PLA 2021 Early Lit Calendar.Indd

Total Page:16

File Type:pdf, Size:1020Kb

PLA 2021 Early Lit Calendar.Indd JANUARY 2021 Daily literacy-building WWW.PLA.ORG activities to share with your child. SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 1 WRITING 2 PLAYING Draw the numbers 2021 and Play ‘Riddle Me.’ color them with your child. I’m white and cold and fun to Talk about the new year. play in. What am I? Yes! Snow! Take turns o ering riddles. 3 TALKING 4 SINGING 5 COUNTING 6 READING 7 WRITING 8 PLAYING 9 TALKING Have a conversation about Sing “The Rhyming Weigh your child and write Visit the library (or the With your child write Create a small obstacle Talk about colors. Ask your winter. Ask your child, “What Word” song. it here ______ . Save the library’s website if the (and talk about) course and give your child child what their favorite is your favorite thing about (Words are calendar and measure building is not open) and important dates directions. color is and share what your winter?” Tell what your on the back. ) again in June. check out a book. on a 2021 Go around the chair, go over the favorite color is. Talk about favorite thing is about winter. calendar. book, pick up the spoon, turn things that are those colors. around, and come back. 10 SINGING 11 COUNTING 12 READING 13 WRITING 14 PLAYING 15 TALKING 16 SINGING Pick a song your child is Measure your child’s height Use your finger to With your child write Play ‘Follow the Leader.’ Do Talk about food. Make up silly songs about familiar with and act it out and write it here ______ . follow along with the “Birthday” on each day in things and ask your child to Which food do you each think is everyday activities. while it is playing. Save the calendar and words as you 2021 that is the birthday of a do the same. the most delicious? What do you This is the way we make the bed, measure again in June. read aloud to family member. Talk about Touch your head, Turn around, want to have for dinner? make the bed, make the bed. your child today. what you are doing. Sit down. This is the way we brush our teeth, etc. 17 COUNTING 18 READING 19 WRITING 20 PLAYING 21 TALKING 22 SINGING 23 COUNTING Count snacks. Be a reading role model. Let Write a list of things to do Go on a scavenger hunt. Take out a few ice cubes. Sing a favorite song in a Measure your feet day! Line Put them in separate small How many crackers are there? your child catch you reading today. Have your child check Look for things that loud voice and then up all the family’s shoes and bowls. Help your child place a book, a newspaper, or a o each as it is completed. begin with S. a quiet voice. boots. Whose are biggest? them around your home, magazine. Shoe, sock, soap. The smallest? including outside. Talk about which melts first. 24 READING 25 WRITING 26 PLAYING 27 TALKING 28 SINGING 29 COUNTING 30 READING Read a book about winter. Draw the outline of your Let’s dance! Play favorite Say the nursery rhyme “Hey Take turns singing parts of Say the “Five Little Ask your child questions child’s hand on a piece of songs that will inspire your Diddle Diddle.” (Words are the ABC song. Sing it fast Snowmen” rhyme. (Words while you read to them on the back. ) 31 WRITING paper. Write the date and child to do di erent things and sing it slow are on the back. ) today. What do you think Talk about how funny it is. The Make an alphabet poster have your child “sign” the like jump and spin around. cow jumps over the moon? The will happen next? Where with large and colorful letters. drawing. Save it. little dog laughs? The dish runs did the little dog go? away with the spoon? You have been your child’s teacher from the day he or she was born. Books to Read You know more about your child than anyone else, and you are in the best position to help your child get ready to read. Whether your child is four days old or four years this Month old, it is not too early or too late to help him or her develop pre-reading skills. You can help your child learn language and other early literacy skills with simple and fun activities like those in this calendar. THE RHYMING WORD SONG Check out these books at the library. If they are not available, ask the librarian for a recommendation. Do you know two rhyming words, rhyming words, rhyming words? Do you know two rhyming