Bill Young Bio Printing Commissions
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
FEM-Affinity Exhibition Publication Online PDF Here
1 — FEM—aFFINITY — 2 FEM—aFFINITY Fulli Andrinopoulos / Jane Trengove Dorothy Berry / Jill Orr Wendy Dawson / Helga Groves Bronwyn Hack / Heather Shimmen Eden Menta / Janelle Low Lisa Reid / Yvette Coppersmith Cathy Staughton / Prudence Flint A NETS Victoria & Arts Project Australia touring exhibition, curated by Catherine Bell Cover Prudence Flint Feed 2019 oil on linen 105 × 90 cm Courtesy of the artist, represented by Australian Galleries, Melbourne BacK Cover Eden Menta & Janelle Low Eden and the Gorge 2019 inkjet print, ed. 1/5 100 × 80 cm Courtesy of the artists; Eden Menta is represented by Arts Project Australia, Melbourne — Co-published by: National Exhibitions Touring Support Victoria c/- The Ian Potter Centre: NGV Australia Federation Square PO Box 7259 Melbourne Vic 8004 netsvictoria.org.au and Arts Project Australia 24 High Street Northcote Vic 3070 artsproject.org.au — Design: Liz Cox, studiomono.co Copyediting & proofreading: Clare Williamson Printer: Ellikon Edition: 1000 ISBN: 978-0-6486691-0-4 Images © the artists 2019. Text © the authors, NETS Victoria and Arts Project Australia 2019. The views and opinions expressed here are those of the authors. No material, whether written or photographic, may be reproduced without the permission of the artists, authors, NETS Victoria and Arts Project Australia. Every effort has been made to ensure that any text and images in this publication have been reproduced with the permission of the artists or the appropriate authorities, wherever it is possible. 3 — Lisa Reid Not titled 2019 -
37 48' Project Outline
• 37° 48ʹ S: artists navigate MELBOURNE is an exciting and provocative visual art project exploring the cultural diversity of contemporary Australia as exemplified by life in Melbourne. Street-art practices and traditional printmaking techniques are on an equal footing as twelve diverse, exceptional Melbourne artists consider the cultural, natural and built environments of their city. • The twelve 37° 48ʹ S: artists navigate MELBOURNE project artists are: Angela Cavalieri, Bindi Cole, Carmel Wallace, Cat Poljski, Debra Luccio, Eolo Paul Bottaro, Heather Shimmen, Regan Tamanui aka HA! HA! Judy Holding, Marco Luccio, Rona Green, Rone • A new network of artists whose work collectively presents a unique perspective of life in Melbourne will be established. • The large format, limited edition suite of prints created by these twelve artists will be previewed in Melbourne before journeying to New York where it will join a complementary body of work created by the New York Society of Etchers in response to their city. The resulting dialogue will highlight similarities, differences and crosscurrents between the two cities of Melbourne and New York. Exhibitions will follow in other cities. 37° 48′ S: artists navigate MELBOURNE is a visual art project co-curated by artist, writer and curator, Dr Carmel Wallace, and Dianna Gold, an independent curator, arts consultant and former Director of Gallery 101 (a leading gallery in Melbourne from 1989 until 2010). In 2004, at the invitation of the New York Society of Etchers, Dianna and Carmel co-curated the exhibition Surface Tension: Twenty-One Contemporary Australian Printmakers and successfully presented this exhibition at the National Arts Club, Gramercy Park, Manhattan as part of a major cultural exchange. -
Shortlist Announced— 2019 Geelong Acquisitive Print Awards
