Nate Smith Returns with Kinfolk 2: See the Birds
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Event Guide $2
EVENT GUIDE $2 TABLE OF CONTENTS EVENT INFORMATION Welcome .......................................................................................................................... 3 Weekend Overview ........................................................................................................... 5 Event Staff ...................................................................................................................... 5 Competition Rules ........................................................................................................... 7 Site Rules ........................................................................................................................ 7 SPECTATOR INFORMATION Men’s Teams...............................................................................................................9-16 Women’s Teams ........................................................................................................17-24 Grand Masters Teams ..............................................................................................25-32 PLAYER INFORMATION Health & Safety ........................................................................................................35-36 Spirit of the Game ....................................................................................................38-40 SCHEDULES AND MAP Men’s Schedule ........................................................................................................42-43 Women’s Schedule ....................................................................................................44-45 -
Negrocity: an Interview with Greg Tate
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2012 Negrocity: An Interview with Greg Tate Camille Goodison CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/731 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] NEGROCITY An Interview with Greg Tate* by Camille Goodison As a cultural critic and founder of Burnt Sugar The Arkestra Chamber, Greg Tate has published his writings on art and culture in the New York Times, Village Voice, Rolling Stone, and Jazz Times. All Ya Needs That Negrocity is Burnt Sugar's twelfth album since their debut in 1999. Tate shared his thoughts on jazz, afro-futurism, and James Brown. GOODISON: Tell me about your life before you came to New York. TATE: I was born in Dayton, Ohio, and we moved to DC when I was about twelve, so that would have been about 1971, 1972, and that was about the same time I really got interested in music, collecting music, really interested in collecting jazz and rock, and reading music criticism too. It kinda all happened at the same time. I had a subscription to Rolling Stone. I was really into Miles Davis. He was like my god in the 1970s. Miles, George Clinton, Sun Ra, and locally we had a serious kind of band scene going on. -
Singer Songwriter Musician Entrepreneur
enya K K Singer Songwriter Musician Entrepreneur WWW.KENYAMJMUSIC.COM Kenya's BIOGRAPHY Singer/songwriter Kenya delivers smooth, soulful vocals with a jazz influence that creates a contemporary groove. Kenya's music has charted in the US Top 30 Billboard Urban Adult Contemporary charts, Top 50 Smooth Jazz independent charts and top 10 on the independent UK Soul Chart in which her previous album My Own Skin (2015) reached the #1 spot for four consecutive weeks. Similarly, she reached the #1 spot in Chicago's R&B/Soul ReverbNation chart (August 2018) and was the 2014 recipient of the Black Women in Jazz "Best Black Female 'Rising Star' Jazz Artist" award. Opening for such recording artists as Lalah Hathaway, Rachelle Ferrell, Raul Midon, Mint Condition's Stokley Williams and Algebra Blessett, Kenya delights diverse crowds with her melodic tone and engaging stage presence. A graduate of Howard University and former member of the university's Howard Gospel Choir, Kenya is now based in Chicago and has performed internationally at noteworthy venues and festivals including Essence Festival, Capital Jazz Super Cruise, Magic CIty Smooth Jazz in the Park Series in Alabama, Washington D.C.'s Blues Alley, Denver's Dazzle Jazz Club, The Biltmore in LA, Groove NYC, Atlanta's St. James Live, The Promontory in Chicago in addition to a variety of other Chicago area venues and showcases, London's Jazz Cafe, Manchester, UK's Band on the Wall and a variety of other international settings. Kenya's most recent collaboration with legendary smooth jazz saxophonist, Gerald Albright is a rearrangement of the classic song "My Favorite Things" and is a stellar example of her progressive musical ideas and talent. -
