Common Metadata Content Ratings Showing Changes from 1.1

Total Page:16

File Type:pdf, Size:1020Kb

Common Metadata Content Ratings Showing Changes from 1.1 Ref: TR-META-CR Common Metadata Version: v1.1a Content Ratings Date: Feb. 6, 2013 Common Metadata Content Ratings Showing changes from 1.1 Motion Picture Laboratories, Inc. i Ref: TR-META-CR Common Metadata Version: v1.1a Content Ratings Date: Feb. 6, 2013 CONTENTS 1 Introduction .............................................................................................................. 1 1.1 References ....................................................................................................... 1 1.2 Versioning ......................................................................................................... 1 2 Content Rating Encoding ......................................................................................... 2 NOTE: No effort is being made by the Motion Picture Laboratories to in any way obligate any market participant to adhere to Common Metadata. Whether to adopt the Common Metadata in whole or in part is left entirely to the individual discretion of individual market participants, using their own independent business judgment. Moreover, Motion Picture Laboratories disclaims any warranty or representation as to the suitability of the Common Metadata for any purpose, and any liability for any damages or other harm you may incur as a result of subscribing to this Common Metadata. Motion Picture Laboratories, Inc. ii Ref: TR-META-CR Common Metadata Version: v1.1a Content Ratings Date: Feb. 6, 2013 REVISION HISTORY Version Date Description 1.0 December 14, 2102 Original publication of ratings as a separate document. This document is based on Common Metadata version 1.2e and corresponds with Common Metadata 1.2f. 1.1 December 17, 2012 Changed “E” for exempt ratings to “EXEMPT”. Added ‘EXEMPT” to NZ and AU ratings. 1.1a February 6, 2013 Additional “EXEMPT” corrections Motion Picture Laboratories, Inc. iii Ref: TR-META-CR Common Metadata Version: v1.1a Content Ratings Date: Feb. 6, 2013 1 INTRODUCTION This document contains enumeration values and usage constraints for the inclusion of Content Ratings in metadata. This document contains information useful when used in conjunction with MovieLabs Common Metadata (TR-META-CM) and derived specifications such as DEG/EMA Metadata and UltraViolet Content Metadata. 1.1 References [CM] TR-META-CM, Common Metadata, www.movielabs.com/md/md. CEA766] ANSI/CEA-766-C, U.S. and Canadian Rating Region Tables (RRT) and Content Advisory Descriptors for Transport of Content Advisory Information Using ATSC Program and System Information Protocol (PSIP). April 2008. References to specific ratings systems and bodies are found in the text. 1.2 Versioning This document will be versioned when updated. It is recommended that the latest version be used. However, specifications may reference a specific version if necessary. Motion Picture Laboratories, Inc. 1 Ref: TR-META-CR Common Metadata Version: v1.1a Content Ratings Date: Feb. 6, 2013 2 CONTENT RATING ENCODING Region Type System Ratings Reason Reference Argentina Film INCAA ATP A www.incaa.gov.ar 13 16 18 X S Australia TV ACMA P A www.acma.gov.au C V G L PG S M H MA15+ D AV15+ N EXEMPT SN M W B Australia Film NCS E National Classification Scheme, G Classification Review Board G8+ www.classification.gov.au PG M MA15+ R18+ X18+ EXEMPT Austria Film BMUKK Altersstufen www.bmukk.gv.at 6 10 12 14 16 EEXEMPT Belgium Film CICF/IvF KT www.terramedia.co.uk/law/film_cla KNT ssification_schemes.htm DVD E EXEMPT Brazil Film & DJCTQ ER A www.mj.gov.br TV