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Mythcon 50 Program Book
M L o o v o i k n i g n g F o r B w a a c r k d Program Book San Diego, California • August 2-5, 2019 Mythcon 50: Moving Forward, Looking Back Guests of Honor Verlyn Flieger, Tolkien Scholar Tim Powers, Fantasy Author Conference Theme To give its far-flung membership a chance to meet, and to present papers orally with audience response, The Mythopoeic Society has been holding conferences since its early days. These began with a one-day Narnia Conference in 1969, and the first annual Mythopoeic Conference was held at the Claremont Colleges (near Los Angeles) in September, 1970. This year’s conference is the third in a series of golden anniversaries for the Society, celebrating our 50th Mythcon. Mythcon 50 Committee Lynn Maudlin – Chair Janet Brennan Croft – Papers Coordinator David Bratman – Programming Sue Dawe – Art Show Lisa Deutsch Harrigan – Treasurer Eleanor Farrell – Publications J’nae Spano – Dealers’ Room Marion VanLoo – Registration & Masquerade Josiah Riojas – Parking Runner & assistant to the Chair Venue Mythcon 50 will be at San Diego State University, with programming in the LEED Double Platinum Certified Conrad Prebys Aztec Student Union, and onsite housing in the South Campus Plaza, South Tower. Mythcon logo by Sue Dawe © 2019 Thanks to Carl Hostetter for the photo of Verlyn Flieger, and to bg Callahan, Paula DiSante, Sylvia Hunnewell, Lynn Maudlin, and many other members of the Mythopoeic Society for photos from past conferences. Printed by Windward Graphics, Phoenix, AZ 3 Verlyn Flieger Scholar Guest of Honor by David Bratman Verlyn Flieger and I became seriously acquainted when we sat across from each other at the ban- quet of the Tolkien Centenary Conference in 1992. -
Volume 4, Issue 1, 2017 Journal.Finfar.Org
NORDIC JOURNAL OF SCIENCE FICTION AND FANTASY RESEARCH Volume 4, issue 1, 2017 journal.finfar.org The Finnish Society for Science Fiction and Fantasy Research Suomen science fiction- ja fantasiatutkimuksen seura ry Submission Guidelines Fafnir is a Gold Open Access international peer-reviewed journal. Send submissions to our editors in chief at [email protected]. Book reviews, dissertation reviews, and related queries should be sent to [email protected]. We publish academic work on science-fiction and fantasy (SFF) literature, audiovisual art, games, and fan culture. Interdisciplinary perspectives are encouraged. In addition to peer- reviewed academic articles, Fafnir invites texts ranging from short overviews, essays, interviews, conference reports, and opinion pieces as well as academic reviews for books and dissertations on any suitable SFF subject. Our journal provides an international forum for scholarly discussions on science fiction and fantasy, including current debates within the field. Open-Access Policy All content for Fafnir is immediately available through open access, and we endorse the definition of open access laid out in Bethesda Meeting on Open Access Publishing. Our content is licensed under Creative Commons Attribution-Non Commercial 3.0 Unported License. All reprint requests can be sent to the editors at Fafnir, which retains copyright. Editorial Staff Editors in Chief Bodhisattva Chattopadhyay Aino-Kaisa Koistinen Jyrki Korpua Managing Editor Tanja Välisalo Advisory Board Merja Polvinen, University of Helsinki, Chair Sari Polvinen, University of Helsinki Paula Arvas, University of Helsinki Liisa Rantalaiho, University of Tampere Stefan Ekman, University of Gothenburg Adam Roberts, Royal Holloway, U. London Ingvil Hellstrand, University of Stavanger Hanna-Riikka Roine, U. -
Defining Fantasy
1 DEFINING FANTASY by Steven S. Long This article is my take on what makes a story Fantasy, the major elements that tend to appear in Fantasy, and perhaps most importantly what the different subgenres of Fantasy are (and what distinguishes them). I’ve adapted it from Chapter One of my book Fantasy Hero, available from Hero Games at www.herogames.com, by eliminating or changing most (but not all) references to gaming and gamers. My insights on Fantasy may not be new or revelatory, but hopefully they at least establish a common ground for discussion. I often find that when people talk about Fantasy they run into trouble right away because they don’t define their terms. A person will use the term “Swords and Sorcery” or “Epic Fantasy” without explaining what he means by that. Since other people may interpret those terms differently, this leads to confusion on the part of the reader, misunderstandings, and all sorts of other frustrating nonsense. So I’m going to define my terms right off the bat. When I say a story is a Swords and Sorcery story, you can be sure that it falls within the general definitions and tropes discussed below. The same goes for Epic Fantasy or any other type of Fantasy tale. Please note that my goal here isn’t necessarily to persuade anyone to agree with me — I hope you will, but that’s not the point. What I call “Epic Fantasy” you may refer to as “Heroic Fantasy” or “Quest Fantasy” or “High Fantasy.” I don’t really care. -
