PSP 2018-2019 Season Brochure

Total Page:16

File Type:pdf, Size:1020Kb

PSP 2018-2019 Season Brochure Patron Information Name ______________________________________ Address ____________________________________ City __________________________ State ________ ZIP Code ___________ Phone _________________ Email ______________________________________ Pacifica Spindrift Players 2018-2019 1050 Crespi Drive Season Subscription Pacifica, CA 94044 (650) 359-8002 Number of Adults ____ x $160 (save $20) Number of Students/Seniors* ____ x $135 (save $20!) Visit us online at *Seniors are 55 years of age or older www.pacificaspindriftplayers.org *Students must present a valid student ID time of purchase 2018-2019 Season Subscription Benefits of Becoming a Payment Season Subscriber • You get to reserve your seat! Call the Check _____ Visa _____ MasterCard _____ Box Office at (650) 359-8002 to make Card Number _______________________________ your reservation. Expiration Month _____________ Year __________ • You become a Member of PSP! Check CVV (Last 3 digits on back of card) ____________ out our website for additional Member Benefits. My Fair Lady City of Angels Book and Lyrics by Alan Jay Lerner Book by Larry Gelbart Music by Frederick Loewe Music by Cy Coleman August 10 to September 2, 2018 Lyrics by David Zippel Based on George Bernard Shaw’s play January 25 to February 17, 2019 Pygmalion, this classic musical tells the tale of Winner of 6 Tony Awards and set in the a cockney flower girl transformed into an glamorous, seductive Hollywood of the 40’s, elegant lady and features one of musical the world of film studios and flimsy negligees, theatre’s greatest scores, including “I Could this musical comedy interweaves two stories: Have Danced All Night”, “Wouldn’t It Be one dealing with the writing of a mysterious and Loverly”, and “The Rain in Spain”. seductive film noir screenplay; the other, the enactment of that screenplay. It Can’t Happen Here Based on the Novel by Sinclair Lewis Other Desert Cities Adapted by Tony Taccone & Bennett S. Cohen By Jon Robin Baitz October 19 to November 4, 2018 March 1 to March 17, 2019 A cautionary dark satire about the fragility of Brooke Wyeth returns home to Palm Springs democracy and how fascism can take hold after a six-year absence to announce to her even in the land of liberty, this uncannily family that she is publishing a memoir dredging prescient story follows the ascent of a up a pivotal and tragic event in the family's demagogue who becomes president of the history—a wound they don't want reopened. United States by promising to return the country to greatness. Heathers It’s a Wonderful Life: By Lawrence O’Keefe and Kevin Murphy Come Blow Your Horn A Live Radio Play April 5 to April 28, 2019 Adapted by Joe Landry By Neil Simon In this rock musical based on the classic 1989 November 30 to December 16, 2018 May 24 to June 10, 2019 film, Westerberg High is ruled by a shoulder- Spend the holidays at the theater with a fully padded, scrunchie-wearing junta: Heather, In Neil Simon’s first Broadway smash, Alan staged live radio play adaptation of the classic Heather, and Heather, the hottest and cruelest Baker - a 30-something swinging bachelor with film about an angel sent to help a desperate girls in all of Ohio. But misfit Veronica Sawyer time, money and women to spare - welcomes businessman on Christmas Eve. This rejects their evil regime for a new boyfriend, the his rebellious and eager 21-year-old brother heartwarming story of redemption and hope is dark and sexy stranger J.D., who plans to put Buddy into his den of iniquity while their the perfect way to celebrate the season. the Heathers in their place - six feet under. horrified parents can only watch and pray..
