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n SEPTEMBER 2002 FREE ^_ DiSCORDE THAT MAGAZINE F R 04g]\ C IT R ^TO 1 . 9 FV OLYMPIA'S BANGS LOCAL MU«M PUSHING VANCOUVER'S SPREADEAGLE DREAM ON DREARY FLYING FOLK ARMY AND SHINDIG! OUT OF THE WAY!* :TU«DAyj mUeluetK *>Chiclet „P*« _ tunning protestor of dropping sclent* for mSchloi Dr.Blue Jugor Cookies I FRIDAY SEPTEMBER 13 | i FRIDAY SEPTEMBER 13 f J SATURDAY SEPTEMBER 14 T J^A2 ^^ TINV UNWERSE |SEPTEMBER 19f 1 SATURDAY SEPTEMBER 211 ATTENTION rUft/ 77/£ STARTING LINE I BALLIGOMINGO AND GUESTS SEPTTrHBER/7 TKKETS ALSO AT ZULU, NOIZE AHD SCRATCH | rpniTUU nil TI.D1I rCMTDC • J SEPTEMBER 241 mm EffiSEl IHI1:'JN martina Bob sorbara Egan (of Blue Rodeo, ex-Wilco) Glenn ;ELDOF Milchem The Frames .peolal Ku..U (°f BlU6 RodOO) Pigeon-Hole I ARTS CLUB REVUE STAGE I IHM:HMI fez? IhcobastanMi doves Gomez ISTRING » , SPECIALOUESTS ,""•>> I with'ilh special guestsguests lAlirrOr WITH SPECIAL GUESTS M-J^l ' 11 H • • \t" pidLH MY MORNING JACKET INCIDENT drawn itoy When you p urchase a ticket for die show you will be able to hear an delusive preview of the complete new album called 'HAVE YOU VED THE FISH?' General admission show M'M'l*m.HJi 2 September 2002 DiSCORDER ISSUE 233 • SEPTEMBER 2002 • THAT BUTT-ROCK MAGAZINE FROM CITR 101 .9FM editron: Chris "Fast Dan" Eng Local Music Directory Pull-Out ad rep: Coal, Mach Tiver by Evan Symons p.l 1 Steve "Where's the Dream on Dreary by Breezy Blast p. 13 Love" DiPo Spreadeagle by Black Diamond p. 14 art director: Flying Folk Army by Brian Disagree p. 15 Lori Kiessling Bangs by Chris Eng p. 16 production manager: SHiNDiG by Michael Schwandt p. 1 8 Ali Boulala editorial assistant: What's Wrong by Chris Eng p. 19 Donovan Schaefer real live action editor: EWtoP Duncan McHugh Vancouver Special pA website design: Fucking Bullshit pA Esther Strut, Fret & Flicker p£ layout and design: Over My Shoulder p.5 Lori, Duncan, Russ Radio Free Press p.6 Davidson Kill Your Boyfriend p.7 photos: 7 p.10 Lori, Joe Denardo, Dan Panarticon p.10 Siney, Lyndsay Sung Under Review p.20 production: Real Live Action p.22 Keith "Tejano" Turkowski, Charts p.27 Ubyssey On the Dial p.28 on the dial: Kickaround p.29 Bryce Dunn Datebook p^30 charts: Luke Meat datebook: Tom Penny distribution: This month we were lucky enough to have the Matt Steffich world-renowned web-designer Russ Davidson us distro: (www.supa.ca) make our cover. Russ is not only Richard Trimble talented and handsome, he's also the master of the publisher: crooked grind. Linda Scholten "DiSCORDER" 2002 by the Student Radio Society of the University of British Columbia. All rights d. Circulation 17,500. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money orders payable to DiSCORDER Magazine. DEADLINES: Copy deadline for the October issue is September 18th. Ad space is available until August 25th and can be booked by calling Steve at 604.822.301 7 ext. 3. Our rates are available upon request. DiSCORDER is not responsible for loss, damage, or any other injury to unsolicited manuscripts, unsolicited artwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc or in type. As always, English is preferred. Send email to DiSCORDER at [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.3017 ext. 0, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at www.citr.ca or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC, V6T 1Z1, CANADA. printed in canada 3 DiSCORDER APCCIQI va w%loca cl review o livs bey Jani r s McKenzie MR. PLOW to the plain vanilla version. by slow Syd Barrett-flavoured Parts Unknown <[email protected]> and calliope/circus keyboard (Crusty) tracks. The r*a*d*i*o* is this SATURDAY 4^/1M} Mr. Plow is a guy with a throat- The R*A*D*I*0* month's pleasant surprise. ripping, growly voice, an The Disclosure Project <churchofradiology@hot- Royal Hot-' "n acoustic guitar, something of a (Monolithic) mail.com> bad attitude, and a long list of The Disclosure Project is really INTERPOL [MatadorRecords (very) late-adolescent com­ two separate 7-song CDs, HANSON BROTHERS RADIO BERLIN plaints. For the most part his called In the Beginning and The My Came songs are about women, but Mr. Final Chapter? At first this was (Mint) THE ORGAN Plow doesn't limit himself to the enough to make me nervous— If the Ramones had grown up usual range of girlfriend prob­ was I going to have to listen to playing hockey in Canada, lems. Instead he sings about the modern-day equivalent of would they sound like the girls who expect an engage­ a 1970s double concept album Hanson Brothers? Not sur­ IUNDAY betd Hi ment ring, who won't go out with a gatefold sleeve?