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Deana Carter Danny Myrick
Deana Carter DEANA CARTER, the daughter of famed studio guitarist and producer Fred Carter, Jr., grew up surrounded by musical greats, including Willie Nelson, Bob Dylan, Waylon Jennings, and Simon & Garfunkel. She developed her songwriting skills at writer’s nights throughout Nashville, but her real break came when one of her demo tapes fell into the hands of Willie Nelson, who remembered Deana as a child. Impressed with how she’d grown as a songwriter, Nelson asked Deana to perform along with John Mellencamp, Kris Kristofferson, and Neil Young, as the only female solo artist to appear at Farm Aid VII in 1994. Her 1996 debut album Did I Shave My Legs for This? quickly climbed to the top of both the country and pop charts, quickly achieving multi-platinum status. "Strawberry Wine,” the first single from the album, was awarded CMA's 1997 Single of the Year. Seven albums and a decade later, Deana is still writing and producing for both the pop/rock and country markets when not on the road touring. Her superstar success continues to be evident. Her chart topper “You & Tequila,” co-written with Matraca Berg and recorded by Kenny Chesney, was nominated in 2011 as CMA’s “Song of the Year” and received two Grammy nods. Carter also recently co-wrote and produced a new album for recording artist Audra Mae while putting the finishing touches on her own Southern Way of Life that hit the shelves last December. Danny Myrick DANNY MYRICK is an award winning songwriter and musician based here in Nashville. -
ISSUE 1820 AUGUST 17, 1990 BREATHE "Say Aprayer"9-4: - the New Single
ISSUE 1820 AUGUST 17, 1990 BREATHE "say aprayer"9-4: - the new single. Your prayers are answered. Breathe's gold debut album All That Jazz delivered three Top 10 singles, two #1 AC tracks, and songwriters David Glasper and Marcus Lillington jumped onto Billboard's list of Top Songwriters of 1989. "Say A Prayer" is the first single from Breathe's much -anticipated new album Peace Of Mind. Produced by Bob Sargeant and Breathe Mixed by Julian Mendelsohn Additional Production and Remix by Daniel Abraham for White Falcon Productions Management: Jonny Too Bad and Paul King RECORDS I990 A&M Record, loc. All rights reserved_ the GAVIN REPORT GAVIN AT A GLANCE * Indicates Tie MOST ADDED MOST ADDED MOST ADDED MOST ADDED MICHAEL BOLTON JOHNNY GILL MICHAEL BOLTON MATRACA BERG Georgia On My Mind (Columbia) Fairweather Friend (Motown) Georgia On My Mind (Columbia) The Things You Left Undone (RCA) BREATHE QUINCY JONES featuring SIEDAH M.C. HAMMER MARTY STUART Say A Prayer (A&M) GARRETT Have You Seen Her (Capitol) Western Girls (MCA) LISA STANSFIELD I Don't Go For That ((west/ BASIA HANK WILLIAMS, JR. This Is The Right Time (Arista) Warner Bros.) Until You Come Back To Me (Epic) Man To Man (Warner Bros./Curb) TRACIE SPENCER Save Your Love (Capitol) RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RIGHTEOUS BROTHERS SAMUELLE M.C. HAMMER MARTY STUART Unchained Melody (Verve/Polydor) So You Like What You See (Atlantic) Have You Seen Her (Capitol) Western Girls (MCA) 1IrPHIL COLLINS PEBBLES ePHIL COLLINS goGARTH BROOKS Something Happened 1 -
Lacy J. Dalton (Born Jill Lynne Byrem) on October 13, 1946 in Bloomsburg, Pennsylvania, Is an American Country Singer and Songwriter
BIO Lacy J. Dalton (born Jill Lynne Byrem) on October 13, 1946 in Bloomsburg, Pennsylvania, is an American country singer and songwriter. A career that has spanned many decades and touched the hearts of millions of music fans. In March 2017 Lacy J Dalton was inducted into the North American Country Music Association International Hall of Fame. She’s one of the most instantly recognizable voices in music – the woman People Magazine called “Country’s Bonnie Raitt”. From the first time Lacy J Dalton caught the public’s ear, that soulful delivery, full of texture and grit, has been a mainstay of Country Music. When you sit to listen to a Lacy J Dalton album, you find yourself pulled