June 7-10, 2018
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Ojai Accolades
ARTISTIC LEGACY AND INNOVATION Known as a creative musical laboratory that pushes the boundaries of concert experience the Festival has welcomed such visionaries as Aaron Copland, Igor Stravinsky, Pierre Boulez, Olivier Messiaen, Michael Tilson Thomas, John Adams, Dawn Upshaw, Esa-Pekka Salonen, Steve Reich, Jeremy Denk, Peter Sellars, and countless others. This legacy is built on creative, collaborative partnerships. Artistic Director Thomas W. Morris selects a different artist to serve as the Music Director every year. From its beginnings in 1947, the Ojai Music Festival has remained unmatched in the international musical landscape. A summer home to generations of leading composers, conductors and musicians, the Festival is a convergence of exceptional artists, stimulating and diverse repertoire, one of the most remarkable audiences for music anywhere, and the idyllic setting of Ojai in a unique four-day immersive experience. “THE OJAI MUSIC FESTIVAL PLACES MUSIC OF OUR TIME AT THE CENTER OF WHAT IT DOES, BUT UNLIKE A CONTEMPORARY MUSIC FESTIVAL THAT CONCENTRATES ON JUST WHAT’S NEW, OJAI BUILDS A CASE FOR HOW THE MUSIC OF TODAY FITS INTO THE CONTEXT OF THE LONGER, HISTORICAL CONVERSATION – IT EXPLORES WHY MUSIC MATTERS TODAY.” THOMAS W. MORRIS, ARTISTIC DIRECTOR “THERE IS NOTHING QUITE LIKE OJAI, WHERE THIS LEVEL OF CREATIVITY IS INSERTED IN THE BEAUTY OF THE OJAI VALLEY, WHERE THE MOUNTAINS AND THE MUSIC ARE IN HARMONY. THE MOST TALENTED ARTISTS COME TOGETHER HERE TO EXPRESS THEIR POTENTIAL AND GIVE US THAT GIFT. I HAVE TRAVELED AND VISITED MANY FESTIVALS ON OTHER CONTINENTS… NONE COMPARE TO THE EXPERIENCE OF THE OJAI MUSIC FESTIVAL.” DAVID NYGREN, BOARD CHAIR Ojai Festivals, Ltd | P.O. -
Klsp2018iema Broschuere.Indd
KLANGSPUREN SCHWAZ INTERNATIONAL ENSEMBLE MODERN ACADEMY IN TIROL. REBECCA SAUNDERS COMPOSER IN RESIDENCE. 15TH EDITION 29.08. – 09.09.2018 KLANGSPUREN INTERNATIONAL ENSEMBLE MODERN ACADEMY 2018 KLANGSPUREN SCHWAZ is celebrating its 25th anniversary in 2018. The annual Tyrolean festival of contemporary music provides a stage for performances, encounters, and for the exploration and exchange of new musical ideas. With a different thematic focus each year, KLANGSPUREN aims to present a survey of the fascinating, diverse panorama that the music of our time boasts. KLANGSPUREN values open discourse, participation, and partnership and actively seeks encounters with locals as well as visitors from abroad. The entire beautiful region of Tyrol unfolds as the festival’s playground, where the most cutting-edge and modern forms of music as well as many young composers and musicians are presented. On the occasion of its own milestone anniversary – among other anniversaries that KLANGSPUREN SCHWAZ 2018 will be celebrating this year – the 25th edition of the festival has chosen the motto „Festivities. Places.“ (in German: „Feste. Orte.“). The program emphasizes projects and works that focus on aspects of celebrations, festivities, rituals, and events and have a specific reference to place and situation. KLANGSPUREN INTERNATIONAL ENSEMBLE MODERN ACADEMY is celebrating its 15th anniversary. The Academy is an offshoot of the renowned International Ensemble Modern Academy (IEMA) in Frankfurt and was founded in the same year as IEMA, in 2003. The Academy is central to KLANGSPUREN and has developed into one of the most successful projects of the Tyrolean festival for new music. The high standards of the Academy are vouched for by prominent figures who have acted as Composers in Residence: György Kurtág, Helmut Lachenmann, Steve Reich, Benedict Mason, Michael Gielen, Wolfgang Rihm, Martin Matalon, Johannes Maria Staud, Heinz Holliger, George Benjamin, Unsuk Chin, Hans Zender, Hans Abrahamsen, Wolfgang Mitterer, Beat Furrer, Enno Poppe, and most recently in 2017, Sofia Gubaidulina. -
Roots & Origins