Urban Fantasy Suggestions
New Titles from Favorite Authors Urban Fantasy Collections and Anthologies Sea of Shadows Naked City: Tales of Urban Fantasy Urban Kelley Armstrong An anthology of gritty supernatural Twin sisters Ashyn and Moria tales of magic and mischief by must embark on a dangerous leading genre authors including Jim journey when the spirits they're Butcher, Patricia Briggs, and Holly Fantasy charged with protecting turn Black vengeful. Suggestions Skin Game: A Novel of the Welcome to Bordertown: New Dresden Files, Jim Butcher Stories and Poems from the Chicago wizard Harry Dresden Borderlands must help a hated enemy, Stories and poems set in the urban Nicodemus Archleone, break into land of Bordertown, a city on the a high security vault to steal edge of the faerie and human something belonging to the Lord world, populated by human and of the Underworld. elfin runaways. A Shiver of Light Into the Woods: Tales from the Laurel K. Hamilton Hallows and Beyond To save herself and her babies Starring bounty hunter and witch from Taranis, Merry Gentry will Rachel Morgan, this collection of use the most dangerous powers short works, published together in in all of faerie: a god of death, a one volume for the first time, sheds warrior known as the Darkness, new light on the Hollows saga. the Killing Frost, and a king of nightmares. Dark Duets: All New Tales of Horror and Dark Midnight Crossroad Fantasy Charlaine Harris. Stories written by pairs of writers, Welcome to Midnight Texas. Stop none of whom have ever at the one traffic light in town, collaborated before, and all falling and everything looks normal. -
URBAN FANTASY HERO a Genre Book for the HERO System Author: Steven S
URBAN FANTASY HERO A Genre Book for the HERO System Author: Steven S. Long Additional Contributions:Sample Jason Walters, file Dean Shomshak Editing and Development: Darren Watts Layout and Graphic Design: Andy Mathews with Fred Hicks Cover Art: Ted Kim Cartography: John Lees Interior Art: Dan Christensen, Andrew Dobell, Brendon Fraim, Brian Fraim, Bradley McDevitt, Shawn Murray, Purwanggoro Satriohadi, Jason Williford SPECIAL THANKS: We’d like to thank the fans on the Hero Games message boards who so enthusiastically discussed this book and offered suggestions for what to include in it. You’re all Heroes! HERO SystemTM ® is DOJ, Inc.’s trademark for its roleplaying system. Inc. d/b/a Hero Games. All rights reserved. HERO System © 1984, 1989, 2002 by DOJ, Inc. d/b/a Hero Games. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, Champions © 1981-2008 Cryptic Studios, Inc. All rights reserved. “Champions” is electronic or mechanical, including photocopying, recording, or computerization, or by a trademark of Cryptic Studios, Inc. “Champions” is used under license from Cryptic any information storage and retrieval system, without permission in writing from the Studios, Inc. Publisher: DOJ, Inc., 226 E. 54th Street, #605, New York, NY 10022-48541. Fantasy Hero © 2003 by DOJ, Inc. d/b/a Hero Games. All rights reserved. Printed in Canada. First printing December 2008 Dark Champions © 2004 by DOJ, Inc. d/b/a Hero Games. All rights reserved. Produced and distributed by DOJ, Inc. d/b/a Hero Games. Pulp Hero © 2005 by DOJ, Inc. -
Towards a Cognitive Theory of (Canadian) Syncretic Fantasy By
University of Alberta The Word for World is Story: Towards a Cognitive Theory of (Canadian) Syncretic Fantasy by Gregory Bechtel A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English English and Film Studies ©Gregory Bechtel Fall 2011 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Abstract Unlike secondary world fantasy, such as that of J.R.R. Tolkien, what I call syncretic fantasy is typically set in a world that overlaps significantly with the contemporary "real" or cognitive majoritarian world in which we (i.e. most North Americans) profess to live our lives. In terms of popular publication, this subgenre has been recognized by fantasy publishers, readers, and critics since (at least) the mid 1980s, with Charles De Lint's bestselling Moonheart (1984) and subsequent "urban fantasies" standing as paradigmatic examples of the type. Where secondary world fantasy constructs its alternative worlds in relative isolation from conventional understandings of "reality," syncretic fantasy posits alternative realities that coexist, interpenetrate, and interact with the everyday real. -
Urban Fantasy: 12-17)
