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National Collecting Scheme Scotland National
National Collecting Scheme Scotland National Collecting Scheme Scotland is an initiative that supports public collections across Scotland to acquire and present challenging contemporary visual art. The initiative also seeks to enable curators within those organisations to extend their knowledge and understanding of contemporary visual arts, and to develop their engagement with the visual arts sector in Scotland. Scotland is home to some very fine public collections, which are of local, national and international significance. It is the aim of the NCSS that those public collections are able to reflect the range and vibrancy of contemporary art created here and abroad, that they can help build new audiences for the contemporary visual arts, as well as engage and work with artists and visual arts organisations. Some facts : • NCSS is an initiative of the Scottish Arts Council. • Currently NCSS has seven museum partners. These are Aberdeen Art Gallery, McManus Galleries, Dundee, Edinburgh City Art Centre, Gallery of Modern Art, Glasgow, Hunterian Art Gallery, Paisley Museum and Art Gallery, and the Pier Arts Centre, Orkney. • In its first phase - 2003-2006 - NCSS enabled a total of 122 acquisitions by six public collections (including craft in its first phase). In 2007-2008 a further 18 works of visual art have been acquired. The Scottish Arts Council will support further acquisitions in 2008-2009. • NCSS member were also involved in an innovative joint commissioning project – the first of its kind in the UK. They collaborated to commission Joanne Tatham & Tom O’Sullivan to create a substantial and ambitious new work of art for Scotland • Aberdeen Art Gallery hosted the Scotland & Venice exhibition December 2007- January 2008. -
Albert Irvin, Beacon II, 1994 Acrylic on Canvas 186 X 160Cm [Detail] Albert Irvin
Albert Irvin, Beacon II, 1994 Acrylic on canvas 186 x 160cm [detail] Albert Irvin Albert Irvin OBE RA was born in 1922 in London, where he continued to live and work throughout his life. In the early 1940’s Irvin attended Northampton School of Art. His studies were interrupted when he was called up, serving as a navigator in the Royal Air Force during the Second World War. After the war ended he enrolled at Goldsmiths College in London to resume his studies. In 1962, he returned to Goldsmiths where he taught for twenty years. He also taught as visiting lecturer at art colleges throughout Britain. Irvin’s first solo exhibition was in 1960 at 57 Gallery, Edinburgh followed by New Art Centre in London in 1963 and 1965. He went on to exhibit extensively throughout Europe, the USA and Australia. A major retrospective of his work from 1960 to 1989 was held at the Serpentine Gallery, London in 1990. Irvin was awarded a Travel Award to America by the Arts Council in 1968 and later received an Arts Council Major Award In 1970 he moved into his Studio in Stepney Green and continued travelling to work there from his home at least 3 times a week into his 90s. He formed a working relationship with Advanced Graphics London in 1979, and began producing screenprints with them - the start of a very successful venture. 2 Irvin joined Gimpel Fils in 1982 they had regular, solo exhibitions of his work throughout his life. His works are held in many public collections including Tate, Royal Academy and the Victoria and Albert Museum, London; The British Council; Irish Museum of Modern Art, Dublin; Manchester City Art Gallery; Leeds Art Gallery and The Art Gallery of New South Wales in Sydney. -
Frommer's Scotland 8Th Edition
Scotland 8th Edition by Darwin Porter & Danforth Prince Here’s what the critics say about Frommer’s: “Amazingly easy to use. Very portable, very complete.” —Booklist “Detailed, accurate, and easy-to-read information for all price ranges.” —Glamour Magazine “Hotel information is close to encyclopedic.” —Des Moines Sunday Register “Frommer’s Guides have a way of giving you a real feel for a place.” —Knight Ridder Newspapers About the Authors Darwin Porter has covered Scotland since the beginning of his travel-writing career as author of Frommer’s England & Scotland. Since 1982, he has been joined in his efforts by Danforth Prince, formerly of the Paris Bureau of the New York Times. Together, they’ve written numerous best-selling Frommer’s guides—notably to England, France, and Italy. Published by: Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5744 Copyright © 2004 Wiley Publishing, Inc., Hoboken, New Jersey. All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem or transmitted in any form or by any means, electronic, mechanical, photo- copying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978/750-8400, fax 978/646-8600. Requests to the Publisher for per- mission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317/572-3447, fax 317/572-4447, E-Mail: [email protected]. -
