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Download 2017 Annual Report
Annual Report Issue SUMMER 2018 Please Join Us for the 72nd Annual Meeting and the Members’ Reception for Art and the New England Farm. Friday, June 1, 2018 at 5:30PM Florence Griswold Museum 96 Lyme Street Old Lyme, Connecticut The Annual Meeting takes place on Friday, June 1, 2018 at 5:30pm under a tent on the Adrian P. Moore Garden Terrace. We will share brief reports on the activities of the Museum and invite members to elect a new slate of officers and trustees. Afterwards, we’ll enjoy a festive reception for the exhibition Art and the New England Farm. This is your invitation to the Annual Meeting and Members’ Reception. We hope you can join us. Kindly RSVP (acceptances only) to 860-434-5542 ext. 122 or DeeDee@fl gris.org. Thomas Nason, Midsummer, 1954. Florence Griswold Museum, Gift of Janet Eltinge Art and the New England Farm – the Perils and Pleasures of Farming The Florence Griswold Museum is uniquely positioned to tell the story of Art and the New England Farm, on view May 11 through September 16. This exhibition delves into the agricultural heritage of Florence Griswold’s family estate, the Lyme region and beyond, to examine the complex history and character of New England’s farms. Paintings, drawings, and photographs by artists from the 1830s to the present day will trace the unique challenges of farming in New England. The Museum’s property is itself a case study of family farms in New England. Purchased by the Griswolds in 1841, these grounds became a country estate with barns, an orchard, gardens, and riverfront pastures where the family practiced small-scale farming during Florence’s childhood. -
Robert Vonnoh. French Impressionist in Americadocx.Docx
Robert Vonnoh, French Impressionist in America Recognized as one of the leading American impressionist painters, Robert Vonnoh (1858- 1933) was a pioneer in adapting the techniques and vision of the French Impressionists, first in France and later in the United States. He ventured to Grez-sur-Loing, just south of the forest of Fontainebleau and not far from Paris, in 1887; this art colony was popular with aspiring as well as practicing artists of various nationalities – particularly British, Scandinavian and American. The prominent Americans there at one time or another included John Singer Sargent, Willard Metcalf, Walter Launt Palmer in addition to Vonnoh. In Grez he painted landscapes notable for their high-keyed palette which established his reputation. In 1892 he returned to take up a teaching post in Philadelphia, and when he married the up-and-coming young sculptor Bessie Potter (1872-1955) in 1899 they settled in New York. She is renowned in particular for her small-scale bronzes of women and children in modern dress. Robert and Bessie frequently exhibited together, and his 1913 portrait of her in the guise of Elisabeth Vigee-Lebrun (as she famously portrayed herself), done for a joint exhibition, is an homage to her professional status at a time when she was creating some of her most admired sculptures. This remarkable representation of Bessie Potter Vonnoh is a profound image of the two artists’ shared esthetic and ambition. Collisart is pleased to be showing this painting along with two Robert Vonnoh landscape scenes and a beguiling small Bessie Potter Vonnoh bronze, The Intruder, also of 1913. -
The Jewel City
The Jewel City Ben Macomber The Project Gutenberg EBook of The Jewel City, by Ben Macomber Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Jewel City Author: Ben Macomber Release Date: January, 2005 [EBook #7348] [Yes, we are more than one year ahead of schedule] [This file was first posted on April 18, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK THE JEWEL CITY *** Produced by David Schwan Panama-Pacific International Exposition Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. The Jewel City: Its Planning and Achievement; Its Architecture, Sculpture, Symbolism, and Music; Its Gardens, Palaces, and Exhibits By Ben Macomber With Colored Frontispiece and more than Seventy-Five Other Illustrations Introduction No more accurate account of the Panama-Pacific International Exposition has been given than one that was forced from the lips of a charming Eastern woman of culture. -
Robert Vonnoh (1858-1933) Haystacks Oil on Panel 12 ¾ X 16 Inches Signed at Lower Left
