Appendix E Cultural Resources Appendix E.1 6701 Sunset Boulevard Historic Resources Technical Report CONFIDENTIAL DRAFT for INTERNAL REVIEW ONLY
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Historic-Cultural Monument (HCM) List City Declared Monuments
Historic-Cultural Monument (HCM) List City Declared Monuments No. Name Address CHC No. CF No. Adopted Community Plan Area CD Notes 1 Leonis Adobe 23537 Calabasas Road 08/06/1962 Canoga Park - Winnetka - 3 Woodland Hills - West Hills 2 Bolton Hall 10116 Commerce Avenue & 7157 08/06/1962 Sunland - Tujunga - Lake View 7 Valmont Street Terrace - Shadow Hills - East La Tuna Canyon 3 Plaza Church 535 North Main Street and 100-110 08/06/1962 Central City 14 La Iglesia de Nuestra Cesar Chavez Avenue Señora la Reina de Los Angeles (The Church of Our Lady the Queen of Angels) 4 Angel's Flight 4th Street & Hill Street 08/06/1962 Central City 14 Dismantled May 1969; Moved to Hill Street between 3rd Street and 4th Street, February 1996 5 The Salt Box 339 South Bunker Hill Avenue (Now 08/06/1962 Central City 14 Moved from 339 Hope Street) South Bunker Hill Avenue (now Hope Street) to Heritage Square; destroyed by fire 1969 6 Bradbury Building 300-310 South Broadway and 216- 09/21/1962 Central City 14 224 West 3rd Street 7 Romulo Pico Adobe (Rancho 10940 North Sepulveda Boulevard 09/21/1962 Mission Hills - Panorama City - 7 Romulo) North Hills 8 Foy House 1335-1341 1/2 Carroll Avenue 09/21/1962 Silver Lake - Echo Park - 1 Elysian Valley 9 Shadow Ranch House 22633 Vanowen Street 11/02/1962 Canoga Park - Winnetka - 12 Woodland Hills - West Hills 10 Eagle Rock Eagle Rock View Drive, North 11/16/1962 Northeast Los Angeles 14 Figueroa (Terminus), 72-77 Patrician Way, and 7650-7694 Scholl Canyon Road 11 The Rochester (West Temple 1012 West Temple Street 01/04/1963 Westlake 1 Demolished February Apartments) 14, 1979 12 Hollyhock House 4800 Hollywood Boulevard 01/04/1963 Hollywood 13 13 Rocha House 2400 Shenandoah Street 01/28/1963 West Adams - Baldwin Hills - 10 Leimert City of Los Angeles May 5, 2021 Page 1 of 60 Department of City Planning No. -
1680 N Vine Street, Los Angeles Building Highlights
1680 N VINE STREET, LOS ANGELES BUILDING HIGHLIGHTS • The Taft Building-Hollywood’s most authentic office environment • Built in 1923 and completely renovated in 2019 • Located in the heart of the famous Hollywood Walk of Fame • Onsite amenities: Starbucks, Wood & Vine, APL and walking distance to everything else Hollywood has to offer • Directly adjacent to the W Hotel which provides ample onsite valet parking • Connected to the Metro Red line at Hollywood and Vine- linking to Downtown and the San Fernando Valley • Two blocks from 101 Freeway BUILDING DESCRIPTION • 12 floors • Building size: +/-125,888 rentable square feet • Average floor plate: +/-10,000 rentable square feet • Ceiling heights: 12’-14’ • Exposed brick, concrete floors and exposed concrete ceilings, operable windows throughout • Creative space available from 1,000- 10,000 square feet APL Restaurant | Wood & Vine Located at the iconic intersection of Hollywood Boulevard and Vine Street WALK SCORE ® OF 95 Untitled map Untitled layer 1680 Vine St LUXURY HOUSING LUXURY HOTEL AMENITIES MAP 1680 VINE STREET, LOS ANGELES KIMPTON HOTEL PANTAGES ARGYLE HOUSE NETFLIX HOLLYWOOD + HIGHLAND STATION HOLLYWOOD BLVD HOLLYWOOD + WESTERN STATION HOLLYWOOD + VINE STATION TRADER JOE’S CAHUENGA BLVD VIACOM SELMA AVENUE VINE ST CROSSROADS OF THE WORLD EQUINOX COLUMBIA SQUARE SUNSET BLVD NETFLIX HIGHLAND AVE ESSEX & HOLLYWOOD PALLADIUM DREAM HOTEL TENDER GREENS NETFLIX ON VINE KATSUYA FOUNTAIN AVENUE ST N GOWER SANTA MONICA BLVD AVA HOLLYWOOD yucca street carlos avenue Taft Building 41 3339 -
Visit Heritage Valley
