Bespoke

8-16 NOVEMBER Powerhouse FROM THE ARTISTIC DIRECTOR FROM THE CREATIVE ASSOCIATE FROM THE CHOREOGRAPHER

Innovation and bold creativity are at the heart of our It is with great excitement that we welcome The Appearance of Colour Bespoke program, and nowhere have we pushed dance you to Bespoke 2019! has beyond conventional boundaries more than in our third maintained a long tradition of commissioning season of this exciting production at Brisbane Powerhouse. world class contemporary works that seek to This year, Queensland Ballet will transform the stage into challenge, enrich and enthral audiences. a multi-sensory experience, transcending audiences into a world This innovative season expands artistic experiences Taking influence from the works of composer Special thanks where dance and technology interlace to break the barriers through collaboration with elements of dance, costume design, John Metcalfe’s The Appearance of Colour this Thank you to Li and QB for providing this of dance as we know it. Following remarkable seasons in 2017 and digital technology, musical composition and virtual reality. This interdisciplinary dance work aims to explore our human generous creative space. I would like to acknowledge 2018, this powerful program was born out of true collaboration, exciting platform enables the experimentation and development response to colour emerging from darkness. Inspired by the first transmissions of colour television in the dancers who have been so engaging and brave ideas, and a desire to challenge assumptions about what of contemporary dance which has and continues to produce the 1970’s, the work explores diverse tonal states between black passionate within the work’s choreographic process. dance can do and how it can be experienced. It brings together ground-breaking and truly inspiring works. and white and bold colour; presenting a continually shifting A special thank you to Rani and Matt for taking such a collaborative space for artists who share a vision to co-create, Bespoke on the Brisbane Powerhouse stage premieres panorama of music, digital animation, puppetry and dance. good care in rehearsing the work and to John, Cameron, and to disrupt the norm. three brand new works created by distinct and daring William and Glynn for the collective artistic collaboration. The three new contemporary works you will see tonight are the choreographers Loughlan Prior, Amy Hollingsworth and Lucy Loughlan Prior visions of leading creative talents Lucy Guerin, Amy Hollingsworth Guerin. They have poured their individual essences, voices Choreographer John Metcalfe and Loughlan Prior, who collaborated with composers, and costume and vision into these works to provide an experience that Music Glynn Urquhart for the digital ageCreating dynamic dance and lighting designers to produce this experience. not only breaks boundaries but buckles and distorts them. Animation William Fitzgerald We are beyond delighted to join forces with these acclaimed Joining forces to work alongside artists in fields Costume Designer Cameron Goerg Australian and New Zealand choreographers who each have of animated digital technology, virtual reality, costume Lighting Designer their own captivating form of storytelling, and we thank them and music design, the choreographers of this program wholeheartedly for providing new challenges for our dancers. interlace technology and dance to create a mesmerising As always, we continue to be grateful for the ongoing wonder. Their works showcase a rich diversity of concepts support of the State and Federal Governments, Principal Partner which provoke imagination across all walks of life, while Suncorp, Major Partners JCDecaux, Sealy, Shell QGC and Virgin staying true to the aesthetic beauty and powerful Bespoke , and all our corporate partners and sponsors. Thank you athleticism of our classically trained company and young for enabling QB to provide a platform for our artform that is artist members. It is thrilling to see this season build on thought-provoking and relevant, that engages eloquently the outstanding talents of our dancers yet again! with the audience, and that generates conversation. With the ever-expanding introduction of new and exciting The mesmerising outcome of Bespoke is art that creates components to this incredible art form, we at Queensland Ballet wonder and inspiration in all of us. I’m delighted you could join hope you will relish in the Bespoke program and be inspired us for our third season. Enjoy the experience. by the powerful experience that is contemporary dance.

Li Cunxin AO Rani Luther ARTISTIC DIRECTOR CREATIVE ASSOCIATE

Cover image: David Power and Tonia Looker Photography Juli Balla Image credit: Clayton Forsyth and Hayley Thompson This performance lasts approximately two hours and 15 minutes, 0 Photography: David Kelly including two 20-minute intervals. 0 FROM THE CHOREOGRAPHER FROM THE CHOREOGRAPHER

