CAMPOLI PRESTI

EILEEN QUINLAN

Born in Boston, 1972 Lives and works in Brooklyn

EDUCATION

2005 M.F.A., Columbia University, New York

1996 B.F.A., The School of the Museum of fine Arts/Tuffs University, Boston

PUBLIC COLLECTIONS

MoMA, New York Whitney Museum of American Art, New York The Metropolitan Museum of Art, New York The Museum of Contemporary Art, Los Angeles Hammer Museum, Los Angeles Los Angeles County Museum of Art, California Brooklyn Museum, New York CCS Bard Hessel Museum of Art, Annandale-on-Hudson The Whitworth Art Gallery, University of Manchester, United Kingdom FRAC Poitou-Charentes, France (Fonds Régional d'Art Contemporain) Auckland Art Museum, University of North Carolina, Chapel Hill

SOLO AND TWO-PERSON EXHIBITIONS

2019 WAIT FOR IT, Kunstverein für die Rheinlande und Westfalen, Düsseldorf

2018 Too Much, Miguel Abreu Gallery, New York Enough, Gallery TPW, Toronto Bitches Talkin: works by ET (Eileen Quinlan & Tamar Halpern), Black Ball Projects, Brooklyn

2017 Dune Woman, Campoli Presti, London

2016 Mind Craft, Miguel Abreu Gallery, New York

2015 After Hours, Campoli Presti, London Double Charlie, Campoli Presti, Paris

2014 A Moveable Feast – Part XI: Eileen Quinlan & Cheyney Thompson, Campoli Presti, Paris

2013 Curtains, Miguel Abreu Gallery, New York

2012 Twin Peaks, Campoli Presti, London

2011 Constant Comment, Overduin and Kite, Los Angeles Eileen Quinlan & Matt Keegan: Y? O! G... A., The Kitchen, New York

2010 Highlands, Sutton Lane (Campoli Presti), Paris Nature Morte, Miguel Abreu Gallery, New York

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2009 My Eyes Can Only Look at You, The Institute of Contemporary Art, Boston

2008 Downtime, Overduin and Kite, Los Angeles Fahrenheit and Stone Roses, Sutton Lane (Campoli Presti), Paris Puccio Onyx, Galerie Buchholz, Cologne Art Statements, Art|39|Basel with Sutton Lane (Campoli Presti), Switzerland

2007 Photographs, Miguel Abreu Gallery, New York

2006 Solo exhibition, Sutton Lane (Campoli Presti), London

2005 Eileen Quinlan and Cheyney Thompson: S&M, Sutton Lane (Campoli Presti), Paris

SELECTED GROUP AND TWO-PERSON EXHIBITIONS

2020 La photographie à l’épreuve de l’abstraction, Frac Normandie Rouen, France

2019 Artist’s Choice: Amy Sillman – The Shape of Shape, MoMA, New York Objects Recognized in Flashes, curated by Matthias Michalka, MUMOK, Vienna After Virginia, CHART, New York Encore, Wols, Eileen Quinlan, Josephine Pryde, Atelier E.B, Jazz Leeb, organized by Helena Papadopoulos, Miguel Abreu Gallery, New York Self Portrait with Visor, Campoli Presti, Paris Passante, organized by Atelier E.B., Lafayette Anticipations, Paris Unexplained Parade, Catriona Jeffries, Vancouver Tainted Love / Club Edit, Villa Arson, Nice

2018 Picture Industry: A Provisional History of the Technical Image, 1844–2018, curated by Walead Beshty, LUMA Arles, France The Mechanics of Fluids, organized by Melissa Gordon, Marianne Boesky Gallery, New York In and Out of Place, CCS Bard Hessel Museum of Art, Annandale-on-Hudson In the Air, Koenig & Clinton, Brooklyn

2017 Tainted Love, Le Confort Moderne, Poitiers PhotoPlay: Lucid Objects, Paris Photo, Grand Palais, Paris Venice Biennale 2017: VIVA ARTE VIVA, curated by Christine Macel, Venice