Sandi Wards Train Stop Elkins Ranch Golf Course 4 11 Visit Heritage Valley 435 A Santa Clara Street 1386 Chambersburg Road (On the train track in Central Park) Fillmore, CA 93015 Step back in time and experience the natural wonders of 805.524.1752 805.524.1121 Southern California's last pristine agricultural valley, the Antiques, collectibles, toys, something www.elkinsranchgc.com Heritage Valley, which is nestled along historic Highway to interest everyone. Many one-of-a-kind 126 between I-5 and Highway 101 and includes the items. Rail related apparel, gifts, cards and toys. Enjoy our view for lunch or a round of golf! communities of Piru, Fillmore, Santa Paula and the Rancho Camulos National Historic Landmark. Take a day Fillmore & Western Railway Co. The Green Oasis trip to visit working ranches, farms, apiaries, fruit stands, 5 Ticket Office at: 12 3531 E Telegraph Rd unique restaurants, great local shops, and interesting 364 Main Street (Central Park) Fillmore, CA 93015 Fillmore, CA 93015 museums. Ride a vintage train, tour the valley and beyond 805.524.2546 / www.fwry.com 407 963 1768 by airplane, or bike the back roads and byways. Spend the All Aboard! Vintage trains that transport visitors http://www.the-green-oasis.com night in accommodations ranging from teepees to through the Heritage Valley on year round train Farm Fresh Eggs boutique hotels. Discover the Heritage Valley’s hidden rides. Also known as "Home of the Movie Trains" because of the more than 400 gems and down-home hospitality. movies, television series and commercials shot on the train and on the tracks. -
From Yokuts to Tule River Indians: Re-Creation of the Tribal Identity On
From Yokuts to Tule River Indians: Re-creation of the Tribal Identity on the Tule River Indian Reservation in California from Euroamerican Contact to the Indian Reorganization Act of 1934 By Kumiko Noguchi B.A. (University of the Sacred Heart) 2000 M.A. (Rikkyo University) 2003 Dissertation Submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Native American Studies in the Office of Graduate Studies of the University of California Davis Approved Steven J. Crum Edward Valandra Jack D. Forbes Committee in Charge 2009 i UMI Number: 3385709 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3385709 Copyright 2009 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Kumiko Noguchi September, 2009 Native American Studies From Yokuts to Tule River Indians: Re-creation of the Tribal Identity on the Tule River Indian Reservation in California from Euroamerican contact to the Indian Reorganization Act of 1934 Abstract The main purpose of this study is to show the path of tribal development on the Tule River Reservation from 1776 to 1936. It ends with the year of 1936 when the Tule River Reservation reorganized its tribal government pursuant to the Indian Reorganization Act (IRA) of 1934. -
Historic Resources Survey, Hollywood Redevelopment Project Area Historic Districts, Planning Districts, and Multi‐Property Resources – 01/28/20
Historic Resources Survey, Hollywood Redevelopment Project Area Historic Districts, Planning Districts, and Multi‐Property Resources – 01/28/20 Districts Name: De Longpre Park Residential Historic District Description: The De Longpre Park Residential Historic District is a concentration of pre‐World War II residences in central Hollywood. The district is flat and moderate in size. It encompasses an irregularly shaped area that is generally bounded by Leland Way on the north, Fountain Avenue and Homewood Avenue on the south, Hudson and Wilcox avenues on the east, and Cherokee Avenue on the west. The district is primarily composed of small, modest, single‐family residences that were built between the very early 20th century and the 1920s. These houses are sited on deep, narrow lots, and are one (and occasionally two) stories in height. They are designed in a variety of architectural styles that were popular at the time; the American Colonial Revival, Craftsman, and Spanish Colonial Revival styles are the most common, though some of the earlier houses exhibit characteristics of Late Victorian era styles. Common architectural features include flat or moderately pitched roofs with projecting eaves, exposed rafters, and eave returns; clay tile trim and coping (on Spanish Colonial Revival houses); front porches with articulated supports; wood clapboard and stucco wall cladding; and multi‐light wood windows. Many houses feature a detached garage or ancillary building at the rear of the lot. Common alterations include the replacement of original doors, windows, and wall cladding, and the addition of security bars and perimeter fences. Interspersed between these houses are a handful of multi‐family dwellings that generally complement the neighborhood’s scale and character, as well as a few examples of larger‐scale multi‐family properties – mostly apartment houses – that were built after World War II and do not contribute to the district. -
