INDEX and MUSIC ARTICLE GUIDE Second-class Postage Paid- New York, New York AMERICAN CHORAL REVIEW July, 1977 CONTENTS The Madrigals of Thomas Morley A Survey Daniel R Salotti 3 Notes on Renaissance Performance Practice Joel Kramme 7 Choral Performances New York Donal Henahan 13 Allen Hughes 13 Peter G.
    [Show full text]
  • LCOM182 Lent & Eastertide
    LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas
    [Show full text]
  • SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com SirArthurSullivan ArthurLawrence,BenjaminWilliamFindon,WilfredBendall \ SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences. From the Portrait Pruntfd w 1888 hv Sir John Millais. !\i;tn;;;i*(.vnce$. i-\ !i. W. i ind- i a. 1 V/:!f ;d B'-:.!.i;:. SIR ARTHUR SULLIVAN : Life-Story, Letters, and Reminiscences. By Arthur Lawrence. With Critique by B. W. Findon, and Bibliography by Wilfrid Bendall. London James Bowden 10 Henrietta Street, Covent Garden, W.C. 1899 /^HARVARD^ UNIVERSITY LIBRARY NOV 5 1956 PREFACE It is of importance to Sir Arthur Sullivan and myself that I should explain how this book came to be written. Averse as Sir Arthur is to the " interview " in journalism, I could not resist the temptation to ask him to let me do something of the sort when I first had the pleasure of meeting ^ him — not in regard to journalistic matters — some years ago. That permission was most genially , granted, and the little chat which I had with J him then, in regard to the opera which he was writing, appeared in The World. Subsequent conversations which I was privileged to have with Sir Arthur, and the fact that there was nothing procurable in book form concerning our greatest and most popular composer — save an interesting little monograph which formed part of a small volume published some years ago on English viii PREFACE Musicians by Mr.
    [Show full text]
  • The Crucifixion: Stainer's Invention of the Anglican Passion
    The Crucifixion: Stainer’s Invention of the Anglican Passion and Its Subsequent Influence on Descendent Works by Maunder, Somervell, Wood, and Thiman Matthew Hoch Abstract The Anglican Passion is a largely forgotten genre that flourished in the late nineteenth and early twentieth centuries. Modeled distinctly after the Lutheran Passion— particularly in its use of congregational hymns that punctuate and comment upon the drama—Anglican Passions also owe much to the rise of hymnody and small parish music-making in England during the latter part of the nineteenth century. John Stainer’s The Crucifixion (1887) is a quintessential example of the genre and the Anglican Passion that is most often performed and recorded. This article traces the origins of the genre and explores lesser-known early twentieth-century Anglican Passions that are direct descendants of Stainer’s work. Four works in particular will be reviewed within this historical context: John Henry Maunder’s Olivet to Calvary (1904), Arthur Somervell’s The Passion of Christ (1914), Charles Wood’s The Passion of Our Lord according to St Mark (1920), and Eric Thiman’s The Last Supper (1930). Examining these works in a sequential order reveals a distinct evolution and decline of the genre over the course of these decades, with Wood’s masterpiece standing as the towering achievement of the Anglican Passion genre in the immediate aftermath of World War I. The article concludes with a call for reappraisal of these underperformed works and their potential use in modern liturgical worship. A Brief History of the Passion Genre from the sung in plainchant, and this practice continued Medieval Era to the Eighteenth Century through the late medieval and early Renaissance eras.
    [Show full text]
  • The Hymns Album, Vol. 2 Y Abide with Me (Eventide) William Henry Monk [3.46] U O Perfect Love Joseph Barnaby (1838-1896) [2.12] I the Lord Is My Shepherd Will Todd (B
    The Hymns Album, Vol. 2 y Abide with Me (Eventide) William Henry Monk [3.46] u O Perfect Love Joseph Barnaby (1838-1896) [2.12] i The Lord is my Shepherd Will Todd (b. 1970) [3.47] 1 Thy Hand, O God, has Guided (Thornbury) Basil Harwood (1859-1949), arr. Darius Battiwalla [2.24] o When I Survey the Wondrous cross (Rockingham) Edward Miller (1731-1807) [3.11] 2 All Things Bright and Beautiful William Henry Monk (1823-1889) [2.27] p Alleluya, Sing to Jesus (Hyfrydol) Richard Huw Pritchard (1811-1887) [3.47] 3 Guide Me, O Thou Great Jehovah (Cwm Rhondda) John Hughes (1873-1932) [2.32] a Come ye Thankful People, George Elvey (1816-1893) [2.49] 4 How Firm a Foundation, Samuel Jarvis (d.1785) [1.53] Come (St George’s Windsor) O Saints of the Lord (Montgomery) s I am the Bread of Life Suzanne Toolan (b. 1927), arr. Pulkingham [3.20] 5 Praise my Soul the King of Heaven (Lauda Anima) John Goss (1800-1880), arr. Battiwalla [2.24] d O Praise ye the Lord (Laudate Dominum) Hubert Parry (1848-1918) [2.12] 6 Amazing Grace (New Britain) Traditional, arr. Richard Wilberforce (b. 1984) [3.28] f All Creatures of our God Traditional, arr. Battiwalla [2.48] 7 Be Still, For the Presence of the Lord David Evans (b. 1957), arr. Simon Mold [2.31] and King (Lasst uns erfreuen) 8 Father We Love You Donna Adkins (b. 1940) [2.18] Total timings: [66.52] 9 Make me a Channel of your Peace Sebastian Temple (b.