Sunday 16 December 2018 7–9.15pm Tuesday 18 December 2018 7.30–9.45pm Barbican Hall LSO SEASON CONCERT ROOTS & ORIGINS Brahms Violin Concerto Interval ROMANIAN Debussy Images Enescu Romanian Rhapsody No 1 Sir Simon Rattle conductor Leonidas Kavakos violin These performances of Enescu’s Romanian Rhapsody No 1 are generously RHAPSODY supported by the Romanian Cultural Institute 16 December generously supported by LSO Friends Welcome Latest News On Our Blog We are grateful to the Romanian Cultural BRITISH COMPOSER AWARDS MARIN ALSOP ON LEONARD Institute for their generous support of these BERNSTEIN’S CANDIDE concerts. Sunday’s concert is also supported Congratulations to LSO Soundhub Associate by LSO Friends, and we are delighted to have Liam Taylor-West and LSO Panufnik Composer Marin Alsop conducted Bernstein’s Candide, so many Friends with us in the audience. Cassie Kinoshi for their success in the 2018 with the LSO earlier this month. Having We extend our thanks for their loyal and British Composer Awards. Prizes were worked closely with the composer across important support of the LSO, and their awarded to Liam for his Community Project her career, Marin drew on her unique insight presence at all our concerts. The Umbrella and to Cassie for Afronaut, into Bernstein’s music, words and sense of a jazz composition for large ensemble. theatre to tell us about the production. I wish you a very happy Christmas, and hope you can join us again in the New Year. The • lso.co.uk/more/blog elcome to this evening’s LSO LSO’s 2018/19 concert season at the Barbican FELIX MILDENBERGER JOINS THE LSO concert at the Barbican. -
Wuorinen Printable Program
The University at Buffalo Department of Music and The Robert & Carol Morris Center for 21st Century Music present Celebrating Charles Wuorinen at 80 featuring Ensemble SIGNAL Brad Lubman, conductor Tuesday, April 24, 2018 7:30pm Lippes Concert Hall in Slee Hall PROGRAM Charles Wuorinen (b. 1938) iRidule Jacqueline Leclair, oboe soloist Spin 5 Olivia De Prato, violin soloist Intermission Megalith Eric Huebner, piano soloist PERSONNEL Ensemble Signal Brad Lubman, Music Director Paul Coleman, Sound Director Olivia De Prato, Violin Lauren Radnofsky, Cello Ken Thomson, Clarinet, Bass Clarinet Adrián Sandí, Clarinet, Bass Clarinet David Friend, Piano 1 Oliver Hagen, Piano 2 Karl Larson, Piano 3 Georgia Mills, Piano 4 Matt Evans, Vibraphone, Piano Carson Moody, Marimba 1 Bill Solomon, Marimba 2 Amy Garapic, Marimba 3 Brad Lubman, Marimba Sarah Brailey, Voice 1 Mellissa Hughes, Voice 2 Kirsten Sollek, Voice 4 Charles Wuorinen In 1970 Wuorinen became the youngest composer at that time to win the Pulitzer Prize (for the electronic work Time's Encomium). The Pulitzer and the MacArthur Fellowship are just two among many awards, fellowships and other honors to have come his way. Wuorinen has written more than 260 compositions to date. His most recent works include Sudden Changes for Michael Tilson Thomas and the San Francisco Symphony, Exsultet (Praeconium Paschale) for Francisco Núñez and the Young People's Chorus of New York, a String Trio for the Goeyvaerts String Trio, and a duo for viola and percussion, Xenolith, for Lois Martin and Michael Truesdell. The premiere of of his opera on Annie Proulx's Brokeback Mountain was was a major cultural event worldwide. -
Sir John Eliot Gardiner Les Nuits D'été
Sir John Eliot Gardiner Les nuits d’été «El llum et fa de sol i colra les pells tendres i madura les carns de les fruites que guardes.» Narcís Comadira Natura morta Programa Palau 100 DIMARTS 06.03.18 – 20.30 h Sala de Concerts London Symphony Orchestra Ann Hallenberg, mezzosoprano Sir John Eliot Gardiner, director I Part Robert Schumann (1810-1856) Obertura, scherzo i finale, op. 52 18’ Hector Berlioz (1803-1869) Les nuits d’été, op. 7 30’ Villanelle Le spectre de la rose Sur les lagunes: lamento Absence Au cimetière: clair de lune L’île inconnue II Part Robert Schumann Obertura de Genoveva, op. 81 10’ Robert Schumann Simfonia núm. 4, op. 120 (versió original de 1841) 24’ Andante con moto - Allegro di molto Romanza: Andante Scherzo: Presto Largo - Finale: Allegro vivace a