2016 '33 - '29 - '36, Um Gallery – Academy Of Arts, Architecture And Design, Prague Her Wherever, curated by Sara Greenberger Rafferty & Sara VanDerBeek, Halsey McKay Gallery, East Hampton Systematically Open? New Forms for Contemporary Image Production, curated by Walead Beshty, Elad Lassry, Zanele Muholi and Collier Schorr, LUMA Arles, France Group exhibition celebrating Thea Weistreich Wagner and Ethan Wagner’s donation to Whitney and Pompidou, Campoli Presti, Paris Image Support, Bergen Kunsthall, Norway Always starts with an encounter: Wols/Eileen Quinlan, curated by Helena Papadopoulos, Museum of Cycladic Art, Athens Lattice Work, curated by Rola Khayyat, Emily Kloppenburg, Rachel Stern, and Alex Strada, Black & White Gallery/ Project Space, Brooklyn Pure Numerical Formula Describes Wetness and Light, curated by Eli Bornowsky, Or Gallery, Vancouver Land Escapes, Joshua Liner Gallery, New York Hardly visible. Barely noticeable, ESTE, Brooklyn Still Life with Fish: Photography from the Collection, Hammer Museum, Los Angeles

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2015 Collected by Thea Westreich Wagner and Ethan Wagner, Whitney Museum of American Art, New York A kind of graphic unconscious, Susan Hobbs, Toronto The Inventors of Tradition II, The Palace of Art, Glasgow Images That Speak, Presentation House Gallery (Satellite Gallery), Vancouver New Acquisitions, Whitworth Art Gallery, Manchester Fictions, Derek Eller Gallery, New York Lens Work: Celebrating LACMA’s Experimental Photography at 50, LACMA, Los Angeles An Unfixed Image: The Photographic Across Media, The College of New Jersey, Ewing The Human Apparatus, Klemms, Berlin Sylvia Bataille, Joan, Los Angeles Transmission, Recreation and Repetition, Palais des Beaux-Arts, Paris

2014 American Photography: Recent Acquisitions from the Museum of Modern Art, New York, curated by Sarah Hermanson Meister and Quentin Bajac, in conjunction with Paris Photo, Grand Palais, Paris Altarations: Built, Blended, Processed, Florida Atlantic University, School of the Arts, Schmidt Center Gallery, Boca Raton Process Priority, Steven Zevitas Gallery, Boston Technokinesis, Blum & Poe, New York; Los Angeles Lens Reflex, organized by Steven Baldi, Thomas Duncan Gallery, Los Angeles Outside the Lines: Rites of Spring, Contemporary Arts Museum Houston, Texas What Is a Photograph?, organized by Carol Squiers, International Center of Photography, New York A World of Its Own: Photographic Practices in the Studio, MoMA, New York

2013 L’épreuve de l’abstraction, FRAC Poitou-Charentes, Médiathèque de Vouillé, France New Photography 2013, MoMA, New York Elements, Rudiments, and Principles, Boston University Art Gallery at Stone Gallery, Boston Lens Drawings, curated by Jens Hoffmann, Marian Goodman Gallery, Paris The Cat Show, curated by Rhonda Lieberman, White Columns, New York Why is Everything the Same? - Works from the Collection of Anne Collier and Matthew Higgs, Shoot The Lobster, New York

2011 Printed, Mai 36 Galerie, Zurich Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Massachusetts Accrochage, an installation of recent works by gallery artists and others, Miguel Abreu Gallery, New York Blind cut, curated by Jonah Freeman and Vera Neykov, Marlborough Gallery, New York

2011 Structure and Absence, White Cube Bermondsey, London Next Wave Art, curated by Dan Cameron, BAM, Brooklyn I don’t know if it makes any sense – I feel quite dizzy and a little drunk due to the blow. I will return with more info shortly, IMO, Copenhagen All of This and Nothing, 6th edition of Biennial invitational exhibition series, Hammer Museum, Los Angeles Systemsanalyse, Langen Foundation, Germany New York to London and back-The Medium of Contingency, Thomas Dane Gallery, London

2010 Borofsky, Floyer, Haacke, Janssens, Quinlan, Tremblay, Walker, Walsh, Paula Cooper Gallery, New York Systems Analysis, West London Projects, London Crystalline Architecture, Andrea Rosen Gallery, New York

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CAMPOLI PRESTI

Picture Industry (Goodbye to All That), organised by Walead Beshty, Regen Projects, Los Angeles 50 Artists Photograph The Future, curated by Dean Daderko, Higher Pictures, New York False / Divide, Miguel Abreu Gallery, New York Blind Mirror, Galleria Raucci/ Santamaria, Naples Group Show, Galeria Marta Cervera, Madrid Contemporary Works from the Monsen Family Collection, Henry Art Gallery, Seattle