Literature of the Unseen' 453 in the way th at Brian tte bery fruitfully analy zes the fantasy genre (Strategies Urban Fantasy: 12-17). There are no prototypal urban fantasy texts, as each com bination of A Literature of the Unseen roots creates its own set of central works. Second, calling urban fantasy a "sub genre" would not onl y belittle it, it would raise the issue of to what the form wou ld be subordinated: would it be to fant asy, to horro r, to romance, to crime Stefan Ekman fiction , or to any other possible genre? For th ese reasons, I will refer to urban fantasy as a genre in my discu ssion . (l invite readers with strong views on the subject to read "subgen re" where it says "genre" below.) Determining what specific date or writer marks the appearance of a par ticu lar type of literature is always fraught with difficulties and entails a certa in amount of arbitra riness. The beginnings of urban fantasy have been assigned to various points in time and con nected to different origin ators. In his entry in T he Encyclopedia of Fantasy (1997), John Clute traces the history of urban fantasy from the edifices of Horace Walpole's The Castle of Otranto (1764) to contempo rary urban fantasists. T o him, th e mid-19th century writers Charles W HAT IS URBAN FA."JTASY! T HE C;EKRE IS AS POPUL\R AMONG READERS AS IT is unexplored by scholars. Yet, opinions about wha t urban fantasy is, or should Dickens and Eugene Sue are literary progenitors, but he refrains from giving a be, arc legion, offered by readers, writers, critics, and various professionals specific date for whe n the genre began. -
ENCOUNTERING the MORE-THAN-HUMAN in URBAN FANTASY LITERATURE by Carissa Marie Beckwith a Thesis Submitted to the Faculty Of
CORE Metadata, citation and similar papers at core.ac.uk Provided by The University of Utah: J. Willard Marriott Digital Library ENCOUNTERING THE MORE-THAN-HUMAN IN URBAN FANTASY LITERATURE by Carissa Marie Beckwith A thesis submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Master of Arts in Environmental Humanities College of Humanities The University of Utah August 2016 Copyright © Carissa Marie Beckwith 2016 All Rights Reserved The University of Utah Graduate School STATEMENT OF THESIS APPROVAL The thesis of Carissa Marie Beckwith has been approved by the following supervisory committee members: Jeffrey McCarthy , Chair 5/5/16 Date Approved Scott Black , Member 4/19/16 Date Approved Brett Clark , Member 4/19/16 Date Approved , Chair/Dean and by Jeffrey McCarthy of the Department/College/School of Environmental Humanities and by David B. Kieda, Dean of The Graduate School. ABSTRACT Certain types of literature have been heavily studied for their relevancy to the environment, but fantasy literature has been left out of this critical discussion. Ecocriticism of fantasy literature has been dismal, despite the popularity of the genre. I argue that fantasy resonates so strongly with our current era because of what it offers that the Anthropocene lacks. Urban fantasy literature epitomizes this. In urban fantasy, readers can become re- enchanted with their everyday lives, and open their perspectives to include the more-than- human world that surrounds them. In urban fantasy, readers can experience the more-than- human community in a salient way, with more-than-human beings and forces interacting, communicating, and serving as agents. -
The University of Shadows
THE UNIVERSITY OF SHADOWS A NOVEL A Thesis Submitted to the College of Graduate and Postdoctoral Studies In Partial Fulfillment of the Requirements For the Degree of Master of Fine Arts in Writing In the Department of English University of Saskatchewan Saskatoon by Bárbara Bordalejo Copyright Bárbara Bordalejo, June 2019. All rights reserved. Permission to Use In presenting this thesis in partial fulfillment of the requirements for an MFA in Writing degree from the University of Saskatchewan, I agree that the Libraries of the university may make its Preliminary Pages freely available for inspection as outlined in the MFA in Writing Thesis License/Access Agreement accepted by the College of Graduate Studies and Research in June, 2013. Requests for permission to make use of material beyond the Preliminary Pages of this thesis should be addressed to the author of the thesis, or: Coordinator, MFA in Writing University of Saskatchewan Department of English Room 509 9 Campus Drive Saskatoon, Saskatchewan S7N 5A5 or: Dean, College of Graduate and Postdoctoral Studies University of Saskatchewan Room 116, Thorvaldson Building 110 Science Place Saskatoon, Saskatchewan S7M 5C9 i Abstract Linnea Brae is a university adjunct with a miserable life and an obsessive-compulsive disorder. Intrigued by strange messages appearing on the whiteboards and the disappearance of one of her students (Jay), she stumbles upon the University of Shadows, a parallel-world university which exists in the same space as the one in this world but which only functions at night. Everyone in the University of Shadows (students, professors, and administrators) have received an invitation because there is something each of them needs to learn which is only possible within the confines of this alternative world. -
Fantasy Subgenres (Courtesy
