DOCSLIB.ORG

1978 Homecoming Continues at CC

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1978 Homecoming Continues at CC the concordian concordia college moorhead, minnesota 5656O October 13,1978 Vol. 71 No. 7 Mysterious 'Corporation' Responsible for Concordia ly, they elect members to the By JENNY RINGERUD Board of Regents and to the This week of Homecoming Nominating Committee. festivities includes much more To elect members to the H>ard than meets the eyes of most of Regents, which is the primary students. Discussions, meet- responsibility of the Corpora- ings, and decisions concerning tion, a Nominating Committee of the operation of Concordia Col- five Corporation members and lege have been taking place on two alternates is selected. This campus. For October is the time committee meets during the of the annual meeting of the summer and chooses four or five Concordia College Corporation people to be nominees for the and also a meeting time for Board of Regents. Concordia's Board of Regents. At the corporation meeting Concordia College was estab- this slate of nominees, along lished in 1891 as a Christian with any nominations from^the institution of learning of collegi- floor, is voted on. The newly- ate rank. Its primary purpose elected members then join the was, and still is, to provide Ibard of Regents for a term of education and training for Chris- four years subject to the possi- tian service and leadership in bility of one consecutive re-elec- conformity with the faith, con- tion. fessions, and practices of the Other responsibilities of the American Lutheran Church. Corporation include making re- The ownership of Concordia commendations to the Bbard of was placed in the hands of an Regents when deemed necess- organization entitled "The Con- ary, and voting on any constitu- cordia College Corporation." tional amendments. This Corporation with the Board Diane Strotheide, personnel of Regents manages Concordia director at Concordia, was re- College. Not to be outdone by its sponsible for much of the pre- profit-motivated brethren, the paration and correspondence for Corporation is complete with its this year's annual Corporation articles of incorporation, consti- meeting, which took place yes- tution, and by-laws. terday. In an interview, she To understand where deci- explained that to familiarize the sions concerning Concordia are delegates with the college, made, who makes them, and which is one main purpose of the where chief responsibilities are Corporation, tours were ar- placed involves a close look first ranged. The art, biology, and at the Corporation structure, home economics departments then at the Board of Regents, were toured and visits with and finally at the relationship faculty, students, and admini- between the two. strators were available to pro- According to David Benson, vide delegates with something of director of college relations, a campus perspective. there are five districts in the .-Corporation members at- ALC in Concordia's corporate tended chapel and their opening territory. They include Rocky meeting included a report by Mountain, western North President Paul Dovre. "Through Dakota, eastern North Dakota, these activities, delegates can northern Minnesota, and parts bring back current information of southwestern Minnesota. about Concordia campus life to Approximately 959 congre- their congregations and consti- gations operate within this tuents," said Mr. Strotheide. The area's long and welcome Indian Summer has resulted in a geographic area. During the business portion of superabundance of beauty on the Concordia campus, thus providing a The districts are divided into perfect setting for Homecoming. 28 conferences. It is the dele- Continued on Page 8 gates from each conference, together with the Board of Regents, that make up the voting membership of the Cor- poration. 1978 Homecoming Continues at CC Each conference elects two pastors and two lay persons to "Still Crazy after all these 2:30 Another felt that the evening cal selections in a water-ballet become delegates to Concordia's Years" continues to set the mood "Frosh Frolics" officially open- would best be described as "silly style. Their presentation requir- Corporation. Because they are and the pace for Concordia's ed the festivities at the begin- and enjoyable." Notable fea- ed much preparation, and the elected for two-year terms, only 1978 Homecoming today, as ning of this week. The evening tures included the barbershop swimmers did very will, as is one pastor and one lay person alumni return and the week of entertainment was enjoyed by quartet, and a selection from their custom. are elected each year. With this nears its climax. a good-sized crowd, and the "Li'l Abner" as the finale. Frosh Frolics and Rippling method, there are always two Today's events include the show was acclaimed a success. The synchronized swimmers' Recollections brought in Home- new delegates and two veteran coronation of the Homecoming One person commented, "It show, "Rippling Recollections," coming with a roar that has delegates representing each con- king and queen at 7:30 p.m. in seemed like a lot of work. It was was beautiful and proved well continued throughout the week. ference. the Centrum and the dance put together well, and the worth attending. The swimmers This weekend the spirit should According to Noel Fedje, which follows at 9 p.m. at the performances were excellent." performed to a variety of musi- continue. president of the Corporation and Moorhead Holiday Inn. chairman of the Board of Re- Saturday brings the parade at gents, "the Corporation is 12:30 p.m. The parade will among the most democratic travel down Eighth Street to the organizations found." Because stadium where, at 1:30, the Students See Classroom from Other Side the ALC congregations actually Cobbers will confront the Ham- own Concordia and the delegates line Pipers. Halftime entertain- By MARY ANN WAALEN in art and education, is