Baptist Music Wars Copyright 2014 by David W
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PLP Delegation Set to Have Talks with the British Labour Party
Bermudiana staff reunion Vol. 21. No. 26. Friday, September 26, 1997 Price: 250 enjoyed by all! PLP delegation set to By RONALDINE BURGESS HUGS, KISSES, handshakes, exchanging of old have talks with the stories and shrieks of joy were the order ofthe evening at the Bermudiana Staff Reunion held Saturday, Sep tember 20 at file Belmont Hotel. It was an unforgettable occasion as old friends British Labour Party greeted each other The atmosphere was reminiscent of A DELEGATION of with U.K. Government a family reunion that saw individuals coming from far four representatives from officials. and near — in wheelchairs and with walking canes. the Progressive Labour "We hope to renew old Former managers, travel agents and even former Party is expected to leave friendships and build on a entertainers ofthe Bermudiana Hotel came back to cel this weekend for the relationship which has ebrate the occasion. United Kingdom to attend been established with the Laughter filled the air as each revisited a work the Annual Conference of Labour Party over the experience at the former Front Street hotel. At times, the British Labour Party. years", she said. eveiyone was talking at the same time, trying to get their Led by Party Leader, The group is scheduled stories across. Then they would burst into laughter. Ms. Jennifer Smith, the to leave Bermuda Sep As tiie microphone was passed around, stories re group includes Messrs. tember 27 and return to lating to such experiences as work disputes and indus Walter Roban, Party Bermuda October 4. trial action matters were heard. General Secretary, Mich Il was also revealed by The stor>' was told of one morning when the en ael Scott, Public Relations the PLP that Ms, Shelby tire Dining Room staff walked out and congregated al Officer, and Brother Durham will be the ^esl the Union. -
LARRY NORMAN, JESUS ROCK, and an INTERVIEW with GREGORY ALAN THORNBURY Rupert Loydell Falmouth Univ
WEIRD RELIGIOUS BACKGROUNDS: LARRY NORMAN, JESUS ROCK, AND AN INTERVIEW WITH GREGORY ALAN THORNBURY Rupert Loydell Falmouth University Keywords: Christianity, Larry Norman, Jesus Rock, CCM, Religion 'Christian rock is a genre that exists to edify and make money off evangelical Christians. [...] A Christian band , on the other hand is just a band that has more than one Christian in it.' – John Jeremiah Sullivan (2012: 17-18) Although The Bloomsbury Handbook of Religion and Popular Music (Stewart and Abraham 2017) contains chapters such as Michael J. Gilmour's 'The Bible and Popular Music' (67-76) and Ibrahim Abraham and Francis Stewarts' 'Punk and Hardcore' (241- 250), there remains little informed academic consideration of the Christian music genre, especially punk and post-punk. John J. Thompson's Raised by Wolves (2000) and Mark Joseph's The Rock & Roll Rebellion (1999) offer insider histories, whilst Andrew Beaujon's Body Piercing Saved My Life (2006) is an hilarious, sceptical exploration of 'the phenomenon of Christian rock', focussed mostly on the early 2000s. Gilmour 's Call Me the Seeker: Listening to Religion in Popular Music (2005) is interested more in religious sources and themes; the nearest it gets to post-punk is Anna Kessler's consideration of Nick Cave (79-94) and J.R.C. Cousland's discussion of 'God, the Bad, and the Ugly' in the work of Nick Cave and Polly Harvey (129-157). Better, is Jay R Howard & John M. Streck's Apostle of Rock (1999), which takes a more sociological approach to what it calls 'The Splintered World of Contemporary Christian Music' and considers the tensions between ideas of ministry, entertainment, art and business for Christian musicians. -
Why Should the Devil Have All the Good Music?“ Populäre Evangelikale Musik Als Kultureller Dialog
Friedemann Walldorf „Why should the devil have all the good music?“ Populäre evangelikale Musik als kultureller Dialog. Missionsgeschichtliche Perspektiven Wenn man über die Musik der evangelikalen Bewegung schreiben möchte, steht man vor einigen grundsätzlichen Problemen. Zunächst stellt sich das Problem der Definition. Auch wenn sich die evangelikale Bewegung weder theologisch noch historisch scharf abgrenzen lässt und das Konzept „evangelikal“ im deutschspra- chigen Kontext zwischen selbstreferentieller Identitätsbildung und verzeichnen- der Polemik von außen oszilliert, scheint es sinnvoll, die Bewegung anhand eines clusters von Merkmalen in einer Kombination von normativen Innen- und deskriptiven Außenperspektiven zu beschreiben:1 als theologisch und kulturell heterogene Erneuerungs- und Missionsbewegung im Protestantismus (und dar- über hinaus), deren theologische Konstanten mit Christozentrik, Bibelorientie- rung und Betonung einer persönlichen