    [Show full text]
  • The Parish of All Saints • Ashmont Liturgical Music
    The Parish of All Saints • Ashmont Liturgical Music October 6 The Twentieth Sunday after Pentecost Late Pentecost through Christmas 2013 Communion Service in A minor – Harold Darke The Rev’d Michael J. Godderz, Rector Psalm 37:3-10 Anglican Chant: Joseph Barnby Andrew P. Sheranian, Organist and Master of Choristers Ave verum corpus – Richard Dering Organ Christian Haigh, Organ Scholar Prière à Notre Dame (Suite Gothique) – Léon Boëllmann Michael Raleigh, Archibald T. Davison Fellow Toccata in B minor – Eugène Gigout October 13 The Twenty-First Sunday after Pentecost September 15 The Seventeenth Sunday after Pentecost Missa Brevis – Andrea Gabrieli Communion Service in B minor – T. Tertius Noble Psalm 113 Anglican Chant: Thomas Walmisley Psalm 51:1-11 Anglican Chant: Samuel Wesley North Port – Sacred Harp Ave verum corpus – Edward Elgar Organ Organ Prelude in C major BWV 545 – Johann Sebastian Bach Toccata in D minor – Johann Sebastian Bach Fugue in C major BWV 545 – Johann Sebastian Bach Fugue in D minor ‘Dorian’ – Johann Sebastian Bach October 20 The Twenty-Second Sunday after Pentecost September 22 The Eighteenth Sunday after Pentecost Communion Service in B-flat and F major – Charles V. Stanford Communion Service in F – William H. Harris Psalm 121 Anglican Chant: Henry Walford Davies Psalm 138 Anglican Chant: Samuel Sebastian Wesley I will lift up mine eyes – Leo Sowerby Listen, sweet dove – Grayston Ives Organ Organ Prelude in G minor – Johannes Brahms Adagio (Sonata I) – Felix Mendelssohn-Bartholdy Fugue in G minor – Johannes Brahms Allegro assai vivace (Sonata I) – Felix Mendelssohn-Bartholdy October 27 The Twenty-Third Sunday after Pentecost September 29 The Feast of St.
    [Show full text]
  • A Comparison of Origins and Influences in the Music of Vaughn Williams and Britten Through Analysis of Their Festival Te Deums
    A Comparison of Origins and Influences in the Music of Vaughn Williams and Britten through Analysis of Their Festival Te Deums Item Type text; Electronic Dissertation Authors Jensen, Joni Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 21:33:53 Link to Item http://hdl.handle.net/10150/193556 A COMPARISON OF ORIGINS AND INFLUENCES IN THE MUSIC OF VAUGHAN WILLIAMS AND BRITTEN THROUGH ANALYSIS OF THEIR FESTIVAL TE DEUMS by Joni Lynn Jensen Copyright © Joni Lynn Jensen 2005 A Document Submitted to the Faculty of the SCHOOL OF MUSIC AND DANCE In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS WITH A MAJOR IN MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 5 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Joni Lynn Jensen entitled A Comparison of Origins and Influences in the Music of Vaughan Williams and Britten through Analysis of Their Festival Te Deums and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts _______________________________________________________________________ Date: July 29, 2005 Bruce Chamberlain _______________________________________________________________________ Date: July 29, 2005 Elizabeth Schauer _______________________________________________________________________ Date: July 29, 2005 Josef Knott Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College.
