Spotlight Team Is the Investigative Reporting Unit of the Boston Globe
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The Revenant Nominations List Achievement in Cinematography 1
The Revenant nominations list Achievement in cinematography 1 Achievement in costume design 2 Achievement in directing 3 Achievement in film editing 4 Achievement in makeup and hairstyling 5 Achievement in production design 6 Achievement in sound editing 7 Achievement in sound mixing 8 Achievement in visual effects 9 Best motion picture of the year 10 Performance by an actor in a leading role 11 Performance by an actor in a supporting role 12 Oscars® 2016 Movie Checklist 13 Academy of Motion Picture Arts and Sciences Page 1 1. NOMINATIONS BY CATEGORY - 88TH AWARDS Performance by an actor in a leading role Bryan Cranston in “Trumbo” (Bleecker Street) Matt Damon in “The Martian” (20th Century Fox) Leonardo DiCaprio in “The Revenant” (20th Century Fox) Michael Fassbender in “Steve Jobs” (Universal) Eddie Redmayne in “The Danish Girl” (Focus Features) Performance by an actor in a supporting role Christian Bale in “The Big Short” (Paramount) Tom Hardy in “The Revenant” (20th Century Fox) Mark Ruffalo in “Spotlight” (Open Road Films) Mark Rylance in “Bridge of Spies” (Walt Disney and 20th Century Fox) Sylvester Stallone in “Creed” (Warner Bros.) Performance by an actress in a leading role Cate Blanchett in “Carol” (The Weinstein Company) Brie Larson in “Room” (A24) Jennifer Lawrence in “Joy” (20th Century Fox) Charlotte Rampling in “45 Years” (Sundance Selects) Saoirse Ronan in “Brooklyn” (Fox Searchlight) Performance by an actress in a supporting role Jennifer Jason Leigh in “The Hateful Eight” (The Weinstein Company) Rooney Mara in “Carol” (The Weinstein Company) Rachel McAdams in “Spotlight” (Open Road Films) Alicia Vikander in “The Danish Girl” (Focus Features) Kate Winslet in “Steve Jobs” (Universal) Academy of Motion Picture Arts and Sciences PagePage 2 2. -
Living Entanglements and the Ecological Thought in the Works Of
LIVING ENTANGLEMENTS AND THE ECOLOGICAL THOUGHT IN THE WORKS OF PAUL KINGSNORTH, TOM MCCARTHY, AND ALI SMITH By Garrett Joseph Peace James J. Arnett Andrew D. McCarthy Associate Professor of English Associate Professor of English (Chair) (Committee Member) Heather M. Palmer Associate Professor of English (Committee Member) LIVING ENTANGLEMENTS AND THE ECOLOGICAL THOUGHT IN THE WORKS OF PAUL KINGSNORTH, TOM MCCARTHY, AND ALI SMITH By Garrett Joseph Peace A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements of the Degree of Master of Arts: English The University of Tennessee at Chattanooga Chattanooga, Tennessee May 2021 ii ABSTRACT In my thesis, I use the work of Donna Haraway, Timothy Morton, Karen Barad, and Anna Tsing to explore how three contemporary British novelists—Paul Kingsnorth, Tom McCarthy, and Ali Smith—deal with the representational and ethical challenges of writing about nature and climate change within the Anthropocene. The question of how to live and write now is a prominent thread in all their works, which show, in both form and content, the entanglements of ecology, materiality, locality, nationality, and personal identity. In doing so, their stories enable readers to engage with what Morton calls the “ecological thought,” i.e. “a practice and process of becoming fully aware of how human beings are connected with other beings,” and provoke us, as Haraway puts it, “to be truly present . as mortal critters entwined in myriad unfinished configurations of places, times, matters, meanings.” iii DEDICATION For my parents, Robin and James. iv ACKNOWLEDGEMENTS As many of the writers present in these pages show us, to be human is to exist in a state of interconnection. -
P36-40 Layout 1