Media Contact Media Penny Whitehead T: 03 5229 3645 Release E: [email protected] Shortlist announced— 2019 Geelong acquisitive print awards 20 September to 24 November Official prize winning Geelong Gallery announcement: Free entry Thursday 19 September, 6.00pm Open daily 10am to 5pm Geelong Gallery is delighted to announce The prize-winning prints will be that 36 works by 37 leading and emerging announced at the official opening of Australian artists have been shortlisted the exhibition on Thursday 19 September for the 2019 Geelong acquisitive print (by invitation). awards. Selected from hundreds of entries from Showcasing diverse contemporary around Australia, the 36 shortlisted works Australian printmaking practice, for the 2019 Geelong acquisitive print the acquisitive awards and biennial awards reveal the technical and thematic exhibition will feature works by Alison diversity of contemporary printmaking Alder, Rosalind Atkins, GW Bot, Susanna practice. This year’s exhibition will Castleden, Tony Coleing, Christine include works by some of the nation’s Courcier-Jones, Marian Crawford, most talented established and younger Phil Day, Marieke Dench, Clive Dickson, generation artists. Dianne Fogwell, Graham Fransella, David Frazer, Silvi Glattauer, Jackie The selection panel for the 2019 Geelong Gorring, Gracia Haby & Louise Jennison, acquisitive print awards includes Rew Hanks, Kyoko Imazu, Locust Jones, Danny Lacy (Senior Curator, Mornington Peninsula Regional Gallery), Trent Walter Laith McGregor Martin King, Barbie Kjar, -
Shimmen Full CV 2019
HEATHER SHIMMEN Born 1957, Melbourne 78. BA Fine Art (Painting), RMIT, Melbourne 2010 Artists in residence, RMIT, Melbourne , Vic 2013 Artist in residence, The Art Vault, Mildura, VIC SOLO EXHIBITIONS 2019. ‘Ladies of the Pleiades’, Sale Regional Gallery, Sale 2017. 'Time Warps',Australian Galleries,Melbourne 2014. 'Insectivoria', Australian Galleries, Melbourne 2011. ‘The Swamp Maidens Tale’, Australian Galleries, Smith Street, Melbourne 2008. ‘Betwixt’, Gallery 101, Melbourne 2006 ‘I Dreamt I Dwelt in Marble Halls’, Stonnington Stables Museum of Art, Deakin University, Melbourne ‘Whispers’ Adele Boag Gallery, Adelaide 2005 ‘Figment, Fragment’, Gallery 101, Melbourne 2002 ‘Things That Float In The Air’, Joshua McClelland Print Room, Melbourne 1999. ‘The Sutured Heart’, Bulle Gallery, Melbourne 1997. ‘The Invisible Hand of the Future’, Lyall Burton Gallery, Melbourne 1996. Lyall Burton Gallery, Melbourne Adelaide Central Gallery, Adelaide 1993 Adelaide Central Gallery, Adelaide Lyall Burton Gallery, Melbourne 1991. Realities Gallery, Melbourne 1990. Realities Gallery, Melbourne 1986. Realities Gallery, Melbourne 1984 Bitumen River Gallery, Canberra 1983. Anthill Theatre, Melbourne 1982. Drummond Street Gallery, Melbourne GROUP EXHIBITION 2020. ‘Let All the Birds Fly- the hybrid print’,Maitland Regional Galleries,NSW ‘Fem -aFfinity’, Devonport Regional Art Gallery Tas Benalla Art GalleryVic Noosa Regional Art Gallery Qld Horsham Regional Art Gallery Vic Bunjil Place Gallery Vic Riddoch Art GallerySA 2019 ‘Paper Made’, Australian Galleries, Melbourne ‘Fem-aFfinity’, Arts Project, Melbourne ‘Beyond the Veil’,Art for the World Gallery, Cannaregio, Biennale de Venetzia, Venice,Italy ‘Beyond the Veil’,Memoire de L’Avenir Espace cultures pluridisciplinairl, Paris, France ‘2019 Ulsan International Woodcut Biennale’ South Korea ‘Round About’ Gecko Gallery, Fish Creek,VIC ‘Sydney Contemporary Art Fair’Sydney,NSW ‘Art Meets Nature’,WAMA, Sofitel,Melbourne ‘A Fine Line’, Bright Space, Melbourne 2018. -
GEOFFREY RICARDO Born 1964, Melbourne, Australia
GEOFFREY RICARDO Born 1964, Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Traveled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VIC SOLO EXHIBITIONS 2014 ‘I am not afraid of the dark’, Scuola Internazionale di Grafica, Venice, Italy ‘Ad Absurdum’, Australian Galleries, Derby Street, Melbourne 2012 ‘Collection of Works’, The Art Vault, Mildura, VIC ‘Deeper Meanings’, The Incinerator Gallery, Melbourne -
Art Fair Catalogue 16 Aug19