pointNONpoint From Within

pointNONpoint begins with one dancer alone on Special thanks All art is an expression of what lies within us and VR Experience Breeder and Josephmark stage and expands incrementally to an interconnected with this work I wanted to explore something that not Lighting Design Cameron Goerg community of twenty-three people. From this initial single Thank you to QB for this opportunity. To Rani Luther and only celebrates our gloriously messy human selves but Costume Realisation Rebekah Ellis and Zoe Gibson point of attention, the choreography swells to a mutating the wonderful dancers of QB who have been so open to create something that audiences could engage with mass of bodies with no one focal point for the viewer; a to this process. To Andrew Treloar who designed the in a different way. cloud of impressions where one must choose one’s own costumes and to the incredible QB costume department It is a work of two parts; a live stage performance and Special thanks journey through the dancing. Individual identities are for their passion and commitment in the realising of a Virtual Reality experience that invites the viewer to sit I want to extend my thanks to the dancers for blurred into a physical and visual texture that changes our Andrew’s design. immersed within the piece. From either vantage point, From this amazing experience of collaborating at this level. perspective, insisting that we receive fragments of a whole Within embraces everything from heart bursting joy to the darker This piece is for them and made entirely with them without being able to apprehend its entirety. anxieties of life and the whole palette that lies in between. and is an homage to the artists they are. This work, created in a deeply collaborative spirit with the entire To Wil, for the flow of creative understanding that made Choreographer Lucy Guerin creative team, is ultimately a gift to this extraordinary cast of dancers. for the digital ageCreating dynamic dance this score and experience what it is. To Cam, for yet another Music Modular 1 — Scanner beautiful adventure into the possibilities of what we can achieve György Ligeti — Requiem: I. Introitus Concept and direction Amy Hollingsworth with light. And to the amazing team at Breeder and Josephmark, Modular 2 — Scanner Choreography Amy Hollingsworth in who created another reality that surprises and delights. György Ligeti — Lux Aeterna collaboration with the cast Costume Designer Andrew Treloar Composition and Lighting Designer Cameron Goerg Sound Design Wil Hughes Music  Wil Hughes featuring:

Bespoke Blackbird — Lennon/McCartney String Quartet —­ It's Oh So Quiet — Björk and the voices of the cast

Image credit: Vanessa Morelli and Sophie Zoricic 0 Image credit: Queensland Ballet Artists 0 Photography: David Kelly Photography: David Kelly 0 0 Bespoke and composer Claire Cowan launch for thecompany’s international programme Passages andwill he issetto create a new balletfor length production In2020 for theRoyal NewZealand Ballet. FilmFestival. oftheCannes and theShortFilmCorner Francisco San Dance FilmFestival#60secondsdance Denmark, International FilmFestival, ofLincoln theFilmSociety Centre, withtheStars. Dancing Australia, WGT LUX, Tempo Festival, andTV3’s Zambesi, including iDFashion Week, Te Papa National Museum,Vogue work for adiverse range ofcompaniesandcreative partners, Germany, CanadaandtheUnited States, andhehaspresented filmcollective,based since 2014. 2018 theCreative andhasbeen Director of Residence at theRNZBby ArtisticDirector Patricia Barkerin stage hiswork Tup LangChoreographic Award in2016 andtraveled to Toronto to Choreographic Award in2015. Hereceived Creative NewZealand’s Foundation ofNew Zealand’sof theBallet HarryHaythorne creating smallworks for thecompany, becoming thefirst recipient theRoyalhe joined in2010 NewZealand Ballet andbegan inWellington.based winning Aussie/Kiwi andfilmmaker choreographer ‘A Priorisanaward creative Loughlan tourdeforce’ CHOREOGRAPHER Prior Loughlan

In 2019 Loughlan premiered His dance filmshave enjoyed screenings at theNewZealand His stage workhaspremiered inNewZealand, Australia, Prior was appointed to ofChoreographer theposition in After graduating from ofDance theNewZealand School Described by Dance Aotearoa New Zealand as byAotearoa Dance New as Zealand Described Lo |Co Arts Curious Alchemy , aproject company founded by Prior at the Assemblée Internationale. at theAssemblée Hansel &Gretel Prior Visual , hisfirst full , aproject

THE CREATIVES

0 0 of Russell Dumas(Dance Exchange) andNanette Hassall for Performing Arts in1982before joiningthecompanies World (2016) include productions dance. Recent challenging andextending ofcontemporary thepractice creation andtouringofnewon works withafocus thedevelopment, the Company in2002tosupport Lucy company GuerinInc.Sheestablished dance based CHOREOGRAPHER Lucy Guerin Australia Award Council for Dance. and three . In2016, Lucy received the several(‘Bessies’), Green Room Awards, three HelpmannAwards Award, two NewYork Dance andPerformance Awards among many others. (France),Ballet Dansteater Skånes (UK) andRambert (Sweden) Baryshnikov’s White Dance Oak Project (USA), Lyon Opera Dance North,Dance Works Rotterdam (Netherlands), Mikhail byand venues.commissioned Shehasbeen Chunky Move, North Americaaswellto mostofAustralia’s majorfestivals dance sector. workshops andresidencies toclasses, theindependent support as producing Guerin’s thecompany runsaprogram work, of artistbeforean independent forming Lucy well As GuerinInc. choreographic works. Company andSara Rudner, to andbegan produce herfirst where shedanced withTere O’Connor Miller Dance, theBebe (Danceworks). Shemoved to NewYork in1989 for seven years

