Discorde THAT MAGAZINE F R 04G]\ C IT R ^TO 1

Total Page:16

File Type:pdf, Size:1020Kb

Discorde THAT MAGAZINE F R 04G]\ C IT R ^TO 1 n SEPTEMBER 2002 FREE ^_ DiSCORDE THAT MAGAZINE F R 04g]\ C IT R ^TO 1 . 9 FV OLYMPIA'S BANGS LOCAL MU«M PUSHING VANCOUVER'S SPREADEAGLE DREAM ON DREARY FLYING FOLK ARMY AND SHINDIG! OUT OF THE WAY!* :TU«DAyj mUeluetK *>Chiclet „P*« _ tunning protestor of dropping sclent* for mSchloi Dr.Blue Jugor Cookies I FRIDAY SEPTEMBER 13 | i FRIDAY SEPTEMBER 13 f J SATURDAY SEPTEMBER 14 T J^A2 ^^ TINV UNWERSE |SEPTEMBER 19f 1 SATURDAY SEPTEMBER 211 ATTENTION rUft/ 77/£ STARTING LINE I BALLIGOMINGO AND GUESTS SEPTTrHBER/7 TKKETS ALSO AT ZULU, NOIZE AHD SCRATCH | rpniTUU nil TI.D1I rCMTDC • J SEPTEMBER 241 mm EffiSEl IHI1:'JN martina Bob sorbara Egan (of Blue Rodeo, ex-Wilco) Glenn ;ELDOF Milchem The Frames .peolal Ku..U (°f BlU6 RodOO) Pigeon-Hole I ARTS CLUB REVUE STAGE I IHM:HMI fez? IhcobastanMi doves Gomez ISTRING » , SPECIALOUESTS ,""•>> I with'ilh special guestsguests lAlirrOr WITH SPECIAL GUESTS M-J^l ' 11 H • • \t" pidLH MY MORNING JACKET INCIDENT drawn itoy When you p urchase a ticket for die show you will be able to hear an delusive preview of the complete new album called 'HAVE YOU VED THE FISH?' General admission show M'M'l*m.HJi 2 September 2002 DiSCORDER ISSUE 233 • SEPTEMBER 2002 • THAT BUTT-ROCK MAGAZINE FROM CITR 101 .9FM editron: Chris "Fast Dan" Eng Local Music Directory Pull-Out ad rep: Coal, Mach Tiver by Evan Symons p.l 1 Steve "Where's the Dream on Dreary by Breezy Blast p. 13 Love" DiPo Spreadeagle by Black Diamond p. 14 art director: Flying Folk Army by Brian Disagree p. 15 Lori Kiessling Bangs by Chris Eng p. 16 production manager: SHiNDiG by Michael Schwandt p. 1 8 Ali Boulala editorial assistant: What's Wrong by Chris Eng p. 19 Donovan Schaefer real live action editor: EWtoP Duncan McHugh Vancouver Special pA website design: Fucking Bullshit pA Esther Strut, Fret & Flicker p£ layout and design: Over My Shoulder p.5 Lori, Duncan, Russ Radio Free Press p.6 Davidson Kill Your Boyfriend p.7 photos: 7 p.10 Lori, Joe Denardo, Dan Panarticon p.10 Siney, Lyndsay Sung Under Review p.20 production: Real Live Action p.22 Keith "Tejano" Turkowski, Charts p.27 Ubyssey On the Dial p.28 on the dial: Kickaround p.29 Bryce Dunn Datebook p^30 charts: Luke Meat datebook: Tom Penny distribution: This month we were lucky enough to have the Matt Steffich world-renowned web-designer Russ Davidson us distro: (www.supa.ca) make our cover. Russ is not only Richard Trimble talented and handsome, he's also the master of the publisher: crooked grind. Linda Scholten "DiSCORDER" 2002 by the Student Radio Society of the University of British Columbia. All rights d. Circulation 17,500. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money orders payable to DiSCORDER Magazine. DEADLINES: Copy deadline for the October issue is September 18th. Ad space is available until August 25th and can be booked by calling Steve at 604.822.301 7 ext. 3. Our rates are available upon request. DiSCORDER is not responsible for loss, damage, or any other injury to unsolicited manuscripts, unsolicited artwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc or in type. As always, English is preferred. Send email to DiSCORDER at [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.3017 ext. 0, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at www.citr.ca or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC, V6T 1Z1, CANADA. printed in canada 3 DiSCORDER APCCIQI va w%loca cl review o livs bey Jani r s McKenzie MR. PLOW to the plain vanilla version. by slow Syd Barrett-flavoured Parts Unknown <[email protected]> and calliope/circus keyboard (Crusty) tracks. The r*a*d*i*o* is this SATURDAY 4^/1M} Mr. Plow is a guy with a throat- The R*A*D*I*0* month's pleasant surprise. ripping, growly voice, an The Disclosure Project <churchofradiology@hot- Royal Hot-' "n acoustic guitar, something of a (Monolithic) mail.com> bad attitude, and a long list of The Disclosure Project is really INTERPOL [MatadorRecords (very) late-adolescent com­ two separate 7-song CDs, HANSON BROTHERS RADIO BERLIN plaints. For the most part his called In the Beginning and The My Came songs are about women, but Mr. Final Chapter? At first this was (Mint) THE ORGAN Plow doesn't limit himself to the enough to make me nervous— If the Ramones had grown up usual range of girlfriend prob­ was I going to have to listen to playing hockey in Canada, lems. Instead he sings about the modern-day equivalent of would they sound like the girls who expect an engage­ a 1970s double concept album Hanson Brothers? Not sur­ IUNDAY betd Hi ment ring, who won't go out with a gatefold sleeve?