Recommended publications
  • 170101 ATC Flexpass Interim Bro Outside
    E SUBSCRIB / G R O . E R T A THE A ARIZON ! Y A TOD SUBSCRIBE 8 201 - - -- 7 201 Y FAMIL ATC THE JOIN ARIZONA THEATRE COMPANY OFFERS A VARIETY OF SUBSCRIPTION OPTIONS TO GIVE YOU THE BEST OPPORTUNITY TO SEE ALL THE SHOWS YOU WANT TO SEE, WHEN YOU WANT TO SEE THEM, FROM WHATEVER SEATS YOU CHOOSE. WHEN YOU SUBSCRIBE TO ATC, YOU’RE FAMILY! 6-PLAY FULL SEASON SUBSCRIPTION BUILD-YOUR-OWN SUBSCRIPTION FLEX PASSES The Rolls Royce of subscriptions! For the true Join the ATC family on your terms! If you know the Enjoy subscriber benefits without the commitment! theatre connoisseur, you get to sample everything shows and dates you’d like to attend, we have just WHEN YOU PURCHASE A FLEX PASS, YOU RECEIVE: that ATC has to offer! the package for you! Our 3, 4, and 5-Play packages offer almost all the benefits of our 6-Play - Best seats in ANY section at the time of pass WHEN YOU PURCHASE A 6-PLAY, YOU RECEIVE: Subscriptions, and you get to be part of the ATC redemption - Guaranteed best seats for the shows you can’t family for a fraction of the price of single tickets! - Flexibility to redeem passes in any combination wait to see you choose WHEN YOU PURCHASE A 3-PLAY, 4-PLAY, OR - Unlimited free exchanges - Locked-in pricing for any tickets for the entire 5-PLAY PACKAGE, YOU RECEIVE: - Lost ticket insurance season, at a significant savings over single - Guaranteed best seats for the shows you can’t ticket prices - Priority renewals and seating upgrades wait to see - Early-bird access to special add-on productions - The satisfaction of knowing you’re
    [Show full text]
  • National Arts Awards Monday, October 19, 2015
    2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States.
    [Show full text]
  • Musical Theatre at the Academy
    MUSICAL THEATRE AT THE ACADEMY “Cole Porter Medley” at Showcase 2019 In the Musical Theatre Department, students master storytelling in three different disciplines: voice, dance, and acting. While many graduates of The Academy attend highly regarded BFA conservatory If you are looking for a career in the arts, the programs in musical theatre or acting, training that you get here is second to none. I others choose to pursue their training can’t imagine what it would be like in a regular in academic BA programs at liberal arts high school musical theatre program. We do colleges. two to three challenging musical productions a For Musical Theatre students, performance year, in addition to a Shakespeare festival. You is a key part of learning, and students have get so much exposure to different works and ample opportunity for it. The Department techniques that by the time you are going to produces three to four mainstage college, you have the confidence to audition shows per year, including two musical productions, and several plays as part of and succeed.” the Shakespeare Festival collaboration with - Jack, Musical Theatre ‘18 the Theatre Department. In acting classes, freshman and sophomore students focus their studies on the work of Shakespeare and Thornton Wilder, while juniors concentrate on Oscar Wilde and Tennessee Williams. Seniors begin to study the work of Anton Chekhov. chicagoacademyforthearts.org 312.421.0202 MUSICAL THEATRE AT THE ACADEMY Musical Theatre Department Curriculum Musical Theatre Department students are immersed in
    [Show full text]
  • 42Nd Street Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR.
    [Show full text]
  • Play-Guide Sunshine-Boys-FNL.Pdf
    TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit
    [Show full text]
  • Colonial Concert Series Featuring Broadway Favorites
    Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield.
    [Show full text]
  • The Semi-Circle Basel