Glaubensentscheidung beschrieben wer- den können, deren historische Bezugspunkte vor allem im Pietismus, den transat- lantischen Erweckungsbewegungen im 18. und 19. Jahrhundert, der Evangeli- schen Allianz (London 1846) und in der evangelistischen Tradition seit Dwight L. Moody, Elias Schrenk und Billy Graham liegen und die im 20. Jahrhundert zu einer globalen Wirklichkeit geworden ist.2 Auf diesem Hintergrund wird auch schnell deutlich, wo das Problem im Blick auf den Versuch, die Musik der evan- gelikalen Bewegung zu beschreiben, liegt. In ihrer historischen und gegenwärti- gen globalen Vielfalt partizipiert die Bewegung am musikalischen Erbe der ver- schiedensten konfessionellen und kulturellen Traditionen, aus denen sie hervor- gegangen ist und in denen sie lebt. Das Spektrum des musikalischen Ausdrucks in der evangelikalen Bewegung reicht darum von alter historischer und klassi- scher Musik über die vielfältigen Stile der Pop-, Rock- und Jazzmusik bis hin zu 1 Vgl. -
Pg0140 Layout 1
New Releases HILLSONG UNITED: LIVE IN MIAMI Table of Contents Giving voice to a generation pas- Accompaniment Tracks . .14, 15 sionate about God, the modern Bargains . .20, 21, 38 rock praise & worship band shares 22 tracks recorded live on their Collections . .2–4, 18, 19, 22–27, sold-out Aftermath Tour. Includes 31–33, 35, 36, 38, 39 the radio single “Search My Heart,” “Break Free,” “Mighty to Save,” Contemporary & Pop . .6–9, back cover “Rhythms of Grace,” “From the Folios & Songbooks . .16, 17 Inside Out,” “Your Name High,” “Take It All,” “With Everything,” and the Gifts . .back cover tour theme song. Two CDs. Hymns . .26, 27 $ 99 KTCD23395 Retail $14.99 . .CBD Price12 Inspirational . .22, 23 Also available: Instrumental . .24, 25 KTCD28897 Deluxe CD . 19.99 15.99 KT623598 DVD . 14.99 12.99 Kids’ Music . .18, 19 Movie DVDs . .A1–A36 he spring and summer months are often New Releases . .2–5 Tpacked with holidays, graduations, celebra- Praise & Worship . .32–37 tions—you name it! So we had you and all your upcoming gift-giving needs in mind when we Rock & Alternative . .10–13 picked the products to feature on these pages. Southern Gospel, Country & Bluegrass . .28–31 You’ll find $5 bargains on many of our best-sell- WOW . .39 ing albums (pages 20 & 21) and 2-CD sets (page Search our entire music and film inventory 38). Give the special grad in yourConGRADulations! life something unique and enjoyable with the by artist, title, or topic at Christianbook.com! Class of 2012 gift set on the back cover. -
'Standardized Chapel Library Project' Lists
Standardized Library Resources: Baha’i Print Media: 1) The Hidden Words by Baha’u’llah (ISBN-10: 193184707X; ISBN-13: 978-1931847070) Baha’i Publishing (November 2002) A slim book of short verses, originally written in Arabic and Persian, which reflect the “inner essence” of the religious teachings of all the Prophets of God. 2) Gleanings from the Writings of Baha’u’llah by Baha’u’llah (ISBN-10: 1931847223; ISBN-13: 978-1931847223) Baha’i Publishing (December 2005) Selected passages representing important themes in Baha’u’llah’s writings, such as spiritual evolution, justice, peace, harmony between races and peoples of the world, and the transformation of the individual and society. 3) Some Answered Questions by Abdul-Baham, Laura Clifford Barney and Leslie A. Loveless (ISBN-10: 0877431906; ISBN-13 978-0877431909) Baha’i Publishing, (June 1984) A popular collection of informal “table talks” which address a wide range of spiritual, philosophical, and social questions. 4) The Kitab-i-Iqan Book of Certitude by Baha’u’llah (ISBN-10: 1931847088; ISBN-13: 978:1931847087) Baha’i Publishing (May 2003) Baha’u’llah explains the underlying unity of the world’s religions and the revelations humankind have received from the Prophets of God. 5) God Speaks Again by Kenneth E. Bowers (ISBN-10: 1931847126; ISBN-13: 978- 1931847124) Baha’i Publishing (March 2004) Chronicles the struggles of Baha’u’llah, his voluminous teachings and Baha’u’llah’s legacy which include his teachings for the Baha’i faith. 6) God Passes By by Shoghi Effendi (ISBN-10: 0877430209; ISBN-13: 978-0877430209) Baha’i Publishing (June 1974) A history of the first 100 years of the Baha’i faith, 1844-1944 written by its appointed guardian. -
(BOP) Standardized Chapel Library Project Book List