National Programme 2017/2018 2
National Programme 2017/2018 2 National Programme 2017/2018 3 National Programme 2017/2018 National Programme 2017/2018 1 National Programme Across Scotland Through our National Strategy 2016–2020, Across Scotland, Working to Engage and Inspire, we are endeavouring to bring our collections, expertise and programmes to people, museums and communities throughout Scotland. In 2017/18 we worked in all of Scotland’s 32 local authority areas to deliver a wide-ranging programme which included touring exhibitions and loans, community engagement projects, learning and digital programmes as well as support for collections development through the National Fund for Acquisitions, expert advice from our specialist staff and skills development through our National Training Programme. As part of our drive to engage young people in STEM learning (Science, Technology, Engineering and Maths), we developed Powering Up, a national science engagement programme for schools. Funded by the ScottishPower Foundation, we delivered workshops on wind, solar and wave energy in partnership with the National Mining Museum, the Scottish Maritime Museum and New Lanark World Heritage Site. In January 2017, as part of the final phase of redevelopment of the National Museum of Scotland, we launched an ambitious national programme to support engagement with Ancient Egyptian and East Asian collections held in museums across Scotland. Funded by the National Lottery and the Esmée Fairbairn Collections Fund, the project is providing national partnership exhibitions and supporting collection reviews, skills development and new approaches to audience engagement. All of this work is contributing to our ambition to share our collections and expertise as widely as possible, ensuring that we are a truly national museum for Scotland. -
Newsletter Contents 07-08
Newsletter No 28 Summer/Autumn 2008 He is currently working on a book on the nineteenth- From the Chair century travel photographer Baron Raimund von Stillfried. Welcome to the first of our new shorter-but- hopefully-more-frequent newsletters! The main casualty has been the listings section, which is no New SSAH Grant Scheme longer included. Apologies to those of you who found this useful but it takes absolutely ages to compile and As you’ll know from last issue, we recently launched a the information should all be readily available scheme offering research support grants from £50 to elsewhere. Otherwise you should still find the same £300 to assist with research costs and travel mix of SSAH news and general features – if you have expenses. We’re delighted to say that several any comments on the newsletter or would like to applications have already been received and so far we contribute to future issues, please let us know! have awarded five grants to researchers from around Now, let’s waste no more time and get on the world. Here we present the first two reports with the latest news… from grant recipients on how the money has been Matthew Jarron spent. Committee News Gabriel Montua, Humboldt-Universität Berlin, Germany As promised last issue, we present a profile of our newest committee member: The generous SSAH grant of £206.96 enabled me to cover my travel expanses to the Scottish National Luke Gartlan Gallery of Modern Art in Edinburgh, where I consulted item GMA A42/1/GKA008 from the Luke is a lecturer in the School of Art History at the Gabrielle Keiller Collection: letters exchanged University of St Andrews, where he currently teaches between Salvador Dalí and André Breton. -
Graeme Todd the View from Now Here
GRAEME TODD The View from Now Here 1 GRAEME TODD The View from Now Here EAGLE GALLERY EMH ARTS ‘But what enhanced for Kublai every event or piece of news reported by his inarticulate informer was the space that remained around it, a void not filled by words. The descriptions of cities Marco Polo visited had this virtue: you could wander through them in thought, become lost, stop and enjoy the cool air, or run off.’ 1 I enjoy paintings that you can wander through in thought. At home I have a small panel by Graeme Todd that resembles a Chinese lacquer box. In the distance of the image is the faint tracery of a fallen city, caught within a surface of deep, fiery red. The drawing shows only as an undercurrent, overlaid by thinned- down acrylic and layers of varnish that have been polished to a silky