The Patterns and Meaning of a Great Lake in West Africa
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Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Africae ut terra mariq[ue], lustrata est, propiissima ac vere genuina descriptio, observatis ad unguem gradibus longitudinis et latitudinis. Autore M. Iacobo Castaldo Stock#: 37039aj Map Maker: de Jode Date: 1578 Place: Antwerp Color: Hand Colored Condition: VG Size: 20.5 x 16.5 inches Price: SOLD Description: Rare old color example of the first state of De Jode's first map of Africa, from the 1578 edition of his Speculum Orbis Terrarum. The map is divided into two sections and includes an elephant, lions, battle scene, sailing ships and palm trees. First state with Latin text on verso but without the addition of "Cum privilegio" in the title cartouche. The map is based on the famous eight sheet Giacomo Gastaldi wall map of Africa of 1564. Within the title, De Jode recognizes Gastaldi as the author of this work ("Autore M. Iacobo Castoldo"). As De Jode was represented at the important Frankfurt Book Fair where he bought and sold maps, he possibly obtained a copy of the Gastaldi wall map of Africa during one of these fairs. Other than reducing Gastaldi's heavily detailed, eight-sheet map to one folio-sized map, the basic outline for Africa and its hydrographical and topographic features are the same. Koeman (1967-71) theorizes that De Jode may have been inspired to issue his own atlas, based on the immediate success of Abraham Ortelius' Theatrum Orbis Terrarum. It is therefore likely that this map of Africa may have been prepared sometime after 1570, but before 1578, with the intention that it would eventually be included in De Jode's atlas, pending receipt of a publisher's privilege intended to prevent unauthorized copying of his maps. -
Venetian Cartography and the Globes of the Tommaso Rangone Monument in San Giuliano, Venice
Stephen F. Austin State University SFA ScholarWorks Faculty Publications School of Art Spring 3-2016 Venetian Cartography and the Globes of the Tommaso Rangone Monument in San Giuliano, Venice Jill E. Carrington School of Art, [email protected] Follow this and additional works at: https://scholarworks.sfasu.edu/art Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Tell us how this article helped you. Repository Citation Carrington, Jill E., "Venetian Cartography and the Globes of the Tommaso Rangone Monument in San Giuliano, Venice" (2016). Faculty Publications. 3. https://scholarworks.sfasu.edu/art/3 This Article is brought to you for free and open access by the School of Art at SFA ScholarWorks. It has been accepted for inclusion in Faculty Publications by an authorized administrator of SFA ScholarWorks. For more information, please contact [email protected]. Venetian Cartography and the Globes of the Tommaso Rangone Monument in S. Giuliano, Venice* Jill Carrington Highly specific stone reliefs of a terrestrial and a celestial globe flank the bronze statue of physician and university professor Tommaso Rangone (1493-1577) in his funerary monument on the façade of S. Giuliano in Venice (1554-1557; installed c. 1558) (Fig. 1).1 The present essay is the first to examine the strikingly specific imagery of these globes; it compares them to actual maps and globes, argues that the features of the globes were inspired by contemporary world maps likely owned by Rangone himself, relates the globes to the emergence of globe pairs at the time and situates them within the thriving production of maps, atlases, and treatises in mid-sixteenth century Venice and in the very neighborhood where these cartographic works were produced and sold. -
Writing African History in France During the Colonial Era Sophie Dulucq
Writing African History in France during the Colonial Era Sophie Dulucq To cite this version: Sophie Dulucq. Writing African History in France during the Colonial Era. Thomas Spear. Oxford Research Encyclopedia of African History, 2018, 10.1093/acrefore/9780190277734.013.313. halshs- 01939221 HAL Id: halshs-01939221 https://halshs.archives-ouvertes.fr/halshs-01939221 Submitted on 29 Nov 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Writing African History in France during the Colonial Era Oxford Research Encyclopedia of African History Writing African History in France during the Colonial Era Sophie Dulucq Subject: Colonial Conquest and Rule, Historiography and Methods , Intellectual History Online Publication Date: Oct 2018 DOI: 10.1093/acrefore/9780190277734.013.313 Summary and Keywords In the second half of the 19th century, French imperial expansion in the south of the Sahara led to the control of numerous African territories. The colonial rule France imposed on a diverse range of cultural groups and political entities brought with it the development of equally diverse inquiry and research methodologies. A new form of scholarship, africanisme, emerged as administrators, the military, and amateur historians alike began to gather ethnographic, linguistic, judicial, and historical information from the colonies. -