Robert Vonnoh (1858-1933) Haystacks Oil on panel 12 ¾ x 16 inches Signed at lower left Robert Vonnoh’s most direct influence was the renowned Impressionist, Claude Monet (1840 - 1926). Vonnoh was inspired by Monet’s landscapes and his explorations of light and color through numerous series of paintings of a single subject in different seasons and times of day. Indeed, Vonnoh’s Haystacks has a direct correlation to Monet’s paintings of the same subject. Yet, while Monet prominently features one to two large haystacks as the dominant focus of his composition, Vonnoh places more emphasis on the vast fields and open skies of the rural landscape where large groups of haystacks line the countryside. Though Vonnoh embraced the Impressionist style, as seen in this painting of haystacks, his forms never went as far as his French counterparts in fully dissolving forms into pure light and color. Much like Monet, Vonnoh also produced numerous paintings of flowers, especially poppies, and frequently integrated figures into his landscapes. For example, Vonnoh’s 1890 painting, In Flanders Field bears a strong resemblance to Monet’s Poppies of 1873. It is also likely that Vonnoh was aware of Monet’s paintings of flowers and waterlilies produced in his garden at Giverny. *** Robert Vonnoh, an influential landscape and portrait painter, is recognized as one of the first American artists to bring European Impressionism to the United States. He was born in Hartford Connecticut to German-American parents, and was raised in Boston, where he began his art education at the Massachusetts Normal Art School in 1875. -
Catalogue of the ... Annual Exhibition
Established 1846 M. Knoedler & Co. Publishers and Dealers in WORKS OF ART PAINTINGS ENGRAVINGS ETCHINGS, ETC 556 Fifth Avenue New Yorfc Paris London J7 Place Vendome J5 Old Bond Street The One Hundred and Fifteenth Annual Exhibition of the Academy will be open to the public from Sunday, February 8, to Sunday, March 28, 1920, inclusive. ' Sundays, from i to 5 P. M. Week-days, from 9 A. M. to 5 P. M. MAN Y OF THE WORKS IN THIS EXHIBI- TION ARE FOR SALE AT STUDIO PRICES. INFORMATION IN REGARD THERETO MAY BE HAD FROM THE SALES- MAN OR FROM ANY ATTENDANT IN THE GALLERIES OR AT THE OFFICE THERE AREIN THE EXHIBITION 360 PAINTINGS AND 158 EXHIBITS OF SCULP- TURE. 333 ARTISTS ARE REPRESENTED The Schools of The Pennsylvania Academy of the Fine Arts train students in painting, sculpture and Ulustration. The success achieved by the schools is testified to by the number of artists of great reputation who received their training in them. The present instructors are; Hugh H. Breckenridge, Charles Grafly, Henry McCarter, Joseph T. Pearson, Jr., Daniel Garber, Philip L. Hale, Robert Vonnoh, Arthur B. Carles, John F. Harbeson and Charles de Geer, Detailed information in regard to the Schools will gladly be furnished to any one interested in the subject. The second term of the present school year begins February 2, 1920, but students may enter at any time. Summer School at Chester Springs, Chester County, Pennsylvania. THE PENNSYLVANIA academy of the fine arts FOUNDED 1805 CATALOGUE OF THE ll^TH ANNUAL EX- HIBITION, FEBRUARY 8 TO MARCH 28, 1920 SECOND EDITION PHILADtLPHlA 1920 MANAGEMENT OF THE PENNSYLVANIA ACADEMY OF THE FINE ARTS PRESIDENT, JOHN FREDERICK LEWIS. -
Catalogue Winter Exhibition
NATIONAL ACADEMY B OF DESIGN j : M. Knoedler & Co. invite attention to their carefully selected collection of PAINTINGS and Water Colors of various schools Old English Mezzotints and Colored. Sporting Prints 355 Fifth Avenue Cor. 34th St., N. Y. London : Paris 15 Old Bond Street 23 Place Vendome Paintings by American Artists CHOICE EXAMPLES ALWAYS ON VIEW FREQUENT SPECIAL EXHIBITIONS ALSO A FINE SELECTION OF VOL KM AR POTTERY W1LLIAH HACBETH 450 Fifth Avenue New York THE GETTY CENTER UGRASY Schaus’ Art Galleries 415 FIFTH AVENUE BETWEEN 37th AND 38th STREETS NEW YORK I HIGH GLASS OIL PAINTINGS DUTCH WATER COLORS FINE ENGRAVINGS AND ETCHINGS ARTISTIC FRAMING — N IMPORTERS OF Rare China A rtistic Faiences Plates, Oriental Porcelains , and Bric-a-Brac. Fifth Avenue and joth Street , New York. THE FIRST “BANK OF DEPOSIT” THAT PROVIDED SEPARATE BANKING FACILITIES FOR WOMEN, A.D. 1869 James Stillman, President John L. Riker, Vice-President J. S. Case, Cashier Wm. A. Simonson, 2d Vice-President Wm. Pabst, Asst. Cashier The Second National Bank OF THE CITY OF NEW YORK Fifth Avenue, corner 23d Street (under Fifth Avenue Hot) —AND Fifth Avenue Safe Deposit Company Capital, Surplus and Undivided Profits, $1,760,000 Fifth Avenue, cor. 23d Street (Fifth Avenue Hotel) IV Digitized by the Internet Archive in 2016 https://archive.org/details/cataloguewintere1906nati BY A. BREWSTER SEWELL, A.N.A. IRational Hcabemp of Design WINTER EXHIBITION 1906 HELD AT 215 WEST FIFTY-SEVENTH STREET NEW YORK OPEN DECEMBER 22D I906 TO JANUARY 19TH 1907 IO A.M. TO 6 P.M. AND 8 P.M. -
