Accelerationism, Prometheanism & Mythotechnesis
11 Accelerationism, Prometheanism and Mythotechnesis Simon O’Sullivan In a previous meditation on accelerationism—in relation to a modality of art practice that I gave the name (following Sun Ra and Mike Kelly) myth-sci- ence—I attempted to get to grips with the concept of hyperstition, and, more particularly, with the mythos of Nick Land.1 Myth-science, in that essay, was de- fined as the production of alternative fictions and the calling forth of a different kind of subjectivity attendant on this.2 Here, in the second part of my enquiry, beginning with a commentary on two essays by two more recent acceleration- ist thinkers—Reza Negarestani and Ray Brassier (both of whom were inspired by Land)—I want to move from myth-science to a concept of ‘mythotechnesis’, when this is again defined as a ‘fictioning’ of reality, but also as a form of libidinal engineering involving the construction of what David Burrows and I call path- eme-matheme assemblages. 3 Just as an attempt was made in my previous essay to differentiate myth-science from hyperstition per se, so, here, I attempt to dif- ferentiate mythotechnesis from an overly rational (and technological) Promet- heanism, whilst also learning from the latter (mythotechnesis might be under- stood as a form of aesthetics after finitude in this last sense).4 1. See ‘Accelerationism, Hyperstition and Myth-Science’, in Tim Matts, Ben Noys and Dane Suther- land (eds.), Accelerationism and the Occult, New York, Punctum Books, 2015. 2. In terms of Sun Ra see Kodwo Eshun’s discussion, ‘Synthesizing the Ominiverse’, in More Brilliant than the Sun: Adventures in Sonic Fiction, London, Quartet, 1998, pp.
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