Born inAdelaide, Australia,Born shegraduated from theCentre Her awards includetheSidney Myer Performing Arts Guerin hastoured herworkextensively inEurope, and Asia Guerin returned to Australia in1996andworked as Lucy Guerin is the Artistic Director of the oftheMelbourne Director Lucy GuerinistheArtistic (2019). (2019). Split (2017), (2017), Attractor (2017) and (2017) The Dark Chorus Chorus The Dark Make Your Own appointed thecompany’s Dance Director. by aFemale Dancer (2010) inherfinalperformance before being received anAustralian Dance Award for Outstanding Performance compelling andintelligent dancers ontheworldstage”. most byand was described theUKObserver asoneof“the Circle Award for MostOutstanding Female Performance (2009) ArtisticDirectorof Assistant in2007. Shewonasecond Critics’ Dance Company, ofBonachela member taking role ontheadded Company andSydney Dance Company. Amy was afounding by MichaelClarkCompany, Shechter Hofesh BalletBoyz, and its emerging choreographers’ season: Amy alsocommissioned Rambert to develop two for pieces Dance Award for MostOutstanding Female Artist(2004). dancers andchoreographers Circle andwinningtheCritics’ company in2000, Rambert workingalongsideesteemed andDenmark’s PeterZealand Ballet Balletten. Schaufuss Night’s Dream Firebird critical acclaim withleadingroles in rose to therank ofprincipaldancer by theageof20andearned musictofilm andpop leadership anddirectorial positions. balletto classical contemporary independent dance,large-scale January 2019. Company in ofExpressionsDance Director Artistic director, andmentorwas appointed choreographer CHOREOGRAPHER Amy Hollingsworth Suspect

Amy returned to Dance Company in2010 and Her contemporary career highlights includeproductions Amy leadingBritishcontemporary joined dance trainedClassically at TheAustralian Amy School, Ballet Her international performance andcreative career spans Amy Hollingsworth isanaward-winning dancer, , (2002). , Scheherazade , Hamlet , The Nutcracker and Coppélia Romeo andJuliet Romeo Singh Language withRoyal New , A Midsummer

, (2001) The THE CREATIVES

0 0 out nowonBerlin’s NeueMeister label. Ali Friend andtheexquisite voice ofRosie Doonan. Flying Lotus), felt deeply groove from Red Snapper'sbassist master drummerRichard Spaven (Cinematic Orchestra, electronica andfolk: thecrisp, jazz-influenced beats from line upofmusiciansfrom theworldsofpost-classical, guitar, music. andofchamber elements ofdrumandbass, of transcendent solopiano, shimmeringelectronics and rhythmic stringsevoking theworldofsystems moments music, kaleidoscopic musicalworld.Withinthealbumare powerful unites beautifully thedisparate 6Music) strandson BBC ofhis magazine and"staggeringly by beautiful" MaryAnneHobbs Colour withtheMaxRichterEnsemble. andrecords performs Factory legendary He also on Manchester’s label. Tony Factory thepioneering launched Wilson Classical DuruttiColumn andalongside ofcultband member the renown Duke He classical wasa StringQuartet. work inradio/tv violistwith as hetoursandrecords from Morrissey Michaelandhis toGeorge artists withahuge range of In additiontocollaborations aftermusiciansinthebusiness. sought one ofthemost Peter andBlur, Gabriel New John Zealander Metcalfe is MUSIC John Metcalfe

Metcalfe’s latest studio album For hislive shows Metcalfe’s anincredible hasassembled Metcalfe’s gorgeous 4thsoloalbum, Producer andarranger tothelikesProducer ofU2,Coldplay, , (described as“effervescent,beautiful” divinely by Clash Absence The Appearance ofThe Appearance

is is Creating dynamic dance for the digital age digital the for dance dynamic Creating THE CREATIVES THE CREATIVES

Glynn Urquhart William Fitzgerald Andrew Treloar Cameron Goerg ANIMATION COSTUME DESIGNER COSTUME DESIGNER LIGHTING DESIGNER

Glynn Urquhart is a multidisciplinary conceptual Born and raised in Australia, William grew up Andrew Treloar is an artist working between Cameron Goerg has 18 years experience in technical artist working in a range of mediums although primarily dancing and designing side by side. After training with contemporary art, dance and fashion design. From 2016 development and lighting design. He is currently with animation and projection installation. the Kim Harvey School of Dance in Canberra, and the to 2019 he inaugurated and ran Treloarland, his own Technical Director for Queensland Ballet whilst also Born in Sydney, he moved to Melbourne and became New Zealand School of Dance in Wellington, William dance-specific development and small performance taking on freelance lighting design commissions. a graduate of the Victorian College of the Arts with a Bachelor's joined the in 2014. studio. His recent works include the design, production He has designed lighting most recently for Little Green Degree in Fine Art Animation. From a young age William has been making his own and choreography of Insufficient Therapy Dance at Road To Fairyland, Synergy 2019 — Magnetic Fields, The His work deals with themes surrounding the physical, the clothing and exploring the fashion world and how it interacts Kings Artist Run Flashnight in 2018 and Splintering at Cloud of Unknowing, Never, Stop Falling In Love, Synergy digital, and the spaces that exist between the two, exploring the with the expression of identity. The Appearance of Colour is Treloarland in 2017. 2018 — Lunar, Nocturne, Bespoke 2017 & 2018, Glass successes and limitations in how we connect with technology William's second collaboration with Loughlan Prior, following Andrew has worked extensively in costume and set design Concerto, and many new works in Queensland Ballet’s and each other. "they/them" (2018) for Grand Rapids Ballet. with leading choreographers, such as Jo Lloyd, Chunky Move Dance Dialogues seasons. Cameron has recreated lighting He has had his work exhibited at solo and group art shows and Dancenorth. His work with Lucy Guerin began with Make for Queensland Ballet’s productions of The Nutcracker from