Kawaiisu Basketry
Kawaiisu Basketry MAURICE L. ZIGMOND HERE are a number of fine basket Adam Steiner (died 1916), assembled at least 1 makers in Kern County, Califomia," 500 baskets from the West, and primarily from wrote George Wharton James (1903:247), "No Cahfornia, but labelled all those from Kern attempt, as far as I know, has yet been made to County simply "Kem County." They may weU study these people to get at definite knowledge have originated among the Yokuts, Tubatula as to their tribal relationships. The baskets bal, Kitanemuk, or Kawaiisu. Possibly the they make are of the Yokut type, and I doubt most complete collection of Kawahsu ware is whether there is any real difference in their to be found in the Lowie Museum of Anthro manufacture, materials or designs." The hobby pology at the University of Califomia, Berke of basket collecting had reached its heyday ley. Here the specimens are duly labelled and during the decades around the turn of the numbered. Edwin L. McLeod (died 1908) was century. The hobbyists were scattered over the responsible for acquiring this collection. country, and there were dealers who issued McLeod was eclectic in his tastes and, unhke catalogues advertising their wares. A Basket Steiner, did not hmit his acquisitions to items Fraternity was organized by George Wharton having esthetic appeal. James (1903:247) James who, for a one dollar annual fee, sent observed: out quarterly bulletins.^ Undoubtedly the best collection of Kern While some Indian tribes were widely County baskets now in existence is that of known for their distinctive basketry, the deal Mr. -
4.3 Cultural Resources
4.3 CULTURAL RESOURCES INTRODUCTION W & S Consultants, (W&S) conducted an archaeological survey of the project site that included an archival record search conducted at the local California Historic Resource Information System (CHRIS) repository at the South Central Coastal Information Center (SCCIC) located on the campus of California State University, Fullerton. In July 2010, a field survey of the 1.2-mile proposed project site was conducted. The archaeological survey report can be found in Appendix 4.3. Mitigation measures are recommended which would reduce potential impacts to unknown archeological resources within the project site, potential impacts to paleontological resources, and the discovery of human remains during construction to less than significant. PROJECT BACKGROUND Ethnographic Setting Tataviam The upper Santa Clara Valley region, including the study area, was inhabited during the ethnographic past by an ethnolinguistic group known as the Tataviam.1 Their language represents a member of the Takic branch of the Uto-Aztecan linguistic family.2 In this sense, it was related to other Takic languages in the Los Angeles County region, such as Gabrielino/Fernandeño (Tongva) of the Los Angeles Basin proper, and Kitanemuk of the Antelope Valley. The Tataviam are thought to have inhabited the upper Santa Clara River drainage from about Piru eastwards to just beyond the Vasquez Rocks/Agua Dulce area; southwards as far as Newhall and the crests of the San Gabriel and Santa Susana Mountains; and northwards to include the middle reaches of Piru Creek, the Liebre Mountains, and the southwesternmost fringe of Antelope Valley.3 Their northern boundary most likely ran along the northern foothills of the Liebre Mountains (i.e., the edge of Antelope Valley), and then crossed to the southern slopes of the Sawmill Mountains and Sierra Pelona, extending 1 NEA, and King, Chester. -
Individual Artist Fellowships C.O.L.A