l’octubre. Poc després de començar a esbossar- l’agost del 1850. De fet, les dues òperes van Schumann i Berlioz, lo, Schumann va assenyalar: “la propera simfonia sorgir en paral·lel durant el mateix període de es titularà «Clara» i la pintaré amb flautes, oboès temps. De Genoveva, només se’n varen fer tres i arpes”. De totes formes, seria un error buscar representacions. L’actitud adversa de la crítica romanticisme pur vestigis tangibles d’aquest retrat, o tractar de va fer desistir Robert Schumann de repetir mai detectar el nom de Clara amagat al teixit temàtic més una nova experiència operística. D’altra de la Simfonia, com han fet alguns crítics. La banda, Genoveva mai no ha estat popular entre primavera del 1841, tot allò que mirava o el públic, malgrat que, de tant en tant, s’ha escoltava el compositor, acabava associat a la recuperat i fins i tot enregistrat. -
Ojai North Music Festival
CAL PERFORMANCES PRESENTS Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival Jeremy Denk Music Director, 2014 Ojai Music Festival Thomas W. Morris Artistic Director, Ojai Music Festival Matías Tarnopolsky Executive and Artistic Director, Cal Performances Robert Spano, conductor Storm Large, vocalist Timo Andres, piano Aubrey Allicock, bass-baritone Kim Josephson, baritone Dominic Armstrong, tenor Ashraf Sewailam, bass-baritone Rachel Calloway, mezzo-soprano Peabody Southwell, mezzo-soprano Keith Jameson, tenor Jennifer Zetlan, soprano The Knights Eric Jacobsen, conductor Brooklyn Rider Uri Caine Ensemble Hudson Shad Ojai Festival Singers Kevin Fox, conductor Ojai North is a co-production of the Ojai Music Festival and Cal Performances. Ojai North is made possible, in part, by Patron Sponsors Liz and Greg Lutz. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 13 FESTIVAL SCHEDULE Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival FESTIVAL SCHEDULE Thursday, June <D, =;<?, Cpm Welcome : Cal Performances Executive and Artistic Director Matías Tarnopolsky Concert: Bay Area première of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Brooklyn Rider Johnny Gandelsman, violin Colin Jacobsen, violin Nicholas Cords, viola Eric Jacobsen, cello The Knights Aubrey Allicock, bass-baritone Dominic Armstrong, tenor Rachel Calloway, mezzo-soprano Keith Jameson, tenor Kim Josephson, baritone Ashraf Sewailam, bass-baritone Peabody Southwell, mezzo-soprano Jennifer Zetlan, soprano Mary Birnbaum, director Robert Spano, conductor Friday, June =;, =;<?, A:>;pm Talk: The creative team of The Classical Style: An Opera (of Sorts) —Jeremy Denk, Steven Stucky, and Mary Birnbaum—in a conversation moderated by Matías Tarnopolsky PLAYBILL FESTIVAL SCHEDULE Cpm Concert: Second Bay Area performance of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Same performers as on Thursday evening. -
Virtual Edition in Honor of the 74Th Festival
ARA GUZELIMIAN artistic director 0611-142020* Save-the-Dates 75th Festival June 10-13, 2021 JOHN ADAMS music director “Ojai, 76th Festival June 9-12, 2022 a Musical AMOC music director Virtual Edition th Utopia. – New York Times *in honor of the 74 Festival OjaiFestival.org 805 646 2053 @ojaifestivals Welcome to the To mark the 74th Festival and honor its spirit, we bring to you this keepsake program book as our thanks for your steadfast support, a gift from the Ojai Music Festival Board of Directors. Contents Thursday, June 11 PAGE PAGE 2 Message from the Chairman 8 Concert 4 Virtual Festival Schedule 5 Matthias Pintscher, Music Director Bio Friday, June 12 Music Director Roster PAGE 12 Ojai Dawns 6 The Art of Transitions by Thomas May 16 Concert 47 Festival: Future Forward by Ara Guzelimian 20 Concert 48 2019-20 Annual Giving Contributors 51 BRAVO Education & Community Programs Saturday, June 13 52 Staff & Production PAGE 24 Ojai Dawns 28 Concert 32 Concert Sunday, June 14 PAGE 36 Concert 40 Concert 44 Concert for Ojai Cover art: Mimi Archie 74 TH OJAI MUSIC FESTIVAL | VIRTUAL EDITION PROGRAM 2020 | 1 A Message from the Chairman of the Board VISION STATEMENT Transcendent and immersive musical experiences that spark joy, challenge the mind, and ignite the spirit. Welcome to the 74th Ojai Music Festival, virtual edition. Never could we daily playlists that highlight the 2020 repertoire. Our hope is, in this very modest way, to honor the spirit of the 74th have predicted how altered this moment would be for each and every MISSION STATEMENT Ojai Music Festival, to pay tribute to those who imagined what might have been, and to thank you for being unwavering one of us. -