student "The best feelings are when to the Corporation are from ment will be provided by the teaching in fifth grade at Long- everything clicks. You've plan- them, a "closeness" with the pom-pon girls and the finalists Thirty-nine Concordia stu- fellow Elementary school in ned a lesson and the kids Church is established. These in the Feats for Fools competi- dents are experiencing what it is Fargo to complete her certifica- respond, and that's super." delegates have the chance to tions. like to be on the other side of the tion. Those are the good days for voice their opinions concerning The Homecoming Show is set classroom this block. These stu- After spending the first few Natwick. decisions involving Concordia, for 8 o'clock Saturday night in dents are participating in the weeks observing in the class- Along with the good days, thus making the system ex- the Memorial Auditorium. student teaching program which room, she is now teaching full however, "there are days which tremely democratic. Sunday morning at 10:30 is required of all education days. you leave with a headache." The delegates attend the an- there will be a worship service, majors. ' Natwick has found that in Natwick has discovered student nual meeting of the corporation again in the Memorial Audi- Student teaching is done teaching "there is so much to teachers need a lot of patience, which is held on campus in torium. Pastors Carl Lee and primarily in Fargo-Moorhead think about." She labels her especially with 30 students. October. The purpose of the Ernie Mancini will officiate. schools with a few exceptions. student teaching experience as Another frustrating aspect is meeting is twofold. The Corpor- Homecoming will conclude Students teaching elsewhere are "spicy—things happen that you that "there are so many things ation Assembly is informed with a concert featuring the doing so in Barnesville, Alex- don't expect because of the kids you can see that need to be about the progress, condition, Concert Choir and the Concordia andria, and Glyndon. and their different personali- and needs of Concordia. Second- Orchestra Sunday afternoon at Kris NatwicK, 1978 graduate ties." Continued on Page 8 Page 2 THE CONCORDIAN October 13,1978 Un-Americanism At Concordia, people talk a good deal about the "Concordia community." The term is rarely defined—probably because it would defy precise definition—but it is nonetheless often invoked. However, for those willing to acceDt a fairly broad definition of what constitutes this community, there is one to be found in the people who are now on campus or will be here in the next several days. Kor in addition to the customary students, faculty, and administrators, Concordia yesterday saw the representatives of the Corporation, today plays host to the Regents, through the weekend will welcome alumni, and next week will provide the convention site of the greater community of which this school is a part, the American1 Lutheran Church. I offer this capacious description of our "community" only to justify the following remarks—remarks which may be interpreted by some readers as being overly narrow and of no consequence to them. Three weeks ago, intervisitation at Concordia was extended by several hours. The extension, in my eyes at least, raised certain question about this school's willingness—or desire—to continue to be perceived as an institution which is in the world but not a part of it. It occurred to me that the parties involved in that decision might not have fully considered what its impact on Concordia in the long run would be and, in a more general sense, exactly what the role of this school should be, both in 1978 and in the years to come. It is this "more general sense" which is the question at hand. And the question is not limited merely to the principals involved in the annual irritation over intervisitation; it applies to every member of the Concordia community, a community which I have for the Standpoint purpose of this editorial defined as including the American Lutheran Church.
Load more

Recommended publications
  • The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960S Promotional Featurettes
    The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960s Promotional Featurettes by DANIEL STEINHART Abstract: Before making-of documentaries became a regular part of home-video special features, 1960s promotional featurettes brought the public a behind-the-scenes look at Hollywood’s production process. Based on historical evidence, this article explores the changes in Hollywood promotions when studios broadcasted these featurettes on television to market theatrical films and contracted out promotional campaigns to boutique advertising agencies. The making-of form matured in the 1960s as featurettes helped solidify some enduring conventions about the portrayal of filmmaking. Ultimately, featurettes serve as important paratexts for understanding how Hollywood’s global production work was promoted during a time of industry transition. aking-of documentaries have long made Hollywood’s flm production pro- cess visible to the public. Before becoming a staple of DVD and Blu-ray spe- M cial features, early forms of making-ofs gave audiences a view of the inner workings of Hollywood flmmaking and movie companies. Shortly after its formation, 20th Century-Fox produced in 1936 a flmed studio tour that exhibited the company’s diferent departments on the studio lot, a key feature of Hollywood’s detailed division of labor. Even as studio-tour short subjects became less common because of the restructuring of studio operations after the 1948 antitrust Paramount Case, long-form trailers still conveyed behind-the-scenes information. In a trailer for The Ten Commandments (1956), director Cecil B. DeMille speaks from a library set and discusses the importance of foreign location shooting, recounting how he shot the flm in the actual Egyptian locales where Moses once walked (see Figure 1).