Asia’s tuk-tuks providing a wheel boost to Africa TUESDAY, MARCH 1, 2016 36 Oscar winners celebrate on stage at the 88th Oscars on Sunday in Hollywood, California. DiCaprio, Brie Larson win Oscars eonardo DiCaprio won his long-awaited first Oscar for George Miller’s stark action epic “Mad Max: Fury Road” was For the second year running, all 20 nominees in the main game.” It was a huge night for “Spotlight” director Tom revenge epic “The Revenant” Sunday but journalism dra- the big winner in the technical categories, taking home Oscars acting categories were white, and an angry social media back- McCarthy, who also picked up the Oscar for best original Lma “Spotlight” took best picture in a surprising end to for best costumes, production design, make-up, film editing, lash under the hashtag #OscarsSoWhite has grabbed the screenplay. Adam McKay and Charles Randolph took the adapt- Hollywood’s glittering awards season. sound editing and sound mixing. awards season headlines. Rock, who hosted despite calls for ed screenplay Oscar for financial crisis satire “The Big Short”- The night was overshadowed by a simmering race row, him to join a boycott, unleashed a fierce monologue-one he which had also been a best picture contender. Mexico’s addressed head-on by black host Chris Rock, who delivered a LEO’S NIGHT apparently rewrote in the wake of the scandal to hold the Emmanuel Lubezki made history with his third consecutive series of caustic jokes targeting the Academy’s overwhelmingly DiCaprio’s success for his grueling star turn as 19th century Academy’s 6,000-plus voting members, overwhelmingly white Oscar for cinematography, for his dramatic work on “The white male membership. -
Sexual Abuse of the Vulnerable by Catholic Clergy Thomas P
Sexual Abuse of the Vulnerable by Catholic Clergy Thomas P. Doyle, J.C.D., C.A.D.C. exual abuse of the vulnerable by Catholic clergy (deacons, priests and bishops) was a little known phenomenon until the mid-eighties. Widespread publicity sur- S rounding a case from a diocese in Louisiana in 1984 began a socio-historical process that would reveal one of the Church’s must shameful secrets, the widespread, systemic sexual violation of children, young adolescents and vulnerable adults by men who hold one of the most trusted positions in our society (cf. Berry, 1992). The steady stream of reports was not obvious was the sexual abuse itself. This Teaching of the Twelve Apostles, contained limited to the southern United States. It was was especially shocking and scandalous an explicit condemnation of sex between soon apparent that this was a grave situa- because the perpetrators were priests and adult males and young boys. There were no tion for the Catholic Church throughout the in some cases, bishops. For many it was clergy as such at that time nor were United States. Although the Vatican at first difficult, if not impossible, to resolve the bishops and priests, as they are now claimed this was an American problem, the contradiction between the widespread ins- known, in a separate social and theological steady stream of revelations quickly spread tances of one of society’s most despicable class. The first legislation proscribing what to other English speaking countries. crimes and the stunning revelation that the later became known as pederasty was pas- Reports in other countries soon confirmed perpetrators were front-line leaders of the sed by a group of bishops at the Synod of what insightful observers predicted: it was largest and oldest Christian denomination, Elvira in southern Spain in 309 AD. -
22Nd NFF Announces Screenwriters Tribute
FOR IMMEDIATE RELEASE NANTUCKET FILM FESTIVAL ANNOUNCES TOM MCCARTHY TO RECEIVE 2017 SCREENWRITERS TRIBUTE AWARD NICK BROOMFIELD TO BE RECOGNIZED WITH SPECIAL ACHIEVEMENT IN DOCUMENTARY STORYTELLING NFF WILL ALSO HONOR LEGENDARY TV CREATORS/WRITERS DAVID CRANE AND JEFFREY KLARIK WITH THE CREATIVE IMPACT IN TELEVISION WRITING AWARD New York, NY (April 6, 2017) – The Nantucket Film Festival announced today the honorees who will be celebrated at this year’s Screenwriters Tribute—including Oscar®-winning writer/director Tom McCarthy, legendary documentary filmmaker Nick Broomfield, and ground-breaking television creators and Emmy-nominated writing team David Crane and Jeffrey Klarik. The 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. The 2017 Screenwriters Tribute Award will be presented to screenwriter/director Tom McCarthy. McCarthy's most recent film Spotlight was awarded the Oscar for Best Picture and won him (and his co-writer Josh Singer) an Oscar for Best Original Screenplay. McCarthy began his career as a working actor until he burst onto the filmmaking scene with his critically acclaimed first feature The Station Agent, starring Peter Dinklage, Patricia Clarkson, Bobby Cannavale, and Michelle Williams. McCarthy followed this with the equally acclaimed film The Visitor, for which he won the Spirit Award for Best Director. He also shared story credit with Pete Docter and Bob Peterson on the award-winning animated feature Up. Previous recipients of the Screenwriters Tribute Award include Oliver Stone, David O. Russell, Judd Apatow, Paul Haggis, Aaron Sorkin, Nancy Meyers and Steve Martin, among others. -