Akiko Nagino Japanese paper-cut artist Akiko Nagino the body of work is based on Nagino’s longstanding interest in patterns found in the everyday; the sky, walls, roads, leaves, vegetables, and insects (especially those which scare her, such as patterns found in butterfly wings).In her art practice, she muses on what a pattern is - beautiful, intimidating, absolute, and distorted. The power of a pattern can draw the observer in, captivate and fascinate them. Nagino’s love of Japanese culture and training in Japanese lacquer work are evident in her highly traditional and disciplined style. Akiko came from Japan 4years ago , I studied craft at the University in Japan. After that I was making jewellerywith a Japanese lacquer which is a sap and used in traditional craft work. She loves the Japanese culture and in the course of learning Japanese lacquer I have developed a traditional style, and have learned to apply a range of different techniques. Currently I am experimenting with more primitive expressions. My next body of work at Nepier will be similar to that of my currant exhibition at YSG which involves a hanging and lighting installation. Nightmare Paper paper &steel 135x D145 cm $ 2500 Untitled Paper & steel 135x D145 cm $500 Untitled Black paper 80x 50 cm $ 1500 art fair Presented by djprojects, curated by Julie Collins and supported by Far East Consortium & www.djprojects.net www.fareast.net.au Yvonne Kendall The swan carries many associations and attributes passed down from mythology, classical fairytales, and stories. Grace, elegance and dignity, strength, and perhaps a mysterious melancholy are connotations attached to this animal. -
Heather Shimmen
HEATHER SHIMMEN Born 1957, Melbourne 1976-78 BA Fine Art (Painting), RMIT, Melbourne 2010 Artist in residence, RMIT, Melbourne 2013 Artist in residence, The Art Vault, Mildura, VIC 2021 Artist in residence, The Baldessin Press, St Andrews, VIC SOLO EXHIBITIONS 2021 ‘History Rhymes’, Australian Galleries, Melbourne 2019 ‘The Ladies of the Pleiades’, Gippsland Art Gallery, Sale, VIC 2017 ‘Time warps’, Australian Galleries, Melbourne 2014 ‘Insectivoria +’, Australian Galleries, Derby Street, Melbourne 2011 ‘The Swamp Maidens Tale’, Australian Galleries, Smith Street, Melbourne 2008 ‘Betwixt’, Gallery 101, Melbourne 2006 ‘I Dreamt I Dwelt in Marble Halls’, Stonnington Stables Museum of Art, Deakin University, Melbourne ‘Whispers’ Adele Boag Gallery, Adelaide 2005 ‘Figment, Fragment’, Gallery 101, Melbourne 2002 ‘Things That Float In The Air’, Joshua McClelland Print Room, Melbourne 1999 ‘The Sutured Heart’, Bulle Gallery, Melbourne 1997 ‘The Invisible Hand of the Future’, Lyall Burton Gallery, Melbourne 1996 Lyall Burton Gallery, Melbourne Adelaide Central Gallery, Adelaide 1993 Adelaide Central Gallery, Adelaide Lyall Burton Gallery, Melbourne 1991 Realities Gallery, Melbourne 1990 Realities Gallery, Melbourne 1986 Realities Gallery, Melbourne 1984 Bitumen River Gallery, Canberra 1983 Anthill Theatre, Melbourne 1982 Drummond Street Gallery, Melbourne GROUP EXHIBITIONS 2021 Ink Masters Print Prize, Tanks Arts Centre Tank 4, Cairns, QLD ‘Entrancing Others’, Gippsland Art Gallery, Sale, VIC Burnie Print Prize, Burnie Regional Art Gallery, Burnie, -
MS 49 Papers of the Print Council of Australia Australian Prints and Printmaking Collection
MS 49 Papers of the Print Council of Australia Australian Prints and Printmaking Collection Summary Administrative Information Biographical Note Associated Content Acronyms Used Box Description Folder Description Summary Creator: Print Council of Australia Title: Papers of the Print Council of Australia Date range: 1966 - 2000 Reference number: MS 49 Extent: 95 boxes + 11 ring binders Prepared By: Peta Jane Jones Overview The collection represents a non-governmental organisation involved in the visual arts with broad activities and influence. The collection includes mainly correspondence, exhibition details, printmakers, gallery/art centres, colleges/universities, entry forms, slides, receipts and copies of newspaper clippings. They provide a comprehensive history of the administrative processes of the council and its exhibitions. The majority of the collection contains correspondence written by administrative staff; of greater interest is the correspondence, often handwritten by the artists themselves. In the earlier boxes the exhibition