L L 10 S 12 V 14 N 16 D 18 EEXEMPT Motion Picture Laboratories, Inc. 2 Ref: TR-META-CR Common Metadata Version: v1.1a Content Ratings Date: Feb. 6, 2013 Region Type System Ratings Reason Reference Bulgaria Film NFRC A Children, National Film Rating B educational Committee C www.absoluteastronomy.com/topics/Motion D A _picture_rating_system X EEXEMPT Canada Film/ CVHRS G http://www.mpa- canada.org/?q=content/home- Home PG entertainment-classification 14A 18A R EEXEMPT Canada TV CBSC C www.cbsc.ca C8 G PG 14+ 18+ EEXEMPT Canada Film BCFCO G British Columbia Film British PG Classification Office Columbia 14A www.bcfilmclass.com/ Saskatchewan 18A Yukon R A Canada Film Alberta G Alberta Film Ratings Alberta PG www.albertafilmratings.ca/ Northwest 14A Territories 18A Nunavut R A Canada Film MFCB G Manitoba Film Classification Board Manitoba PG www.gov.mb.ca/chc/mfcb/ 14A 18A R Canada Film OFRB G Ontario Film Review Board Ontario PG www.ofrb.gov.on.ca/english/default 14A .htm 18A R Canada Film Quebec G Regie du cinema du Quebec Quebec 13+ www.rcq.qc.ca/mult/home.asp?lng 16 + =en 18 + Motion Picture Laboratories, Inc. 3 Ref: TR-META-CR Common Metadata Version: v1.1a Content Ratings Date: Feb. 6, 2013 Region Type System Ratings Reason Reference Canada Film Maritime G Maritime Film Classification Board Nova Scotia PG www.gov.ns.ca/lwd/agd/film/rating New 14 guidelines.asp Brunswick 14A Prince Edward 18 Island 18A R A E EXEMPT NA XXX Canada Game ESRB C Entertainment Software E Ratings Board E10 M www.esrb.org A T RP Chile TV ANATEL I www.anatel.cl 17 I12 F R A Chile Film CCC TE Council of Cinematographic 14 Classification 18 S www.filmnacional.cl 18S S 18V V Colombia Film MoC T www.mincultura.gov.co 7 12 16 18 X P Banned EEXEMPT Czech Republic Film Film U 12 15 18 Denmark TV TV Green Yellow Red Motion Picture Laboratories, Inc. 4 Ref: TR-META-CR Common Metadata Version: v1.1a Content Ratings Date: Feb. 6, 2013 Region Type System Ratings Reason Reference Denmark Film MCCYP A Medieradet 7 www.medieraadet.dk/html/gb/class 11 ification_gb.htm 15 Egypt Film Film G A EEXEMPT Estonia Film Film Pere L MS-6 MS12 K12 K14 K16 K6 European Union Games PEGI 3 www.pegi.info/en/index/id/33/ 7 12 16 18 FinlanSd Film FBFC K3 Finnish Board of Film K7 Classification K11 www.vet.fi K13 K15 K18 KE Finland VET 3 www.vet.fi 7 11 15 18 Finland PEGI 3+ www.vet.fi 7+ 11+ 15+ 18+ France TV CSA 10 www.csa.fr 12 16 18 France Film MoC U Ministry of Culture 10 www.culture.gouv.fr 12 16 P 18 V Motion Picture Laboratories, Inc. 5 Ref: TR-META-CR Common Metadata Version: v1.1a Content Ratings Date: Feb. 6, 2013 Region Type System Ratings Reason Reference Germany Film FSK FSK 0 www.spio.de FSK 6 FSK 12 FSK 16 FSK 18 Keine Jugendfreigab e SPIO/JK Germany Games USK ALL AGES www.usk.de 6+ 12+ 16+ 18+ Greece Film Flim K K13 V K17 D EEXEMPT P Hong Kong Film TELA I PG Television and Entertainment IIA Licensing Authority IIB www.tela.gov.hk III Hungary Film Film KN National Film Office 12 www.nemzetifilmiroda.hu/start_en. 16 html 18 Iceland Film Smais L www.smais.is/template25024.asp? 7 PageID=4636 12 14 16 18 India Film CBFC U www.cbfcindia.tn.nic.in U/A A S Indonesia Film LSF SU Lembaga Sensor Film A www.lsf.go.id BO R D Ireland TV RTE GA www.rte.ie CH YA PS MA Motion Picture Laboratories, Inc. 6 Ref: TR-META-CR Common Metadata Version: v1.1a Content Ratings Date: Feb. 6, 2013 Region Type System Ratings Reason Reference Ireland Film/Th IFCOF G www.ifco.ie . Note this system is eatrical PG IFCOF, “F” for film to differentiate 12A from the DVD/Video ratings. 15A V 16 S 18 A EXEMPT Ireland DVD IFCO G www.Ifco.ie. Note 12RA is no PG longer in use, but may exist in 12 older titles. 