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film. -
Nick Davis Film Discussion Group December 2015
Nick Davis Film Discussion Group December 2015 Spotlight (dir. Thomas McCarthy, 2015) On Camera Spotlight Team Robby Robinson Michael Keaton: Mr. Mom (83), Beetlejuice (88), Birdman (14) Mike Rezendes Mark Ruffalo: You Can Count on Me (00), The Kids Are All Right (10) Sacha Pfeiffer Rachel McAdams: Mean Girls (04), The Notebook (04), Southpaw (15) Matt Carroll Brian d’Arcy James: mostly Broadway: Shrek (08), Something Rotten (15) At the Globe Marty Baron Liev Schreiber: A Walk on the Moon (99), The Manchurian Candidate (04) Ben Bradlee, Jr. John Slattery: The Station Agent (03), Bluebird (13), TV’s Mad Men (07-15) The Lawyers Mitchell Garabedian Stanley Tucci: Big Night (96), The Devil Wears Prada (06), Julie & Julia (09) Eric Macleish Billy Crudup: Jesus’ Son (99), Almost Famous (00), Waking the Dead (00) Jim Sullivan Jamey Sheridan: The Ice Storm (97), Syriana (05), TV’s Homeland (11-12) The Victims Phil Saviano (SNAP) Neal Huff: The Wedding Banquet (93), TV’s Show Me a Hero (15) Joe Crowley Michael Cyril Creighton: Star and writer of web series Jack in a Box (09-12) Patrick McSorley Jimmy LeBlanc: Gone Baby Gone (07), and that’s his only other credit! Off Camera Director-Writer Tom McCarthy: See below; co-wrote Pixar’s Up (09), frequently acts Co-Screenwriter Josh Singer: writer, West Wing (05-06), producer, Law & Order: SVU (07-08) Cinematography Masanobu Takayanagi: Silver Linings Playbook (12), Black Mass (15) Original Score Howard Shore: The Lord of the Rings Trilogy (01-03), nearly 100 credits Previous features from writer-director -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
The Long Dark Winter's Night
The Long Dark Winter’s Night The Long Dark Winter’s Night Reflections of a Priest in a Time of Pain and Privilege Patrick Bergquist LITURGICAL PRESS Collegeville, Minnesota www.litpress.org Cover design by Ann Blattner. Unless otherwise noted, Scripture texts in this work are from the New American Bible with Revised New Testament and Revised Psalms © 1991, 1986, 1970 Confraternity of Christian Doctrine, Washington, DC, and are used by permission of the copyright owner. All Rights Reserved. No part of the New American Bible may be reproduced in any form without permission in writing from the copyright owner. © 2010 by Order of Saint Benedict, Collegeville, Minnesota. All rights reserved. No part of this book may be reproduced in any form, by print, microfilm, microfiche, mechanical recording, photocopying, translation, or by any other means, known or yet unknown, for any purpose except brief quotations in reviews, without the previous writ- ten permission of Liturgical Press, Saint John’s Abbey, PO Box 7500, Collegeville, Minnesota 56321-7500. Printed in the United States of America. 123456789 Library of Congress Cataloging-in-Publication Data Bergquist, Patrick. The long dark winter’s night : reflections of a priest in a time of pain and privilege / Patrick Bergquist. p. cm. Includes bibliographical references (p. ). ISBN 978-0-8146-3301-4 1. Child sexual abuse by clergy—Meditations. 2. Catholic Church—Clergy—Sexual behavior—Meditations. 3. Priesthood— Catholic Church—Meditations. 4. Bergquist, Patrick. I. Title. BX1912.9.B44 2010 282.09'045—dc22 -
Review of Spotlight Sister Lydia Allen, RSM, Ph.D. the Movie, Spotlight