words? They sound a lot alike. Cat and bat are rhyming words, rhyming words, rhyming words Cat and bat are rhyming words. They sound a lot alike. FOR READERS AGES 03 CHANGE UP THE RHYMING WORDS TO CREATE NEW VERSES. FOR EXAMPLE: Besos for Baby by Jen Arena Play and day are rhyming words, rhyming words, rhyming words . (Text is in English and Spanish) “More, More, More,” Said the Baby HEY DIDDLE DIDDLE FIVE LITTLE SNOWMEN by Vera B. Williams Hey Diddle Diddle Five little snowmen standing in a row, (Hold up five fingers) The Cat and the Fiddle FOR READERS The Cow Jumped Over the Moon Each had a hat and a big red bow. (Put hands on head and then neck) AGES 3+ The Little Dog Laughed Out came the sun and stayed all day, Arctic Animals To See Such Sport (Circle arms overhead) by Jill McDonald And the Dish Ran Away with the Spoon And one little snowman melted away. (Slump down) A Big Bed for REPEAT WITH , , , , UNTIL NO SNOWMEN ARE LEFT. Little Snow by Grace Lin FEBRUARY 2021 Daily literacy-building WWW.PLA.ORG activities to share with your child. SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 1 WRITING 2 PLAYING 3 TALKING 4 SINGING 5 COUNTING 6 READING Use a red crayon to keep Play the yes-no game. Ask your child questions Clap along to a favorite Look at a calendar together. Pick a book to read a list of all the red things “Is the sky blue?” “Is it morning?” that have more than a song. Emphasize the slow Count the number of days together. Stop reading you see today. Red car. Red “Is our dog’s name Spot? yes or no answer. What parts and the until Valentine’s Day. Draw a before the end and ask your truck. Red door. Write it is something fun we did fast parts. heart around February 14 child, “What do you think down with the red crayon! today? What is something will happen? fun we can do tomorrow? 7 WRITING 8 PLAYING 9 TALKING 10 SINGING 11 COUNTING 12 READING 13 WRITING Let your child scribble and Go on a scavenger hunt. After reading together, talk Recite “Twinkle, Twinkle, Count your steps today. Set up a reading routine: Letters are everywhere. draw, encourage them to Look for things that start with about interesting words in Little Star” (Words are on From the bedroom to the read after naps Today look for the letter “sign” their name on their the “f” sound, like fruit, feet, the book. the back. ) kitchen. From the front door and before that your child’s first name drawing. face, fork. to the corner. All the way bedtime. begins with and show them back home. when you find it. Ask your child to also look. 14 PLAYING 15 TALKING 16 SINGING 17 COUNTING 18 READING 19 WRITING 20 PLAYING Happy Valentine’s Day! Sing Talk about your family’s Sing “The Itsy Bitsy Spider” Recite the rhyme “One, Two, Look at the covers of books Trace shapes and letters in Play store. Set up a little “The More We Get Together.” plans for the day. What is together. (Words are on the Buckle My Shoe.” (Words are before reading them. Talk a shallow pan of flour, salt, store with items in your (Words are your child excited to do or back. ) on the back. ) about what the books might or baking soda. house and take turns being on the back. ) see? be about. the shopper and the check- out clerk. 21 TALKING 22 SINGING 23 COUNTING 24 READING 25 WRITING 26 PLAYING 27 TALKING Introduce a new word to Sing a favorite song Pick a number of the day. Point out signs everywhere Make a chart of family Use masking tape to make Talk about concepts like describe how you feel. Say together. Change the Call it out wherever you today. Explain what they say preferences. List family lines or shapes on the floor. “on” and “o ” when you put “I feel joyful” rather than words to make it silly or see it! and how they help. member names and their Walk along the tape like a on and take o hats and “I’m happy.” to incorporate your child’s favorite colors, favorite flavor pretend balance beam. jackets. name. ice cream, favorite fruit, etc. 28 SINGING Make music with things you have in the house—pots, pans, spoons, and sing and dance around to the music you make. How we read to children is as important as how often we read to them. Books to Read No matter what your child’s age, reading together with your child—or shared reading—is the single most important activity that you can do to help your child get this Month ready to read.