Sometimes Going Home for the Weekend to Visit the Folks Is a Little
arts&entertainraent THREAD Sometimes going home for the weekend to visit the folks is a little tense, but you can bet that it’s not as intense as Clyde Owens’ trip home to rural North Carolina in Jonathan Bolt's Threads. Threads, the‘first of two plays this quarter presented by the Dramatic Arts Department, is a family drama about the homecoming of a less-than- successful Hollywood actor to the mill town he grew up in. As with most contemporary dramas, the famlily reunion develops into a series of con frontations and introspection. Director William Glover calls it an old-fashioned, simple play that is as warm and humorous as it is dramatic. Glover, a guest lecturer in the department of Dramatic Art, comes to UCSB as a professional, having directed at the Mark Taper Forum and played the voice of Winston in Disney’s Oliver and Company. His best summation of Threads was, "it’s en tertaining.” "When you go to the theater you go to be en tertained,” said Glover. “Its the opposite of television. TV says ‘don’t get involved’ ... theater says 'please come, please think.’ When you leave, the experience has made you richer.” Threads may not be a great piece of art, but it’s not TV. The play rises from the depths of mere en tertainment by tapping into a raw nerve of human experience: family. The Owens family draws the personal life of playwright Bolt, who knew fir sthand the hardship of working in a textile mill and interacting in a rural family. -
October 2015
October 13, 2015 - Producer Reinvention In The New Music Economy NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on Big Jim Wright Does It Good: An Interview With Big Jim Wright By Soul Jones Around the mid-nineties, at the Flyte Tyme building in Minneapolis, The President’s Corner whenever owner Jimmy Jam - one half of mega-platinum production duo Jam & Lewis – would take a new superstar client on a tour of the “Happy Birthday.” We know the song, we’ve all sung it but who studio he would make the following introduction. “And in here we owns the rights? Most members of the public didn’t realize Warner/ have Big Jim Wright, he’s one of our writer/producers here at Flyte Chappell was claiming the copyright on this iconic song, although Tyme and he just happens to sing.” Jam would then nod his we in the music business did. Who would have thought one of the trademark trilby towards the young vocalist. “Say Big Jim … just most recognizable songs in the world would not be PD? There has give ‘em a little something.” It would be at that point that he’d mosey been much confusion as to ownership and rights since the recent over to the nearest keyboard. Just so happens that Big Jim Wright, ruling, but what does it all really mean? CCC past President Steve speaking from a phone at his home in Los Angeles California, is sat Winogradsky is here to discuss this important copyright update. -
2013 R&B Festival at Metrotech Kicks Off A
2013 R&B Festival at MetroTech kicks off a summer of free live funk, dub, Afrobeat, brass band, West African, blues, and soul Thursdays (except Avery*Sunshine on Wednesday, July 3) Jun 6—Aug 8, 12—2pm MetroTech Commons June 6: Mint Condition June 13: Bobby Rush June 20: Kaleta & ZoZo Afrobeat June 27: Stooges Brass Band July 3: Avery*Sunshine July 11: Sly & Robbie featuring Bunny Rugs from Third World July 18: Fatoumata Diawara July 25: Bombino Aug 1: Sheila E. Aug 8: Shuggie Otis First New York Partners is the Presenting Sponsor of the 2013 R&B Festival at MetroTech. Brooklyn, NY/May 2, 2012—BAM announces the 2013 BAM R&B Festival at MetroTech. Now in its 19th year, the festival continues to feature R&B legends alongside vibrant and groundbreaking newcomers with 10 free outdoor concerts from June 6 through August 8. Event producer Danny Kapilian said, "With this year's 19th annual BAM R&B Festival, the total number of artists who have graced our stage reaches 202! (Booker T & the MG's remains the only act to perform twice). Classic stars making their MetroTech debuts in 2013 include the Twin City funk/pop legends Mint Condition (opening on June 6th), Chicago's timeless star Bobby Rush bandleader, percussionist, and Prince alumnus Sheila E and Mr. "Strawberry Letter 23" himself Shuggie Otis (closing on August 8th). New Orleans funk returns with the fabulous Stooges Brass Band, and contemporary soul diva Avery*Sunshine spreads her love and music on July 3rd (the season's only Wednesday afternoon concert, due to the holiday). -