Review of Spotlight Sister Lydia Allen, RSM, Ph.D. The movie, Spotlight, shows how an investigative team from the Boston Globe opened the deep wound of child sexual abuse which festered beneath the surface of the Catholic Church and culture of Boston in 2002. By the end of the movie, the team successfully exposed the extent of the abuse, as well as the institutional policy of denial and concealing of the problem by Archdiocesan authorities. It is difficult to watch how Church and judicial authorities consistently minimized the heinousness of the abuse and how they, through moving abusing priests from parish to parish, knowingly or unknowingly participated in allowing the abuse to continue. Psychological denial has serious consequences, as it denies the truth of things. Closed social systems, such as was the Archdiocese of Boston during the period of time described in the movie, are usually tightly bound by unspoken rules and do not allow for outside input or correction. Such systems are unhealthy and can be dangerous because self-correction is extremely difficult, if not impossible. It may lead to a “systemic disease,” as seems to have been the case in Boston. Interestingly, the necessary corrective came about for the Boston Globe when its newly imported editor, Marty Baron (played by Liev Schreiber), chose to focus on the issue of child sexual abuse by priests and potential Catholic institutional involvement in the abuse; likewise, the Spotlight team, along with an independent lawyer, provided the outside corrective necessary to break through the institutional pall of silence and the institutional denial or minimization of the significance of the problem. -
Code Words to Hide Sex Abuse
CODE WORDS TO HIDE SEX ABUSE A.W. Richard Sipe Revised May 1, 2015 The sexual abuse scandal in the Catholic Church has gone on for so long that a community of researchers, academics, and writers has arisen to study the crisis. Among us are historians, legal scholars, sociologists, psychotherapists and more. But no matter our main discipline, we all have had to struggle with many of the same challenges. The first is coming to terms with the fact that while the Church is famously careful about its records and documents, when it comes to sex and the clergy these documents are obscure to the point of deception. The people who keep the records for the Church are driven to deceive by the clerical culture of celibacy, which forbids all sexual activity by ordained men. Because it is forbidden, clerical sexual activity is always guarded in secrecy, and individuals expend enormous effort to keep it that way. Whenever the secrets are identified within the Church, officials use code words to keep others in the dark while they establish a record that will be useful to them, but not to an outsider. This is why a search of Church documents for evidence of prior knowledge of sexually abusing priests will rarely turn-up the words pedophile, abuser, sex, or any other direct reference to actual sexual or abusive behavior. However, those of us who have worked on this issue both from within and outside the Church have noted similar coded terms and euphemisms being used in documents written around the world and at every level of the ecclesiastical bureaucracy. -
Churchhistory
Church History Citi Ministries, Inc. in the Making SPECIAL REPORT SPRING 2010 Will history repeat itself ? Isaiah 11: But a shoot shall sprout from the stump of Jesse, and from his roots a bud shall blossom. “The Only Way Out Is Through!” CITI MINISTRIES, INC. The history of mandatory celibacy goes back to the year 309 and the Coun- (Celibacy Is the Issue) cil of Elvira when it became an edict for Spanish priests. Then in 1139, at the Second Lateran Council, mandatory celibacy advanced to a global com- WHO WE ARE mand. Yet, as late as the 1500s, popes were responsible for the birth of chil- Lay-based organization that locates, dren and one had a heart attack while in bed with a woman in the Vatican. recruits and promotes the availabili- ty of married Roman Catholic priests, valid according to Canon Law. Clergy sexual abuse has as long a history—according to several books and papers researched and written by experts including psychotherapist Richard OUR MISSION Sipe and Canon Lawyers Thomas P. Doyle and Patrick J. Wall—and ref- To work toward the full utilization erenced in the bibliography beginning on page 17. The church’s influence, of married Roman Catholic priests unfortunately, has been so powerful as an authority, both among the public in filling the spiritual needs of the people of God. and those trying to effect reform, that its unsubstantiated claims that 1) mandatory celibacy has nothing to do with clergy sexual abuse, and 2) cler- OUR STRATEGY gy sexual abuse is the same as general population abuse have been believed.