Recommended publications
  • Complete Libretto
    MIRROR BUTTERFLY the migration liberation movement suite libretto & testimonials an Afro Yaqui Music Collective piece in collaboration with the CSA series at the New Hazlett Theatre MIRROR BUTTERFLY CONCEPT With its own roots in multiple nations “We asked, what are your stories? How and ethnicities, Pittsburgh’s Afro Yaqui would you like this to be told in a musical Music Collective seems uniquely tale?” Barson say. “And of course we do positioned to address the issue of a surrealist spin on it.” climate migration with art. The group mixes indigenous music from around Indigenous iconography informed the the world with jazz, hip-hop and funk. libretto, by acclaimed playwright Ruth Afro Yaqui is well known on the local Magraff, about the three heroines – a scene, but composer and baritone flower, a tree and a butterfly – who battle saxophonist says the group wanted to a sword character symbolizing take advantage of its residency with the capitalism, with its attendant extractive New Hazlett Theater’s Community industries and other forms of exploitation. Supported Art series to look at the big picture. Six dancers provide the movement, backed up by four choral singers and a “We wanted to step back and look at 15-piece band including saxophones, the forces that are going to be defining percussion, a rhythm section, and a our lives for the next 50 to 500 years,” string section that includes instruments he says. from China and Central Asia. The choreography is by nationally known The result is Mirror Butterfly: Migrant choreographer Peggy Choy, who blends Liberation Suite, a 50-minute opera East Asian traditional dance with African premiering this week.
    [Show full text]
  • Lop40* with SHI\DOE STEVENS
    ta1 ~~I~ (fa1 ~I *lOP40* WITH SHI\DOE STEVENS 1. HITS 'N' STABS :24 Hi, I'm Shadoe Stevens, inviting you to join me 'i,ere for the biggest hits on radios across the U.S.A. It's American Top 40: the biggest songs by 1he hottest stars, exclusive interviews, all the latest AT40 Music News ... an AT40 Flashback at t.its gon"' Jy... a Sneak" Peek at hits to come, Long Distance Dedications, and much more. So join me. i right i'are- for American Top 40! [LOCAL T.ll'l] . .. .. .. -. -- . / 1. NON-STOP CLIMB TO #1 l :26 Hi, Shadoe Stevens, AT40. Join me this welk.for a non-stop climb up the Billboard Chart to the #1 song in the U.S.A. We'll count down the top/son!Js on radio, music's hottest stars and their stories, all the latest Music News, our one-and-only AT40 Flashback, Sneak Peek songs, and Long Distance Dedications from listeners just like you -- it might even be you! It all happens right here and only here -- on American Top 40! [LOCAL YAG] 3575 Cahuenga Blvd W, Sutte 390, Los Angoles, CA 90068 • ABC Radio Networks IX Pill 1 VOICE: 213.850.1003 FAX: 213.874.7753 ;~. t 3575 Cahuenga Blvd W. Sun.e 390 AIR DATE WEEKEND: 01/28195 Los Angeles, CA 90068 SHOW#:JM HOURS: LU VOICE: 213.850.1003 . WITH Stl, E STEVENS FAX: 213.874.7753 ' ABC RADIO NETWORK and Opening Music, BMI Music, BMI #40 SHAME (B) Zhane HOLLY () Weezer #39 BASKET CASE.
    [Show full text]
  • Song & Music in the Movement
    Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.