    [Show full text]
  • John Stainer Michael Tippett Lennox Berkeley George Dyson
    Hampstead Chamber Choir Musical Director Dominic Brennan The Sun, 1909 by Edvard Munch John Stainer Like as a ship I saw the Lord Michael Tippett Five Negro spirituals Lennox Berkeley Four poems of St Teresa of Avila George Dyson Hierusalem Maud Millar – soprano Celia Walser – alto Hampstead Sinfonietta Rosslyn Hill Chapel Saturday 21 March 2015 Programme John Stainer (1840–1901) Like as a ship I saw the Lord Soprano: Maud Millar – Alto: Celia Walser Tenor: Nick Walser – Bass: Tim Shelton Michael Tippett (1905–1998) Five Negro spirituals 1. Steal away 2. Nobody knows 3. Go down, Moses 4. By and by 5. Deep river Soprano: Maud Millar – Alto: Celia Walser Tenor: Nick Walser – Bass: Ben Posen, Richard Harris INTERVAL Lennox Berkeley (1903–1989) Four poems of St Teresa of Avila 1. If, Lord, Thy love for me is strong 2. Shepherd, shepherd, hark that calling! 3. Let mine eyes see Thee, sweet Jesus of Nazareth 4. Today a shepherd and our kin Alto: Celia Walser George Dyson (1883–1964) Hierusalem Soprano: Maud Millar Stainer: Like as a ship / I saw the Lord We start the evening with John Stainer’s little-known and unpublished madrigal Like as a ship, written in 1867 for the Bristol Madrigal Society prize and edited recently by noted Stainer authority Jeremy Dibble. Based on Edmund Spenser’s Amoretti: Sonnet xxxiv, the text compares the loss of a lover to a ship lost at sea in a storm. Stainer uses the vast expanse of eight voice parts and harmonic devices to bring the text to life.
    [Show full text]
  • Sir John Goss. 1800-1880 (Concluded) Author(S): F
    Sir John Goss. 1800-1880 (Concluded) Author(s): F. G. E. Source: The Musical Times and Singing Class Circular, Vol. 42, No. 700 (Jun. 1, 1901), pp. 375-383 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/3368650 Accessed: 05-11-2015 01:21 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times and Singing Class Circular. http://www.jstor.org This content downloaded from 137.189.170.231 on Thu, 05 Nov 2015 01:21:39 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES. JUNEI, I90I. 375 deprecatoryabout this accomplishmentof hers, SIR JOHN GOSS. in which,however, she acquittedherself charm- I800-I880. ingly. Her favouritemusicianwas Mendelssohn, who had greatly pleased her in early days as a (Concludedfrom page 23 I .) man. She would have nothing to say, until BEFOREresuming this biographicalsketch, a quite late in life7to Wagner or Brahms, and slight error in its Erst instalment (p. 225), once dismissed them all in one of her abrupt kindly pointed out by Mr.
    [Show full text]
  • The Parish of All Saints • Ashmont Liturgical Music
    The Parish of All Saints • Ashmont Liturgical Music February 5 The Fifth Sunday after the Epiphany Epiphanytide 2017 Missa brevis – Philip Radcliffe The Rev’d Michael J. Godderz, Rector Psalm 27:1-7 Anglican Chant: John Goss Andrew P. Sheranian, Organist and Master of Choristers Pater noster – Charles Villiers Stanford Organ Michael Raleigh, Archibald T. Davison Fellow Intermezzo (Sonata VIII) – Josef Gabriel Rheinberger Tempo moderato (Sonata IV) – Josef Gabriel Rheinberger January 6 The Epiphany of Our Lord Jesus Christ Missa ad Præsepe – George Malcolm February 5 The Feast of the Presentation – Candlemas Evensong Psalm 72:1-2, 10-17 Anglican Chant: Herbert Howells With the Choir of All Saints’, Worcester There shall a star appear – Felix Mendelssohn-Bartholdy Preces and Responses – Bernard Rose Organ Psalm 84 Anglican Chant: C. Hubert H. Parry Wie schön leuchtet der Morgenstern – Dietrich Buxtehude I: Allegro (Symphony II) – Louis Vierne Evening Service for Gloucester Cathedral – Herbert Howells Behold, O God our defender – Herbert Howells Organ January 8 The Feast of the Baptism of Christ Pièce d’Orgue – Johann Sebastian Bach Messe ‘Cum jubilo’ – Maurice Duruflé Sinfonia (from Cantata No. 29) – Johann Sebastian Bach Psalm 89:20-29 Anglican Chant: Samuel Sebastian Wesley Sicut cervus – Giovanni Pierluigi da Palestrina February 12 The Sixth Sunday after the Epiphany Organ Mass of the Quiet Hour – George Oldroyd Prélude sur l’Introit d’Épiphanie – Maurice Duruflé Méditation – Maurice Duruflé Psalm 119:9-16 Anglican Chant: C.H. Lloyd O