Description of document: Federal Bureau of Prisons (BOP) Standardized Chapel Library Project book list Released date: October 2007 Posted date: 18_october-2007 Title of Document Standardized Library Resources, Standard Library, Standard Library Resources, Standard Library Project Source of document: Federal Bureau of Prisons 320 First St., NW Washington, DC 20534 202-307-3198. BOP's FOIA Service Center (FSC): (202) 616-7750 Notes: This list was designated as the only source for religious books permitted into prison libraries. All materials in federal prison libraries would be reviewed and if it wasn't on the agency-designated approved list, it would be tossed. The Bureau of Prisons has responded to heavy criticism and has pulled back somewhat on this practice. (17-Oct-2007) The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. Standardized Library Resources: Buddhism Print Media: I) Buddhist Religions: A Historical Introduction, by Richard H. Robinson, Willard L. Johnson, Thanissaro Bhikkhu, Wadsworth Publishing, ISBN: 0534558585,2004 (5 th ed.) An introductory book to Buddhism that covers the teachings and practices ofa wide range ofschools and traditions. -
A Larry Norman Discography
a discography 1967 - 2003 Version 6.4 Robert Termorshuizen July 1998 This version: July 2014 Introduction This discography runs from Larry Norman’s early days with People until November 2003 when I was about to give up on Larry Norman’s out of control discography. In March 2004 version 6.0 of this discography was released, after which I fled from the scene. As of lately I have been drawn back to Larry Norman’s discography, mainly because of the listing of some of his albums (and a few singles) on Discogs, where I contributed with adding releases, images and a few corrections. As a result I decided to revive my own discography and to make it available through Discogs. I have spent so many hours on this project that it felt to be a waste if I continued to use it just for myself. No efforts have been made to include the releases from 2004 until now, except for the re-releases of albums that were in the discography already. However, the website lists the titles missing in the discography. This discography is divided into two parts. Part I lists the first two People albums and the People singles plus all of Larry Norman's solo albums and singles. Part II gives a listing of all "mystery" albums and projects, which have been mentioned in newsletters, innersleeves, etc. but were never released. Excluded are most compilation albums (some are listed in part I, mainly because of a Larry Norman contribution that was first or only released on this compilation), videos (although some are mentioned in part II) and the albums of artists where Larry Norman was involved in. -
A Larry Norman Discography
Introduction This discography runs from Larry Norman's early days with People until November 2003. Later issues of pre- 2003 albums (or songs) have been included as well and the remainder of Larry Norman's discography can be found on www.recordconnexion.nl/norman/norman.htm). This version (8.1) of the discography has links added to pages with large images (scans) of many of Larry Norman's vinyl releases. The word IMG has been added behind a release where I have images for and it can be clicked to see them. The image pages I had, will remain available (as they are more complete). I just wanted to pay a little more attention to Larry Norman's vinyl releases. There are also several corrections and changes made. For instance, releases are now listed in chronological order (per year) for each medium, complete song listings are given for albums such as "Barcheaology" and "Rough Street Love Letter", the pressing differences for Capitol issues have been expanded, etc., etc. There are many other links in this document, both intern (within the document) and extern (to picture pages, to my Larry Norman webpages, etc.). These links direct you to a load of additional information. Be aware that there are still many things which can be improved and I haven't checked all post-2003 albums to integrate relevant information in this discography. I tried hard but Larry Norman's discography has gone over the top completely, so I may have missed more than just a few details. Part I of this discography lists the first two People albums and the People singles plus all of Larry Norman's solo albums and singles. -
Sacred & Inspirational Music
168 SACREDSACRED && INSPIRATIONAL INSPIRATIONAL MUSIC MUSIC ABOVE ALL AMERICA’S GOSPEL THE BEST GOSPEL 50 EZ INSPIRATIONAL FAVORITES TOP FORTY SONGS EVER Word Music 40 of the most popular gospel 80 of the best-loved gospel 50 of today’s most popular songs ever to hit the Gospel songs of all time: Amazing inspirational songs arranged so Top Forty, including: God Grace • At Calvary • Because that musicians of all skill levels Bless the U.S.A. • I Bowed on He Lives • Behold the Lamb • will enjoy playing them. My Knees and Cried Holy • Daddy Sang Bass • His Eye Is Includes: Above All • Adore • Jesus Is Your Ticket to Heaven on the Sparrow • His Name Is Call on Jesus • Draw Me Close • More Than Wonderful • Wonderful • How Great Thou • God Is God • God of Wonders Somebody Touched Me • Art • I Saw the Light • I’ll Fly • I Want to Know You (In the Secret) • If You Want Me To many more. Arranged for piano/guitar/4-part vocal. Away • Just a Closer Walk with Thee • Just a Little Talk • Let My Words Be Few • On My Cross • On My Knees • ______00359061 P/V/G ....................................$9.95 with Jesus • Mansion over the Hilltop • The Old Rugged The Power of Your Love • Press On • Redeemer • Cross • Peace in the Valley • Will the Circle Be Remember Me • Shout to the Lord • Speechless • Testify AT THE FOOT Unbroken • Wings of a Dove • more. to Love • Thank You • Who You Are • and more. OF THE CROSS ______00310503 P/V/G...................................$19.95 Arranged for medium voice range. -