    [Show full text]
  • IF THIS IS a PROXY INTERVIEW (A009={2 Or 3}), GO to END of MODULE 8 [SELF- INTERVIEWS ONLY]
    HRS 2018 -- MODULE 9: END OF LIFE DECISIONS FINAL VERSION -- 06/01/2018 ****************************************************************** NOTE ABOUT BRANCHPOINTS: Where there is more than one jump within a branchpoint box, the jumps are to be applied in order from the top. ****************************************************************** NOTE ABOUT COLORS AND MODE: All question text in black is for the core interview (except if CAPI and CAWI text is the same). Question text and codes in teal denotes CAWI (Web). The CAWI text will always be directly after the CAPI text. If wording is the same in both CAPI (Iwer Administered) and CAWI (Web), the text is black. Otherwise, black text for codeframes, interviewer instructions, jumps and branchpoints, etc., which can apply to both the CAPI and the CAWI interview unless specified otherwise or there is a CAWI alternative. On a black-and-white hard copy of the document, the TEAL text will appear somewhat lighter than the original black. ****************************************************************** NOTE ABOUT NON-RESPONSE FLOW: ANY QUESTION THAT IS ASKED BUT LEFT WITHOUT A RESPONSE IN CAWI INTERVIEWS WILL FOLLOW THE SAME PATH AS A REFUSAL FOR THAT QUESTION, UNLESS OTHERWISE SPECIFIED. ****************************************************************** MAJOR FLOW CONTROL, CONDITION AND FILL VARIABLES IF RANDOM X009 (1-10) = 9 IF THIS IS A PROXY INTERVIEW (A009={2 or 3}), GO TO END OF MODULE 8 [SELF- INTERVIEWS ONLY] V551 BRANCHPOINT: ASK IF X009 = 9 AND THIS IS A SELF INTERVIEW (A009 = 1), ELSE GO TO END OF MODULE Page 1 of 7 V551_PREFER Now we have some questions about health care treatments that you might want in certain situations and about how you would like health care decisions to be made.
    [Show full text]
  • Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
    FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive.
    [Show full text]
  • 500 Secrets About Girls Every Guy Should Know!
    500 Secrets About Girls Every Guy Should Know! 500 Secrets About Girls Every Guy Should Know! By Cucan Pemo All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying,, recording, or otherwise, without the prior written permission of the copyright owner. Published by 500SecretsAboutGirls.com 1 All Rights Reserved 500 Secrets About Girls Every Guy Should Know! Limits of Liability / Disclaimer of Warranty The Author and Publisher of this information has made her best effort to provide a high quality, informative book. No representations or warranties of any kind are made with regard to the accuracy, applicability, fitness or completeness of the contents of this book. The Author and Publisher accepts no liability of any kind for any losses or damages caused, or alleged to be caused, directly or indirectly, from using the information contained in this book. The Author and Publisher disclaim any warranties (expressed or implied), merchantability, or fitness for any particular purpose. As always, the advice of a competent, tax, accounting or other professional should be sought. The Author and Publisher do not warrant the performance, effectiveness, or applicability of any sites listed in this book. All links are for information purposes only and are not warranted for content, accuracy, or any other implied or explicit purpose. No part of this publication may be stored in a retrieval system, transmitted or reproduced in any way without the prior agreement and written permission from the publisher. Earnings & Income Disclaimers Any earnings or income statements, or earnings or income examples, are only estimates of what we think you could earn.