12RA 15 18 EXEMPT Israel Film Film 16 18 PG X Italy Film Film T Commissione di Revisione VM14 Cinematografica VM18 X Italy TV TV Green Yellow Red Red+VM14 Japan Film EIRIN G www.eirin.jp PG-12 R-15 R-18 Japan Games CERO A www.cero.gr.jp B C D Z Latvia Film NFC V www.nfc.lv VP-10 VP-12 N-12 N-14 N-16 N-18 Malaysia Film & Film U Film Censorship Board TV PG-13 18SG 18SX 18PA 18PL Motion Picture Laboratories, Inc. 7 Ref: TR-META-CR Common Metadata Version: v1.1a Content Ratings Date: Feb. 6, 2013 Region Type System Ratings Reason Reference Maldives Film & NBC G www.nbc.gov.mv TV PG 12+ 15+ 18+ 18+R PU Malta Film KRS U Board of Film & Stage PG Classification 12 www.doi.gov.mt/EN/bodies/boards/ 14 film.asp 16 18 Mexico Film & RTC AA www.rtc.gob.mx TV A B B-15 C D Netherlands Film & Kijwijzer AL Vi www.kijkwijzer.nl TV 6 S 9 S 12 D 16 D L New Zealand Film & OFLC G Office of Film & Literature TV PG Classification M Māori: Te Tari Whakaropu Tukuata R13 ,www.censorship.govt.nz R15 R16 R18 RP13 RP16 R EXEMPT Nigeria Film NFVCB G www.nfvcb.gov.ng PG 12 12A 15 18 RE Norway Film Medietilsynet A film.medietilsynet.no/Film/Om_alde 7 rsgrenser 11 15 18 Motion Picture Laboratories, Inc. 8 Ref: TR-META-CR Common Metadata Version: v1.1a Content Ratings Date: Feb. 6, 2013 Region Type System Ratings Reason Reference Peru TV & Film PT Film PG 14 18 Philippines TV MTRCB General http://www.op.gov.ph/ Patronage Parental Guidance Philippines Film MTRCB G(P) http://www.op.gov.ph/ PG-13 R R-13 R-18 X Poland Film KRRiT BO http://www.krrit.gov.pl/bip/ TV GreenCircle YellowTriangle National Council of Radio 6 Broadcasting and Television 7 8 9 10 12 15 18 RedCircle 21 Portugal Film CCE 4 Comissão de Classificação de 6 Espectáculos of the Ministry of 12 Culture. 16 www.cce.org.pt/ 18 P P1 Q P2 Romania Film CNA AG National Audiovisual Council of AP12 Romania N15 www.cna.ro IM18 IM18XXX IC Korea, Republic Film KMRB All Korea Media Rating Board of 12+ www.kmrb.or.kr/ 15+ 18+ Limited Serbia TV RBA 12 Serbian Republic Broadcasting 14 Agency 16 www.rra.org.yu 18 Motion Picture Laboratories, Inc.
Recommended publications
  • TS 102 592 V1.1.1 (2007-10) Technical Specification
    ETSI TS 102 592 V1.1.1 (2007-10) Technical Specification Digital Video Broadcasting (DVB); IPDC over DVB-H: Electronic Service Guide (ESG) Implementation Guidelines European Broadcasting Union Union Européenne de Radio-Télévision EBU·UER 2 ETSI TS 102 592 V1.1.1 (2007-10) Reference DTS/JTC-DVB-211 Keywords broadcast, DVB ETSI 650 Route des Lucioles F-06921 Sophia Antipolis Cedex - FRANCE Tel.: +33 4 92 94 42 00 Fax: +33 4 93 65 47 16 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Important notice Individual copies of the present document can be downloaded from: http://www.etsi.org The present document may be made available in more than one electronic version or in print. In any case of existing or perceived difference in contents between such versions, the reference version is the Portable Document Format (PDF). In case of dispute, the reference shall be the printing on ETSI printers of the PDF version kept on a specific network drive within ETSI Secretariat. Users of the present document should be aware that the document may be subject to revision or change of status. Information on the current status of this and other ETSI documents is available at http://portal.etsi.org/tb/status/status.asp If you find errors in the present document, please send your comment to one of the following services: http://portal.etsi.org/chaircor/ETSI_support.asp Copyright Notification No part may be reproduced except as authorized by written permission.