INDIVIDUAL ARTIST FELLOWSHIPS C.O.L.A. 2013 C.O.L.A. 2013 INDIVIDUAL ARTIST FELLOWSHIPS Department of Cultural Affairs City of Los Angeles This catalog accompanies an exhibition and performance series sponsored by the City of Los CITY OF Angeles Department of Cultural Affairs featuring LOS ANGELES its C.O.L.A. 2013 Individual Artist Fellowship recipients in the visual and performing arts. 2013 INDIVIDUAL Exhibition: May 19 to July 7, 2013 ARTIST Los Angeles Municipal Art Gallery FELLOWSHIPS Barnsdall Park Opening Reception: May 19, 2013, 2 to 5 p.m. Performances: June 28, 2013 Grand Performances 2 Antonio R. Villaraigosa LOS ANGELES CITY COUNCIL CULTURAL AFFAIRS COMMISSION Department of Cultural Affairs DEPARTMENT OF CULTURAL AffaiRS Mayor City of Los Angeles City of Los Angeles City of Los Angeles Ed P. Reyes, District 1 York Chang Paul Krekorian, District 2 President Olga Garay-English Aileen Adams Dennis P. Zine, District 3 The Department of Cultural Affairs (DCA) generates and supports high-quality Executive Director Deputy Mayor Tom LaBonge, District 4 Josephine Ramirez arts and cultural experiences for Los Angeles’s 4 million residents and 40 million Strategic Partnerships Paul Koretz, District 5 Vice President Senior Staff Tony Cardenas, District 6 annual overnight and day visitors. DCA advances the social and economic impact of the arts and ensures access to diverse and enriching cultural activities through Richard Alarcon, District 7 Maria Bell Matthew Rudnick Bernard C. Parks, District 8 Annie Chu grant making, marketing, public art, community arts programming, arts education, Assistant General Manager Jan Perry, District 9 Charmaine Jefferson and building partnerships with artists and arts and cultural organizations in Herb J. -
The Heritage Junction Dispatch a Publication of the Santa Clarita Valley Historical Society
The Heritage Junction Dispatch A Publication of the Santa Clarita Valley Historical Society Volume 47, ISSUE 1 January-February 2021 President’s Message by Alan Pollack Calendar Rancho Camulos novel “Ramona” in 1884. Two years prior, and the Southern Jackson had briefly visited Camulos as part Due to the coronavirus pandemic, Pacific Line in of her research for the book. Although she Heritage Junction is closed until 1886 never revealed to the public the actual sites further notice. on which her book was based, Jackson’s n 1886, Rancho description of the “Home of Ramona” in the Camulos had I novel very closely matched the location of already become Rancho Camulos: known worldwide, just as the Southern “…midway in the valley to the east and west, Pacific Railroad was running tracks through which had once belonged to the Missions of San Monday, February 1 the Santa Clara River Valley, right by its Fernando and San Bonaventura.” doorstep. The Del Valle family, residents Deadline for the March-April “The house was of adobe; low, with a wide of Camulos, were prominent members of Dispatch veranda on the three sides of the inner court; and Los Angeles society ever since patriarch a still broader one across the entire front, which Antonio Del Valle was granted the Rancho looked to the south…. The two westernmost San Francisco (now the Santa Clarita Valley) rooms had been added on, and made four steps by Governor Juan Alvarado in 1839. But the higher than the others … Between the veranda Del Valle’s home at Camulos became known and the river meadows, out on which it looked, all worldwide after the publication of Helen was garden, orange grove, and almond orchards”. -
View Radiology Remodel, Clinton Kieth Master Plan, L.A
12 LOS ANGELES BUSINESS JOURNAL JANUARY 29, 2018 NEXT WEEK ARCHITECTURE FIRMS The Top Gifts received THE LIST Ranked by 2017 L.A. County Billings in L.A. County Rank Company L.A. County Current Projects Profile Top Local Executive • name Billings (partial list) • L.A. architects • name • address • 2017 • L.A. employees • title • website • 2016 • offices (L.A./total) • phone (in millions) • headquarters Gensler $90.3 LAX, Los Angeles Football Club Stadium, Westfield Century City, 141 John Adams 1 500 S. Figueroa St. $85.2 Herald Examiner, Caruso Palisades Village, Waldorf Astoria, 337 Barbara Bouza Los Angeles 90071 AltaSea at the Port of Los Angeles 1/44 Michael White gensler.com SanN/A Francisco Co-Managing Directors (213) 327-3600 ZGF Architects 44.8 Hilton Foundation headquarters Phase 2, Caltech Bechtel 42 Ted Hyman 2 515 S. Flower St., Suite 3700 39.2 residence, Hercules campus renovation, LA BioMed Research 100 Partner Los Angeles 90071 Building A, California ARB consolidation project 1/6 (213) 617-1901 zgf.com Portland,N/A Ore. Aecom 40.7 NBC Universal, UCI, LA2028 Olympic Committee, LAX, Metro, 60 Robert Lavey 3 300 S. Grand Ave. 34.8 L.A. County, U.S. Navy 185 Regional Managing Principal, Buildings Los Angeles 90071 4/595 and Places aecom.com Los Angeles (213) 593-8100 CallisonRTKL 37.0 Perla, 5th and Hill, 11th and Olive, Oceanwide Plaza, The Alexan, 161 Kelly Farrell 4 333 S. Hope St., Suite C200 39.0 888 Hope, Four Seasons, Los Angeles private residences, 3700 197 Vice President Los Angeles 90071 Wilshire, Figueroa Centre 1/20 (213) 633-6000 callisonrtkl.com Baltimore DLR Group 36.4 Macerich Fashion Outlets of Los Angeles, 41 Adrian O. -
