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By Ben Platt TEACHER’S GUIDE VOL. 38 • NO.8 • MAY 2019 INCLUDES LESSON PLANS FOR: • School Yourself: Music Camp at Home • Getting Started in Hip-Hop • Listening Guide: “Our House” by Crosby, Stills, Nash and Young • Song of the Month: “Waving Through A Window”by Ben Platt The Young Artist Makes His Recording Debut and Approaches the EGOT Club LISTENING WHO GETTING SCHOOL INVENTED GUIDE The Staff STARTED YOURSELF “Our House” by Music Camp at Home Crosby, Stills, IN HIP-HOP Nash and Young TEACHER’S GUIDE FROM THE EDITOR As the school year comes to a close, we want to May 2019 • Vol. 38 • No. 8 help lead your students into their summer break with music on the brain. Summer can be a wonderful op- portunity for children to expand their horizons, explore CONTENTS new ideas and even teach themselves something new. To encourage that, two of our feature articles promote 3 Music Camp at Home self-education. First, “School Yourself: Music Camp at Home,” will give your students a few jumping off points for a summer of musi- 4 Getting Started cal innovation including singing, writing songs and seeking out collaborative in Hip-Hop opportunities. Then, “Getting Started in Hip-Hop” overviews a genre that is on the rise. 5 Listening Guide: If your students have an interest in hip-hop, production, mixing or rapping, “Our House” by Crosby, Stills, this article will help to get them on their way. Furthermore, our Cool Careers Nash and Young this month is a production manager and FOH mixer, who has answered some of our burning questions about the life of a modern producer. Be sure to en- 5 Quiz Answers courage your students to explore their individual interests over the summer, whether that be musical theater, composition, dance, jazz improvisation, 6 Song of the Month marching or otherwise. “Waving Through A Window”by Ben Platt — Anna Black, Editor-in-chief 7 Crossword National Core Arts Standards: A Summary TRACK LISTING As you use this Teacher’s Guide, HEAR THE MUSIC refer to this summary of the 11 NCCAS anchor standards: “Waving Through a Window” by Ben Platt Cr1. Generate and conceptualize “Our House” by Crosby, Stills, Nash andYoung artistic ideas and work Cr2. Organize and develop artistic ideas and work EXTENDED PLAY Cr3. Refine and complete artistic ideas and work “Grow As We Go” by Ben Platt Pr4. Analyze, interpret, and select artistic work for presentation “You Will Be Found” by Dear Evan Hansen Cast Pr5. Develop and refine artistic work “Helpless” by Crosby, Stills, Nash andYoung for presentation Pr6. Convey meaning through “Old Town Road” by Lil Nas X the presentation of artistic work Re7. Perceive and analyze artistic work Re8. Interpret intent and meaning in artistic work HOW TO CONTACT US Re9. Apply criteria to evaluate artistic work Cn10. Synthesize and relate knowledge CUSTOMER SERVICE and personal experiences to make art Please visit musicalive.com for basic information regarding subscriptions and customer service. If you Cn11. Relate artistic ideas and works need assistance regarding any problems with magazine delivery or damaged components, please e-mail with societal, cultural, and historical [email protected]. Remember, we need your complete name and address to respond context to deepen understanding to and solve your problem. Please provide as much detail as possible in your message, as well as how and when to contact you. We’re committed to providing you with not only great educational materials, but also great service. Music Alive! (ISSN 1051-8975), is published eight times each year, from October through May, by In Tune Partners, LLC, 582 North Broadway, White Plains, NY 10603, Fax 914-741-1136, BACK ISSUES Phone 914-358-1200. To inquire about past issues still available for purchase, please email us at musicalive@intunepart- Music Alive! is independently owned and operated. No part of this ners.com. publication may be reproduced, stored in any retrieval system, or transmitted, in any form, by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permis- EDITORIAL QUESTIONS sion of the publisher. Music Alive! © 2019 In Tune Partners, LLC, For any content-related questions or comments, or to suggest an artist or topic for future coverage, 582 North Broadway, White Plains, NY 10603. please e-mail the Editor at [email protected]. We welcome your feedback. 