A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
This page intentionally left blank This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 by Dorothy W. Phillips Curator of Collections The Corcoran Gallery of Art, Washington D.G. 1973 Library of Congress Catalogue Card Number N 850. A 617 Designed by Graham Johnson/Lund Humphries Printed in Great Britain by Lund Humphries Contents Foreword by Roy Slade, Director vi Introduction by Hermann Warner Williams, Jr., Director Emeritus vii Acknowledgments ix Notes on the Catalogue x Catalogue i Index of titles and artists 199 This page intentionally left blank Foreword As Director of the Corcoran Gallery of Art, I am pleased that Volume II of the Catalogue of the American Paintings in the Corcoran Gallery of Art, which has been in preparation for some five years, has come to fruition in my tenure. The second volume deals with the paintings of artists born between 1850 and 1910. The documented catalogue of the Corcoran's American paintings carries forward the project, initiated by former Director Hermann Warner Williams, Jr., of providing a series of defini• tive publications of the Gallery's considerable collection of American art. The Gallery intends to continue with other volumes devoted to contemporary American painting, sculpture, drawings, watercolors and prints. In recent years the growing interest in and concern for American paint• ing has become apparent. -
Edwin Coupland Shaw Papers
Edwin Coupland Shaw papers Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 2 Scope and Contents........................................................................................................ 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Edwin Coupland Shaw papers AAA.shawedwi Collection Overview Repository: Archives of American Art Title: Edwin Coupland Shaw papers Identifier: AAA.shawedwi Date: 1864-1937 Creator: Shaw, Edwin Coupland, 1863-1941 Extent: 3 Microfilm -
Our Best to You 170Th Anniversary Edition
Our Best to You 170th Anniversary Edition Vose Galleries Cover: Winslow Homer (1836-1910) , (detail) Boys Watching a Steamboat , watercolor on paper 9 1/2 x 13 1/2 inches, signed lower right: Winslow Homer 1880, (p.16) Back Cover: James Jeffrey Grant (1883-1960) , Street Scene in Gloucester , oil on canvas 30 x 35 inches, signed lower left: J. Jeffrey Grant © 2011 Copyright Vose Galleries, LLC. All rights reserved. Designed and edited by Elizabeth Vose Frey, written by Marcia L. Vose and Courtney S. Kopplin. Photography by Christopher R. Greene. Printing by Capital Offset Co., Concord, NH. Our Best to You 170th Anniversary Edition March 15- April 30, 2011 V ose Fine American Art for Six Generations EST 1841 G alleries llc 238 Newbury Street . Boston . MA . 02116 . Telephone 617.536.6176 or 866.862.4871 [email protected] . www.vosegalleries.com Vose Galleries Locations: The Vose Family : (from right) Marcia l. Vose, clockwise from top left: Westminster street, ri, abbot W. Vose, carey l. Vose, elizabeth Vose Frey circa 1860; 154 snow street, Providence, ri, circa 1880; 559 Boylston street, copley square, 1924- 1962; 238 Newbury street, since 1962 as we enter our 170th year in business, we reflect back on the long-standing history that Vose Galleries has shared with many of the artists included in this catalog. Below are some highlights: • in the 1850s, second generation seth M. Vose (1831-1910) owned a small framing and art supply store in Providence, ri, which was patronized by many New england artists. The business grew under his guidance, and by the 1860s seth naturally progressed into exhibiting works by these artists. -
The Boston School Tradition