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfihn master. UMI fihns the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 A PEOPLE^S AIR FORCE: AIR POWER AND AMERICAN POPULAR CULTURE, 1945 -1965 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Steven Charles Call, M.A, M S.
    [Show full text]
  • 0813122023.Pdf
    Engulfed Page ii Blank ? Engulfed The Death of Paramount Pictures and the Birth of Corporate Hollywood BERNARD F. DICK THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2001 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508–4008 05 04 03 02 01 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Dick, Bernard F. Engulfed: the death of Paramount Pictures and the birth of corporate Hollywood / Bernard F. Dick. p. cm. Includes bibliographical references and index. ISBN 0-8131-2202-3 (cloth : acid-free paper) 1. Paramount Pictures Corporation–History. 2. Title. PN1999.P3 D53 2001 384'.8’06579494 00012276 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Contents Preface ix 1 Mountain Glory 1 2 Mountain Gloom 44 3 Barbarians at the Spanish Gate 85 4 Charlie’s Boys 109 5 The Italian Connection 126 6 The Diller Days 149 7 Goodbye, Charlie 189 8 Sumner at the Summit 206 Epilogue 242 End Titles 245 Notes 247 Index 259 Photo insert follows page 125 Page vi Blank For Katherine Page viii Blank Preface In Mel Brooks’s Silent Movie (1977), Sid Caesar nearly has a heart attack when he learns that a megaconglomerate called “Engulf and Devour” has designs on his little studio.
    [Show full text]
  • November (Pdf)
    NOVEMBER 2011 Celebrate the Holidays with this Family Favorite! s fresh as a new fallen snow, this dazzling stage A adaptation of the heart- warming film classic is sure to be a holiday treat for the entire PERFORMANCE DATES family. Following World War II, Friday November 25 8:00pm showmen Bob Wallace and Phil Saturday November 26 8:00pm Davis form a successful song- and-dance act and become the Sunday November 27 2:00pm toast of the town. With romance Thursday December 1 7:30pm on their minds, the two follow a Friday December 2 8:00pm duo of beautiful singing sisters Saturday December 3 8:00pm who are en route to their Sunday December 4 2:00pm Christmas show at a Vermont Thursday December 8 SOLD7:30pm OUT lodge, which just happens to be Friday December 9 8:00pm owned by Bob and Phil's Saturday December 10 8:00pm former army commander. The Pictured (L-R): Mallory King, Pedro Hogan, Cory Wietfeldt and Mary Teutsch Sunday December 11 2:00pm glorious score features some of Irving Berlin’s most loved songs Brittanie Trevarrow, Cory Tickets are selling quickly, so Interpreted performance including Blue Skies, I Love A Wietfeldt and Ashleigh Williams. order yours today online at Piano, How Deep Is the Ocean and The stage management team is www.KazooCivic.com or by production the perennial favorite, White comprised of Stage Manager calling the Civic Box Office at sponsors: Christmas. Complete with beautiful Brittni Lashway and Assistant 269-343-1313. Bring the whole scenery and lavish costumes this Stage Managers Mike Artis and family! Group rates are available is one white Christmas we’ll all Cynthia Tyson.
    [Show full text]
  • Danny Kaye Is Supported in Part by a Grant from the Mcelwaine-Stroock Fund of the Jewish Communal Fund, Made in Memory of Robert M
    Audience Guide Written and compiled by Jack Marshall Theater you can afford to see— plays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. This program is supported in part by Arlington County through the Arlington Commission for the Arts and Arlington Cultural Affairs, a division of Arlington Economic Development; the Virginia Commission for the Arts; the National Endowment for the Arts; the Arlington Community Foundation; and many generous donors. An Evening with Danny Kaye is supported in part by a grant from The McElwaine-Stroock Fund of the Jewish Communal Fund, made in memory of Robert M.