in by the very power and heart of this vocalist, because she’s not merely performing a ten-song set, she’s bringing each and every tune to life. It’s as if they were all written especially for her. Prior to signing with Harbor Records in 1978 as Jill Croston, she like many before her, held many jobs to survive and support her family. As a truck stop waitress and singer, she would wait tables and then jump on stage to sing a few songs. Her hard work and dedication paid off in 1979 when she was awarded the Academy of Country Music “Top New Female Vocalist of the Year”. Then in 1980 Lacy J Dalton was signed by Columbia Records and quickly rose to national prominence with "Crazy Blue Eyes", written together with her longest friend, Mary McFadden, a song that raced to #7 on the Billboard Country Charts. -
Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
CHRIS KNIGHT Almost Daylight
CHRIS KNIGHT Almost Daylight “It’s hard to know how people are gonna react,” Chris Knight says of Almost Daylight, his ninth album and first new recording in over seven years. “I’ve written songs about a lot of different things going all the way back to my first record, and some folks still think ‘somebody kills somebody’ is all I write about. Maybe that’s why I was bound and determined to get these particular songs on this album. If people like them, then we’ll be fine. But I wasn’t gonna do it any other way.” For the past 20 years, Chris Knight has only made music his own way. He’s released eight acclaimed albums, played thousands of electrifying live shows and built generations of fervent fans from Texas honky-tonks to Manhattan rock clubs. He’s been hailed as “the last of a dying breed…a taciturn loner with an acoustic guitar and a college degree” (The New York Times) and “a storyteller in the best traditions of Mellencamp and Springsteen” (USA Today). Bottom line, he’s hard-earned his reputation as one of America’s most uncompromising and respected singer/songwriters. And now with Almost Daylight, Knight delivers the most powerful – and unexpected – music of his career. Almost Daylight is very much a Chris Knight album, familiarly featuring vivid pictures of rural characters, desperate men and hardscrabble survivors. At the same time it’s unlike anything Knight has done before, with formidable testaments to compassion, redemption and even straight-up love. It’s an album both tough and tender, as bare-knuckled as it is open-hearted. -
Charlie Daniels and “The Devil” in the Details: What the Copyright Office's Response to the Termination Gap Foreshadows Ab
THIS VERSION DOES NOT CONTAIN PARAGRAPH/PAGE REFERENCES. PLEASE CONSULT THE PRINT OR ONLINE DATABASE VERSIONS FOR PROPER CITATION INFORMATION. NOTE CHARLIE DANIELS AND “THE DEVIL” IN THE DETAILS: WHAT THE COPYRIGHT OFFICE’S RESPONSE TO THE TERMINATION GAP FORESHADOWS ABOUT THE UPCOMING STATUTORY TERMINATION PERIOD Joshua Beldner* ABSTRACT In 2013, authors of copyrighted works and their statutory heirs will have the first opportunity to terminate assignments of their copyrights and enjoy a second opportunity to exploit their works under 17 U.S.C. § 203. However, in addition to the statutory requirements, many authors like Charlie Daniels, Bob Dylan and Bruce Springsteen face an additional obstacle: the termination gap. The termination gap arises in when authors entered term songwriter’s agreements or other multiyear agreements prior to January 1, 1978 to assign their copyrighted works but did not create these works until after January 1, 1978, the effective date of the Copyright Act of 1976 and Section 203. Due to an ambiguity in the language of Section 203, it is unclear whether authors affected by the termination gap can actually terminate their assignments under Section 203 or whether they must wait longer to terminate their works under Section 304. The Copyright Office had the first opportunity to address the issue through its rulemaking process but did not offer an authoritative interpretation of Section 203, leaving it to the courts or Congress to address the termination gap. The Copyright Office’s conservative rulemaking leaves authors and their heirs vulnerable to courts who have not always respected Congress’s intent to give authors an inalienable termination right and to a Congress that in recent years has at times shown more fidelity to larger business interests than to individual authors. -
