Cogentnotion Newsletter (Winter-Spring 2006).Pub
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2008/2009 Annual Report
Manitoba is overjoyed to announce the rebirth of Manitoba Film & Sound Manitoba Film & Music on January 1, 2009 continuing to make fi lm and music flourish in Manitoba Letter of Transmittal July 31, 2009 Honourable Eric Robinson Minister of Culture, Heritage, Tourism and Sport Room 118, Legislative Building 450 Broadway Winnipeg, Manitoba R3C 0V8 Dear Minister Robinson: In accordance with Section 16 of the Manitoba Film and Sound Recording Development Corporation Act, I have the honour to present the Annual Report of the Manitoba Film and Sound Recording Development Corporation for the fi scal year ended March 31, 2009. Respectfully submitted, David Dandeneau Chairperson Table of Contents Message ...............................................4 The Corporation ....................................... 7 Manitoba Film & Music Showcase 2009 ........ 8 Year in Review ........................................10 Production Activity ....................................16 Tax Credit ............................................. 16 Front Cover: The following are all MANITOBA FILM & MUSIC Other Dollars Levered ...............................17 supported artists and projects. TOP ROW (L - R): Promotional poster for the feature fi lm Amreeka • Twilight Hotel • The Perms • The Juries ...................................................18 Details • Alana Levandoski • Promotional poster for feature fi lm, The Haunting in Connecticut • BOTTOM ROW (L - R): Promotional Film Projects Supported .............................18 poster for Feature Film New in Town -
Retailer Order Form 09 Updated
RETAIL ORDER FORM “Encouraging Christian Faith and Thoughtful Living through Artful Word and Song” SRP COST QUAN SRP COST QUAN Steve Bell with the Edmonton Devotion Symphony Orchestra - DVD Steve’s First Ever Worship Album 19.99 11.99 19.99 11.99 Regular DVD with bonus videos Symphony Sessions Each Rare Moment Steve Bell with the 19.99 11.99 Steve Bell & Band Live in concert 19.99 11.99 Winnipeg Symphony Orchestra Story & Song Vol. 1 Beyond a Shadow Steve Bell songs and stories 19.99 11.99 Best of 1989 - 1998 19.99 11.99 like he’s in your own livingroom Romantics & Mystics 19.99 11.99 My Dinner with Bruce 19.99 11.99 Juno Award Winner Music of Bruce Cockburn Romantics & Mystics Songbook 19.99 11.99 Solace for Seasons The Feast of Seasons 19.99 11.99 of Suffering 21.99 13.19 Steve Bell ‘s Christmas Album 2 CD compilation album Sons & Daughters Burning Ember 19.99 11.99 19.99 11.99 Steve Bell with daughter Sarah Inspiring Waiting for Aidan 19.99 11.99 2001 Juno Nominee Deep Calls to Deep Inspired by 1989 trip to India 19.99 11.99 Waiting for Aidan Songbook 19.99 11.99 Simple Songs 19.99 11.99 Comfort My People 19.99 11.99 2000 Juno Award Winner A fan favourite OTHER SIGNPOST ARTISTS SRP COST QUAN OTHER SIGNPOST ARTISTS SRP COST QUAN Jacob Moon - This Christmas 19.99 11.99 Carolyn Arends - Pollyanna’s Attic 19.99 11.99 Traditional Christmas Carolyn Arends - Christmas - An Irrational Season Jacob Moon - The Loop 19.99 11.99 Christmas Album 19.99 11.99 Live recordings 19.99 11.99 Jacob Moon - Landing 19.99 11.99 Carolyn Arends - Under the -
A Pastor of Pastors
November 24, 2008 Volume 12 Number 23 Pipleline pressure squeezes Lubicon p g . 1 5 inside Why I am a Mennonite 4 Food justice stories 16-18 Focus on Mission & Service 26 2 Canadian Mennonite November 24, 2008 Editorial about Anabaptists in a report published in that denomination’s news service: “It was [early Anabaptist lead- Hyphenated- ers] Balthasar Hubmaier and Pilgram Marpeck who advocated the right for all to worship whomever they wished, knowing that conversion does not come Anabaptists by physical sword but by the convicting Tim Miller Dyck of the Spirit of God through the Word of Editor/Publisher God. Anabaptist history has long been ignored and neglected by most historians hat does it mean to be Jesus as practising a non-violent under- and Christians. Yet, the Free Church Mennonite? This issue features standing and compassion for the poor. and Believer’s Church [are] a direct result Wthe stories of five people who To be an Anabaptist is to be completely of Anabaptists, many of whom died for chose to become Mennonite as Jesus-centred and you can do that their baptistic beliefs.” adults. Their reasons for finding in any denomination,” he said. “We come from the Anabaptists,” he Mennonite congregations and One of the biggest groups continued. “They were those who be- Mennonite theology so compelling claiming Anabaptist theology is lieved in a regenerate church, religious help us all better understand the British Baptists. Vic told a story of liberty, separation from the perversions value of the faith we share. going to Greenbelt, a big Christian of the world, and the believer’s baptism.” I also had the chance this month outdoor cultural event, and sit- Caner said he wanted to help to talk with someone who lives in a part ting across from a woman on the train. -
Fresh IE’S Hip-Hop? Compared to Others? 5
Rob “Fresh I.E.” Wilson: A Socio-analysis of Musical Self-Transformation by Aaron J. Klassen A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Sociology Carleton University Ottawa, Ontario © 2018 Aaron J. Klassen Abstract Music is a self-transformative process, practice and ethic. The co-mediation of music and the self represents an assemblage of distinct yet simultaneously occurring parts where contradictions can exist alongside their more pragmatic uses. In this dissertation, I note such an assemblage in the case of Rob “Fresh I.E.” Wilson. Rob’s case provides a striking example of musical self-transformation in that his biography follows a trajectory from abusive conditions in Winnipeg’s infamous North End during the 1970s, and a life centered around drugs and pimping in the 1990s, to its lyrical renunciation according to his newfound beliefs as he converted his hip-hop to Christianity and joined the ranks of Grammy nominees in 2003 and 2005. Yet music was not all good for Rob. Despite fame and influence, by the end of the decade, he was overwhelmed by the demands of a grueling tour schedule and the pressure to remain relevant. His rising self-doubt pushed him to suicidal ideation. And yet, despite successfully restructuring his musical practice, now independent of the music industry, Rob’s Christian-themed hip-hop still situates him between the rock of the institutional church and the hard place of having to constantly build a following. The constantly evolving nature of the contemporary Christian music industry and hip-hop’s unique conditions in Canada, combined with the church’s refusal to accept hip-hop as a legitimate mode of worship and Rob’s refusal to leave, creates a distinct set of challenges.