—but prisingly, the Hansons' whole with him, who won't leave him the CDs didn't turn out to be sound is speedy old-fashioned Royal Hotel [10: alone, who think they're rock scary at all. Rather than prog- punk (the band would say stars, who don't eat meat, and rock (at least the kind that "puck") rock in the straight- •> NEW BOMB TURKS [, who get farted on when per­ gives me the heebie jeebies), ahead Ramones tradition. But THE SPITFIRES forming oral sex. Some of the the r*a*d*i*o* seems to be instead of writing lyrics about tracks are very funny, many are inspired by '60s baroque rock, eating refried beans in Queens plus guests angry, and one (the last) is a clip garage-tinged space rock, iron­ and innumerable other New from The Simpsons that ic Japanese dance pop, and York themes, this band most­ explains the origin of Plow's early '70s British post-folk. On ly sings about hockey and moniker. A lot of the songs In the Beginning there is one hockey players. There are even —«r«/©H) verge on bad taste, as you might song, "Skin," which takes ele­ pitches for both a Hanson have already guessed, but one, ments of Jean-Micheljarre and Brothers hockey camp and a Royal Hotel [1029 Granv the bonus track that's probably Vince Guaraldi (the guy who beer-making kit in the CD. called "Fish Fuck," really does did the Peanuts .piano music) Does it get any more Canadian THE GOSSIP [KitlRockStars cross the line. Look out for the and throws them together with than this? "Leaky Dink super mega mix" of female Japanese vocals. (PO Box 21628, 1850 A LUNA RED [ActionDri the nasty "Rock Star," which— The second CD, The Final Commercial Drive, Vancouver, THE NONS shocking!—adds a drum track Chapter?, feels more dominated BCV5N5T5)- -.rocfW BRIGHT EYES [sadd.ec, M.WARD • THE BRUCES EARLY SHOW! DOORS 4.30. uckinq bullshit by Christa Min SDAY oefW^ n 1568, beards in England smooth, clean faces like their shape every morning? Sonar [66 Water] were taxed according to own. They like men who look Obviously any cheap variation I their length. Do you know like women. It is clear that if a of the beard is only worn by the electroclash what that means? Good, 'cause woman doesn't like facial hair, someone who is too much of a I have NO IDEA. I'm guessing she is a LESBIAN. Which is just pussy to stand up to the dis­ PEACHES that the longer the beard, the fine, but why hide your true crimination and hatred that CHICKS ON SPEED more taxes you had to pay. Do self? You should be proud of may come with a full face of you know what that is? who you are. hair. TRACY + THE PLASTICS Discrimination! Perhaps this I should clear something up It's a little known fact that was the beginning of what I call here. A beard can be in any Verve refused to sign the W.I.T. beardism or beard profiling. shape or length. The only Velvet Underground until Lou Unlike racism and homophobia requirement is that no parts of Reed shaved off his beard. He in the last 500 years, the prob- the face may be shaven. A had a full beard his entire time at Syracuse University. He liked to rub it when he was writing It's a little known fact that Verve poetry. Reed once said "my HOT WATER MUSIC refused to sign the Velvet thoughts disappeared, just as the beard." It's TRUE! Could you THRICE Underground until Lou Reed shaved imagine how good his lyrics would have been if those COHEED AND CAMBRIA off his beard. beardist motherfuckers at Verve didn't ruin him? I mean, plus guests lem has only been getting beard is where it grows. he did okay without the beard, worse. Goatees, sideburns, chin but imagine what could've Only 1 out of every 100 straps, and such (the mous­ been.