Circle Map Program of Contemporary Classical Works by Kaija Saariaho to Feature New York Premieres Performed by the New York Philharmonic
Circle Map Program of Contemporary Classical Works by Kaija Saariaho to Feature New York Premieres Performed by the New York Philharmonic Site-Specific Realization by Armory Artistic Director Pierre Audi Conducted by Esa-Pekka Salonen Two Performances Only - October 13 and 14, 2016 New York, NY — August 16, 2016 — Park Avenue Armory will present Circle Map, two evenings of immersive spatial works by internationally acclaimed Finnish composer Kaija Saariaho performed by the New York Philharmonic under the baton of its Marie-Josée Kravis Composer-in-Residence Esa-Pekka Salonen on October 13 and 14, 2016. Conceived by Pierre Audi to take full advantage of the Wade Thompson Drill Hall, the engagement marks the orchestra’s first performance at the Armory since 2012’s Philharmonic 360, the acclaimed spatial music program co-produced by the Armory and Philharmonic. A program of four ambitious works that require a massive, open space for their full realization, Circle Map will utilize the vast drill hall in an immersive presentation that continually shifts the relationship between performers and audience. The staging will place the orchestra at the center of the hall, with audience members in a half-round seating arrangement and performances taking place throughout. Longtime Saariaho collaborator Jean-Baptiste Barrière will translate the composer’s soundscapes into projections that include interpretations of literary and visual artworks from which inspiration for specific compositions are drawn. “Our drill hall is an ideal setting and partner for realizing spatial compositions, providing tremendous freedom for composers and performers,” said Rebecca Robertson, President and Executive Producer of Park Avenue Armory. -
06 20 PROGRAM FULL PAGE.Pdf
About the festival The New Music For Strings Festival (NMFS) is delighted to announce the launch of its second annual season from June 21 to July 1, 2017. Hosted by Stony Brook University in 2017, NMFS brings together performers and composers of contemporary classical music from across the Atlantic. NMFS showcases a roster of world-class musicians, ranging from members of the Grammy Award- winning Emerson String Quartet to faculty from Stony Brook University (NY) and Royal Academy of Music in Aarhus, Denmark. Resident faculty and artists of NMFS 2017 will be showcased alongside accomplished student participants that include graduate students from top conservatories and universities in the U.S. and Europe. The 10-day festival features fourteen events—including six concerts, three masterclasses, five lectures and a composition pre-festival workshop for high-school students. The season will culminate with a tour de force festival performance at Carnegie Hall’s Weill Recital Hall, which will highlight the full roster of 27 festival artists from America and Scandinavia. As the first festival concept of its kind in the world, NMFS seeks to explore the intersections between string playing and composition. NMFS boasts an elite artist faculty for participants to work with, many of whom have established themselves as leaders in their field in the dual role of performer-composer. By highlighting this intersectional perspective throughout the festival, NMFS offers a variety of lectures, masterclasses and concerts on the dynamic interactions between these two intertwined fields of creation and interpretation. Music has the power of bridging cultures and enlightening minds. NMFS is dedicated to sustaining and enriching the vibrant classical music community in Long Island. -