—but prisingly, the Hansons' whole with him, who won't leave him the CDs didn't turn out to be sound is speedy old-fashioned Royal Hotel [10: alone, who think they're rock scary at all. Rather than prog- punk (the band would say stars, who don't eat meat, and rock (at least the kind that "puck") rock in the straight- •> NEW BOMB TURKS [, who get farted on when per­ gives me the heebie jeebies), ahead Ramones tradition. But THE SPITFIRES forming oral sex. Some of the the r*a*d*i*o* seems to be instead of writing lyrics about tracks are very funny, many are inspired by '60s baroque rock, eating refried beans in Queens plus guests angry, and one (the last) is a clip garage-tinged space rock, iron­ and innumerable other New from The Simpsons that ic Japanese dance pop, and York themes, this band most­ explains the origin of Plow's early '70s British post-folk. On ly sings about hockey and moniker. A lot of the songs In the Beginning there is one hockey players. There are even —«r«/©H) verge on bad taste, as you might song, "Skin," which takes ele­ pitches for both a Hanson have already guessed, but one, ments of Jean-Micheljarre and Brothers hockey camp and a Royal Hotel [1029 Granv the bonus track that's probably Vince Guaraldi (the guy who beer-making kit in the CD. called "Fish Fuck," really does did the Peanuts .piano music) Does it get any more Canadian THE GOSSIP [KitlRockStars cross the line. Look out for the and throws them together with than this? "Leaky Dink super mega mix" of female Japanese vocals. (PO Box 21628, 1850 A LUNA RED [ActionDri the nasty "Rock Star," which— The second CD, The Final Commercial Drive, Vancouver, THE NONS shocking!—adds a drum track Chapter?, feels more dominated BCV5N5T5)- -.rocfW BRIGHT EYES [sadd.ec, M.WARD • THE BRUCES EARLY SHOW! DOORS 4.30. uckinq bullshit by Christa Min SDAY oefW^ n 1568, beards in England smooth, clean faces like their shape every morning? Sonar [66 Water] were taxed according to own. They like men who look Obviously any cheap variation I their length. Do you know like women. It is clear that if a of the beard is only worn by the electroclash what that means? Good, 'cause woman doesn't like facial hair, someone who is too much of a I have NO IDEA. I'm guessing she is a LESBIAN. Which is just pussy to stand up to the dis­ PEACHES that the longer the beard, the fine, but why hide your true crimination and hatred that CHICKS ON SPEED more taxes you had to pay. Do self? You should be proud of may come with a full face of you know what that is? who you are. hair. TRACY + THE PLASTICS Discrimination! Perhaps this I should clear something up It's a little known fact that was the beginning of what I call here. A beard can be in any Verve refused to sign the W.I.T. beardism or beard profiling. shape or length. The only Velvet Underground until Lou Unlike racism and homophobia requirement is that no parts of Reed shaved off his beard. He in the last 500 years, the prob- the face may be shaven. A had a full beard his entire time at Syracuse University. He liked to rub it when he was writing It's a little known fact that Verve poetry. Reed once said "my HOT WATER MUSIC refused to sign the Velvet thoughts disappeared, just as the beard." It's TRUE! Could you THRICE Underground until Lou Reed shaved imagine how good his lyrics would have been if those COHEED AND CAMBRIA off his beard. beardist motherfuckers at Verve didn't ruin him? I mean, plus guests lem has only been getting beard is where it grows. he did okay without the beard, worse. Goatees, sideburns, chin but imagine what could've Only 1 out of every 100 straps, and such (the mous­ been.
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