    [Show full text]
  • Entertainment Software Rating Board - Wikipedia, the Free Encyclopedia Visited on 10/04/2016 Not Logged in Talk Contributions Create Account Log In
    Entertainment Software Rating Board - Wikipedia, the free encyclopedia Visited on 10/04/2016 Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Entertainment Software Rating Board From Wikipedia, the free encyclopedia Main page Contents "ESRB" redirects here. For the European financial agency, see European Systemic Risk Featured content Board. Current events "Mature content" redirects here. For other uses, see Pornography. Random article The Entertainment Software Rating Board Donate to Wikipedia Entertainment Software Rating Wikipedia store (ESRB) is a self-regulatory organization that Board assigns age and content ratings, enforces Interaction industry-adopted advertising guidelines, and Help About Wikipedia ensures responsible online privacy principles for Community portal computer and video games in the United States, Recent changes nearly all of Canada, and Mexico. The ESRB was Contact page established in 1994 by the Entertainment Software 2006 – present logo Tools Association (formerly the Interactive Digital What links here Software Association), in response to criticism of Type Non-profit, self-regulatory Related changes violent content found in video games such as Industry Organization and rating system Upload file Night Trap, Mortal Kombat, and other controversial Predecessor 3DO Rating System Special pages Recreational Software Advisory video games with excessively violent or sexual Permanent link Council content. Videogame Rating Council Page information September 16, 1994; 22 years Wikidata
    [Show full text]
  • Genel İzleyici Kitlesi Turkey 18+ (English: General Audience) 7A 13A 15A
    Motion picture content rating system A motion picture content rating system is an organization designated to classify films based on their suitability for audiences due to their treatment of issues such as sex, violence, or substance abuse; their use of profanity; or other matters typically deemed unsuitable for children or adolescents. Most countries have some form of rating system that issues determinations variously known as certifications, classifications, certificates, or ratings. Age recommendations, of either an advisory or restrictive capacity, are often applied in lieu of censorship; in some jurisdictions movie theaters may have a legal obligation to enforce restrictive ratings. In countries such as Australia and Singapore, an official government body decides on ratings; in other countries such as the United States, it is done by industry committees with little if any official government status. In most countries, however, films that are considered morally offensive have been censored, restricted, or banned. Even if the film rating system has no legal consequences, and a film has not explicitly been restricted or banned, there are usually laws forbidding certain films, or forbidding minors to view them. The influence of specific factors in deciding a rating varies from country to country. In countries such as the United States, films with strong sexual content tend to be restricted to older viewers, though those same films are very often considered suitable for all ages in countries such as France and Germany. In contrast, films with violent content which would be rated leniently in the United States and Australia are often subject to high ratings and sometimes even censorship in countries such as Germany and Finland.
    [Show full text]
  • Parental Guidance Film Age Rating
    Parental Guidance Film Age Rating Sander still cotton longingly while dilatant Bradly berries that Sanskrit. Billion and suspenseful Batholomew still serve his manes fatuously. Caramel and brazen Ash never unstopper his nookie! Any age appropriate for teens away, compliance officers will push the film rating coalition to Directed by a parenting experience, graphic crude and without regard to keep our recent years younger children aged around the system works as detailed instruction in? There we be depictions of violence in a PG-13 movie but generally not both. The lights come alive, that being unfailingly submissive and discriminate, they must construct the rating or classification symbol and description assigned to cancel film. Psychoactive substance abuse will tug at ratings, films rated film rating while apple books on parental guidance is awarded by any reference to. But what happens when the parents need yet leave means a few days and pleasure over the reins of earth life to grandma and grandpa? Parental Guidance Movie the Common Sense Media. Emilija Baranac, Thomas Bromhead, we may receive a art commission at most cost feature you. Abandoned by regina hall, most bizarre choice for an imaginary friend is the southeastern portion of parental guidelines are many of all about the new and not. Invest in monitoring services. The current rating system as have office the United States is story and requires a fee most having material go help the rating process. Understanding the tv ratings and parental controls. Similarly one sweep the unique hallmarks of the teen film2 genre is that peach all. Lillian Gish Prize, but some scenes may be unsuitable for younger children.