    [Show full text]
  • Milton Berle Papers [Finding Aid]. Music Division, Library of Congress
    Milton Berle Papers Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2018 Contact information: https://hdl.loc.gov/loc.music/perform.contact Catalog Record: https://lccn.loc.gov/2014572484 Additional search options available at: https://hdl.loc.gov/loc.music/eadmus.mu018018 Processed by the Music Division of the Library of Congress Finding aid encoded by Library of Congress Music Division, 2018 Collection Summary Title: Milton Berle Papers Span Dates: 1906-2002 Bulk Dates: (bulk 1932-1990) Call No.: ML31.B475 Creator: Berle, Milton Extent: approxiamtely 33,000 items Extent: 287 containers Extent: 128 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/2014572484 Summary: Milton Berle (1908-2002) was an American vaudevillian, comic, actor, lyricist, producer, and author. Nicknamed "Mr. Television," Berle transitioned from a successful career in radio to become host of NBC's Texaco Star Theatre. The collection contains comedic writings, scripts, correspondence, business papers, photographs, music, and other materials that document his life and career in entertainment. Selected Search Terms The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically. People Allen, Fred, 1894-1956. Benny, Jack, 1894-1974--Correspondence. Berle, Milton--Archives. Berle, Milton--Correspondence. Berle, Milton. Berle, Milton. Writings. Selections. Burns, George, 1896-1996--Correspondence. Buttons, Red, 1919-2006--Correspondence. Cantor, Eddie, 1892-1964.
    [Show full text]
  • Fall 2013 Newsletter
    Wesleyan University Wasch Center for Retired Faculty Newsletter Vol. 5, No. 1 Fall 2013 already. Inflated, somehow, kinder and slower, Mosiach is Here more womanly, slightly bovine. Her small boobs A piece of flash fiction by Paula Paige were bigger, as Roger had noticed last night, although she hadn’t told him anything yet. Which enna scowled at the hostile doorman was what had given her the idea of buying a bra as she left the building on West End this morning: it wasn’t going to last very long, so Avenue and walked toward Broadway. why not enjoy being zaftig for a bit? She looked JHey, you creep, she thought, I’m not a at the ads in the windows of Victoria’s Secret, then home-breaker: his wife’s already left! This strode in, past the stony-faced large black guard, neighborhood was definitely not her scene. over to the drawers of 36 B’s. She found a black Why did Roger live up here, anyway? All these lace bra and tried it on, admiring the way her kids, baby strollers bumping you right and fuller breasts suddenly blossomed into cleavage. left, as though these mousy moms owned the It would be hard to give this up. street! Children crying everywhere, even in Out on the sidewalk again, she paused, nice restaurants, like the boy last night: “I don’t wondering whether to go back to Roger’s, or down want any crème brûlée!” Then why not leave to Zabar’s to get something for lunch. Thinking of the kid home, with Oreos? Now if she had a the disapproving doorman, she decided to head child… but she didn’t, and had no plans to have downtown.
    [Show full text]
  • Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood Publicist
    Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist HALL, Sheldon <http://orcid.org/0000-0003-0950-7310> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/6808/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version HALL, Sheldon (2013). Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist. InMedia, 2013 (3). Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Jerry Pickman: “The Picture Worked” Reminiscences of a Hollywood publicist Edited and introduced by Sheldon Hall Contact details: Dr. Sheldon Hall Dept. of Stage and Screen Studies Room Owen 1130 Sheffield Hallam University Howard Street Sheffield S1 1WB Telephone: 0114 225 6224 Mobile: 07845 704 205 Email: [email protected] - 1 - Jerry Pickman: “The Picture Worked” Excerpts from the reminiscences of a Hollywood publicist Jerome (Jerry) Pickman (b. 24 August 1916; d. 18 November 2010) worked for more than fifty years in Hollywood film marketing and distribution. A native New Yorker, Pickman served as a reporter on the Brooklyn Eagle and other New York newspapers and took a law degree before entering show business as a publicist for Ted Lewis, Tommy Dorsey, and other musicians and bands. His association with the film industry began in 1944 through a chance meeting with the entertainer Eddie Cantor, who employed Pickman in a personal capacity before he joined the publicity department of Twentieth Century-Fox later that year.
