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Kup 9783737608909.Pdf (1.825Mb) ISBN 978-3-7376-0890-9 9 783737 608909 Janina Konopatzki Roberto Bolaños Wanderer am Weltenrand Eine Annäherung an die wiederkehrenden Figuren in der Prosa Bolaños kassel university press Janina Konopatzki Roberto Bolaños Wanderer am Weltenrand Eine Annäherung an die wiederkehrenden Figuren in der Prosa Bolaños kassel university press Die vorliegende Arbeit wurde vom Fachbereich Geistes- und Kulturwissenschaften der Universität Kassel als Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) angenommen. Gutachter: Prof. Dr. Jan-Henrik Witthaus Prof. Dr. Franziska Sick Tag der mündlichen Prüfung: 31. Oktober 2018 Diese Veröffentlichung – ausgenommen Zitate und anderweitig gekennzeichnete Teile – ist unter der Creative-Commons-Lizenz Namensnennung - Weitergabe unter gleichen Bedingungen International (CC BY-SA 4.0: https://creativecommons.org/licenses/by- sa/4.0/deed.de) lizenziert. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar. Zugl.: Kassel, Univ., Diss. 2018 ISBN 978-3-7376-0890-9 DOI: https://dx.doi.org/doi:10.17170/kobra-202009241842 © 2020, kassel university press, Kassel http://kup.uni-kassel.de Umschlagabbildung: Bruno Catalano 2013 Printed in Germany Danksagung Ich möchte diese Gelegenheit nutzen, um mich in erster Linie bei meinem Doktorvater, Herrn Prof. Dr. Jan-Henrik Witthaus, für die unfassende Betreuung, die trotz wachsender räumlicher Distanz stets gewährleistet war, zu bedanken. Bei Fragen und Schwierigkeiten stieß ich immer auf ein offenes Ohr und seine Hinweise, Kommentare und Ideen waren mir ein verlässlicher Wegweiser. Durch seine Ermutigung sah ich mich in der Lage, mich an themenrelevanten Tagungen zu beteiligen, erste wissenschaftliche Publikationen zu verfassen oder auch Kollegiatin des GeKKo zu werden. Diese Erfahrungskontexte lieferten wichtige Denkanstöße für die vorliegende Arbeit. Mein Dank gilt darüber hinaus dem Centre de Cultura Contemporània de Barcelona, das mir im Rahmen des Archivo Bolaño zu Beginn der Promotion Einblicke aus nächster Nähe in die Handschriften und Notizen des Autors gewährte, wodurch ich mich in meinem Forschungsvorhaben bestärkt sah. Ebenfalls danke ich meinen Freunden für ihre treue Begleitung und ihren Support, darunter insbesondere Irina Neitz für die Forschungsreisebegleitung, Daniel Wehnhardt für unser inspirierendes literarisches Duett, Sandra Issel- Dombert für ihren Rat und ihre Botengänge, Olesja Moor für ihre Ermutigung und Rebecca Marsteller für ihren Glauben an mich. Ich danke ebenfalls Elfriede Muster für ihre bestärkenden Worte und ihre Unterstützung. Meinem Vater gilt mein ausdrücklicher Dank nicht nur für seine finanzielle Unterstützung, sondern vorallem für sein ungemindertes Vertrauen und seine Geduld in Anbetracht meiner sich verändernden Lebenslagen während der Promotion. Last but not least, I wish to thank my husband for his emotional support and his patience with me. His optimism and perseverance have taught me not to loose sight of the finishing line. Tidworth, im September 2020 iii Für Benjamin iv „Al aparecer Augusto a la puerta de su casa extendió el brazo derecho, con la mano palma abajo y abierta, y dirigiendo los ojos al cielo quedóse un momento parado en esta actitud estatuaria y augusta“ Niebla, Miguel de Unamuno v Inhaltsverzeichnis Abkürzungsverzeichnis ................................................................................................................... 1 1. Einleitung ............................................................................................................................................ 2 1.1 Wanderfiguren .................................................................................................................................. 2 1.2 Ursprung und Anliegen des Forschungsvorhabens ........................................................... 5 1.3 Methodisches Vorgehen ................................................................................................................ 9 1.3.1 Textkorpus ................................................................................................................................. 9 1.3.2 Der homo migrans ................................................................................................................. 12 1.3.3 Aufbau ........................................................................................................................................ 17 2. Unterwegs in der histoire: Migranten, Nomaden, Reisende und Vagabundos… ......... 18 2.1 ...in 2666/La parte de los críticos & La parte de Archimboldi .................................... 18 2.2 …in 2666 – La parte del desierto ............................................................................................. 29 2.3 …in 2666 – Drei Amerikaner in Mexiko ................................................................................ 38 2.4 …in Los detectives salvajes .......................................................................................................... 56 2.5 …in El Tercer Reich ........................................................................................................................ 62 3. Unterwegs im discours ................................................................................................................. 65 3.1 Namen machen Leute - Arc(h)imboldi .................................................................................. 65 3.2 Amalfitano ........................................................................................................................................ 74 3.3 Lalo Cura ........................................................................................................................................... 82 3.4 Weiterführende Beispiele ........................................................................................................... 88 3.4.1 El espíritu de la ciencia-ficción ......................................................................................... 88 3.4.2 Auxilio Lacouture ................................................................................................................... 92 3.4.3 Vom Doppelgänger zur Handlungsdopplung ........................................................... 102 3.5 Zusammenfassung ...................................................................................................................... 108 4. Wandernde Figuren von Balzac bis Bolaño ......................................................................... 110 4.1 Serielles Erzählen ....................................................................................................................... 112 4.2 Doppelgänger ............................................................................................................................... 116 4.3 Vorläufer und Zeitgenossen .................................................................................................... 120 4.3.1 Balzac ....................................................................................................................................... 122 vi 4.3.2 Valle-Inclán ............................................................................................................................128 4.3.3 Faulkner ..................................................................................................................................143 4.3.4 Onetti ........................................................................................................................................149 4.3.5 Sábato .......................................................................................................................................161 4.3.6 Benet und Muñoz Molina ..................................................................................................167 4.4 Zwischenfazit ................................................................................................................................177 5. Synopse ........................................................................................................................................... 186 5.1 Zu Bolaños Literaturverständnis ..........................................................................................188 5.2 Bolaños Ästhetik der réécriture .............................................................................................192 5.2.1 Von Dingen und Menschen ..............................................................................................195 5.2.2 Deleuze trifft Bolaño – Wiederholungen und Widersprüche .............................206 5.2.3 Selbstreferenzialität oder Bolaño por sí mísmo ......................................................215 5.2.4 Metafiktion .............................................................................................................................220 6. Fazit und Ausblick ....................................................................................................................... 223 7. Bibliographie ................................................................................................................................. 230 vii Abkürzungsverzeichnis Am Amuleto ED Estrella Distante LDS Los detectives salvajes LLT Llamadas telefónicas LNA La literatura nazi en América LSDVP Los sinsabores
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