Recommended publications
  • Openness in the Music Business– How Record Labels and Artists May Profit from Reducing Control
    Table of Contents TECHNISCHE UNIVERSITÄT MÜNCHEN Dr. Theo Schöller-Stiftungslehrstuhl für Technologie- und Innovationsmanagement Openness in the music business– How record labels and artists may profit from reducing control Johannes L. Wechsler Vollständiger Abdruck der von der Fakultät für Wirtschaftswissenschaften der Technischen Universität München zur Erlangung des akademischen Grades eines Doktors der Wirtschaftswissenschaften (Dr. rer. pol.) genehmigten Dissertation. Vorsitzender: Univ.-Prof. Dr. I. Welpe Prüfer der Dissertation: 1. Univ.-Prof. Dr. J. Henkel 2. Univ.-Prof. Dr. F. v. Wangenheim Die Dissertation wurde am 09.12.2010 bei der Technischen Universität München eingereicht und durch die Fakultät für Wirtschaftswissenschaften am 11.05.2011 angenommen. i Table of Contents Table of Contents DETAILED TABLE OF CONTENTS .................................................................................................... II LIST OF FIGURES .................................................................................................................................. V LIST OF TABLES ................................................................................................................................. VII LIST OF ABBREVIATIONS..................................................................................................................IX ABSTRACT..............................................................................................................................................XI 1 INTRODUCTION ......................................................................................................................
    [Show full text]
  • COMM∆ND SMEDI∆ Inc. TORONTO
    COMM∆ND S MEDI∆ iNc. TORONTO email > [email protected] telephone > +1 (604) 688-4217 w∆rnelivesey - production discography 2021 full length lp - production, mixing and engineering [except where noted] •recent work midnight oil - The Makarrata Project - new LP for release 2021 andee - lost in rewind (single) kandle - just to bring you back (single) [co-write, production, mixing] kelly heeley - EP [mixing] •less recent work midnight oil - diesel and dust - blue sky mining - redneck wonderland - capriconia - 20,000watts r.s.l the the - infected - mindbomb matthew good band - underdogs - beautiful midnight - audio of being matthew good - lights of endangered species - avalanche - white light rock n’ roll review - in a coma - chaotic neutral - i miss new wave (beautiful midnight revisited EP) - something like a storm - moving walls kim churchill - silence/win [co-songwriting/ production/ engineering/ mixing] - into the steel [string arrangements / co-production] - weight falls [co-songwriting, production 3 songs] xavier rudd - koonyum sun [mixing] email > [email protected] telephone > +1 (604) 688-4217 1 w∆rnelivesey - discography continued… julian cope - saint julian house of love - babe rainbow [co-songwriting / production] deacon blue - when the world knows your name [production / engineering] sinhead o’conner / the the - kingdom of rain (track from collaborations lp) paul young - other voices [production] jesus jones - perverse 54-40 - yes to everything - goodbye flatland [mixing] - northern soul [mixing] mark hollis - mark hollis [co-songwriting]
    [Show full text]
  • John Zorn Artax David Cross Gourds + More J Discorder
    John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request.
