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Lawrence Brownlee Damien Sneed LAWRENCE BROWNLEE Nazionale di Santa Cecilia, as well as a pair of DVDs: the Met Opera’s 2010 HD relay of Armida on Decca and Carmina Burana with Sir Simon Rattle leading the Berliner Philharmoniker on EuroArts/Opus Arte (a CD version of this performance already exists on EMI Classics). Other releases include three CD sets: on Opera Rara, an exploration of Rossini songs, and on Naxos, L’italiana in Algeri conducted by Alberto Zedda. A live recording of Mayr’s Medea in Corinto from St. Gallen THOMAS W. BUSSE was released by Oehms Classics. Additionally, Deutsche Grammophon FUND PRESENTS released a DVD of the Metropolitan Opera’s 2009 production of La Cenerentola with Elīna Garanča as Angelina. Among his earlier CD releases is his first solo disc (EMI Classics) featuring Italian songs by Schubert, Verdi, Donizetti, Bellini and Rossini, accompanied by Martin Katz. Song released a live Il barbiere di Siviglia. Decca has released a DVD of a performance from the Covent Garden world premiere run of Lorin Maazel’s 1984, in which Brownlee took on the role of Syme. Brownlee was named the Seattle Opera’s 2008 Artist of the Year, received the Opera Company of Philadelphia’s 2007 Alter Award for Artistic Excellence, and was the winner of both the 2006 Marian Anderson and Richard Tucker Awards, a feat never before achieved by any artist in the same year. He participated in young artist programs LAWRENCE at both the Seattle and Wolf Trap Operas. The Ohio-born Brownlee received a Bachelor of Arts degree from Anderson University and a Master of Music degree from Indiana University. He is a Life Member BROWNLEE of Kappa Alpha Psi Fraternity Inc. DAMIEN SNEED tenor Damien Sneed is a native of Augusta, Georgia and his professional affiliations include the City University of New York (CUNY) as a professor of music, The Juilliard School as a staff accompanist, the Martina Arroyo Foundation as an artistic consultant, Jazz at Lincoln Center as an artistic consultant, Rutgers University as a professor and YAMAHA as an endorsed Influential Artist. Damien has the ability to shift between different musical genres and styles: from classical to jazz to gospel to opera to Broadway and DAMIEN SNEED more. Last year Damien released his debut CD, Introspections LIVE, and served as musical director for BET’s hit television show, Sunday Best – Season 4. piano This summer Sneed conducted Wynton Marsalis’ Abyssinian Mass for choir and orchestra at the Barbican in London to open the Olympics. In November 2012, Damien accompanied Jessye Norman in Augusta, GA for the 10th Annual Jessye Norman School of the Arts Fundraising Gala at Augusta State University. He also just recorded a CD accompanying the world-class operatic tenor, Lawrence Brownlee on piano of Sneed’s arrangements of African-American spirituals. Some highlights of Damien’s upcoming engagements include many diverse events over a broad spectrum of musical genres. This Saturday, April 13, 2013 spring Sneed will join Lawrence Brownlee on a few recitals of arias, Corbett Auditorium art songs and spirituals. In the month of June he will be a conducting 8:00 p.m. fellow at USC Conducting Institute and in October of this year he will be joining Wynton Marsalis, the Lincoln Center Jazz Orchestra and his very own 70-voice choral group, Chorale Le Chateau, as conductor of Marsalis’ Abyssinian Mass in a US Tour covering over 15 cities. Next year during the 2013-2014 season he will be featured a few times at Jazz at Lincoln Center’s Frederick P. Rose Hall as well as working with the Duke Ellington Sacred Music project with Carnegie Hall’s Weill Music Institute. LAWRENCE BROWNLEE PROGRAM The most in-demand American tenor in Ad una stella Giuseppe Verdi the world in the bel canto repertoire, Lo Spazzacamino (1813-1901) Lawrence Brownlee continues to stupefy Il tramonto audiences with the power and agility of