    [Show full text]
  • Oral History Interview: Oscar and Lutilla Watts
    Marshall University Marshall Digital Scholar 0064: Marshall University Oral History Collection Digitized Manuscript Collections 1974 Oral History Interview: Oscar and Lutilla Watts Oscar Watts Follow this and additional works at: https://mds.marshall.edu/oral_history Recommended Citation Marshall University Special Collections, OH64-130, Huntington, WV. This Book is brought to you for free and open access by the Digitized Manuscript Collections at Marshall Digital Scholar. It has been accepted for inclusion in 0064: Marshall University Oral History Collection by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. MAR S HALL UNIV E R S ITY JAMES E. MORROW LIBRARY HUN T INGTON, WEST VIRGINIA 25701 ASSOCIATES ORAL HISTORY GIFT AND RELEASE AGREEMENT I, the undersigned, of ...,;.. ......_ . I _____ ___________ , State ____ ._________ ··• /, . _, County of I . _1 of grant, convey, and transfer to the James E. Morr ow Library Associates, a division of The Ma r shall Uni versity Foundation, Inc., an educational and eleemosynary institution, all my right, title, interest, and literary property rights i n and to my testimony recorded on • . I ,' 19~ , to be used for scholarly purposes, including study and rights to reproduction. Open and usable after my review. initial Closed for a period of ______ years. initial Closed for my lifetime . initial Closed for my lifetime unl ess special permi ssion initial is gained from me or my assigns. - ··- .... Date -------------- (Signature - Interviewee) I i Address ✓ -- r- /P/ 1_r/ J h ./-.f l( ()?t-J( vf:,;, / .1? / (Sigµ ature - Witness) MAR S HALL UNIV E RSITY JAMES E.
    [Show full text]
  • Worksheets to Use with the Happiness Trap
    Worksheets To Use With The Happiness Trap The worksheets in this compilation are designed to be used in conjunction with The Happiness Trap. If you are working with a coach or therapist, they will probably want you to fill them in and bring them into your sessions. As a general rule, read the chapter first, and then take a look at the worksheet; it should then be self-explanatory. Many of these worksheets you will want to use repeatedly for different issues in different areas of your life. I hope you find them helpful. All the best, Russ Harris Chapter 1: Control of Thoughts and Feelings Questionnaire Chapter 2: a) Costs of Avoidance Worksheet Chapter 2: b) Avoidance and Suffering Diary Chapter 9: Defusion Practice Worksheet Chapter 13: Expansion Practice Worksheet Chapter 18: Informal Mindfulness Practice Chapter 20: Mindful Breathing Practice Worksheet Chapter 25: a) The Life Values Questionnaire Chapter 25: b) Detailed Bull's Eye Worksheet Chapter 25: c) Brief Bull's Eye Worksheet Chapter 27: Goal Setting Worksheet Chapter 30: Overcoming F.E.A.R. Worksheet Chapter 31: The Willingness and Action Plan Appendix: What To Do In A Crisis How to Get the Most Out Of ‘The Happiness Trap’ Reading the Book There are two ways to read the book. You can either work through it slowly and steadily, doing the exercises as you go. Or you can read it from cover to cover very rapidly, and then go back and work through it at your leisure. You can also enhance the exercises in the book by using the free online resources at http://www.thehappinesstrap.com/free_resources Stuck or Confused? If you ever get stuck or confused, I’d suggest you join the Yahoo list serve, entitled ‘ACT for the Public’: http://health.groups.yahoo.com/group/ACT_for_the_Public/join There’s no cost involved.
    [Show full text]
  • How to Make Anyone Fall in Love with You.PDF
    Page iii How to Make Anyone Fall in Love with You Leil Lowndes CONTEMPORARY BOOKS A TRIBUNE COMPANY Page iv Library of Congress Cataloging-in-Publication Data Lowndes, Leil. How to make anyone fall in love with you / Leil Lowndes. p. cm. Includes bibliographical references and index. ISBN 0-8092-3211-1 1. Love. 2. Man-woman relationships. 3. Intimacy (Psychology) 4. Sexual excitement. I. Title. HQ801.L69 1996 306.7—dc20 96-14502 CIP Jacket design by Scott Rattray Interior design by Mary Lockwood Excerpt from Obsession: Copyright © 1995 by Debra McCarthy-Anderson and Carol Bruce-Thomas. All rights reserved. Reproduced with the permission of the publisher, Harlequin Books S.A. Copyright © 1996 by Leil Lowndes All rights reserved Published by Contemporary Books An imprint of NTC/Contemporary Publishing Company Two Prudential Plaza, Chicago, Illinois 60601-6790 Manufactured in the United States of America International Standard Book Number: 0-8092-3211-1 10 9 8 7 6 5 4 3 2 1 Page v To fulfill the promise of the title, How to Make Anyone Fall in Love with You offers 85 techniques based on scientific studies into the nature of romantic love. Page vii CONTENTS 1 1 Anyone? Yes, Practically Anyone Science "Discovers" Sex 2 How More Research Was Compiled 4 How the Techniques Were Developed 5 How I Tested the Techniques 7 2 9 What Makes People Fall in Love? The Six Elements What Makes People Fall in Love? The Six Elements I. First Impressions 9 II. Similar Character, Complementary Needs 10 III. Equity 11 IV. Ego 12 V.