around Melbourne, as well as animated short films screened Your Own World for Dance Massive 2019, and extends to the 2014 to 2018, Ghost Dances, The Firebird, Coppelia, Peter for the digital ageCreating dynamic dance at the Melbourne International Animation Festival, Melbourne current season of Bespoke. Upcoming exciting projects include Pan, Cinderella and Giselle and ’s Queer Film Festival, as well as others internationally. Lucy Guerin’s Metal to premiere in AsiaTOPA in early 2020. La Bayadère. Other lighting designs include Queensland Projection work of his has also been shown at White Night Symphony Orchestra’s Carmen in Concert, Shake & Stir’s Melbourne, Gertrude St Projection Festival, and Shakespeare Festival’s Macbeth and A Midsummer Night’s West Projections. Dream and Collusion Music’s Desirelines. During his time with Queensland Ballet, Cameron has been involved in the technical development of all productions including La

Bespoke Bayadère, Peter Pan, Romeo & Juliet and Strictly Gershwin.

0 0 0 0 THE CREATIVES PRODUCTION CREDICTS QB20 SEASON

Wil Hughes Breeder COMPOSER & SOUND DESIGNER MOTION PARTNER

Wil’s credits as a composer, songwriter and sound Breeder Studio design, direct, animate and film to Technical Director Cameron Goerg

designer for theatre have ranged from contemporary tell stories and create authentic motion content. Founded Stage Manager Donovan Wagner ballet to musicals, and include Single Asian Female, in Brisbane, Breeder gained their reputation with award- Assistant Stage Manager Liz Suess The Dead Devils of Cockle Creek, The Village, winning titles like HBO’s True Detective, and have since Head Mechanist John Campiao A Midsummer Night's Dream, The Wind in the Willows been operating on a global scale, leading motion for series (La Boite Theatre Company); Kill Climate Deniers (That like Amazon’s The Expanse and ABC’s Content. Production Mechanist Shaun Caulfield Delivering deeply original short-form content, Production Company); Elizabeth I (Monsters Appear/ Head Electrician Brenton Slattery Wonderland Festival); Rice, The Scene Project 2018 delightful motion and seamless interaction prototypes time Lighting Programmer Skye Lilliss (Queensland Theatre); Sonder, Bespoke (Queensland and time again, Breeder exert their foundational pillars of directorial, product and branding to find new ways of Transport Roadpro Event Ballet); Propel (Expressions Dance Company); We Will interacting with storytelling — an offering that proves Services/ Not Kiss/Touch/Frighten You in the Dark, Caligula (The Russell Austen

powerful for start-ups and corporate clients alike. for the digital ageCreating dynamic dance Danger Ensemble); The Theory of Everything (Brisbane A nimble, boutique studio with motion at its heart, Festival/Metro Arts); Dust Covered Butterfly (Metro Arts); Head of Wardrobe Noelene Hill Breeder support their community with their successful Tiptoe (Pentimento Productions); Unnatural Selection, Deputy Head of Wardrobe Lauryn Jackson daily showcase platform Good Moves. They also work on Allan (Gold Coast Arts Centre/Awkward Productions); the cutting edge of arts-based collaborations using new Costume Coordinator/Cutter Rebekah Ellis Blak Electric (Aboriginal Centre of Performing Arts); technology — much like the one you’ll see tonight. Assistant to Costume Sweet Meniscus (Anywhere Theatre Festival) and Legends Coordinator/Cutter Vicki Martin (Storyshare International Ltd.). As a freelance theatre professional he has worked Workroom Coordinator/