    The Semi-Circle Play-readings since 2010 2020 2020 07 22 Vampirella (Virtual via Zoom) by Angela Carter 2020 06 24 Cooking with Elvis (Virtual via Zoom) by Lee Hall 2020 05 26 Dumb Show (Virtual via Zoom) by Joe Penhall 2020 04 28 What Shall We Tell Caroline (Virtual via by John Mortimer Zoom) 2020 03 09 Kiss of the Spider Woman (El beso de la by Manuel Puig mujer araña) 2020 02 03 The Real Thing by Tom Stoppard 2020 01 06 The Philanthropist by Christopher Hampton 2019 2019 12 02 Inspector Drake and the Perfect Crime by David Tristram 2019 11 04 We Were Dancing, Still Life & Hands Across by Noel Coward the Sea 2019 10 07 Once a Catholic by Mary O'Malley 2019 09 02 Overtones by Alice Gerstenberg A Little Box of Oblivion by Stephen Bean 2019 07 01 No Exit by Jean-Paul Sartre 2019 06 03 The Party Through the Wall by Muriel Spark This Property is Condemned by Tennessee Williams The End of the Picnic by David Campton 2019 05 06 Daisy Pulls it Off by Denise Deegan 2019 04 08 The Turn of the Screw by Henry James adapted by Ken Whitmore 2019 02 04 The Frozen Deep by Wilkie Collins 2019 01 07 The Surrogate by Patricia Cotter 2018 2018 12 03 That Face by Polly Stenham 2018 11 05 Good Grief by Keith Waterhouse 2018 10 01 The Day After the Fair by Frank Harvey 2018 09 03 Central Park West by Woody Allen 2018 07 02 The Magic Tower, The Pretty Trap & Interior by Tennessee Williams Panic 2018 06 04 A Voyage Around My Father by John Mortimer 2018 05 07 Penguin Diplomacy, by John Finnemore Borderland by Sarah Woods 2018 04 09 Jenny Lomas by David Eldridge 2018 03 05 Lost in Yonkers by Neil Simon 2018 02 05 Not Talking by Mike Bartlett 2018 01 08 Quartermaine's Terms by Simon Grey 2017 2017 12 04 Inspector Drake and the Black Widow by David Tristram 2017 11 06 An Ordinary Day by Dario Fo 2017 10 02 Brimstone & Treacle by Dennis Potter 2017 09 04 Amateur Rites by Tim Luscombe 2017 07 03 Antigone by Sophocles 2017 12 06 Bedroom Farce by Alan Ayckbourn 2017 05 08 A Day in the Death of Joe Egg by Peter Nichols 2017 04 03 R.U.R.
    [Show full text]
  • Spring 2009 Curriculum
    Spring 2009 Curriculum ART HISTORY AH2102.01 Fashion and Modernism Josh Blackwell “Let There Be Fashion, Down With Art” –Max Ernst Fashion acts as a powerful analogue to and forecaster of Modernism's rise. Artists such as Matisse, Balla, Bakst, Delaunay and Dali took note of fashion's nascent agency and created clothing as a means of engaging the new political, social and cultural landscapes of the 20th Century. Influenced by Charles Baudelaire's radical questioning of beauty and fashion, artists attempted to define fashion’s role in culture, manipulating it to reflect their own proclivities. This seminar will consider various movements such as Cubism, Fauvism, Futurism, Constructivism, Dada, and Surrealism through the lens of fashion, investigating the various agendas and ideologies deployed. Culminating in the creation of original garments, students will engage the political spectrum as it intersects with Modernism's aesthetic partisanship. Regular assignments will include reading, visual research, and critical analysis of the material. A high degree of motivation is expected. Prerequisites: None. Credits: 2 Time: W 2:10 - 6pm (This course meets the second seven weeks of the term.) AH4101.01 Thematic Exposure Andrew Spence Taking a cue from recent exhibitions in art museums, art galleries, auction houses as well as trade show exhibits of antiques, design, cars, boats and art fairs, exhibition organizers and artists are interested in merging pluralistic elements of our culture into one big inclusive and broader based experience. Students in this class take a closer look at this development by selecting their own group of "things from anywhere" and presenting them in a meaningful way by producing a catalog for a hypothetical exhibition.
    [Show full text]
  • Neil Simon's Musical Fools” Is Presented by Special Arrangement with Samuel French, Inc., a Concord Theatricals Company
    Presents Neil Simon’s MUSICAL FOOLS Book and Lyrics by Neil Simon Music and Lyrics by Phil Swann and Ron West Directed by Ron West Music Direction by Jan Roper Choreography by Louisa Kendrick Burton Music Arrangements by Luke Harrington Featuring James Byous • Parvesh Cheena* • Cat Davis* • Nina Genatossio • Ben Goldberg* Bruce Green* • Juliane Hagn • Demetris Hartman • Hank Jacobs Derek Manson* • Brendan Mulally • Jason Paige • Diane ​Reneé ​ • Beth Robbins Robyn Roth* • Bolor Saruul • Jack Sharpe • Clare Snodgrass Scenic Design Costume Design Sound Design Jan Munroe Mylette Nora Tim Labor Lighting Design Properties Production Management Matt Richter & Bruce Dickinson & Amanda Weier & Mary Keegan Ina Shumaker Art Hall