    [Show full text]
  • Stadtbote KW 12
    Amtsblatt der Stadt NEUENBÜRG mit den Stadtteilen ARNBACH · DENNACH WALDRENNACH ROTENBACH Herausgeber Stadt Neuenbürg Verantwortlich für den amtlichen Teil: Bürgermeister Horst Martin Anzeigen, Druck und Verlag: BIESINGER DRUCK GmbH & Co.KG Bahnhofstraße 5, 75305 Neuenbürg Telefon 0 70 82 / 94 45-0 Telefax 0 70 82 / 94 45-99 Mail [email protected] Stadt- und Ausgabe Nr. 11 / KW 12 25. Jahrgang 2016 Kultur-Info Donnerstag, 24. März Einzelgebühr: 0,65 € Die in Kooperation mit der Brüder-Grimm-Gesellschaft e.V. Kassel entstandene Schau „Scheherazade erzählt. Märchen aus 1001 Nacht“ zeigt jetzt im Schloss Neuenbürg rund 130 Exponate, darunter historische Landkarten, Märchenillustrationen des 19. und 20. Jahrhunderts sowie aufwändig ausgestattete Buchausgaben, die Einblicke in die orientalische Märchentradition geben. Gleich zu Beginn der Ausstellung begrüßen exotische Düfte einer Gewürzstation die Besucher und entführen in die Welt eines orienta- lischen Bazars. Das Foto zeigt Museumsleiterin Saskia Dams (links); Marketingleiterin Jacqueline Maltzahn-Redling sowie Prakti- kantin Julia Dvoratzek an der Gewürzstation. (Foto: Anita Molnar) Bürgermeister Horst Martin, die Mitglieder des Gemeinderates und die Mitarbeiter der Stadtverwaltung wünschen besinnliche und frohe Ostertage! KIRCHENGEMEINDEN IM STADTGEBIET NEUENBÜRG: EINLADUNGEN ZU DEN PASSIONSANDACHTEN; KARFREITAGS- UND OSTERGOTTESDIENSTEN EVANGELISCHES BEZIRKSKANTORAT NEUENBÜRG: AM KARFREITAG UM 18.00 UHR PASSIONSMUSIK IN DER STADTKIRCHE Neue Technologie im GelenkzentrumSchwarzwald Tagesstätte für psychisch erkrankte Menschen Caritasverband Pforz- Sonntagsdienste* heim e.V. Kath. Gemeindezentr. Sprollhaus Wildbaderstr. 22, 75305 Neu- enbürg, Frau Schäfer Tel.: 0163 612 8011, Donnerstag 10 – 16 Uhr. Allgemeiner Ärztlicher Bereitschaftsdienst unter 116 117 zu erreichen. Sozialdienste Pforzheim/Enzkreis* DIAKONISCHES WERK PFORZHEIM-STADT – Fachstelle Beratung und Unter- Zahnärzte stützung bei Häuslicher Gewalt u.
    [Show full text]
  • Here She Is a Contributing Editor
    MARK ABLEY SHANE ARBUTHNOT DAVE BIDINI GAIL BOWEN ROBERT CALDER ANDREW COPPOLINO CAROL ROSE DANIELS ANN HUI ADEENA KARASICK RENEE KOHLMAN VALERIE KORINEK MIRIAM KORNER ALICE KUIPERS SONYA LALLI BARBARA LANGHORST GRANT LAWRENCE ERNIE LOUTTIT CASSIDY McFADZEAN SUZANNE METHOT TOM MILLER SARA O’LEARY VERA PEZER RILEY ROSSMO JAY SEMKO ART SLADE SARAH WEINMAN Sunday, June 9th 10:00am to 5:00pm Broadway Avenue F Admi! www.thewordonthestreet.ca/saskatoon Welcome from the President and Board of Directors On behalf of our Board of Directors, I welcome you to the 2019 edition of The Word On The Street Festival Saskatoon on Broadway Avenue. We are excited to celebrate reading and to encourage the importance of literacy through an interesting and energetic program of Canadian authors, musicians, children’s activities, and a marketplace to satisfy your appetite and delight your mind. The Festival is made possible by the gracious and generous support of our sponsors, funding agencies, our hosts The Broadway Business Improvement District, our in-kind and financial supporters, the Board and the Programming Committee, and the amazing team of enthusiastic and committed leaders and volunteers. We are pleased to present this valued national literary festival free of charge to all our community. Have fun! Doug Zolinsky, President, Board of Directors Board of Directors Doug Zolinksy, President Susan McDonald Director General, Western Economic Instructor, Saskatchewan Polytechnic Diversification, Government of Canada Stephen Benesh Beth Côté, Vice President