Bespoke extensively with companies including La Boite Theatre Company, Cutters Assistant Jayne Warrington Queensland Ballet, Queensland Theatre, Queensland Performing Josephmark Stylist/Buyer for From Within Zoe Griffiths Arts Centre, Global Creatures and Expressions Dance Company. Senior Costumier/Dressing & Wil is also an internationally acclaimed composer for film, VR PARTNER Maintenance Coordinator Isabelle Lacombe television and other media, and in 2018 was awarded Composer Costumiers Anna Ilic, Erin Krosch, of the Year by the California Independent Film Festival. His film Season tickets are Josephmark is a venture design studio who advise, Elizabeth Ball, and media work includes Theo & Celeste, Spaceman Jones, invest in and incubate the companies of tomorrow. Kathryn Lee, the best way to see Broken (dir. Hannah Dougherty); Admonition (dir. Alexander Founded in 2004, JM has over a decade of experience Michelle Potts, Mattingly); Viral (dir. Sam Van Grinsven), Freudian Slip (dir. Clare ballet in 2020. designing, building and growing companies across a Bethany Cordwell, Sladden), The Feed (SBS), as well as advertising campaigns for multitude of industries that are primarily founded in Ana Draca, + Save up to 20% off regular ticket prices companies such as Bonds, Supré, Forever New and Windsor. technology, to address our global changing environment. Margie Stafford + Priority booking and guaranteed Working across three continents, their pursuit to explore Shoe Coordinator Amanda Newman Premium seats and operate at the cutting edge of technology and creativity has + Flexibility to exchange tickets resulted in work to create change for the better — garnering Dresser Isabelle Lacombe + Access to behind-the-scenes events international innovation awards, and global recognition. Bethany Cordwell Costume Maintenance and e-newsletter This piece, in collaboration with Amy Hollingsworth and the + Access to special discounts and offers dancers of Queensland Ballet is one such curiosity, blending from our industry friends and partners the bleeding edge technology of virtual reality and processing power with the classic and artistic craft of ballet: a new frontier ON SALE NOW in the way we experience the created world around us. String Quartet No 2 Written by Joby Talbot Queenslandballet.com.au Published by Chester Music By kind permission of the Music Sales Group

0 0 0 0 PRINCIPAL ARTIST SOLOIST QUEENSLAND BALLET

34 Beesley Street, West End QLD 4101 PO Box 3791, South Brisbane QLD 4101 07 3013 6666 [email protected]

Lucy Green Vito Bernasconi PATRON Ballet Mistress & MUSIC Jean Attwater Head of Precincts Cutter/Coordinator/ His Excellency Principal Répétiteur Music Director & Senior Relationships Lucas Gilroy Milliner COMPANY ARTISTS the Honourable Mary Li Principal Conductor Manager Rachael Walsh Administration Vicki Martin Paul de Jersey ac, Ballet Mistress & Nigel Gaynor Foundation Relations Officer/WHS Cutter/Coordinator Governor of Queensland Artistic Coordinator Company Pianist Kristopher Brian William Wallace Rebekah Ellis Janette Mulligan Stefanie Gumienik Foundation Services Administration Officers Wardrobe Workroom & BOARD OF DIRECTORS Ballet Master Carmel Brown Ellen Gilroy Art Finishing Coordinator Chair Matthew Lawrence MARKETING, Foundation Karen Iddon Zoe Griffiths Julieanne Alroe CORPORATE Administration Assistant Kirra Harris Senior Costumier/ Deputy Chair ARTISTIC OPERATIONS, PARTNERSHIPS Bridie Li Facilities Coordinator Workroom Assistant Justice David Thomas EXPERIENCES AND TDC & ENTERPRISES Campbell Misfeld Isabelle Lacombe Directors PROGRAMMING Director of Marketing, COMMUNITY ENGAGEMENT Duty Managers Shoe Coordinator David Carter Head of Artistic Corporate Partnerships Head of Community Sheilagh Gaddes Amanda Newman Peter Godber Operations Craig Cathcart & Enterprises Engagement Jack Iddon Wig Stylist for the digital ageCreating dynamic dance Paula McLuskie Company Manager Zoë Graham Genevieve Dunn Administration/ Michael Green Pol Andrés Thió Mali Comlekci Talia Fidra Tamara Hanton Daniel Kempson Jack Lister Prof. Gene Moyle Efrem O’Brien Head of Education Manager Business Trainees Allan Pidgeon am Head of Experiences Corporate Partnerships Martha Godber Pania Tamati MEDICAL Amanda Talbot Jodie Twite Danika Bakalich Engagement & Head of Experiences Coordinator Corporate Relations Officer PRODUCTION Performance Medicine HONORARY LIFE MEMBERS Tess Callanan Partnerships Manager Joseph Stewart Technical Director Zara Gomes Marlene Collins Head of Programming — Liz Fisher Education & Cameron Goerg Company & Academy Pauline Crowe Thomas Dixon Centre Corporate Partnerships Engagement Coordinator Head of Production Physiotherapist Lynette Denny am Sarah Boon Executive Sarah Foster Lily Spencer Shaun O’Rourke Louise Drysdale Prof. Ashley Head of Marketing Business Trainee Technical Manager Company Physiotherapist Goldsworthy ao obe ACADEMY Erin Core Mahalia Roma (Lighting) Michelle White