Brindisi his instrument. From firmly American roots, Brownlee has become a star on the international scene, performing opposite Montparnasse Francis Poulenc the leading ladies of contemporary opera, Voyage a Paris (1899-1963) and lauded continually for the seemingly C effortless beauty of his voice. Reines des mouettes Brownlee begins his 2012-13 season with a solo recital program at the Wigmore Hall in London. He then debuts Grand Théâtre de Genève Bleuet in a production of Il Barbiere di Siviglia. His season also features Carnegie Hall recital and Santa Fe Opera debut in La donna del lago. Nocturne Joseph Marx Additionally, Brownlee performs at Houston Grand Opera in L’italiana Selige Nacht (1882-1964) in Algeri and Le Comte Ory with Cecilia Bartoli at the Theater an der Wien, and a performance of Carmina Burana in Russia. The season Der Elfe ends with engagements in La fille du regiment and L’elisir d’amore at the Christbaum Hamburgische Staatsoper. This marks the first time Brownlee appears Hat dich die Liebe berürht as Nemorino in a fully staged performance. Recently, Brownlee had the honor of opening the Mostly Mozart Festival in New York with Louis Langrée and the Mostly Mozart Orchestra. Last season, Brownlee’s - Intermission - high Cs were on display when he was Tonio in La fille du régiment at the Metropolitan Opera, where he is rapidly becoming a house favorite. Cinco Canciones Populares Argentinas Alberto Ginastera Brownlee recently performed in South Africa for the first time, a recital I. Chacarera (1916-1983) as part of Cape Town Opera’s season. Brownlee has been featured in nearly every major theater in II. Triste the world and enjoys a relationship with many premiere conductors III. Zamba and symphony orchestras. Among his other memorable engagements IV. Arrorró are: Cenerentola in Milan, Houston, Philadelphia and the Met; V. Gato L’italiana in Algeri in Milan, Dresden, Boston and Seattle; I puritani in Washington and Seattle; Mosé in Egitto in Rome; Il turco in Italia in Toulouse and Berlin; Tancredi with the Detroit Symphony and on an The Cloak, The Boat, and the Shoes Ben Moore eight-city European tour with the Orchestre des Champs-Élysées; La This heart that flutters (b. 1960) donna del lago in Washington; Semiramide and L’elisir d’amore, both The Lake Isle of Innisfree at the Caramoor Festival; Armida at the Metropolitan Opera; La Fille I would in that sweet bosom be du régiment in Hamburg, Cincinnati and at the Metropolitan Opera; Salieri’s Axur, re d’Ormus in Zurich; L’ape musicale in Vienna, and the world premiere of Lorin Maazel’s 1984 at Covent Garden. In the Arrangements of Spirituals Damien Sneed orchestral arena, he has been heard in: Bach’s Magnificat in Cincinnati; Evry time I feel de Spirit (b. 1979) Messiah in Houston, San Francisco, Detroit, Baltimore and Indianapolis; Balm in Gilead Israel in Egypt in Cleveland; the Mozart Mass in C Minor in Chicago and Baltimore; Carmina Burana with the Boston Symphony Orchestra All night, all day at Tanglewood and highlights from Porgy and Bess with the New Deep River York Philharmonic (including a “Live From Lincoln Center” telecast). Come by here dear Lord Brownlee has performed recitals at the Kennedy Center, Lincoln Center’s Avery Fisher Hall, in Atlanta, Tokyo, on London’s Rosenblatt Series and others around the United States under the auspices of the a reception will be held in the buar room Marilyn Horne Foundation. following the performance Brownlee’s discography/videography continues to grow impressively. The 2010-11 season saw the EMI Classics CD release of CCM has become an All-Steinway School through the kindness of its donors. Rossini’s Stabat Mater, featuring Anna Netrebko, Joyce DiDonato and A generous gift by Patricia A. Corbett in her estate plan has played a key role Ildebrando d’Arcangelo, with Antonio Pappano leading the Accademia in making this a reality..
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