    [Show full text]
  • PRESS RELEASE Wednesday 22 January UNDER EMBARGO Until 10.30 on 22.1.20
    PRESS RELEASE Wednesday 22 January UNDER EMBARGO until 10.30 on 22.1.20 Artists launch Art Fund campaign to save Prospect Cottage, Derek Jarman’s home & garden, for the nation – Art Fund launches £3.5 million public appeal to save famous filmmaker’s home – National Heritage Memorial Fund, Art Fund and Linbury Trust give major grants in support of innovative partnership with Tate and Creative Folkestone – Leading artists Tilda Swinton, Tacita Dean, Jeremy Deller, Michael Craig-Martin, Isaac Julien, Howard Sooley, and Wolfgang Tillmans give everyone the chance to own art in return for donations through crowdfunding initiative www.artfund.org/prospect Derek Jarman at Prospect Cottage. Photo: © Howard Sooley Today, Art Fund director Stephen Deuchar announced the launch of Art Fund’s £3.5 million public appeal to save and preserve Prospect Cottage in Dungeness, Kent, the home and garden of visionary filmmaker, artist and activist, Derek Jarman, for the nation. Twitter Facebook artfund.org @artfund theartfund National Art Collections Fund. A charity registered in England and Wales 209174, Scotland SC038331 Art Fund needs to raise £3.5m by 31 March 2020 to purchase Prospect Cottage and to establish a permanently funded programme to conserve and maintain the building, its contents and its garden for the future. Major grants from the National Heritage Memorial Fund, Art Fund, the Linbury Trust, and private donations have already taken the campaign half way towards its target. Art Fund is now calling on the public to make donations of all sizes to raise the funds still needed. Through an innovative partnership between Art Fund, Creative Folkestone and Tate, the success of this campaign will enable continued free public access to the cottage’s internationally celebrated garden, the launch of artist residencies, and guided public visits within the cottage itself.
    [Show full text]
  • “Jerusalem” Set to Music: a Selected Discography
    ARTICLE sought to rouse the morale of the nation in the depths of the First World War.2 Over the ensuing century, Parry’s hymn would be sung and heard again and again, whether performed by church choirs or in Women’s Institutes, or lis- tened to on shellac 78s, vinyl albums and singles, CDs, or, “Jerusalem” Set to Music: in more recent times, via audio streaming. A Selected Discography 3 Of the many hundreds of releases, this list has been deliber- ately restricted to a selected discography of fifty recordings. By Jason Whittaker While that Top 50 is necessarily somewhat arbitrary, it does prevent some of the monotony that comes from the succes- Jason Whittaker ([email protected]) is head sion of compilation discs in particular. Easily half of the of the School of English and Journalism at the Univer- versions I have discovered in recent years are repackaged sity of Lincoln. He is the author of several works on earlier recordings, such as The Great British Street Party William Blake, including William Blake and the Myths 2012 (“120 Classic Songs and Anthems to Celebrate the Ju- of Britain (Palgrave, 1999), Radical Blake: Influence and bilee!”) or the version by the Liverpool Cathedral Choir on Afterlife from 1827 (with Shirley Dent, Palgrave, 2002), the 2004 compilation Perfect Wedding Classics. and Blake 2.0: William Blake in Twentieth-Century Art, Music and Culture (with Steve Clark and Tristanne 4 The list therefore tends to focus on versions of “Jerusalem” Connolly, Palgrave, 2012). His main research interests that are unusual in some way.