Publicist Production Stage Manager Associate Producer Lucy Pollak Jennifer Palumbo* Caroline Klidonas Produced by Martha Demson *Member, Actors’ Equity Association, "This performance is supported, in part, the Union of Professional Actors and by the Los Angeles County Board of Stage Managers in the United States. Supervisors through the Los Angeles This production is presented under the County Department of Arts and auspices of the Actors’ Equity Los Culture." Angeles Membership Company Rule Ticketing and CRM Technology provided by PatronManager “Neil Simon's Musical Fools” is presented by special arrangement with Samuel French, Inc., a Concord Theatricals Company. Adapted from the play FOOLS by Neil Simon Presents Neil Simon’s MUSICAL FOOLS Book and Lyrics by Neil Simon Music and Lyrics by Phil Swann and Ron West Directed
    [Show full text]
  • Spring 2005 Curriculum
    Spring 2005 Curriculum ART HISTORY AH 2125.01 Art History Documentary Series: “The Shock of the New” Jon Isherwood We will review the acclaimed BBC Art in Civilization documentary series by Robert Hughes, art critic and senior writer for Time magazine. The videos will be a starting point for discussion in regard to the major art movements in the 20th century, why they occurred and what cultural, social and political conditions were influencing these movements. Prerequisites: None. Credits: 1 Time: M 9 - 10am AH 2133.01 Introduction to Minimalism: Art, Dance, Music Laura Heon This course offers an overview of the American art movement of the 1960s and 70s called “Minimalism,” also known as “ABC Art” and “Primary Structures.” Characterized by extreme simplicity of form and a literal, objective approach, Minimalism gave rise to a vibrant exchange among the visual arts, dance, and music. Thus, this course will be divided evenly among visual artists (including Donald Judd, Robert Morris, Sol Lewitt, Dan Flavin), choreographers (Yvonne Rainer, Merce Cunningham, Trisha Brown) and the composers (La Monte Young, Phillip Glass, Terry Riley). It will include a trip to Dia:Beacon in nearby Beacon, NY, where an important collection of minimalist art is on view. The course will touch on the Abstract Expressionist movement, which laid the groundwork for Minimalism, as well as post-minimalist tendencies in the art of our time. Prerequisites: None. Credits: 4 Time: M 6:30 - 9:30pm - 1 - Spring 2005 Curriculum AH 4395.01 Art History Survey Seminar Andrew Spence This course will follow E.H. Gombrich’s The Story of Art.
    [Show full text]
  • Theatre & Performance
    CONTEMPORARY Theatre & Performance MULTICULTURALISM/ DIVERSITY • African-American Theatre • Global Theatre • LGBTQ • Performance • Asian-American • Performance Art Theatre • Experimental Theatre • Latino Theatre (LATC) AFRICAN-AMERICAN THEATRE • August Wilson (1945-2005) - Fences (1987) • Joe Turner’s Come and Gone (1988) • The Piano Lesson (1990) ASIAN-AMERICAN THEATRE • East/West Players (downtown LA) • David Henry Huang - M. Butterfly, Bondage, Yellow Face LGBTQ • Charles Ludlam (19431987) died of AIDS— founded The Ridiculous Theatre Company- The Mystery of Irma Vep (1984) with Everett Quinton • Tony Kushner- Angels in America (1993) • Larry Kramer -The Normal Heart (1985) • Terence McNally - Mothers and Sons (2014) • Split Britches (WOW Cafe)- Beauty and The Beast (1982), Belle Reprieve (1990), Lesbians Who Kill (1992) • The Tectonic Theatre Company (The Laramie Project) • Rent, Hedwig and The Angry Inch, Kinky Boots, Fun Home LATINO THEATRE • LATC (Latino Theatre Company- LA Theatre Center)- founded 1985 by Artistic Director, Jose Luis Valenzuela • Zoot Suit (1979) by Luis Valdez- made into a film (1981) • based on the Sleepy Lagoon Murder Trial (1942) and the Zoot Suit Riots in Los Angeles https://www.youtube.com/watch?v=M51xwySGNYc https://www.youtube.com/watch?v=dwINn5DEL1c GLOBAL THEATRE • Takarazuka Revue (Drag performance in Japan) https://www.youtube.com/watch?v=JLy2iOnBnsA https://www.youtube.com/watch?v=3Wccu0JjcLw • Handspring Puppet Company (South Africa) https://www.youtube.com/watch?v=SqAkQCbuvqg • Chinese Performance (spectacle)
    [Show full text]
  • University International
    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy.
    [Show full text]