Good 'N Country Playlist for Saturday, December 12, 2020
Good 'N Country 12-12-2020 playlist Artist Title Album Label Year Wood Family Tradition Back Home In Tennessee Wood Tone Music 2020 Carly Goodwin Still Too Blue Carly Goodwin Dreaming Bear 2004 Marty Robbins Twentieth Century Drifter MCA 1974 Kitty Hawkins If You'll Let Me Capa 1967 Jimmie Davis When The Train Comes Rollin' In Decca 1953 Johnny Tyler Find 'Em, Fool 'Em And Forget 'Em RCA Victor 1948 Patsy Cline Walking After Midnight Iconic Country Originals In Stereo Complete 60s 2020 Sonny James Young Love Iconic Country Originals In Stereo Complete 60s 2020 Lefty Frizzell If You've Got The Money, I've Got The Time Iconic Country Originals In Stereo Complete 60s 2020 Tennessee Ernie Ford Sixteen Tons Iconic Country Originals In Stereo Complete 60s 2020 Stuart Hamblen This Old House Iconic Country Originals In Stereo Complete 60s 2020 Hank Williams I'm So Lonesome I Could Cry Iconic Country Originals In Stereo Complete 60s 2020 Tex Williams Smoke! Smoke! Smoke! (2nd version) RCA Victor 1952 Floyd Tillman I'm Falling For You Columbia 1951 Moe Bandy She's Got That Oklahoma Look Here I Am Drunk Again (LP) Columbia 1976 Dottie West Lay Back Lover RCA Victor 1974 Johnny Cash Hey Porter I Walk The Line (LP) Columbia 1964 Jim Ed Brown Broad Minded Man RCA Victor 1973 Jake Blocker Just Your Memory Playing Games I Keep Forgetting Jake Blocker Music 2020 Mike Johnson Take Me As I Am (feat. Gene Watson) Almost Midnight Mike Johnson prod. 2012 Aaron Lewis The Party's Over State I'm In Valory 2019 George Jones Still Doin' Time Epic 1981 Reba McEntire -
14Th Annual ACM Honors Celebrates Industry & Studio Recording Winners from 55Th & 56Th ACM Awards
August 27, 2021 The MusicRow Weekly Friday, August 27, 2021 14th Annual ACM Honors Celebrates SIGN UP HERE (FREE!) Industry & Studio Recording Winners From 55th & 56th ACM Awards If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 14th Annual ACM Honors Beloved TV Journalist And Producer Lisa Lee Dies At 52 “The Storyteller“ Tom T. Hall Passes Luke Combs accepts the Gene Weed Milestone Award while Ashley McBryde Rock And Country Titan Don looks on. Photo: Getty Images / Courtesy of the Academy of Country Music Everly Passes Kelly Rich To Exit Amazon The Academy of Country Music presented the 14th Annual ACM Honors, Music recognizing the special award honorees, and Industry and Studio Recording Award winners from the 55th and 56th Academy of Country SMACKSongs Promotes Music Awards. Four The event featured a star-studded lineup of live performances and award presentations celebrating Special Awards recipients Joe Galante and Kacey Musgraves Announces Rascal Flatts (ACM Cliffie Stone Icon Award), Lady A and Ross Fourth Studio Album Copperman (ACM Gary Haber Lifting Lives Award), Luke Combs and Michael Strickland (ACM Gene Weed Milestone Award), Dan + Shay Reservoir Inks Deal With (ACM Jim Reeves International Award), RAC Clark (ACM Mae Boren Alabama Axton Service Award), Toby Keith (ACM Merle Haggard Spirit Award), Loretta Lynn, Gretchen Peters and Curly Putman (ACM Poet’s Award) Old Dominion, Lady A and Ken Burns’ Country Music (ACM Tex Ritter Film Award). Announce New Albums Also honored were winners of the 55th ACM Industry Awards, 55th & 56th Alex Kline Signs With Dann ACM Studio Recording Awards, along with 55th and 56th ACM Songwriter Huff, Sheltered Music of the Year winner, Hillary Lindsey. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
1988 Cheap Trick Ricky Skaggs Roy Clark Highwat 101