Bespoke Kevin Hodges Director of Queensland Head of Marketing Education Scott Chiverton Company Masseur Patrick Kelly Ballet Academy Lisa Summer-Hayes Teaching Artists Technical Manager Pedro Alcobio Valerie Lisner Christian Tátchev Marketing Specialist Lydia Melmeth (Staging) Pilates Vanessa Morelli Samuel Packer Isabella Swietlicki Rian Thompson Sophie Zoricic Margaret Lucas oam Head of Academy Yuverina Shewpersad Sally Ringland Dan Villiers Catherine Neal John Matthews Operations Marketing Specialist Amelia Waller Production Coordinator Nicole Vass Dr Neil McCormack Gabrielle Johnston Jessica Piper Callyn Farrell Heather O’Keeffe Strength Training Adjunct Prof. Academy Specialist A/Digital and Holly Frick Technical Coordinator Anthony Lewis Joan Sheldon am Kali Harris Content Specialist (Lighting) Consultant JETTE PARKER YOUNG ARTISTS Neil Summerson am Academy Coordinator Faye Sakura Rentoule FINANCE Skye Lilliss Sports Physician Grace Wheeler Ticketing Manager Director of Finance Technical Coordinator Dr Matthew Hislop EXECUTIVE Teachers Jennifer Laing Ian Megom (Staging) Consultant Artistic Director Paul Boyd Ticketing & Customer Head of Finance Don MacKenzie General Practitioner Li Cunxin ao Louise Deleur Service Specialist Lynne Masters Dr Ian Mannion Executive Director Lisa Edwards Maggie Holmes Finance Officer WARDROBE Dilshani Weerasinghe Elena Kozhemyachenko Marketing Assistant Tony Yan Head of Wardrobe & PEOPLE Deputy Executive Veronika Sheremetieva Tamara Hanton Payroll Specialist Resident Designer Head of Director Zenia Tátcheva Publicist Beverley Rehbock Noelene Hill Human Resources Felicity Mandile Associate Teachers Meryn Cooper PRECINCTS Deputy Head of Wardrobe Candice Sheldon Executive Assistant Wim Broeckx Communications Director of Precinct Lauryn Jackson Kismet Bourne Anthony Lewis Specialist Operations Balveen Ajimal Wardrobe Workroom BUSINESS SYSTEMS Melissa Tattam Cassandra Houghton Manager and Principal & TECHNOLOGY Maggie Bryan Lucy Christodoulou Oscar Delbao Jamie Delmonte Clayton Forsyth Renee Freeman ARTISTIC Amelia Waller Cutter Head of Business Chief Ballet Master Academy Pianists FOUNDATION Anna Ilic Systems & Technology & Director of Helen David Foundation Performance Marcin Kucfir Artistic Operations (maternity leave) Manager, Grants Wardrobe Manager/ Gary Dionysius Principal Cutter Artistic Associate Brett Sturdy Erin Krosch Mark Leung Academy Costume Resident Choreographer Associate Pianists Coordinator/Cutter Gianluca Politi Kathryn Lee Ballet Mistress and Michelle Kim Creative Associate Catherine Yu Rani Luther Kaho Kato John Paul Lowe Edward Pope Charlie Slater Hayley Thompson

The Jette Parker Young Artist Program is generously supported by Oak Foundation together with Brett & Maria Clark, Frazer Family 1 Foundation, Patricia Macdonald Memorial Foundation, Catriona 1 & Simon Mordant am, C P Morris, Liz & Graeme Wikman. 1 1 OUR SUPPORTERS OUR PARTNERS