    [Show full text]
  • Cataloging Service Bulletin 117, Fall 2007
    ISSN 0160-8029 • Number 117, Fall 2007 • Editor: Robert M. Hiatt DESCRIPTIVE CATALOGING Library of Congress Rule Interpretations 3 SUBJECT CATALOGING Subdivision Simplification Process 61 Changed or Cancelled Free-Floating Subdivisions 62 Subject Headings of Current Interest 62 Revised LC Subject Headings 63 MARC MARC Code List for Languages 68 Editorial postal address: Cataloging Policy and Support Office, Library Services Library of Congress, Washington, D.C. 20540-4305 Editorial electronic mail address: [email protected] Editorial fax number: (202) 707-6629 Subscription address: Customer Support Team, Cataloging Distribution Service Library of Congress, Washington, D.C. 20541-4912 Subscription electronic mail address: [email protected] Library of Congress Control Number: 78-51400 ISSN 0160-8029 Key title: Cataloging service bulletin Copyright ©2007 the Library of Congress, except within the U.S.A. THIS PAGE INTENTIONALLY LEFT BLANK 2 Cataloging Service Bulletin, No. 116 (Summer 2007) DESCRIPTIVE CATALOGING LIBRARY OF CONGRESS RULE INTERPRETATIONS (LCRI) Cumulative index of LCRI to the Anglo-American Cataloguing Rules, second edition, 2002 revision, that have appeared in issues of Cataloging Service Bulletin. Any LCRI previously published but not listed below is no longer applicable and has been cancelled. Lines in the margins of revised interpretations indicate where changes have been made. Rule Number Page 1.0 113 16 1.0A3 105 14 1.0C 112 16 1.0E 117 16 1.0G 111 16 1.1B1 100 17 1.1C 94 11 1.1D2 84 11 1.1E 44 10 1.1E5 98 17 1.1F1 13 4 1.1F4 14 6 1.1F6 44 11 1.1F7 44 11 1.1F11 84 11 1.1F15 17 6 1.1G1 48 10 1.1G2 97 13 1.1G3 44 11 1.2B4 102 17 1.2B5 84 11 1.2C4 84 11 1.2C5 84 11 1.2E3 84 12 1.4A2 67 14 1.4C7 15 3 1.4D1 44 12 1.4D2 84 12 1.4D3 89 10 1.4D4 100 18 1.4D5 97 17 1.4D6 66 11 1.4E 12 11 1.4E1 11 9 1.4F1 102 17 1.4F2 92 10 1.4F5 112 46 Cataloging Service Bulletin, no.
    [Show full text]
  • Choir Anthem Schedule
    Cathedral Choir Schedule Fall 2019 -- Summer 2020 (Track 1, ST) - Year C to Year A (Track 2, GT) Date Event Time Music Notes September Sunday 1 Proper 17 Ps 81:1, 10-16 (Anglican – John Stainer) Offertory Sing We Merrily (Sydney Campbell) Communion Lord For Thy Tender Mercy’s Sake (Richard Farrant) Sunday 8 Proper 18 10 AM call Ps 139:1-5, 12-17 (Anglican – Ralph Vaughan Williams) Sylvia gone Choristers Offertory Let My Heart and Soul Praise the Lord (G.F. Handel) Communion Pilgrims’ Hymn (Stephen Paulus) Sunday 15 Proper 19 10 AM call Ps 14 (Anglican – Henry Smart) Sylvia gone Offertory See What Love (Felix Mendelssohn) NEW Sunday 22 Proper 20 10 AM call Ps 79:1-9 (Anglican – T. Tertius Noble) set Anthem Be Thou My Vision (Bob Chilcott) NEW Communion Lift Thine Eyes (Felix Mendelssohn) SSA Sunday 29 Proper 21 10 AM call Ps 91:1-6, 14-16 (Anglican – Kellow John Pye) set Anthem Poor Man Lazrus (Jester Hairston) Scholars Communion Grant, We Beseech Thee (Francis W. Snow) October Sunday 6 Proper 22 10 AM call Ps 137 (Anglican – George Mursell Garrett) Anthem Behold, The Tabernacle Of God (William Harris) Sunday 13 Proper 23 10 AM call Ps 66:1-11 (Anglican – William Russell) expand from 1-8 Offertory Jubilate Deo (Benjamin Britten) in Anthems 4, pg 140 Sunday 20 Proper 24 10 AM call Ps 119:97-104 (Anglican – William Crotch) Steve gone Anthem I Lift Up My Eyes To The Hills (Maggie Burk) Zachary directs Sunday 27 Proper 25 10 AM call Ps 65 (Anglican – Edward John Hopkins) use 9-14 only Offertory Fight the Good Fight (John Gardner) Communion
    [Show full text]