patina. Criss-crossing the topmost surface are a few horizontal streaks: white tinged with purple, and bright, lime green. I imagine they have been applied by pouring the paint from one side to the other – the flow controlled by the way that the panel is tipped – this way and that. I think of the artist in his studio, holding the painting in his hands, taking this act of risk. Graeme Todd’s images have the virtue that, while at one glance they appear concrete, at another, they are perpetually fluid. This is what draws you back to look again at them – what keeps them present. It is a pleasure to be able to host The View from Now Here at the Eagle Gallery, and to work in collaboration with Andrew Mummery, who is a curator and gallerist for whom I have a great deal of respect. -
Jim Lambie Education Solo Exhibitions & Projects
FUNCTIONAL OBJECTS BY CONTEMPORARY ARTISTS ! ! ! ! !JIM LAMBIE Born in Glasgow, Scotland, 1964 !Lives and works in Glasgow ! !EDUCATION !1980 Glasgow School of Art, BA (Hons) Fine Art ! !SOLO EXHIBITIONS & PROJECTS 2015 Anton Kern Gallery, New York, NY (forthcoming) Zero Concerto, Roslyn Oxley9 Gallery, Sydney, Australia Sun Rise, Sun Ra, Sun Set, Rat Hole Gallery, Tokyo, Japan 2014 Answer Machine, Sadie Coles HQ, London, UK The Fruitmarket Gallery, Edinburgh, Scotland 2013 The Flowers of Romance, Pearl Lam Galleries, Hong Kong! 2012 Shaved Ice, The Modern Institute, Glasgow, Scotland Metal Box, Gerhardsen Gerner, Berlin, Germany you drunken me – Jim Lambie in collaboration with Richard Hell, Arch Six, Glasgow, Scotland Everything Louder Than Everything Else, Franco Noero Gallery, Torino, Italy 2011 Spiritualized, Anton Kern Gallery, New York, NY Beach Boy, Pier Art Centre, Orkney, Scotland Goss-Michael Foundation, Dallas, TX 2010 Boyzilian, Galerie Patrick Seguin, Paris, France Jupiter Artland, Edinburgh, Scotland Metal Urbain, The Modern Institute, Glasgow, Scotland! 2009 Atelier Hermes, Seoul, South Korea ! Jim Lambie: Selected works 1996- 2006, Charles Riva Collection, Brussels, Belgium Television, Sadie Coles HQ, London, UK 2008 RSVP: Jim Lambie, Museum of Fine Arts, Boston, MA ! Festival Secret Afair, Inverleith House, Ediburgh, Scotland Forever Changes, Glasgow Museum of Modern Art, Glasgow, Scotland Rowche Rumble, c/o Atle Gerhardsen, Berlin, Germany Eight Miles High, ACCA, Melbourne, Australia Unknown Pleasures, Hara Museum of -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
Principal Job Pack
The Leith School of Art 25 North Junction Street Edinburgh EH6 6HW Telephone: 0131 554 5761 Web: www.LeithSchoolofArt.co.uk Email: [email protected] Leith School of Art – appointment of Principal A welcome from the Chair of the Board of Directors Thank you for your interest in Leith School of Art and in our search for a new Principal. As you delve into the following pages I hope you will gain a sense of what makes Leith School of Art unique and this vacancy so special. Leith School of Art is held in great respect by artists far and wide and in genuine affection by all who are associated with it. Leith means a great deal in different ways to different people of course, but if two things stand out it is the excellence of the teaching and the sense of community and support that surrounds it. There are many who can describe the experience of studying at Leith as life-changing, whether as a springboard to an artistic career or privately as a way to find, or rediscover, fulfilment, self-connection and expression. Our means-tested Assisted Places and Community Classes open the door to many for whom the opportunity to learn about art and design would be beyond reach on cost grounds. With the forthcoming retirement of our current Principal, we are at a highly significant transition in the story of Leith School of Art, and this is a very exciting opportunity for an artist with a passion and vision for art education to play a leading role in shaping the next chapter. -
House of Lords Minute
REGISTER OF LORDS’ INTERESTS _________________ The following Members of the House of Lords have registered relevant interests under the code of conduct: ABERDARE, Lord Category 1: Directorships Director, WALTZ Programmes Limited (training for work/apprenticeships in London) Director, Twist Partnership Limited (promoting leadership through learning) Category 2: Remunerated employment, office, profession etc. Publications Consultant, Freemasons' Grand Charity (irregular employment) Category 10: Non-financial interests (c) Trustee, Berlioz Society Trustee, St John Cymru-Wales Category 10: Non-financial interests (e) Trustee, West Wycombe Charitable Trust ACTON, Lord Category 2: Remunerated employment, office, profession