Challenging the Reliability of the English Slaving Narrative As a Primary Source
Wesleyan University The Honors College “We were much better people than their own Countrymen”: Challenging the Reliability of the English Slaving Narrative as a Primary Source by Mahalia Sarah Binstock Class of 2019 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in History Middletown, Connecticut April, 2019 TABLE OF CONTENTS Acknowledgements........................................................................................................1 Introduction....................................................................................................................2 Chapter 1: Introducing and Defining the Slaving Narrative........................................13 Chapter 2: The Slaving Narrative as Travel Literature................................................41 Chapter 3: Pro-Slave Trade Agendas at Work in Slaving Narratives..........................82 Conclusion.................................................................................................................110 Bibliography..............................................................................................................113 1 ACKNOWLEDGEMENTS This thesis simply would not exist without the incredible help and support I’ve received from so many quarters, both during the writing process and during my time at Wesleyan in general. To my advisor, Professor Eudell: your instruction over the past several years has profoundly broadened and deepened -
A Reflection on Arabia-Africa in the Mappa Mundi of the Chosŏn Dynasty
Article/論文 A Reflection on Arabia-Africa in the Mappa Mundi of the Chosŏn Dynasty A Study Based on the Honil kangni yŏktae kukto chido ( 混一疆理歷代國都之圖 ), or The Unified Map of Territories and Capitals of the States of 1402(1) CHOI, Chang-Mo Ⅰ . Introduction Ⅱ . Arab and Africa Geographical and Topographical Characters and Names Ⅲ . Conclusion 조선시대 고지도(古地圖)의 아라비아-아프리카 이해 소고 《혼일강리역대국도지도(混一疆理歷代國都之圖)》 (1402년)를 중심으로 崔 昌模 고지도는, 기본적으로는 과거가 이해하고 있던 실재 세계를 보여주는 ‘재현된 시각예술 의 한 형태’(이미지)로서, 본질적으로는 특정한 사실과 이야기를 공간적/지리적 상황에 서 보여주는 ‘재현된 담화의 한 형태(언어)로서, 역사이해의 ‘거울’이자 ‘텍스트’이다. 고지도에는 당시의 역사-지리적 지식-정보뿐만 아니라 과학기술 및 예술성 등이 도상학적 27 A Reflection on Arabia-Africa in the Mappa Mundi of the Choso˘ n Dynasty (Choi) 中東学会28-2.indb 27 2013/02/14 13:15:27 기호와 상징적 이미지를 통해 투영되어 있으며, 더 나아가 그 속에는 한 개인과 사회의 지 배적인 사상과 이념, 권력과 신앙 등의 ‘가치’가 담겨 있다. 특히 세계지도 ― 고지도의 여 러 유형들 가운데서 ― 는 지역 간 공간정보의 교류와 당시 사람들의 세계관/세계인식 혹 은 세계이해의 공적 소통구조를 엿볼 수 있는 ‘해독이 필요한 시각언어’이다. 본 논문에서는 아직까지 본격적으로 논의된 바 없는《혼일강리역대국도지도》(1402) 에 나타난 아라비아-아프리카지역의 지리적-지형적 특성과 지도에 표시된 약 71개 ― 아 라비아 24개, 아프리카 47개 ― 의 지명(地名)들과 조선시대가 보여주고자 했던 아라비 아-아프리카지역, 즉 ‘외부세계’에 대한 인식을 일반적인 역사적 배경 ― 지도제작의 목적, 과정, 지리적 정보의 유래, 지도제작자 등 ― 에서 살펴보되, 지도에 담긴 담론과 지도콘텐 츠 ― 그런 의미에서 지도의 역사는 담화와 이미지의 한 형태로서 해석될 수 있으며, 지도 학은 문학비평, 미술사, 지식사회학 등과 이론적으로 관련된다. -
Mapping and Voyages
Comp. by: KNarayanan Stage: Proof Chapter No.: 3 Title Name: WYATT Date:31/1/14 Time:20:47:51 Page Number: 57 Francesca Fiorani 3 Mapping and voyages Fundamentally human is the need to know the places that we inhabit and to dominate them through mapping. In the process of mastering the geography of our world, we define our place within it and our relations to others. If the need to represent the surrounding space is universal, how to map it, what to include and what to omit, is always a selective cultural process that involves choices, reductions, and distortions. Renaissance mapping is traditionally associated with the beginning of modern cartography, and its history has often been reduced to documenting the gradual conquest of mathematical accuracy in the representation of a world of expanding borders. Early European voyages beyond the Columns of Hercules (at Gibraltanuptiisr) and the rediscovery of Ptolemy’s Geographia [Geography], the foundational text for locating places precisely on a cartographic grid, date from the late fourteenth century. But Ptolemy’s mathematical geography, which has become the dominating concern of modern cartography, coexisted in the Renaissance with the verbose descriptions of places that other ancient authors had presented in their geographical texts and which have disappeared from modern maps. As cultural artifacts, maps participated in major cultural trends of the period, from human- ism to the exploration of trading routes and the emergence of the printing press as well as in the planning of religious expeditions and the formation of overseas dominions. Their techniques and conventions of representation emerged in relation to the intentions of their makers and the expectations of their patrons and users. -
Maps in Renaissance Libraries and Collections George Tolias