Carter Given Edge in Today's Primary
The Daily Register , VOL.98 NO.239 SHREWSBURY, N. J. TUESDAY, JUNE 8,1976 15 CENTS Brown pledges new start for U.S. By 8IEMV CONOHAN nomination before the convention gets un- jammed into the cavernous former carpet go?" he asked with a big smile. A burst der way. — warehouse which was converted into his of wild applause and cheers from the HAZLET - Gov. Edmund G. (Jerry) Carter, former governor of Georgia, state headquarters Friday in less than 12 crowd of supporters gave him the answer Brown Jr. of California, pledging "i new had 903 delegates votes going into the pri- hours. An estimated 300 to 400 persons he wanted to hear. start lor this country" if elected presi- mary elections today in New Jersey, Ohio were packed inside the steamy building dent, last night urged voters to show their Standing with Brown on the platform and California. A total of 1,505 are needed and more than 100 others were massed on were Assemblyman Richard Van Wagner, support for him by voting for the uncom- to secure the party's nomination. the sidewalk and parking lot out front. mitted slate of delegates to the Demo- DMonmouth, chairman of the state There are MO delegate votes at stake Unlike other presidential aspirants cratic National Convention in today's pri- Brown for President organization and a in the Democratic voting in the three Who have visited the state, Gov. Brown mary election. candidate on the uncommitted delegate states with elections today, II of them in was not accompanied by Secret Service slate from the 12th district; Anne Camp- "The eyes of the nation are right on New Jersey. -
Blackgrooves.Org » the Paris Concert
blackgrooves.org » The Paris Concert http://blackgrooves.org/?p=983 Go! Home About Contact Subscribe AAAMC Home The Paris Concert April 9th, 2009 Title: The Paris Concert (DVD) Artist: Living Colour Label: Inakustik Catalog No.: INAK 6474 DVD Release date: 26 September 2008 Title: The Paris Concert (CD) Artist: Living Colour Label: Inakustik Catalog No.: INAK 9093 CD Release date: 1 January 2009 Since their formation in 1983, Living Colour has been reclaiming the right to rock for black artists everywhere. Even before the release of their 1988 debut album, Vivid , the band members were actively involved in the Black Rock Coalition, a non-profit organization founded by journalist Greg Tate, producer Konda Mason, and Living Colour guitarist Vernon Reid as a means of supporting and sponsoring black rock artists. Consisting of Reid, Will Calhoun (drums), Corey Glover (vocals), and Doug Wimbish (bass)-the latter of whom replaced Muzz Skillings in 1992-Living Color has successfully overcome a number of obstacles faced by black rock artists seeking to break into the commercial music industry. The very release of Vivid by Epic Records was one such success. The album quickly hit number 6 on the Billboard 200 . Soon after, MTV picked up “Cult of Personality,” which was awarded both MTV’s Best New Artist Award and a Grammy Award for Best Hard Rock Performance in 1989. More than twenty years later, “Cult of Personality” remains immensely popular and has recently featured in the game Guitar Hero III: Legends of Rock , so now you too can enjoy Living Colour’s experience of having to play a really great song over, and over, and over again. -
Still/HERE BAMBILL BROOKLYN ACADEMY of MUSIC Harvey Lichtenstein, President & Executive Producer
1114 NEXT WAVE FESTIVAL 1994 NEXT WAVE COVER AND POSTER ARTIST ROBERT MOSKOWITZ STill/HERE BAMBILL BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President & Executive Producer in association with THE FOUNDATION FOR DANCE PROMOTION presents in the BAM Opera House November 30, 1994 at 7pm December 1-3 at 8pm BILL T. JONES/ARNIE ZANE DANCE COMPANY in STILL/HERE Conceived, choreographed and directed by: BILL T. JONES Visual concept and media environment by: GRETCHEN BENDER "Still" music composed and lyrics arranged by: KENNETH FRAZELLE cCStill" music sung by: ODETTA cCStill" music performed by: LARK STRING QUARTET with BILL FINIZIO, percussion cCDenial" monologue written by: LAWRENCE GOLDHUBER cCHere" music composed and arranged by: VERNON REID cCHere" recorded and mixed by: BRADSHAW LEIGH & VERNON REID Costumes by: LIZ PRINCE Lighting design by: ROBERT WIERZEL with ARTHUR AVILES JOSIE COYOC TORRIN CUMMINGS GABRI CHRISTA LAWRENCE GOLDHUBER ROSALYNDE LEBLANC ODILE REINE-ADELAIDE DANIEL RUSSELL MAYA SAFFRIN GORDON F. WHITE Still/Here is dedicated to all the participants of The Survival Workshops. Still/Here is performed in