Fantasy Subgenres (courtesy http://www.cuebon.com/ewriters/Fsubgenres.html) (Definitions and Examples - All) Whether set on our familar Earth (past or present), or in a vast parallel world, or some dreamlike realm where everything is different, fantasy tales allow our imaginations free reign. Even so its relationships, and use of magic, must be internally consistent. Alternate World fantasy involves different worlds hidden within or parallel to our own. In past times these could be found in a mysterious country, as in Johnathan Swift's novel Gulliver's Travels. With the Earth explored, some were envisioned inside a mirror, as with Lewis Carroll's novel Through the Looking Glass. Others 'distill' whole fictional libraries, as with John Myers Myers' novel Silverlock. In our scientific era, often these worlds are in a parallel cosmos, as depicted in Roger Zelazny's "Amber" series. Arthurian subgenre tales are set in the world of King Arthur's legendary Camelot. Merlin, Lancelot, Ygraine and friends are involved in fresh adventures. These novels have been popular for centuries, and one famous modern example is Thomas Pynchon's Gravity's Rainbow. Bangsian fantasy takes its name from a 19th century author named John Bangs. This subgenre deals all or mostly with the afterlife. Early legends speak of Hades, and it's been going strong ever since. A modern example is Philip Jose Farmer's "Riverworld" series, which overlaps with 'science fiction.' Though marketed as literary fiction, with its Heaven-dwelling narrator, Alice Sebold's novel and movie The Lovely Bones fits this category. Celtic fantasy draws upon the rich lore of the Celtic peoples, mostly but not always from Ireland. -
The Hero's Journey and Gives Examples of the Masculine As Well As the Feminine Approach and How They Apply to the Four Novels
Halmstad University School of Humanities English 61 - 90 Holding Out for a Shero: Study of the Female Hero in Four Urban Fantasy Novels Sara Södergren C-level Essay Supervisor: Cecilia Björkén-Nyberg Acknowledgements I would like to thank all of those who have been so greatly supportive during the writing of this essay. Benjamin, I know that this essay would not have been finished without your help. Thank you for the help with reading and correcting, for telling me that I have been too flowery again. Thank you for listening to the rants about patriarchal values, for letting me go off on tangents in the middle of conversations and for being there. You are my hero. My family, who have been a great source of support, love, and understanding. Thank you for listening to yet more rants about heroes, crazy ideas, and frustrated writing woes. Thank you Nathalie, for coming to "help" with my notes and to distract me for a while. Cecilia, who has been a great guide in the jungle of literature, and who helped with ideas as well as corrections. Sörby, June 2011 Sara Södergren Abstract This essay analyses the female hero in four urban fantasy novels, and evaluates several examples of the genre to find out whether or not the heroes can be found to be "sheroes" or traditionally male heroes. The study outlines the myth of the hero's journey and gives examples of the masculine as well as the feminine approach and how they apply to the four novels. The attributes of the hero are also reviewed and put into perspective within the studied material. -
Those Who Fight Monsters: Tales of Occult Detectives Pdf, Epub, Ebook
THOSE WHO FIGHT MONSTERS: TALES OF OCCULT DETECTIVES PDF, EPUB, EBOOK Justin Gustainis | 224 pages | 30 Apr 2011 | EDGE Science Fiction and Fantasy Publishing, Inc. | 9781894063487 | English | United States Those Who Fight Monsters: Tales of Occult Detectives PDF Book The first time you leave your baby with a sitter. So if Everett whatever killed the beast hundreds of years ago, how is it supposed to bother us today? Rondeau went in manfully, baseball bat cocked, but the thing swatted him aside like an annoying fly. Your folks asked me to stop by and check on you. Instead it jumped from "huh, what the heck could cause this" to "of course you did it in the library, with the candlestick, because you are having an affair with your husband's sister's nephew". Marla frowned. Get A Copy. The cold ratlike look. It was age-browned and soft, made of some heavy paper with a lot of cloth mixed into the fibers. Bookin' It Essentially an Urban Fantasy delight. It prefers to sleep in the day, and emerge at night, wandering and howling. But my little stunt reminded me that I was also faun. I dropped the dipper back into the bowl, splattering the pink liquid onto my shirt, as I looked up to find Marlin smiling at me from the kitchen doorway. Fans of this genre will be itching to get their hands on this book. That usually meant a strong character, when she was alive. And it was crawling with Traders. But let me go about it properly. Instinctively, the demon tilted his head up and opened his eyes wide.