25 • Maps in Renaissance Libraries and Collections George Tolias The aim of this chapter is to highlight some apparently “he compiles it [the description] into a well-ordered and peripheral yet widespread scholarly uses of maps during proportionally measured map lest it be lost.” 2 the Renaissance—uses associated with map collecting, The allegory broadly agrees with Strabo’s view of display, and study. The chapter examines the role of maps mapmaking as a process of mnemonic reconstruction.3 as visual memory aids in the light of the available evi- However, the fact that Cusanus used the map as a metaphor dence; it then traces the presence and arrangement of to help his readers understand both the process of recon- maps in Renaissance libraries and collections; and finally, it examines the symbolic functions and learned uses of maps within early modern humanistic culture. The research for this chapter was made possible by the Arthur and Janet Holzheimer Fellowship, 2001–2, awarded by the Institute for Re- search in the Humanities of the University of Wisconsin, Madison, and Maps as Memory Aids thanks are due to the fellows of the institute for their helpful comments in the early stages of the work. I was particularly fortunate in being able Although the Renaissance has been described as “the age to use the resources of the History of Cartography Project, and warm of manuals,” a period “inexhaustible in its search for nor- thanks are due to the members of the Project for their constant and valu- able assistance. Naturally, my warmest thanks of all would have gone mative principles of general and perennial value, which to David Woodward for his encouragement and generous advice. -
The Nature of British Mapping of West Africa, 1749 – 1841
The Nature of British Mapping of West Africa, 1749 – 1841 Sven Daniel Outram-Leman University of Stirling PhD History Submitted 1st May 2017 Author’s declaration The work contained in this thesis is entirely my own. The views expressed are entirely my own, and not those of the University of Stirling 1 Abstract By focusing on the “nature” of mapping, this thesis falls under the category of critical cartography closely associated with the work of Brian Harley in the 1980s and early 1990s. As such the purpose of this research is to highlight the historical context of British maps, map-making and map-reading in relation to West Africa between 1749 and 1841. I argue that maps lie near the heart of Britain’s interactions with West Africa though their appearance, construction and use evolved dramatically during this period. By beginning this study with a prominent French example (Jean Baptiste Bourguignon d’Anville’s 1749 “Afrique”) I show how British map-makers adapted cartography from France for their own purposes before circumstances encouraged the development of new materials. Because of the limited opportunities to make enquiries in the region and the relatively few people involved in affecting change to the map’s content, this thesis highlights the episodes and manufactured narratives which feature in the chronology of evolving cartographies. This study concludes with the failure of the 1841 Niger Expedition, when Britain’s humanitarian agenda saw the attempted establishment of a model farm on banks of the Niger River and the negotiation of anti-slave trade treaties with nearby Africans. -
A CARTO-BIBLIOGRAPHY of the MAPS in EIGHTEENTH-CENTURY BRITISH and AMERICAN GEOGRAPHY BOOKS BARBARA BACKUS Mccorkle
A CARTO-BIBLIOGRAPHY OF THE MAPS in EIGHTEENTH-CENTURY BRITISH AND AMERICAN GEOGRAPHY BOOKS BARBARA BACKUS McCORKLE ISBN 978‐1‐936153‐02‐2 http://hdl.handle.net/1808/5564 Copyright ©2009 Barbara Backus McCorkle This electronic edition created by Digital Publishing Services, an initiative of the University of Kansas Libraries Creative Commons License Deed Attribution-Noncommercial-No Derivative Works 3.0 Unported You are free: • to Share — to copy, distribute and transmit the work Under the following conditions: • Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work.) • Noncommercial — You may not use this work for commercial purposes. • No Derivative Works — You may not alter, transform, or build upon this work. With the understanding that: • Waiver — Any of the above conditions can be waived if you get permission from the copyright holder. • Other Rights — In no way are any of the following rights affected by the license: o Your fair dealing or fair use rights; o The author's moral rights; o Rights other persons may have either in the work itself or in how the work is used, such as publicity or privacy rights. • Notice — For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page. 5 PREFACE This study of eighteenth-century geography books published in the British Isles and United States began some years ago when I was an associate rare book librarian at the Kenneth Spencer Research Library, University of Kansas. -
White Hegemony in the Land of Carnival