detail is more comprehensive with itineraries (drafts and finals) and forms stating the exhibiting galleries and artist lists with print sales included. Also of interest are the artists’ biographies, sometimes with handwritten notes; these were used for exhibition catalogues, print directories, Imprint and member print submissions. There are approximately 2000 slides in this collection mainly representing prints associated with PCA exhibitions. PCA committee records including ballot forms for nominating committee members, agendas and minutes of Annual General meetings, bank statements and bank reconciliation statements also comprises part of the collection. Keywords 1 Australian Printmaking; Exhibitions (see biographical section for list); patron/member prints. Key Names Grahame King; Robert Grieve; Geoff La Gerche; Neil Caffin; Udo Sellbach; Roger Butler; Barbara Hanrahan; various printmakers (see biographical section). -
2013 Geelong Acquisitive Print Awards
media release Media contact: Melissa Hart | T: 03 5229 3645 | E: [email protected] David Wadelton 2013 Geelong acquisitive Position position! 2013 archival inkjet; edition 1/5 Courtesy of the artist and print awards Tolarno Galleries, Melbourne 31 August to 24 November 2013 Geelong Gallery Free entry – Open daily 10am to 5pm Official announcement: Friday 30 August, 6.00pm Please contact Melissa Hart to arrange a media pass for the official announcements of the 2013 Geelong acquisitive print awards. RSVP essential: [email protected] Geelong Gallery is delighted to announce that 45 works by 46 leading and emerging Australian artists have been shortlisted for the 2013 Geelong acquisitive print awards. Showcasing the best of contemporary Australian printmaking practice, the acquisitive awards and biennial exhibition will feature works by Jillian Allan, Rosalind Atkins, Elizabeth Banfield, David Bosun, Eolo Paul Bottaro, Andrew Browne, Sophie Cape, Antonietta Covino-Beehre, Angus Fisher, David Frazer, Alex Game, Kaye Green, Rona Green, Gracia Haby & Louise Jennison, Robert Hague, Andrew Hazewinkel, John Hinds, Anita Iacovella, Debra Jackson, Alexi Keywan, Deborah Klein, Bruno Leti, Marco Luccio, Brigiat Maltese, Marion Manifold, Graham Marchant, Annalise Mayer, Travis Paterson, Jim Pavlidis, Drew Pettifer, Hannah Quinlivan, Lisa Roet, Annika Romeyn, Senye Shen, Heather Shimmen, Stephen Spurrier, Anne Starling, Oliver Stokes Hughes, Clayton Tremlett, Kate Tucker, Wayne Viney, David Wadelton, Stephen Wickham, Christine Willcocks and Deborah Williams. The exhibition of selected prints will be held at the Geelong Gallery from 31 August to 24 November 2013, from which acquisitions totalling $9,000 will be made including: — the Geelong acquisitive print award of $3,000 — the inaugural Ursula Hoff Institute award of $1,500 The prize-winning prints and additional acquisitions will be announced at the official opening of the exhibition on Friday 30 August (by invitation). -
Curriculum Vitae 2021
DEBORAH KLEIN Curriculum Vitae 2021 1951 Born Melbourne, Australia WEBSITES http://www.deborahklein.net/ http://deborahklein.blogspot.com/ http://mothwomanpress.blogspot.com/ STUDIES 1995-1997 Master of Arts, (Research), Monash University, Gippsland Campus 1987-1988 Graduate Diploma, Gippsland Institute of Advanced Education 1982-1984 Bachelor of Fine Art, Printmaking, Chisholm Institute of Technology, Melbourne PROFESSIONAL APPOINTMENTS (Selected) 2004-2008 Part-time Lecturer in Drawing, RMIT University, Melbourne 1999-2001; 2003-2007 Part-time Lecturer in Printmaking, RMIT University, Melbourne TRAVEL 2014 Study tour: London 2011 Study tour: London, Berlin 2008 Study tour: San Francisco, New York 2006, ‘04, ‘01 Study tour: London 1997 Silk Cut Award, Amsterdam Study Tour: Italy, Spain, UK 1993 Study Tour: UK Australia Council Studio Residency: Cite Internationale des Arts, Paris 1988 Study tour: New York and London 1973-1980 Lived and worked in London, traveled to Europe, US SOLO EXHIBITIONS 2021 Backstories, Stephen McLauglan Gallery, Melbourne: Rückenfigur, Queenscliff Gallery, Melbourne; 2018 Deborah Klein, Artist-in-Residence, Melbourne Athenaeum Library; 2017 Fallen Women, Tacit Contemporary Art, Melbourne; 2016 Prints 1987 – 2016, Tacit Contemporary Art, Melbourne; 2014 Homo-insecta, The Art Vault, Mildura, Vic; 2013 Tall Tales, Hand Held Gallery, Melbourne; 2011 Winged Women, The Art Vault, Mildura; Re-evolution, Woodbine Art, Malmsbury, Vic; 2010 Natural Histories, Chrysalis Gallery, Melbourne, Vic; 2009 Introduced Species, -