etc. Barrister (non-practising) ADAMS OF CRAIGIELEA, Baroness Nil No registrable interests ADDINGTON, Lord Category 7: Overseas visits Visit to India, 26 September-4 October 2009, under auspices of Liberal Democrats Friends of India; business class flights and accommodation paid for by Government of India Category 10: Non-financial interests (d) Vice President, British Dyslexia Association Category 10: Non-financial interests (e) Vice President, UK Sports Association Vice President, Lakenham Hewitt Rugby Club ADEBOWALE, Lord Category 1: Directorships Director, Leadership in Mind Ltd Non-executive Director, St Vincent Healthcare (retains 5% shares in this organisation) Category 2: Remunerated employment, office, profession etc. Chief Executive Officer, Turning Point (social care registered charity) Occasional income from broadcasting -
Education Scotland Report June 2016
Review of private Further Education colleges and English Language Schools Leith School of Art 1 June 2016 The review process This review report follows the quality framework for the review arrangements for private further education colleges and English language Schools in Scotland, April 2012. The review normally lasts for three days. Over the three-day period, the review team: engage with learners; observe episodes of learning and teaching and provide feedback to each member of teaching staff or other learning facilitator on strengths and areas for further development; conduct interviews and undertake other activity required to determine the extent of concordance between documentary evidence and practice; evaluate evidence against the 11 reference quality indicators; and identify key strengths and areas for further development for the organisation. Education Scotland is an approved educational oversight body authorised by the Home Office to inspect private further education colleges and English language Schools in Scotland. Reviews are arranged under three high-level questions which Education Scotland is adopting for evaluative purposes: How well are learners progressing and achieving relevant, high quality outcomes? How effective are the organisation’s learning and teaching processes? How effective are the organisation’s leadership and quality culture? Education Scotland reviews are designed to: support and promote quality enhancement in organisations to provide the best possible experience for the learner; provide information to the Home Office, when required, on the quality of organisations and the learning experience they provide; provide an independent evaluation to assist organisations in informing prospective and current learners of the quality of the organisation’s and services; evaluate organisations against the Education Scotland quality framework, March 2012; and complement organisation-led internal review and self-evaluation. -
Ideas to Inspire
Highland Perthshire and Dundee Follow the River Tay to the sea Dundee City Council © The Atholl Highlanders, Blair Castle Dundee Contemporary Arts Edradour Distillery, near Pitlochry Looking over Dundee and the River Tay from The Law Ideas to inspire Enjoy a wonderful 4-day countryside and city break in the east of Scotland. Within easy reach of Scotland’s central belt, the striking scenery, history and Brilliant events in Perthshire natural heritage of Highland Perthshire is perfectly complemented by the culture, parks, shopping and food and drink of a Dundee city break. May - Atholl Highlanders Parade & Gathering, Blair Castle July - Kenmore Highland Games Starting in the Pitlochry area, explore the history of elegant Blair Castle, then head for Loch Tummel and admire the wonderful Queen’s View with its July - GWCT Scottish Game Fair, Scone Palace, by Perth delightful Forestry Commission Scotland visitor centre. Neolithic history is the August - Aberfeldy Show & Games next stop as you marvel at the reconstructed Iron Age crannog at the Scottish August - Blair Castle International Horse Trials & Country Fair, Blair Atholl Crannog Centre. End the day with a visit to Dewar’s World of Whisky, where a October - Perthshire Amber Music Festival, various Perthshire venues tour of Aberfeldy Distillery blends perfectly with displays showcasing how Dewar’s has become one of the world’s favourite whiskies. October - The Enchanted Forest, Pitlochry Find out about these and other events at www.visitscotland.com/perthshire Day two begins with a stroll through the woodlands of The Hermitage near Dunkeld, towards the impressive Black Linn waterfall. Next, stop off at Stanley Mills and discover Perthshire’s fascinating industrial heritage, before heading to Perth to explore the absorbing Black Watch Museum.