2009 Kings County Biennial, Dustin Yellin Gallery, Brooklyn, New York Abstraction and Materialist Praxis in Contemporary Photography, organized by the Die Storung Collective, Guinea Kunstraum Hoey-Wasow, Rhinebeck I'm So Sad, My God, curated by Martha Kirszenbaum, International Studio & Curatorial Program, New York Collatéral (with Liz Deschenes, Sam Lewitt, Scott Lyall, Sean Paul, Blake Rayne, Nora Schultz, Cheyney Thompson), Le Confort Moderne – Centre pour l’Art Contemporain, Poitiers Surface Tension: Contemporary Photographs from the Collection, The Metropolitan Museum of Art, New York Correspondences: Jan Groover/ Eileen Quinlan, curated by Matthew Higgs, Galerie Krobath, Vienna New Constructivismes!, curated by Oliver Renaud-Clément, Galerie Almine Rech, Brussels Slow Movement Oder: Das Halbe und das Ganze, Kunsthalle Bern, Switzerland To Be Determined, Andrew Kreps Gallery, New York Photography in the Abstract, organized by Maureen Mahony, Lora Reynolds Gallery, Austin To be Determined, Austin, Andrew Kreps Gallery, New York Crystalline Architectures, organized by Josiah McElheny, Andrea Rosen Gallery, New York Practice vs. Object, organized by Margaret Liu Clinton, Miguel Abreu Gallery, New York On From Here, Guild & Greyshkul Gallery, New York

2008 The Empty Page, James Fuentes LLC, New York Hermann’s Grid, curated by Gareth James, Franco Soffiantino Arte Contemporanea, Turin Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York From Brooklyn With Love, curated by Allun Williams, Parker’s box Gallery, Brooklyn Every Picture Tells a Story…or at Least Is a Picture, curated by Jo Jackson and Chris Johanson, Small A Projects, Portland Portfolio Project #2, published by Dispatch, New York Update, curated by Matthew Higgs, White Columns, New York Eat the Document, curated by Dean Daderko, Larissa Goldston Gallery, New York Mirror Mirror, Edward Thorp Gallery, New York

2007 Regroup Show, Miguel Abreu Gallery, New York 24 November - 22 December, Sutton Lane (Campoli Presti), Paris Form as Memory, Miguel Abreu, New York Seriality, Shane Campbell, Chicago Undone, Whitney Museum at Altria, New York Strange Magic, Luhring Augustine, New York Blackberring, Galleri Christina Wilson, Copenhagen TBA with Cheyney Thompson, curated by Martin Clark, Arnolfini, Bristol Silicone Valley, MoMA P.S.1 Contemporary Art Center, Long Island City Art Politiquement Engagé, organised by Fia Backström for In Practice Projects, The Sculpture Centre, New York For the People of Paris, Sutton Lane (Campoli Presti) at Ghislaine Hussenot, Paris

2006 Miroslaw Balka, Eileen Quinlan, Michael Benevento, Orange Group, Los Angeles Dice Thrown (Will Never Annul Chance), Bellwether, New York

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CAMPOLI PRESTI

How to Build a Universe That Doesn't Fall Apart Two Days Later, curated by Willl Bradley, Wattis Institute, San Francisco Just Off Focus, Andrew Kreps Gallery, New York Thin Walls, Klaus von Nichtssagend Gallery, New York Two Friends and So On, Andrew Kreps Gallery, New York Dereconstruction, curated by Matthew Higgs, Barbara Gladstone Gallery, New York United Artists Ltd, IV. (Peter Coffin, Anne Collier, Eileen Quinlan), curated by Michael Phelan, United Artists Ltd, Texas Group Exhibition with Patrick Hill and Florian Schmidt, Galerie Kosak Hall, Vienna Endless Summer, curated by Gyonata Bonvicini, Westlondonprojects, London Dialog #1: Puzzled, Elena Pankova & Eileen Quinlan, curated by Matthew Higgs, White Columns, New York Supports, Roger Björkholmen Galleri, Stockholm Everything beautiful and noble is the result of reason and Calculation, curated by Howie Chen and Gabrielle Giattino, The Elizabeth Foundation Gallery, New York Slow Burn, curated by Jonah Freeman, Galerie Edward Mitterand, Geneva