Visionaries Lori Lowther Barry Cowdell Elizabeth Loane Kerri Hinde Coral Hulcombe Paula Marlton Anonymous (1) Pamela Marx Benjamin Shohet Elizabeth Macintosh Laetitia Nguyen Van Long Denise A Wadley Paula Salisbury The Ian Potter Foundation Keith McCamley Bernie O'Dowd Elizabeth Newton Lauren Cuffe Dylaina Davies Pauline and Bill North Queensland Ballet is proudly supported by: Oak Foundation Paula McLuskie & Nathan Beryl & Michael Ward Elizabeth Stafford Laurie Cowled Elin Birks Penelope Fraser-Benson Kay Van Norton Poche ao Sticklen Beverlee Garnett Emily Baxter Laurie James Deane Elizabeth Macintosh Penelope Thomson Denise O'Boyle Bill and Alison Semple Fiona Clark Leah Perry Erin Strang Penny Ackland Artistic Director’s Circle Marion Pender Bob Cleland Flick Pope Leanne McMillan Hazel Eivers Peter & Althea Crowley Anonymous (1) Ross & Jennifer Perrett Bodycentric Adelaide Flora Barwick Lee Cornwall Heather Boston Peter & Gabrielle Chisholm Veronika Butta Mr John B Reid oa & Brendan & Jennifer Bartlett Forbes Pratt Leo Meissner Helen Brandl Peter & Jan Van de Velde Barbara Duhig Mrs Lynn Rainbow-Reid am Brian & Pam Andrew Frances Ware Leona Romaniuk Helga Rash Peter & Lyn Ammundsen GOVERNMENT PRINCIPAL PARTNER Ian & Cass George Siganto Foundation Brian and Pam Andrew Gay Gibson Leonard & Glenda Neilsen Jacqueline Giles Peter & Barbara Arnison Lynn Harvey Tony Sukkar am & Josephine Bronwyn Risk Gino Milani Leonard Sparkes Jean M Heimgartner Peter & Gabrielle Chisholm McLaren Family Sukkar am Bronwyn Saunders Gloria Hamilten Lesley Breton Jennifer Hicks Phillip Windle Mr Simon Mordant am & Mrs The Hon. Justice David Bruce Richardson Graeme & Jan George Linda Steele Jennifer Martin Prof Mary Garson Catriona Mordant Thomas & Mrs Jane Buff Maycock Graham McKay Lindy Quinn Judith Wittleton Prof. Mary Garson Patricia Macdonald Thomas C and Jenifer Farmer Greg & Christine Loudoun Lisa Sheldon Julie Hill Rexine Cooney Memorial Foundation In loving memory of C Mackay Greg & Jacinta Chalmers Loma Henry Kathleen Nowik Rhiannon French Miss Valmai Pidgeon am Walter Fernance C Ralph Greg & Wendy O'Meara Lorelei Bache Kay McCarthy Rhondda Taffs Amanda Talbot Carmel Harris Greg Chalmers Lorraine Glynn Leah Perry Rhondda Todd Queensland Ballet receives financial assistance from Queensland Ballet is assisted by the Commonwealth Government Mr Roy Thompson ac & Mrs Dancers’ Circle Carmel Nolan H Green Lorrene Evans Leona Romaniuk Richard & Margaret Steinberg Nola Thompson Anonymous (3) Carole-Joy Kidd Hazel Eivers Loryn Van Den Berg Lesley Hunt Richard Haskayne the Queensland Government through Arts 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Michael & Angela Sheridan Jenny Hannah Simone Finch Hayden Attractions Pty Ltd Lucien Castand Jennifer Martin Michael & Annette Gunn Joan Hall Sophie Smith John Villiers Trust Charles Lisner Circle Donna O'Sullivan Jenny Hicks Michael & Meredith Evans Joanne Scott Spencer Routh Khitercs Hirai Foundation Anonymous Donna Young Jessie Yeowart Michael & Angela Sheridan Julie Irwin Stanley Collard oam Mr Li Cunxin oa & Dr Sheena Burnell Doug Merritt Jim and Michelle Gibson Michael & Beryl Ward Julieanne Alroe Steph Kassos Mrs Mary Li Lucien Castand & Dr Alana Harris Joan Fleury Michael & Jacquie Morrow Kathryn Russell Steven & Amanda Sartor Dr Valmae Ypinazar & Donald Robson Dr Alex Markwell Joan Hall Michael Graham Lynette Craig Stuart Landsberg Prof. Stephen Margolis oam Dr Valmae Ypinazar & Dr Anita Green Joan Sheldon am Michelle Chittenden Margaret Anka Sue Brown Helen & Dan McVay Prof. Stephen Margolis oam Dr Anne Spooner Joanne Scott Michelle May Margaret Henderson Sue Harvey Beverley J. Smith Dr James McGown Dr Barrie O'Connor Jodie Hughes Elene Carides Margaret Jean Bishop Sue Hoopmann Stack Family Foundation Kathleen Nowik Dr Brian Nmn Davies John & Janice Bell Patricia Jackson Margaret McMurdo Susan Blackmore Mr John Story am & Mrs Lynn Rainbow-Reid am Dr C Davison John & Lois Griffin Penny Anderssen Margot Lansdown Susan Douglas Mrs Georgina Story Jane Steinberg Dr Charmaine V. Davison John & Maggi Cameron Ruth Hamlyn-Harris Marie Byrne Susan Mabin SUPPORT PARTNERS Anne Symons Kaye Brain Dance Education Dr Colin Kratzing John & Angela Leak Shirley McMahon Marilyn Mobbs Susan Urquhart Elizabeth & Graeme Wikman Fund Dr David Adamec John & Janice Bell Trish Tathem Mary Duggan Susan Vivian Isabell Honor Dr Desmond Brian Misso, Esq John & Lois Griffin Adrian Montgomery Maryanne Webb Susan Wilson Music Director’s Circle Hall Maynard Dr Douglas McConnell John Holt Barry Cowdell