White Hegemony in the Land of Carnival The (Apparent) Paradox of Racism and Hybridity in Brazil Benito Cao Thesis submitted for the degree of Doctor of Philosophy in the Discipline of Politics School of History and Politics University of Adelaide October 2008 for Adela ii Table of Contents Abstract ……………………………………………………………………………..… v Declaration …………………………………………………………………………... vi Acknowledgements …………………………………………………………...…… vii Notes on Language and Bibliography ……………………………………………. ix Introduction: Brazil(ianness) ………………………………………………………. 1 The Myth of (Brazilian) Racial Democracy …………………………………...…... 2 The (De)Colonisation of the (Brazilian) Imagination …………………………… 11 (Eurocentric) History and the Writing of (White) Hegemony …………………. 20 The (Re)Invention of the (Brazilian) Nation ……………………………………... 29 Supplements to the Initial Basic Approach ………………………………………. 45 The Indian (Other) …………………………………………………………… 46 The Female (Other) ………………………………………………………….. 46 The Popular (Culture) ……………………………………………………….. 48 (De)Constructing Brazil(ianness) …………………………………………………. 50 Chapter One: Discovery …………………………………………………………... 52 Vision and Power in the Birth Certificate of Brazil ……………………………... 53 Objects and Subjects in the Birth Certificate of Brazil …………………………... 60 Marriage as Metaphor of the Origins of Brazil(ianness) ………………………... 66 (Re)Discovering Brazil: (Re)Visions of the Nation ……………………………… 74 Voyage: Modernity ………………………………………………………….. 75 Encounter: Cordiality ……………………………………………………….. 81 Other (Re)Visions ……………………………………………………………. 85 Conclusion: The First -
NEWS and REVIEWS May | June 2021 Volume II, No
ASSOCIATION OF JEWISH LIBRARIES NEWS and REVIEWS May | June 2021 Volume II, No. 4 Contents Seven Questions with Blima Marcus 3 Digital Exhibition: This issue’s Seven Questions with … features Blima Marcus, Romaniote Memories oncology nurse practitioner and Assistant Adjunct Professor 4 Educating the Jewish, Legal at Hunter College. Marcus has garnered national attention and General Communities for her efforts as a vaccine educator in ultra-Orthodox com- about Jewish Lawyers in munities. Her scholarly publications include, most recently, A Nazi Germany Nursing Approach to the Largest Measles Outbreak in Recent U.S. History: Lessons Learned Battling Homegrown Vaccine 5 Congregation Rodef Sholom: Hesitancy (Online Journal of Issues in Nursing, 2020). Marcus A History and Lesson in also serves on the editorial review board at Online Journal Collaboration and the Creation of Issues in Nursing and is a reviewer at Bellevue Literary of an Archive Review: A Journal of Humanity and Human Experience. 7 2021 Fanny Goldstein Merit Award Winner Announced 1. Thank you for taking the time to speak with AJL News and Reviews! Can you tell us about your work as a vaccine educator? 8 AJL 2021 Jewish Fiction Award Winners I am an oncology nurse first and foremost. I rarely encounter children, and my work never crosses with primary care, which is where vaccines are discussed and administered. 9 From the President’s Desk However, in my work in oncology I constantly care for an immunocompromised popula- 10 Chapter Chatter tion. And this became important for me in 2018 when New York became the epicenter and Member News of a measles outbreak. -
Slavery Or Cham
“Cham” Treatise on Slavery – Cham (2 of 2), 1823 Joseph P. MoBBerly, SJ Papers, Box 1, folDer 8, Georgetown University Manuscripts, Booth Family Center for Special Collections, Washington, DC Transcript By Alphonso Saville, Ph.D., Department of Theology anD Religious StuDies, Georgetown University EDitorial Notes This unpuBlisheD manuscript is a treatise that justifies slavery By expounDing a racial theory BaseD on an interpretation of the BiBle. The racist language within this Document has not been moDified. As a hanDwritten Document written in a single Document, readers should also Be aware that this Document is not as clean as most typeset Documents. Please Be aware of the following eDitorial practices: • Page numBers: The pages are DenoteD By the numBer that Brother MoBBerly assigneD to them. • Left margin notes: Brother MoBBerly useD these margins to cite the sources of his quotations anD claims. These are citeD in Brackets, for example [Luc. 16.29]. Brother MoBBerly also makes parenthetical notes, which have Been retaineD such as (Jno. 16:13). • Bottom margin notes: Brother MoBBerly useD these margins for Discursive notes, usually noteD in the text By * or +. These appear on the Bottom of each page. In many cases, the note is continueD on the Bottom of successive pages. The layout has Been maintaineD in this transcript. • Misspellings: Errors in spelling anD syntax have Been retaineD without eDitorial comment. The abBreviation sic has not Been useD in this transcript. • Latin passages: These are italicizeD without translation. • Emphasis: The use of underscore or large font reflects Brother MoBBerly’s emphasis, not the eDitors of this transcript.