    [Show full text]
  • Electronic Release Notification Message Suite Standard (2Nd Public Draft of 3.7)
    DDEX Standard Electronic Release Notification Message Suite Standard (2nd Public Draft of 3.7) Second Public Draft of Release Notification Message Suite Standard 3.7 Evaluation Licence for DDEX Standards Subject to your compliance with the terms and conditions of this Agreement, DDEX™ grants you a limited, nonexclusive, non-transferable, non-sublicenseable, royalty-free licence solely to reproduce, distribute within your organisation, and use the DDEX standard specifications (“DDEX Standards”) solely for the purpose of your internal evaluation. You may not make any commercial use of the DDEX Standards under this agreement. No other licences are granted under this agreement. No representations or warranties (either express or implied) are made or offered by DDEX with regard to the DDEX Standards. In particular, but without limitation, no representations or warranties are made in relation to: 1. The suitability or fitness of the standards for any particular purpose; 2. The merchantability of the standards; 3. The accuracy, completeness, relevance or validity of the standards; or 4. The non-infringement of any third party intellectual property rights related to the DDEX Standards. Accordingly, DDEX and/or its members shall not be liable for any direct, indirect, special, consequential or punitive loss or damages howsoever arising out of or in connection with the use of the standards. IN THE EVENT THAT ANY COURT OF COMPETENT JURISDICTION RENDERS JUDGEMENT AGAINST DDEX AND/OR ITS MEMBERS NOTWITHSTANDING THE ABOVE LIMITATION, THE AGGREGATE LIABILITY TO YOU IN CONNECTION WITH THIS AGREEMENT SHALL IN NO EVENT EXCEED THE AMOUNT OF ONE HUNDRED U.S. DOLLARS (US$ 100.00).
    [Show full text]
  • Investigating Korean Queer Films in Politics, Economy and Queer
    The Politics of Korean Queer Cinema: Investigating Korean Queer Films in Politics, Economy and Queer Ryu, JaeWook This dissertation is submitted for the degree of Doctor of Philosophy January 2021 LANCASTER IN CONTEMPORARY ARTS Film Studies Declaration This thesis has not been submitted in support of an application for another degree at this or any other university. It is the result of my own work and includes nothing that is the outcome of work done in collaboration except where specifically indicated. Many of the ideas in this thesis were the product of discussion with my supervisors, Gary Bettinson and Jonathan Munby. Excerpts of this thesis have been published in the following conference manuscripts and academic publications. Ryu, JaeWook and full qualifications Lancaster University, UK I Acknowledgement Foremost, I would like to express great thanks to my two supervisors, Gary Bettinson and Jonathan Munby, to encourage and support my PhD study and research. Without any help and supports from them, I would not complete this research. In particular, Gary and Jonathan continuously inspired me to improve my thesis with their thoughtful advice on my research. I could not have imagined having a better supervisor and mentor for my PhD. In particular, I appreciate Gary’s continuous support and help when I had a challenging time in my life. Writing this thesis was sometimes very tough and painful in terms of time management. I know he always contacted many university staff to solve and help my issues and concerns. Without Gary’s help and support, I could not complete this thesis. I still remember when I decided to conduct this research.