Nicole Beasley T Vu & C Tillman Mr Robert Albert ao & Lesley Merle Williams Dr Frances Ware Jonathon Perrett Daron Green Nicole Klein Tayla Hill Mrs Libby Albert Dr Frank & Josephine Morris David Hardidge Dame Quentin Bryce, Terry Walsh John & Lynnly Chalk Supporters Dr Ailbhe Cunningham Juanita Hartkopf John Siebert AD CVO The Anderson/Sage Family Dr Cathryn Mittelheuser am Anonymous (89) Dr Frank Leschhorn Judith Banks Laurie Deane Rhondda Todd The Hon. Tom McVeigh Morgans Foundation Alice Myers Dr Gay Crebert Judith Cavanagh Leonard Sparkes Ruth Hubbard The Mahers FA & MA Pidgeon Amy Shum Dr Georgia Martin Judith Sack Malcolm Tyrrell Ruth Lanyon The Robinson Family Mrs Denise Wadley oam Andrea Hall-Brown Dr Hong Shue Judith Wittleton Roger Bagley Sally Macqueen The Sim Family Trust Andrea Kriewaldt Dr Jane Reasbeck Judy Graham Ross Krieg Susan Boulton Thea Carrol Principal Dancers’ Circle Andreas Fiene Dr Julie Beeby Judy Nulty Roy Hoskins Susan Hoopmann Tom and Cathy Dunn Anonymous (1) Angela Cornford-Scott Dr Katrina Lines Judy Russell Trudy Bennett Tom McKaskill Mary C. Barlow Anita Anderson Dr Katrina Lines Julie Irwin Terry Walsh Nadine Dietz Tony & Josephine Sukkar Andrea & David Graham Anita Nimmo Dr Lesley Lluka Julie Wilkie Tristan Englart Neil & Jenny Summerson Trisha Anderson Mather Foundation Ann Caston Dr Maguerite Robertson Julieanne Alroe Angela Cornford-Scott Nick & Georgia Martin Tristan Englart Bruce & Sue Shepherd Ann Neale Dr Marina Zelich Julieanne Sadler Ann Caston Nicole Beasley Troy & Karelia Gianduzzo Diane & William Rockloff Ann Robson Dr Merelie Hall June Redman Barbara C Robins Nicole Klein Vince & Glenda Zoricic OFFICIAL POINTE CORPORATE RESTAURANT PARTNERS Annelise Allan Dr Mirko Guaralda Justice Philip & Barbara Harvey Norman & Cathy Maher Vivianne Sayers Soloists’ Circle Annette Devilee Dr Nerida Smith Margaret McMurdo Barbara Lloyd P J Anderssen Wendy Woellner SHOE PARTNER CLUB & OFFICIAL SUPPLIERS Clive & Conchita Armitage Anthony Allan & Dr Rhyl Hinwood am K & S Heathcote Barbara Searle Paige Douglass William Forgan-Smith Lewis Bell Dr Alex Markwell Dr Robin Crebert Karen Green Barbara Sheppard Pam Barnett Yiran (Merry) Ha Angus Knight Group, Bank of Queensland, Deloitte, Darling & Co Diana Bertalli Anthony Mellick Dr Sharyn Van Alphen Karen McLean Carol Galley Pamela Douglas & Barbara Yvette Forrester Timonthy Best Ashlee & Darcy Basford Dr Tom Moore Karen Pomeroy Carol Haron Hodson Zoë Connolly Dr. Lily Vrtik, George Group, Grant Thornton, The Regatta Hotel, Urbane Dr Frank & Ailbhe Cunnigham Austin Adams Dr Troy & Mrs Karelia Kathryn Biggs Caroline White Pamela Gribben Zuzana Dreves King & Wood Mallesons, Oceania Cruises and Mrs Jane Douglass am B J Hirschfeld Gianduzzo Kathryn Russell Carolyn Craig Pamela McGaw Annmarie Faulkner B Lloyd Elene Carides Kathy Brims Catherine Carter Patricia Jackson Regent Seven Seas Cruises, Valley Plastic Surgery Angie's Fund Barbara O'Connor Elin Birks Kay McIntosh Chriss Macaranas Patricia Tyler Roy Hoskins Barbara Robins Elizabeth Carrigan Kel & Christine Spencer Christine Moore Paul and Diane Kierce Queensland Ballet is a member of Gay Hull Barry and Sue Vivian Elizabeth Friend Ken Hoyle Colleen Wilson Paul Evans Live Performance Australia and the Queensland Ballet is supported by Queensland Ballet Friends. 1 1 Australian Major Performing Arts Group, and supports the Actors and Our thanks go to everyone who has shown their support by donating to Queensland Ballet. Every gift, Queensland Ballet is very grateful to the many generous Queensland Ballet welcomes you to contact us if you would like to be involved. large or small, helps us to achieve our vision. If you would like to know more about our philanthropic 1 1 Entertainers Benevolent Fund (Qld). program, please contact us on 07 3013 6666 or email [email protected] individuals, trusts and foundations, for their support. Please phone 07 3013 6666 or email [email protected] Acknowledgments correct as at August 2019. Queensland Ballet relies on the philanthropic support we receive as a Company. Our donors enable us to thrive and pursue our vision, to be one of the best ballet companies in the world, both on and off stage. Thank you. If you would like to make a tax-deductible gift of over $2 please contact us:

07 3013 6662 [email protected] queenslandballet.com.au

Every effort has been made to ensure program details are correct at the time of printing, however, details are subject to change where necessary and without notice. Please check queenslandballet.com.au for updates.