The Boston School Tradition TRUTH , B EAUTY AND TIMELESS CRAFT Cover: Joseph Rodefer DeCamp (1858-1923), (detail) The Kreutzer Sonata (The Violinist II) Oil on canvas, 48 1/4 x 40 1/4 inches, signed and dated lower left: Joseph DeCamp 1912, (pg. 19) The Boston School Tradition TRUTH , B EAUTY AND TIMELESS CRAFT June 6 - July 18, 2015 V OSE Fine American Art for Six Generations EST 1841 G ALLERIES LLC Boston Art Schools, Clubs and Studios E.A. Downs, Boston, 1899 , George H. Walker & Co. Lithography, Boston Courtesy of The Norman B. Leventhal Map Center, Boston Public Library Edited by Marcia L. Vose Designed by Stephanie M. Madden and Elizabeth Vose Frey Written by Courtney S. Kopplin, Stephanie M. Madden, and Catharine L. Holmes Photography by Tyler M. Prince Original Museum of Fine Arts location in Printing by Puritan Capital, Hollis, NH Copley Square, circa 1895 © 2015 Copyright Vose Galleries, LLC. All rights reserved. Vose Galleries Archives Foreword by Marcia L. Vose, Vice President Stuffed Sharks or Truth and Beauty? One of our artists, Joel Babb, recently gave me a book that As the definition of “art” becomes increasingly diverse, I I am in the midst of reading, Don Thompson’s The $12 hope future historians will distinguish today’s realist painters Million Stuffed Shark: The Curious Economics of Contem - as upholders of an art form that has been passed down for porary Art . I have had a glimpse into the machinations of centuries, with each succeeding generation applying tradi - this dizzying world, which originated around 1970, and tional methods and timeless craft in new and inventive ways. -
On America: a Lecture Series by Prominent Art Scholars
524 Wick Avenue Youngstown, Ohio 44502 330.743.1107 On America: A Lecture Series by Prominent Art Scholars Wednesdays during Extended Summer Evening Hours “On America” is in conjunction with: “Youngstown Live Presents Evening Hours at The Butler” Refreshments served at 6:30pm. Lectures begin at 7pm – Zona Auditorium ASL interpreting services will be provided July 10th Barbara Haskell Curator, Whitney Museum of American Art How the Mexican Muralists Reshaped American Art, 1925-1949 BARBARA HASKELL is a long-time curator at the Whitney Museum of American Art, a well-known scholar on American modern art, and author of over thirty publications. Among the landmark thematic exhibitions she has curated are The American Century: Art & Culture 1900–1950 (1999) and BLAM! The Explosion of Pop, Minimalism and Performance 1958–1964 (1984). In addition, she has curated retrospectives and authored accompanying scholarly monographs on a range of early-twentieth-century and post-war American artists, including H. C. Westermann (1978), Marsden Hartley (1980), Milton Avery (1982), Ralston Crawford (1985), Charles Demuth (1987), Red Grooms (1987), Donald Judd (1988), Burgoyne Diller (1990), Agnes Martin (1992), Joseph Stella (1994), Edward Steichen (2000), Elie Nadelman (2003), Oscar Bluemner (2005), Georgia O’Keeffe (2009), Lyonel Feininger (2011), Robert Indiana (2013), Stuart Davis (2016), and Grant Wood (2018). In 2005, she was awarded the Lawrence A. Fleischman Award for Scholarly Excellence in the Field of American Art History by the Smithsonian Archives of American Art. July 17th William Underwood Eiland Director, Georgia Museum of Art Reading American Pictures: Meaning in Paintings from the Georgia Museum A native of Sprott, Ala., William Underwood Eiland is the director of the Georgia Museum of Art at the University of Georgia. -
The Butler Institute of American Art: Pro Bono Publico
THE BUTLER INSTITUTE OF AMERICAN ART: PRO BONO PUBLICO A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Ann Michelle McMaster August, 2015 Thesis written by Ann Michelle McMaster B.A. Youngstown State University, 2007 M.A. Kent State University, 2015 Approved by ________________________________________ O. Carol Salus, Ph.D., Advisor ________________________________________ Christine Havice, Ph.D., Director, School of Art _________________________________________ John R. Crawford, Ed.D., Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES .........................................................................................................................v ACKNOWLEDGEMENTS ......................................................................................................... viii INTRODUCTION .......................................................................................................................... 1 CHAPTER I. THE ROLE OF THE MUSEUM IN THE UNITED STATES ................................................... 5 The Practice of Collecting ....................................................................................................... 5 The Early Development of the Art Museum ........................................................................... 6 Early Foundations in the United States ................................................................................... 7 Setting the Standard: The American