1988 CHEAP TRICK RICKY SKAGGS ROY CLARK HIGHWAT 101/SWEETHEARTS OF THE RODEO DEL SHANNON MISS VALLEY FAIR CONTEST 1989 NITTY GRITTY DIRT BAND TANYA TUCKER 38 SPECIAL STATLERS THREE DOG NIGHT MISS VALLEY FAIR CONTEST 1990 SAWYER BROWN CLINT BLACK THE BELLAMY BROTHERS THE OAKRIDGE BOYS BELINDA CARLISLE OLIE ANDERSON THRILL SHOW 1991 KENTUCKY HEAD HUNTERS WINGER RESTLESS HEART/BAILLEE & BOYS TRAVIS TRITT THE STATLERS TRACTOR PULL 1992 KATHY MATTEA REO SPEEDWAGON VINCE GILL CHARLIE DANIELS BROOKS & DUNN/MARTY BROWN TRACTOR PULL 1993 PAM TILLIS/CHRIS LEDOUX SAWYER BROWN BILLY DEAN BROOKS & DUNN JOHN ANDERSON RESTLESS HEART 1994 MARK CHESTNUTT OAKRIDGE BOYS PATTY LOVELESS CONFEDERATE RAILROAD CHARLIE DANIELS 1995 JOE DIFFEE RICK TREVINO COLLIN RAY SUZY BOGGUSS KANSAN/RARE EARTH TIM MCGRAW 1996 PAM TILLIS TRISHA YEARWOOD SAMMY KERSHAW SAWYER BROWN LITTLE TEXAS ROY CLARK 1997 ALABAMA ALABAMA BRYAN WHITE MARK CHESTNUTT BLACKHAWK TOBY KEITH 1998 CLAY WALKER LYNYRD SKYNYRD CLINT BLACK DIAMOND RIO MICHAEL PETERSON & THE KINLEYS LEE ANN WOMACK 1999 JOHN MICHAEL MONTGOMERY MARTINA MCBRIDE DEF LEPPARD AARON TIPPIN RICKY VAN SHELTON GLEN CAMPBELL 2000 TRACY LAWRENCE SAWYER BROWN NEAL MCCOY STYX MONTGOMERY GENTRY GEORGE JONES 2001 RANDY TRAVIS LONESTAR CLAY WALKER KANSAS PHIL VASSAR CHARLIE DANIELS 2002 ROCKIN ROADHOUSE TOUR-JOE DIFFEE, TRACY LAWRENCE, MARK CHESTNUTT TRICK PONY KENNY CHESNEY POISON ALABAMA CHELY WRIGHT 2003 SAWYER BROWN NEAL MCCOY TRAVIS TRITT SURVIVOR/STARSHIP MARTINA MCBRIDE RONNIE MILSAP 2004 DIERKS BENTLEY GATLIN BROTHERS BROOKS AND -
Songwriter Symposium
The Texas Songwriters Association Presents 15th Annual SONGWRITER SYMPOSIUM JANUARY 9 – 13, 20 Holiday Inn Midtown Austin, Texas www.austinsongwritersgroup.com ASG SONGWRITER SYMPOSIUM 2019 SCHEDULE WEDNESDAY, JANUARY 9, 2019 5:00 – 6:30 PM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases 6:30 PM: Kick Off Party Meet and Greet! 7:00 – 8:00 PM: Open Mic In The Round 8:00 – 9:15 PM PUBLISHERS PANEL Music Publishers Bobby Rymer, Jimmy Metts, Sherrill Dean Blackman, Steve Bloch, and Antoinette Olesen kick off Symposium 2019 by leading this panel discussing current trends in music publishing. 7:00 – 8:00 PM: Open Mic In The Round 10:00 PM - Midnight SONG PICKING CIRCLES After the Music Publishing Panel, grab your instruments and circle for the opening night song picking circles. THURSDAY, JANUARY 10, 2019 9:00 AM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases PUBLISHERS PANEL (HILL COUNTRY BALL ROOM) This is an introduction to the publishers. They will tell you a little about themselves, and some of the things they are currently working on. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MARCH 1, 2021 | PAGE 1 OF 18 INSIDE BILLBOARD COUNTRY UPDATE [email protected] What’s Up With Strait Talk With Songwriter Dean Dillon Bryan’s ‘Down’ >page 4 As He Awaits His Hall Of Fame Induction Academy Of Country Life-changing moments are not always obvious at the time minutes,” says Dillon. “I was in shock. My life is racing through Music Awards they occur. my mind, you know? And finally, I said something stupid, like, Raise Diversity So it’s easy to understand how songwriter Dean Dillon (“Ten- ‘Well, I’ve given my life to country music.’ She goes, ‘Well, we >page 10 nessee Whiskey,” “The Chair”) missed the 40th anniversary know you have, and we’re just proud to tell you that you’re going of a turning point in his career in February. He and songwriter to be inducted next fall.’ ” Frank Dycus (“I Don’t Need Your Rockin’ Chair,” “Marina Del The pandemic screwed up those plans. Dillon couldn’t even Rey”) were sitting on the front porch at Dycus’ share his good fortune until August — “I was tired FGL, Lambert, Clark home/office on Music Row when producer Blake of keeping that a secret,” he says — and he’s still Get Musical Help Mevis (Keith Whitley, Vern Gosdin) pulled over waiting, likely until this fall, to enter the hall >page 11 at the curb and asked if they had any material. along with Marty Stuart and Hank Williams Jr. He was about to record a new kid and needed Joining with Bocephus is apropos: Dillon used some songs.