Danish String Quartet Denver February 13, 2017
FREDERIK ØLAND, VIOLIN RUNE TONSGAARD SØRENSEN, VIOLIN ASBJØRN NØRGAARD, VIOLA FREDRIK SCHØYEN SJÖLIN, CELLO DANISH STRING QUARTET DENVER FEBRUARY 13, 2017 LUDWIG VAN Quartet No. 2 in G major, Op. 18, no. 2 BEETHOVEN Allegro (1770-1827) Adagio cantabile Scherzo: Allegro Allegro molto, quasi presto ALFRED Quartet No. 3 SCHNITTKE Andante (1934-1998) Agitato Pesante INTERMISSION BEETHOVEN Quartet in B-flat major, Op. 130, no. 13 Adagio ma non troppo Presto Andante con moto ma non troppo Alla danza tedesca: Allegro assai Cavatina: Adagio molto espressivo Finale: Grosse Fuge, Op. 133 FREDERIK ØLAND DANISH STRING QUARTET violin RUNE TONSGAARD Embodying the quintessential elements of a fine chamber SØRENSEN music ensemble, the Danish String Quartet has established violin a reputation for their integrated sound, impeccable ASBJØRN NØRGAARD intonation, and judicious balance. Since making their debut viola in 2002 at the Copenhagen Festival, the musical friends have demonstrated a passion for Scandinavian composers, FREDRIK SCHØYEN who they frequently incorporate into adventurous SJÖLIN contemporary programs, while also giving skilled and cello profound interpretations of the classical masters. The New York Times selected the quartet’s concerts as highlights of the season during their Chamber Music Society of Lincoln Center Two Residency, and in February 2016 they received the Borletti Buitoni Trust provided to support outstanding young artists in their international endeavors, joining an illustrious roster of past recipients. The Danish String Quartet’s 2016-2017 season includes debuts at the Edinburgh Festival and Zankel Hall at Carnegie Hall. In addition to over thirty North American engagements, the quartet’s robust international schedule takes them to their home country, Denmark, as well as throughout Germany, Austria, the United Kingdom, Poland, Israel, as well as Argentina, Peru, and Colombia. -
The Guardian's Best Classical Music Works of the 21St Century
04/05/2020 The best classical music works of the 21st century | Music | The Guardian The best classical music works of the 1st century Over the coming week, the Guardian will select the greatest culture since 2000, carefully compiled by critics and editors. We begin with a countdown of defining classical music compositions, from Xrated opera to hightech string quartets • Read an interview with our No1 choice by Andrew Clements, Fiona Maddocks. John Lewis, Kate Molleson, Tom Service, Erica Jeal and Tim Ashley Main image: From left: The Tempest, The Minotaur, L’amour de loin, Hamlet Thu 12 Sep 2019 17.20 BST 25 Jennifer Walshe XXX Live Nude Girls 2003 Jennifer Walshe asked girls about how they played with their Barbie dolls, and turned the confessionals into an opera of horrors in which the toys unleash dark sex play and acts of mutilation. Walshe is a whiz for this kind of thing: she yanks off the plastic veneer of commercial culture by parodying then systematically dismembering the archetypes. KM Read our review | watch a production from 2016 BIFEM 24 John Adams City Noir 2009 Adams’s vivid portrait of Los Angeles, as depicted in the film noir of the 1940s and 50s, is a three-movement symphony of sorts, and a concerto for orchestra, too. It’s an in-your-face celebration of orchestral virtuosity that references a host of American idioms without ever getting too specific. It’s not his finest orchestral work by any means (those came last century), but an effective, extrovert showpiece. AC Read our review | Listen on Spotify https://www.theguardian.com/music/2019/sep/12/best-classical-music-works-of-the-21st-century 1/10 04/05/2020 The best classical music works of the 21st century | Music | The Guardian Immediate … the Sixteen and Britten Sinfonia perform Stabat Mater, conducted by Harry Christophers. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father.