Plants Used in Basketry by the California Indians
PLANTS USED IN BASKETRY BY THE CALIFORNIA INDIANS BY RUTH EARL MERRILL PLANTS USED IN BASKETRY BY THE CALIFORNIA INDIANS RUTH EARL MERRILL INTRODUCTION In undertaking, as a study in economic botany, a tabulation of all the plants used by the California Indians, I found it advisable to limit myself, for the time being, to a particular form of use of plants. Basketry was chosen on account of the availability of material in the University's Anthropological Museum. Appreciation is due the mem- bers of the departments of Botany and Anthropology for criticism and suggestions, especially to Drs. H. M. Hall and A. L. Kroeber, under whose direction the study was carried out; to Miss Harriet A. Walker of the University Herbarium, and Mr. E. W. Gifford, Asso- ciate Curator of the Museum of Anthropology, without whose interest and cooperation the identification of baskets and basketry materials would have been impossible; and to Dr. H. I. Priestley, of the Ban- croft Library, whose translation of Pedro Fages' Voyages greatly facilitated literary research. Purpose of the sttudy.-There is perhaps no phase of American Indian culture which is better known, at least outside strictly anthro- pological circles, than basketry. Indian baskets are not only concrete, durable, and easily handled, but also beautiful, and may serve a variety of purposes beyond mere ornament in the civilized household. Hence they are to be found in. our homes as well as our museums, and much has been written about the art from both the scientific and the popular standpoints. To these statements, California, where American basketry. -
Edible Seeds and Grains of California Tribes
National Plant Data Team August 2012 Edible Seeds and Grains of California Tribes and the Klamath Tribe of Oregon in the Phoebe Apperson Hearst Museum of Anthropology Collections, University of California, Berkeley August 2012 Cover photos: Left: Maidu woman harvesting tarweed seeds. Courtesy, The Field Museum, CSA1835 Right: Thick patch of elegant madia (Madia elegans) in a blue oak woodland in the Sierra foothills The U.S. Department of Agriculture (USDA) prohibits discrimination in all its pro- grams and activities on the basis of race, color, national origin, age, disability, and where applicable, sex, marital status, familial status, parental status, religion, sex- ual orientation, genetic information, political beliefs, reprisal, or because all or a part of an individual’s income is derived from any public assistance program. (Not all prohibited bases apply to all programs.) Persons with disabilities who require alternative means for communication of program information (Braille, large print, audiotape, etc.) should contact USDA’s TARGET Center at (202) 720-2600 (voice and TDD). To file a complaint of discrimination, write to USDA, Director, Office of Civil Rights, 1400 Independence Avenue, SW., Washington, DC 20250–9410, or call (800) 795-3272 (voice) or (202) 720-6382 (TDD). USDA is an equal opportunity provider and employer. Acknowledgments This report was authored by M. Kat Anderson, ethnoecologist, U.S. Department of Agriculture, Natural Resources Conservation Service (NRCS) and Jim Effenberger, Don Joley, and Deborah J. Lionakis Meyer, senior seed bota- nists, California Department of Food and Agriculture Plant Pest Diagnostics Center. Special thanks to the Phoebe Apperson Hearst Museum staff, especially Joan Knudsen, Natasha Johnson, Ira Jacknis, and Thusa Chu for approving the project, helping to locate catalogue cards, and lending us seed samples from their collections.