G Eelong G Allery Annual Report
Geelong Gallery annual report 2014 –2015 The year at a glance Estimated visitors Hours donated by volunteers to support One of Australia’s leading and oldest regional the Gallery, its staff and meet public galleries, Geelong Gallery is also home to a * renowned collection that includes Australian demand for services and programs and international paintings, works on paper, 57,270 sculpture, decorative arts and new media. Each year we offer inspiring and rewarding experiences through a vibrant program of temporary 4,470 exhibitions along with a diverse range of artist talks, Exhibitions created and presented tours, workshops, lectures, family-friendly activities and learn programs. Gallery members Our strategic directions are focused in three broad areas: artistic and cultural advancement to enhance Geelong as a liveable city; tourism 24 and economic benefit; and lifelong and inclusive 663 learning opportunities. Additional student exhibitions Government Partners Foundation members 2 2014 –2015 223 Geelong Gallery is supported by People participated in public the Victorian Government through and learn programs Creative Victoria. Founding members of the 7,761 Hitchcock Society 11 Gallery staff (EFT) Geelong Gallery Geelong Donated to the Geelong Art Gallery 8.4 Foundation annual giving appeal Gallery volunteers (not including Board $44,000 members and key support groups) 42 operating budget (million) $1.7 annual reportannual *Visitation during the year in review COVER Victoria Reichelt was significantly impacted by frequent Flood 2014 road closures associated with the adjacent oil on canvas Purchased with funds generously construction site of a new Geelong Library provided by the Robert Salzer Foundation Art Purchase Program and visitor donations and Heritage Centre. -
Bibliographic
biblio GRAPHIC Australian publications with original art PTY DOUGLAS STEWART FINE BOOKS LTD 720 High Street Armadale Melbourne VIC 3143 Australia www.douglasstewart.com.au PTY DOUGLAS STEWART FINE BOOKS LTD 720 High Street Armadale Melbourne VIC 3143 Australia +61 3 9066 0200 [email protected] To add your details to our email list for monthly New Acquisitions, visit www.douglasstewart.com.au Print Post Approved 342086/0034 © Douglas Stewart Fine Books 2014 Image on front cover no. 9082 (p. 9), inside front cover no. 9502 (p. 25), inside back cover no. 9571 (p. 34), back cover no. 9505 (p. 29). A consideration of the art of Ernest Moffitt LINDSAY, Lionel Text by Lionel Lindsay. Melbourne : Atlas Press, 1899. Quarto, original wrappers with woodcut decorations by Norman and Lionel Lindsay (edges rubbed), 40 pp, with an original etching by Moffitt printed by Victor Cobb, black and white Lindsay decorations in the text, pictorial title and verso by Norman Lindsay. One of only 200 copies, with numbered limitation slip. This was the first book illustrated by either Lindsay, and also the first monograph on an Australian artist. The Norman and Lionel Lindsay decorations on the covers are original artworks. Rare. $ 2,850 AUD # 9112 Night fall in the ti-tree TEAGUE, Violet Woodcuts by Geraldine Rede and Violet Teague. Melbourne and London : Sign of the Rabbit and Elgin Mathews, 1906. Small folio, ribbon-tied woodcut- printed wrappers (fine, ribbons replaced), illustrated endpapers, fourteen leaves folded in the Japanese manner illustrated with original woodcuts by Teague and Rede, the major illustrations hand-signed by the artists.