The Splintered Art World of Contemporary Christian Music
CORE Metadata, citation and similar papers at core.ac.uk Provided by Digital Commons @ Butler University Butler University Digital Commons @ Butler University Scholarship and Professional Work - LAS College of Liberal Arts & Sciences 1996 The plins tered art world of Contemporary Christian Music Jay R. Howard Butler University, [email protected] John M. Streck Follow this and additional works at: http://digitalcommons.butler.edu/facsch_papers Part of the Sociology of Culture Commons Recommended Citation Howard, Jay R. and John M. Streck. 1996. “The pS lintered Art World of Contemporary Christian Music.” Popular Music 15(1):37-53. Available from: digitalcommons.butler.edu/facsch_papers/593/ This Article is brought to you for free and open access by the College of Liberal Arts & Sciences at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - LAS by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. The splintered art world of Contemporary Christian Music JAY R. HOWARD and JOHN M. STRECK For many, art is a product: the painting to be observed and contemplated, the concert to be heard and enjoyed. There is, however, another conception of art - art as activity - and it is in this context that Howard Becker (1984) develops his concept of art worlds. Art worlds, Becker argues, include more than the artists who create the work which the public commonly defines as art. Any given art world will consist of the network of people whose co-operative activity produces that art world's certain type of artistic product (Becker 1984, p. -
Saturday 03/31/2018 12 a Song Title / Album Title Artist / Label
Saturday 03/31/2018 12 A Song Title / Album Title Artist / Label I'm So Glad Jesus Lifted Me Christian Gospel Choir 40 Must Have Favorite Hymns Heaven's Ju Cobra Entertainment LLC The Love Of God MercyMe Spoken For INO Records Victory In Jesus The Joslin Grove Choral Society 100 Inspirational Hymns Madacy Christian He Knows My Name Tommy Walker Never Gonna Stop Integrity Psalm 23 Marty Goetz The Love Of God There Is Power In The Blood Discovery Singers Hymns You Know And Love Praise Discovery House How Great Thou Art Various 50 Classic Hymns Star Song Music (STR) Be Glorified Ron Kenoly Songs 4 Worship: Be Glorified Integrity Incorporated Behold How Good And Pleasant It Is Morris Chapman Voice Of Praise Sweet Hour of Prayer Damaris Carbaugh Just Hymns Discovery House Hallelujahs Chris Rice Deep Enough To Dream Rocketown Holy & Anointed One Two Or More Matthew 18:20: A Worship Album Cross-Eyed Take My Life And Let It Be Larry Dalton Singers Reader's Digest Faith Series - Hymns INTEGRITY MEDIA, INC. Great Is The Lord Celebration Choir Exalt Him. Vol. 2 All Creatures Of Our God And King Hosanna Singers Acapella Praise Integrity Jesus Saves Travis Cottrell Travis Cottrell Indelible Creative Group Pron: kuh-TRELL O Sacred Head Now Wounded Michael O'Brien Be Still My Soul (2010) Michael O'Brien Music Lift Up Your Heads Steven Anderson Classic Piano Hymns Vol. 1 Saturday 03/31/2018 1 A Song Title / Album Title Artist / Label Savior Like A Shepherd Lead Us 4Him 4Him Hymns MM Benson Records, Inc How Firm A Foundation Fernando Ortega This Bright -
American Evangelical Spirituality and Jesus Music, 1969-1976
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2019 Upon This Rock: American Evangelical Spirituality and Jesus Music, 1969-1976 Kathryn Kinney Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the American Studies Commons, Music Commons, and the Religion Commons Recommended Citation Kinney, Kathryn, "Upon This Rock: American Evangelical Spirituality and Jesus Music, 1969-1976" (2019). Arts & Sciences Electronic Theses and Dissertations. 1872. https://openscholarship.wustl.edu/art_sci_etds/1872 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Patrick Burke, Chair Todd Decker Darren Dochuk Alexander Stefaniak Paul Steinbeck Upon This Rock: American Evangelical Spirituality and Jesus Music, 1969-1976 by Kathryn Kinney A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2019 St. Louis, Missouri © 2019, Kathryn Kinney Table of Contents List of Figures ..........................................................................................................................