2005 Excitations, arranged by Matt Keegan, Andrew Kreps Gallery, New York Bebe le Strange, curated by Rachel Uffner and Barb Choit, D'Amelio Terras, New York MFA Thesis Show, Studebaker Hall, Columbia University, New York Past Perfect, curated by Francesca DiMattio, Kantor Gallery, New York

2004 First Year Show, curated by Ali Subotnik, Eli Wallach Gallery, Columbia University, New York Art in the Office, arranged by Matt Keegan, The Global Consulting Group, New York

2003 Fresh Meat, curated by Stephen Apicella-Hitchcock, CEPA Gallery, Buffalo, NY

2002 Salon V, curated by Tim Bailey, Oni Gallery, Boston Yes, We're Excerpts, Andrew Kreps Gallery, New York Welcome to the Playground of the Fearless, curated by James Fuentes, Entropy Gallery, New York

2001 Life is Elsewhere, Eileen Quinlan and Cheyney Thompson, Canada Gallery, New York

SELECTED BIBLIOGRAPHY

2019 Rabinowitz, Cay Sophie, “Good Enough”, Osmos Demircan, Saim. “Critics’ Picks: Eileen Quinlan,” Artforum.com, June

2017 Macel, Christine, “Viva Arte Viva: 57th International Art Exhibition: La Biennale Di Venezia,” La Biennale di Venezia, September 5, 2017 (cat.) “Batons and Barriers, A Portfolio by Eileen Quinlan,” Modern Painters, June/July 2017 “Portfolio : Eileen Quinlan,” Monopol Magazine, May 2017 McDonough, Thomas, “Eileen Quinlan: Between Substrate and Sublimate,” Osmos Magazine, Winter 2017

2016 Respini, Eva, “On Defiance: Experimentation as Resistance,” Aperture #225, Winter Issue Aletti, Vince, “Eileen Quinlan, Mind Craft,” The New Yorker, April 2016 Fateman, Johanna, “Critics’ Picks: Eileen Quinlan,” Artforum.com, April 2016

2015 Tarasoff, Sabrina, "Eileen Quinlan: Double Charlie", CMagazine I26, Summer Issue Watts, Jonathan P., “Eileen Quinlan: Campoli Presti London” Frieze No 171, May Issue Taylor, Phil, “Eileen Quinlan”, Critics’ Pick, Artforum, March 4

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CAMPOLI PRESTI

Sterns, Jamie, "Two of a Kind: Eileen Quinlan at Campoli Presti, Nicole Wermers at Herald St", ArtNews, March 31

2014 Pollack, Maika. “What is a Photograph at the International Center of Photography,” Gallerist, February 12 Barry, Schwabsky. “Eileen Quinlan,” Artforum, January “Eileen Quinlan: New York,” Modern Painters, January

2013 Russeth, Andrew, "Eileen Quinlan: Curtains' at Miguel Abreu Gallery," Gallerist NY, Dec. 3 Hasset, Christopher, “Eileen Quinlans Curtians at Miguel Abreu”, NYArtsMagzine.com, Dec. 23 Fiske, Courtney. “Critic’s Picks: Eileen Quinlan,” Artforum (review), November Rexer, Lyle, "Eileen Quinaln: Curtains," News & Reviews, Photographmag.com, Nov. 21 "Eileen Quinlan," The Lookout, ArtinAmerica.com, Nov. 21 Rosenberg, Karen, “Art in Review: Eileen Quinlan, ‘Curtains’,” The New York Times, November The New Yorker, “Art: Galleries – Downtown: Eileen Quinlan”, The New Yorker, November Bryant, Eric. “Shooting Stars: Eileen Quinlan,” Art+Auction, October Pollack, Maika. “‘New Photography 2013’ at Museum of Modern Art,” Gallerist NY, Sep. 24 “Goings on About Town: New Photography 2013,” The New Yorker, Sept. 23 Johnson, Ken. “Art in Review: Images Propelled Beyond Pictures,” The New York Times, Sept. 13 Beshty, Walead. ed., Blind Spot, Issue 46 Smith, Roberta. “Art in Review: The Cat Show,” The New York Times, July 4 Yablonsky, Linda. “Artifacts: Cats, the New Rulers of the Art World,” T Magazine Blog, July 9 “25 Photographers to Watch in 2013,” Complex Magazine, Jan. 9

