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TEMPSUMMER O'95' CONTENTS • NOTES AND NEWS STRAWINSKY'S "THE RAKE'S PROGRESS" : INTRODUCTION, SYNOPSIS AND ILLUSTRATIONS SOME REFLECTIONS ON OPERA AS A MEDIUM W. H. Auden "THE RAKE'S PROGRESS" Eric Walter White CONTEMPORARY MUSIC IN SOUTH AFRICA Ernest Fleischmann MUSIC IN TURKEY George Weldon ISRAELI COMPOSERS Peter Gradenwitz A HISTORY OF ENGLISH OPERA Edward J. Dent BOOK GUIDE NUMBER QUARTERLY 20 TWO SHILLINGS Downloaded from https://www.cambridge.org/core. IP address: 170.106.33.14, on 30 Sep 2021 at 09:02:29, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0040298200050129 Outstanding now Records "HIS MASTERS VOICE oT^e c/ta/hn&lA. of Ccua/ity LEOPOLD STOKOWSKI JASCHA HEIFETZ and AND HIS SYMPHONY ORCHESTRA SIR WILLIAM WALTON Overture, " Hansel and Gretel " — Humperdinck conducting DB2I256 THE PHILHARMONIA ORCHESTRA PETER PEARS and BENJAMIN BRITTEN Violin Concerto — Walton - - DB2I257-9 "Old American Songs":— The Boatmen's HALINA STEFANSKA Dance; I bought me a cat; Long time ago: The Nocturne in C Sharp Minor; Mazurka in C Sharp Dodger; Simple gifts - - DA 7036-9 Minor — Chopin - - - - C4082 Auto Couplings only MENUHIN and LOUIS KENTNER VICTORIA DE LOS ANGELES Sonata No. I in B Minor — bach - DB9607-8 GERALD MOORE at the Piano Auto Couplings only La Maja Dolorosa No. 3 and El Majo Discreto SCHNABEL (from " Coleccion de Tonadillas") — Granados Rhapsody No. 2 in G Minor — Brahms DB6504 DA 1976 THE GRAMOPHONE COMPANY LIMITED, HAYES, MIDDLESEX ARTHUR OLDHAM BORN IN 1926, ARTHUR OLDHAM has now entered upon the years of achievement. During the present Festival period three important new works have received their first performances, and three earlier works have recently been published. DIVERTIMENTO FIVE CHINESE LYRICS MY TRUEST TREASURE for String Orchestra for High Voice and Piano lOd. 4/- " A really outstanding partsong, a Full Score 30/- First performed by setting for S.A.T.B. of a poem by the Parts (each) 2/- Peter Pears and Benjamin Britten fourteenth century poet, Richard at the 1949 Aldeburgh Festival. Rolle. It has everything in it that one " a strong and effective piece " " proved immediately attractive by could demand . including drama, (Monthly Musical Record) their graceful melodic writing, sensi- tenderness, despair, triumph, brilliant " All five movements of the work tive harmonic scheme, and constant use of choral effect, in which disson- have a rich melodic character built on maintenance of a musical idiom apt ance plays an important part, etc. a sound foundation." to the shy translucency of the verses." Conductors must see this." (Derbyshire Advertiser) (The Times) (Musical Opinion) BOOSEY & HAWKES LTD 295 REGENT STREET, LONDON W.i. Downloaded from https://www.cambridge.org/core. IP address: 170.106.33.14, on 30 Sep 2021 at 09:02:29, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0040298200050129.

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9 September 2021
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9314580 A conductor's guide to twentieth-century choral-orchestral works in English Green, Jonathan David, D.M.A. The University of North Carolina at Greensboro, 1992 UMI 300 N.
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The Magazine of the Guild of Church Musicians
Happy choristers at Arundel Cathedral display their Archbishops’ Chorister Medals Photo by Elizabeth Stratford Laudate The Magazine of the Guild of Church Musicians Laudate is typeset by Michael Walsh HonFGCM and printed by St Richard’s Press No 101 May 2020 Leigh Road, Chichester, West Sussex PO19 8TU [email protected] 01243 782988 From the Editor of Laudate www. e are living in strange and unsettling times and it is looking as if we will be very fortunate if church services are allowed to resume before the end of the year. WMany enterprising organists and choir directors are seeking ways to keep their choirs together via Zoom and other platforms, although those of you who have tried singing together in this way will have probably dissolved into fits of giggles before the end of the first line of music! Perhaps some of you will have taken this opportunity to listen to more music, perhaps exploring repertoire and performances you have been meaning to listen to but have always managed to be distracted by other things. Some may well have started to use this time to do some research, even to study for a diploma or some award. Patrons: Rt Revd & Rt Hon Dr Richard Chartres, former Lord Bishop of London The Guild has lots of avenues to explore if that is your intention and I can do no more than encourage you all to Professor Dr Ian Tracey, Organist Titulaire of Liverpool Cathedral visit our new Guild website at www.gcm.org.uk. We are indebted to Ken Cope who has worked tirelessly Dame Patricia Routledge, internationally renowned soprano & actress to get our new site up and going.
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Benjamin Britten World Premiere: 24 May 1948 Arts Theatre, Cambridge, United Kingdom Tyrone Guthrie, Director; English Opera Group Conductor: Benjamin Britten
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