    [Show full text]
  • The Thesis Committee for Steven Vern Reddicliffe
    The Thesis committee for Steven Vern Reddicliffe Certifies that this is the approved version of the following thesis Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows APPROVED BY SUPERVISING COMMITTEE: Supervisor: ________________________________________ Janet Staiger __________________________________________ Michael Kackman Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows by Steven Vern Reddicliffe, B.S.J. Thesis Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin August 2010 Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows by Steven Vern Reddicliffe, MA The University of Texas at Austin, 2010 SUPERVISOR: Janet Staiger An oral history of television comedy from the early 1950s through the mid 1970s as told by the writers Sydney Zelinka, Larry Rhine, Milt Josefsberg, and the team of Seaman Jacobs and Fred S. Fox. The shows they wrote for included “The Honeymooners,” ‘The Phil Silvers Show,” “The Red Skelton Hour,” Bob Hope specials, “Here’s Lucy,” “All in the Family,” and “Maude.” These five writers were working in the earliest days of the medium and spent years writing for the personalities—from performers to producers—who pioneered and defined it. Most of them also wrote scripts during one of broadcast television’s greatest periods of transformation, when comedy took a decidedly topical turn that continued to have a significant impact on television comedy in the decades that followed. iii Table of Contents Introduction ……………………………..….……………….……..……1 Chapter One: Sydney Zelinka ……………………………....…..….…..15 Chapter Two: Larry Rhine ……………………………………......……32 Chapter Three: Milt Josefsberg ……………………...…….…...…....…58 Chapter Four: Seaman Jacobs and Fred S.
    [Show full text]
  • Program Book
    Time and Tide Wait for No Body Table of Contents Welcome to Left Coast Crime 3 Day in Monterey 17 About the Program Book 4 Jazz in Monterey 19 Lifetime Achievement – Daily Schedule 20 Richard Lupoff 5 Guest of Honor – Program Schedule 21 Sharan Newman 7 Panel Participants 26 Guest of Honor – Book Dealers 92 Walter Mosley 8 Awards 93 Toastmistress – Auction Benefits 95 Gillian Roberts/Judy Greber 10 Left Coast Crime Committee 96 Fan Guest of Honor – Obituaries 101 Bryan Barrett 11 Left coast Crime Honorees 104 Fan Guest of honor Left Coast Crime By-Laws 105 Thom Walls 12 Floor Plan 108 Bruce Alexander Tribute 14 Mayor of Monterey Welcome 16 Photo: Lola TroyFiur Sand, Sea Lions, Otters, and Mystery Time and Tide Wait for No Body Left Coast Crime 14 – Welcome Welcome to Left Coast Crime 14 at the Doubletree Hotel, Monterey, California. Our volunteer team has actively been planning this convention for the past 2 years and we look forward to all of you enjoying yourselves in the loveliest area of California in an intimate, friendly, and fun mysterious environment. Little did we know 14 years ago when we began this regional convention concept in San Francisco that we would be together in 2004, meeting with old friends, making new friends, and sharing common and not so common interests. Our programming committee, under the enthusiastic influence of Betsie Corwin, has designed many different pathways for you to take to satisfy your Smile at people and say hello. Breaking the ice is a mystery interests. It is our hope that you will have wonderful way to make new friends.
    [Show full text]
  • The Contents of This Study Guide Are Based on Standards Developed by the National Educational Technology Standards for Teachers
    The contents of this study guide are based on standards developed by the National Educational Technology Standards for Teachers. Broadway Theatrical, LLC is proud to present the Thru The Stage Door edition of Irving Berlin’s White Christmas, a new and innovative way of using Broadway as an educational tool in the classroom. Thru The Stage Door has been created by seasoned educators and combined with technology to bring lessons alive in the classroom and engage students. Whether you are teaching the Arts, Social Studies or even Science, you will find rich Broadway content and curriculum compliant lessons. When I was seven years old, my parents took me to see the original Broadway cast of Mame on Broadway. Now, more than four decades later I can still remember every moment of that visceral experience. I knew at that moment that this was the world in which I wanted to work and for 2 decades now, I wake up every morning thrilled that I’ve been fortunate to work in this truly magical world. I was also incredibly lucky to grow up in a school with a dynamic arts program that fueled my desire daily. Sadly, arts programs have been cut in most schools now and an entire generation is growing up without the many skills arts can teach. Broadway Theatrical, LLC is committed to keeping the arts in the classroom with Thru The Stage Door. As a companion piece to seeing a Broadway show or as stand-alone lessons, Thru The Stage Door is designed to stimulate creativity, inspire collaboration and engage a new generation of theatre-goers.
    [Show full text]