2012 Smyth, Diane. “The Perfect Playground”, British Journal of Photography, March Blind cut, Malborough Gallery (cat.)

2012 Structure and Absence, White Cube gallery (cat.) Systems Analysis, Langen Foundation, Neuss (cat.) Stillman, Steel, “Eileen Quinlan”, Art in America, March The Medium of Contingency, published by Urbanoramic in association with Ridinghouse (cat.) “Eileen Quinlan’s ‘Constant Comment’,”, Art Agenda, December

2010 Roberta Smith. “The Varieties of Abstract Experience”, The New York Times, August 6 Jones, Kristin M. “Eileen Quinlan”, Frieze, September, p.139-140 O’Neill-Butler, Lauren. “Eileen Quinlan”, Artforum, Summer Issue Kley, Elisabeth. “Gotham Art and Theater: Eileen Quinlan at Miguel Abreu Gallery”, Artnet.com, April 23 Carlin, T.J. “Studio Visit: Eileen Quinlan”, Time Out New York, Issue 759, April 15-21 Alleti, Vince, “Going On About Town”, The New Yorker, April 7 Clark, Martin. “What To See This Month”, Art Review, March

2009 Quinlan, Eileen. “The Artist's Artists”, Artforum, December Godsill, Benjamin. “The Last Artist”, The Last Magazine, Fall issue 3 Quinlan, Eileen & Beshty, Walead. “Walead Beshty & Eileen Quinlan”, BOMBlog, September Bedford, Christopher. “Depth of Field”, Frieze, September Smee, Sebastian. “In the Abstract”, The Boston Globe, April 3 Taft, Catherine. “Overduin and Kite”, Artforum, April Compagnola, Sonia. “Overduin and Kite – Los Angeles”, FlashArt, March - April Lehrer Graiwer, Sarah. “Eileen Quinlan: Downtime”, Art Review, March issue Bergeron, Chris. “Eileen Quinlan’s art pushes photographic boundaries”, The Milford Daily News, March 22 Lowenstein, Kate. “To be Determined”, Time Out New York, Issue 699, Feb. 19 - 25 Brannon, Matthew. “Without Baggage, With Pistoletto: Thoughts on Eileen Quinlan's Photographs”, Mousse, Issue 16, December - January

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CAMPOLI PRESTI

Schad, Ed. “Eileen Quinlan at Overduin and Kite”, ArtSlant, Jan. 19 Schad, Ed. “Overduin and Kite”, Artslant Los Angeles, Jan. 19

2008 Bryant, Eric. “The Indecisive Image”, ArtNews, March O’neill Butler, Lauren. “Eat the Document”, Time Out New York, Feb. 14

2007 Cotter, Holland. “Eileen Quinlan”, The New York Times, Dec. 7 Smith, Roberta. “Strange Magic”, The New York Times, Nov. 3 Carlin, Tova. “Eileen Quinlan, Smoke and Mirrors”, Time Out New York, Nov. 1 “Liz Deschenes and Eileen Quinlan. Interview”, North Drive Press, Fall Rosenberg, Karen. “Strange Magic”, New York Magazine, July 23 Quinlan, Eileen. “Top Ten”, Artforum, January Kessler, Sarah. “Seriality”, Artforum.com, 2007

2005 “Dice Thrown (Will Never Annul Chance)”, The New Yorker, Nov. 6 Smith, Roberta. “Dice Thrown (Will Never Annul Chance)”, Art in Review, The New York Times, November 3 Doran, Anne. “Dice Thrown”, Time Out New York, Issue 579, Nov. 2-8 Stillmann, Nick. “Eileen Quinlan”, Modern Painters, November “Eileen Quinlan”, Visionaire, October Velasco, David. “Dereconstruction”, Artforum, September “Eileen Quinlan”, Texte zur Kunst, April Alemani, Cecilia. “Everything Beautiful and Noble Is the Result of Reason and Calculation”, Critic's Picks, Artforum.com, February Robinson, Walter. Weekend Update, Artnet.com, Feb. 7

2004 “Cheyney Thompson et Eileen Quinlan”, Paris-art.com, November “Bright Young Things”, Art Review, Dec. 5

2004 Huntingdon, Richard. “CEPA's 'Fresh Meat' is a Savory Exhibit”

2002 Smith, Roberta. “Yes, We're Excerpts”, The New York Times, August 2

TEACHING

Faculty, MFA, Milton Avery Graduate School of Arts, Bard College, Annandale-on-Hudson

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