two parts with one intermission. Special support provided by The Ford Foundation, Geisler-Roberdeau, and The Harkness Foundations for Dance. Special thanks to Commercial Developments International/East, Inc., for providing BAM with the 55 Wall Street facility for the 1994 NEXT WAVE Gala supper. On the cover: Bill T. Jones, as photographed by Joanne Savio (upper left and right, lower right) and by Michael O'Neill (lower left). _ PROGRAM NOTES _ BILL T.JONES/ARNIE ZANE DANCE COMPANY STAFF Artistic Director Bill T. Jones Managing Director Jodi Pam Krizer Special Projects Director Bjorn Amelan Development Director Shawn Stewart Ruff Company Manager Quynh Mai Administrative Assistant Laurie LaRose Lighting Designer Robert Wierzel Production Manager/Lighting Supervisor Gregory Bain Technical Director Kelly Atallah Stage Manager James Irvine Rehearsal Director Andrea E. -
SFJAZZ Announces 2018-2019 Season Programming September 6, 2018 – May 26, 2019
FOR IMMEDIATE RELEASE SFJAZZ Announces 2018-2019 Season Programming September 6, 2018 – May 26, 2019 Tickets on Sale to SFJAZZ Members, Friday, June 22 at 11:00amPST Tickets on Sale to Public, Thursday, July 12 at 11:00amPST SFJAZZ.ORG (SAN FRANCISCO, CA, June 12, 2018) -- SFJAZZ announces artist programming for the 2018-19 season running September 6, 2018 to May 26, 2019 presenting concerts at the SFJAZZ Center’s Robert N. Miner Auditorium and Joe Henderson Lab, Herbst Theatre, Grace Cathedral, and Davies Symphony Hall. Tickets and ticket packages on sale to SFJAZZ Members, Friday, June 22 at 11:00amPST and on sale to public on Thursday, July 12 at 11:00amPST. For more information, visit sfjazz.org. “It is hard to imagine that the 3 concerts we presented in 1983 would grow to our current mix of over 400 concerts, extensive education and outreach programs, and a resident/touring ensemble,” says SFJAZZ Founder and Artistic Director Randall Kline. “The music upcoming over the next nine months represents the organization’s broad viewpoint of jazz. We are proud to present music that has influenced jazz and music that jazz has influenced from new voices to the masters.” The SFJAZZ Resident Artistic Director program was established to give today’s most innovative and influential artists the chance to curate exclusive programming at the SFJAZZ Center often featuring unprecedented collaborations and world premiere projects between world-renowned artists. Every two years, SFJAZZ selects a new group of forward-thinking musicians to participate in the program. For the 2018-19 Season, SFJAZZ announces the new class of SFJAZZ Resident Artistic Directors – Laurie Anderson, Chucho Valdés, Dianne Reeves, Joe Lovano, and Marcus Shelby. -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
Jorge Sylvester ACE (Afro Caribbean Experimental)
FOR IMMEDIATE RELEASE Contact: Glenn Siegel, 413-320-1089 [email protected] Pioneer Valley Jazz Shares presents: Jorge Sylvester ACE (Afro Caribbean Experimental) Collective Pioneer Valley Jazz Shares continues its 4th season with a performance by Jorge Sylvester ACE (Afro Caribbean Experimental) Collective featuring Sylvester , saxophone ; Nora McCarthy , vocals; Gene Torres , electric bass; Kenny Grohowski , drums, on Friday, December 11, 7:30pm, Parlor Room, 32 Masonic St., Northampton, MA. Single tickets ($15) available at www.jazzshares.org and at the door. Born in Colon, Panama, alto-saxophonist, composer, arranger and teacher Jorge Sylvester began his professional career at age 14, and was soon writing arrangements and compositions for his own Caribbean dance band. He studied privately with renowned Panamanian jazz saxophonist, Euclides Hall, before attending the Panama Conservatory of Music and the University of Panama. Sylvester arrived in New York City in 1980, where his blend of African-Caribbean rhythms with new music gave him a distinguished voice. Sylvester has performed with: Stefon Harris, the David Murray Big Band, poet Sekou Sundiata, the Black Rock Coalition Orchestra, the Oliver Lake Big Band, Kuumba Frank Lacy‘s Vibe Tribe, Joe Bowie‘s Defunkt Big Band and the World Saxophone Quartet. His latest ACE Collective release is Spirit Driven . A poet, songwriter and a highly original singer and improviser, Nora McCarthy has been an important force in the New York jazz vocal scene since 1996 when she recorded her first of eight CD’s, red&blue . She currently leads: The Nora McCarthy Trio, The HeartStrings Project, Nora McCarthy Qu’ART’et and its feminine counterpart, Nora McCarthy ♀u’ART’et, The Modern Voice Ensemble, and Jay Clayton’s cappella group, “Different Voices”.