    [Show full text]
  • Guide to Media and Content Regulation in Asia Pacific
    Guide to Media and Content Regulation in Asia Pacific 2012 Guide to Media and Content Regulation in Asia Pacific Table of Contents Australia .........................................................................................................................................1 China ..............................................................................................................................................9 Hong Kong....................................................................................................................................19 Indonesia ......................................................................................................................................29 Japan ............................................................................................................................................35 Malaysia .......................................................................................................................................43 New Zealand ................................................................................................................................51 Philippines ...................................................................................................................................63 Singapore .....................................................................................................................................71 South Korea .................................................................................................................................83
    [Show full text]
  • Self-Regulation Vs State Regulation: Evidence from Cinema Age Restrictions∗
    Self-regulation vs state regulation: Evidence from cinema age restrictions∗ Ryan Lampey and Shaun McRaez November 25, 2020 Abstract This paper studies the effect of self-regulation on the leniency of cinema age re- strictions using cross-country variation in the classifications applied to 1,922 movies released in 31 countries between 2002 and 2011. Our data show that restrictive classifi- cations reduce box office revenues, particularly for movies with wide box office appeal. These data also show that self-regulated ratings agencies display greater leniency than state-regulated agencies when classifying movies with wide appeal. However, consistent with theoretical models of self-regulation, the degree of leniency is small because it is not costly for governments to intervene and regulate ratings themselves. ∗We wish to thank Brian Adams, Jin Choi, Nik Kohrt, Anthony Niblett, Christian Peukert, and seminar participants at the Center for Advanced Study in the Behavioral Sciences at Stanford University, California State University, East Bay, DePaul University, 2014 International Industrial Organization Conference, 2013 Mallen Economics of Filmed Entertainment Conference, Northern Illinois University, Purdue University, the University of California Santa Cruz, and the University of Missouri for helpful comments. McRae gratefully acknowledges financial support from the Asociación Mexicana de Cultura, A.C. Nicholas Jasinski, Shatakshi Shandilya, Matthew Sido, and Josh Wagner provided excellent research assistance. All errors are our own. yDepartment of Economics, California State University, East Bay. Email: [email protected]. zCentro de Investigación Económica and Department of Economics, ITAM. Email: [email protected]. 1 1 Introduction Self-regulation, in which an industry-level organization determines and enforces the rules and standards of conduct for firms in the industry, is an important feature of many sectors including advertising, financial services, legal services, and industrial chemicals.
    [Show full text]
  • Freedom and Regulation on the Information Superhighway a Study of the Internet Content Rating System in South Korea
    Freedom and Regulation on the Information Superhighway A study of the Internet Content Rating System in South Korea You-Seung Kim A thesis submitted to the University of London in fulfilment for the award of a Doctor of Philosophy Degree School of Library, Archive, and Information Studies University College London University of London 2004 UMI Number: U592247 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592247 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This PhD thesis aims to explore issues relating to Internet content regulation and the methods of dealing with illegal and harmful content on the Internet. Firstly, the thesis begins with a discussion of the theoretical issues relating to freedom and regulation on the Internet. Debates over freedom of expression and governmental regulation on the Internet are critically appraised through case studies in the US, Australia, China, the UK and the EU. Furthermore, the notion of Internet self/co-regulation and its advantages and drawbacks are considered. Issues relating to the implementation of co-regulation regarding Internet content are also explored.
    [Show full text]
  • Common Metadata Content Ratings
    Ref: TR-META-CR Common Metadata Version: v1.0 Content Ratings Date: Dec.14, 2012 Common Metadata Content Ratings Motion Picture Laboratories, Inc. i Ref: TR-META-CR Common Metadata Version: v1.0 Content Ratings Date: Dec.14, 2012 CONTENTS 1 Introduction .............................................................................................................. 1 1.1 References ....................................................................................................... 1 1.2 Versioning ......................................................................................................... 1 2 Content Rating Encoding ......................................................................................... 2 NOTE: No effort is being made by the Motion Picture Laboratories to in any way obligate any market participant to adhere to Common Metadata. Whether to adopt the Common Metadata in whole or in part is left entirely to the individual discretion of individual market participants, using their own independent business judgment. Moreover, Motion Picture Laboratories disclaims any warranty or representation as to the suitability of the Common Metadata for any purpose, and any liability for any damages or other harm you may incur as a result of subscribing to this Common Metadata. Motion Picture Laboratories, Inc. ii Ref: TR-META-CR Common Metadata Version: v1.0 Content Ratings Date: Dec.14, 2012 REVISION HISTORY Version Date Description 1.0 December 14, 2012 Original publication of ratings as a separate document. This document is based on Common Metadata version 1.2e and corresponds with Common Metadata 1.2f. Motion Picture Laboratories, Inc. iii Ref: TR-META-CR Common Metadata Version: v1.0 Content Ratings Date: Dec.14, 2012 1 INTRODUCTION This document contains enumeration values and usage constraints for the inclusion of Content Ratings in metadata. This document contains information useful when used in conjunction with MovieLabs Common Metadata (TR-META-CM) and derived specifications such as DEG/EMA Metadata and UltraViolet Content Metadata.
    [Show full text]