    [Show full text]
  • Page 1 of 3 Sample Interview Questions and Answers
    Sample Interview Questions and Answers 1. Can you tell me a little about yourself? This question seems simple, so many people fail to prepare for it, but it's crucial. Here's the deal: Don't give your complete employment (or personal) history. Instead give a pitch—one that’s concise and compelling and that shows exactly why you’re the right fit for the job. Start off with the 2-3 specific accomplishments or experiences that you most want the interviewer to know about, then wrap up talking about how that prior experience has positioned you for this specific role. 2. What do you know about the company? Any candidate can read and regurgitate the company’s “About” page. So, when interviewers ask this, they aren't necessarily trying to gauge whether you understand the mission—they want to know whether you care about it. Start with one line that shows you understand the company's goals, using a couple key words and phrases from the website, but then go on to make it personal. Say, “I’m personally drawn to this mission because…” or “I really believe in this approach because…” and share a personal example or two. 3. Why do you want this job? Companies want to hire people who are passionate about the job, so you should have a great answer about why you want the position. (And if you don't? You probably should apply elsewhere.) First, identify a couple of key factors that make the role a great fit for you (e.g., “I love customer support because I love the constant human interaction and the satisfaction that comes from helping someone solve a problem"), then share why you love the company (e.g., “I’ve always been passionate about education, and I think you guys are doing great things, so I want to be a part of it”).
    [Show full text]
  • Songs by Artist
    Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co.
    [Show full text]
  • Carnegie Endowment
    CENTER FOR AMERICAN PROGRESS EXPERT POLICY FORUM “SAVING THE ALL-VOLUNTEER ARMY.” MODERATOR: MICHELE A. FLOURNOY, SENIOR ADVISOR, INTERNATIONAL SECURITY PROGRAM, CENTER FOR DEFENSE AND STRATEGIC STUDIES SPEAKERS: THOMAS DONNELLY, RESIDENT FELLOW, DEFENSE AND SECURITY POLICY, AMERICAN ENTERPRISE INSTITUTE LAWRENCE J. KORB, SENIOR FELLOW, CENTER FOR AMERICAN PROGRESS CHRISTOPHER A. PREBLE, DIRECTOR, FOREIGN POLICY STUDIES, CATO INSTITUTE TUESDAY, DECEMBER 14TH, 2004 Transcript provided by DC Transcription & Media Repurposing LAWRENCE KORB: Good morning. My name is Larry Korb from the Center for American Progress. On behalf of my colleagues I’d like to welcome you here to this meeting. As a new presidential term and a new Congress begins, the Center for American Progress has launched what we call the Progressive Priorities project to provide policymakers and the public with a positive position – positive vision for progressive policymaking, supported by a series of new and we hope bold policy ideas in priority areas that we’ve identified. Today’s meeting, or today’s subject: “For Soldier and Country: Saving the All-Volunteer Army,” is the fourth in approximately a dozen papers in this series that we’ll issue over the course of the next two months. In addition to providing more policy recommendations, each of the papers in this series proposes specific steps that policymakers can take to achieve the broader policy goals. Each of the papers is posted on our website as they are released at www.americanprogress.org, and all of the papers in the series will be compiled and published as a book early next year. I’d like to thank particularly all my colleagues at the center for working on this paper, in particular Mirna Galic, without whose hard work this paper could never have come to fruition.
    [Show full text]