    [Show full text]
  • OP 323 Sex Tips.Indd
    BY PAUL MILES Copyright © 2010 Paul Miles This edition © 2010 Omnibus Press (A Division of Music Sales Limited) Cover and book designed by Fresh Lemon ISBN: 978.1.84938.404.9 Order No: OP 53427 The Author hereby asserts his/her right to be identified as the author of this work in accordance with Sections 77 to 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage or retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages. Exclusive Distributors Music Sales Limited, 14/15 Berners Street, London, W1T 3LJ. Music Sales Corporation, 257 Park Avenue South, New York, NY 10010, USA. Macmillan Distribution Services, 56 Parkwest Drive Derrimut, Vic 3030, Australia. Printed by: Gutenberg Press Ltd, Malta. A catalogue record for this book is available from the British Library. Visit Omnibus Press on the web at www.omnibuspress.com For more information on Sex Tips From Rock Stars, please visit www.SexTipsFromRockStars.com. Contents Introduction: Why Do Rock Stars Pull The Hotties? ..................................4 The Rock Stars ..........................................................................................................................................6 Beauty & Attraction .........................................................................................................................18 Clothing & Lingerie ........................................................................................................................35
    [Show full text]
  • The Long History of Indigenous Rock, Metal, and Punk
    UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories.
    [Show full text]
  • The Ocean Sunburst Treachery
    The Ocean Sunburst Treachery 1 Waikiki Beach, Hawaii, January 20th Waikiki Beach resort was destroyed at five forty-four in the morning. Christopher Wyatt ran along the beach, bare feet pounding into the warming sand, to- wards Diamond Head. He was wearing a garish Hawaiian shirt that would make Linda laugh when she called. The sky was becoming lighter, the rising sun radiating vast streaks of pale red and purple through wispy clouds and outshining the few remaining visible stars. The range of tall square hotels loomed against the burgeoning dawn, windows speckling with electric lights. The breeze was light and cool, the sea restless, long rolling waves topped with white spume rushing up the sand to gradually stop and retreat like frightened creatures. Wyatt expected to be alone on the beach at this early hour but he was surprised by the number of people jogging, sightseeing, surfing and fishing off the rocks. Wyatt enjoyed the sensation of sweat rolling down his back. He was in good shape, his work was near comple- tion, and he was in love. He was excited about Linda’s call and was not sure whether his heart was racing hard from the exercise or with the anticipation of seeing her face again, albeit on the screen of a cell phone. Linda Marquez called as Wyatt reached the foot of Diamond Head. Wyatt smiled as Linda’s face appeared on screen. ‘Wow,’ Linda said. ‘Can this be my husband, up this early? It’s a quarter after ten here in Washington so it must be real early there.’ Wyatt sat down on a grassy tuft of sand below Diamond Head Road.
    [Show full text]
  • Course Evaluations Will Be Online
    the Rice Thresher Vol. XCI, Issue No. 23 SINCE 1916 Friday, March 19, 2004 Jacks cause little harm Willy Week pranks include defensive moves, counterattacks by David Brown Jack failures included a Will Rice College at- THRKSHKR EDITORIAL STAFF tempt to install a giant door in an arch outside Baker College and a failed Brown College Late Sunday night, a Rice Broadcast Tele- bird-seeding of the Martel quad. vision camera in the Grand Hall of the Rice Lovett, however, delivered a blow to its Memorial Center captured a group of Lovett proclaimed colony, Sid Richardson College, College students spelling "Martel Sux" in gi- last weekend, when members sent a mis- ant letters on the long tables left over from the leads g letter home to the parents of every Taste of the Town event. Soon after Martel Sid student. College students snuck in to change the phrase "We are writing to inform you that your son to "Martel Rox," members of other colleges or daughter has not fulfilled his or her duties restored the original version. The seven days as a member of Sidney Richardson Colony," of inter-college practical joke warfare known the letter stated. "It is essential that he or she as Willy Week had begun. satisfy these responsibilities in order to re- main in good standing within the colony." Wli ile Sid's college coordinator and students Willy Week events a mixed success so far. See tried to deal with phone calls from confused Story, Page 9. parents, Ixivett followed up with another jack, establishing an "immigration checkpoint" on Sid students' route to classes.
    [Show full text]
  • Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
    Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator
    [Show full text]