2 • May 2019 • MUSICALIVE.COM FEATURE GETTING STARTED IN HIP-HOP Meets National Core Arts Anchor Standards 5, 7, 9 and 10 OBJECTIVES DEVELOP • Develop and refine artistic work for presentation(Pr5) Discuss with the class the elements of hip-hop • Perceive and analyze artistic work (Re7) How long has modern hip-hop been around? • Apply criteria to evaluate artistic work (Re9) • Synthesize and relate knowledge and personal What types of sounds do you hear in a hip-hop song? experiences to make art (Co10) How do you know you’re listening to hip-hop? MATERIALS Ask students to name a few of their • Music Alive! magazines (May 2019) favorite hip-hop songs • Computer or mobile device with Internet access What makes these songs good? What makes them “hip-hop”? START In what was can creating hip-hop music be Ask your students to read “Getting Started in Hip-Hop” “therapeutic”? before reviewing the words below. [This reinforces comprehension and vocabulary.] What types of skills do you need to make this type of music? BOROUGH—one of five divisions of New York City CLOSE TURNTABLE—a circular revolving plate supporting a record as it is played Open up GarageBand or another type of digital audio worksta- tion on the classroom computer, so the whole class can see. INFECTIOUS—likely to spread Play around with the pre-programmed loops, or make your own RUDIMENTARY—involving basic principles beat using MIDI or otherwise. Allow students to give sugges- WEALTH—plentiful supplies tions to help you create a song as a class. Encourage students to play with GarageBand on their own at home or during class. FACILITY—an ability to learn something well OPPRESSION—unfair, cruel treatment UNDERSCORE—emphasize ASSESS Did the students read the article? THERAPEUTIC—having a good effect on the body or mind Did they answer the review questions? TANGIBLE—clear and definite; real Were they engaged in the making of the class production? PEPPY—lively and high-spirited ZING—energy, enthusiasm, liveliness ECCENTRIC—out of the ordinary; slightly strange UNHINDERED—not made difficult for someone PHENOMENON—a remarkable person, thing or event PUBLISHING—making available online MUSICALIVE.COM • May 2019 • 3 FEATURE SCHOOL YOURSELF: MUSIC CAMP AT HOME Meets National Core Arts Anchor Standards 5, 7, 9 and 10 OBJECTIVES Ask your students about their plans for the summer. • Develop and refine artistic work for presentation(Pr5) Make a list on the board of relevant answers. • Perceive and analyze artistic work (Re7) Have a class brainstorming session about other ways to get • Apply criteria to evaluate artistic work (Re9) involved in music over the summer • Synthesize and relate knowledge and personal experiences to make art (Co10) Ask students about any apps they have on their phones or comput- ers, or websites that they would be willing to share with the class Review the suggestions in the article. How can you make good use MATERIALS of technology and other resources during your summer vacation to • Music Alive! magazines (May 2019) further your musical exploration? • Computer or mobile device with Internet access What are some of the specific tools the article mentions? START Ask your students to read “SchoolYourself: Music Camp at How might you go about finding a new instrument to play Home” before reviewing the words below. [This reinforces com- using the resources available to you? prehension and vocabulary.] What should you do if you want to learn how to sing but aren’t sure how to make it happen? PHRASE—a group of notes forming a distinct unit RIFF—a short repeated phrase in music, typically used as an introduction or refrain CLOSE As the school year comes to a close, encourage students to expand CONTRAPTION—a machine or device their musical horizons by teaching themselves something new DAMPEN—reduce the amplitude (volume) of or exploring a corner of music they don’t know very much about. Challenge them to keep a journal of the new things they learn over DECIBEL—a unit used to measure the intensity of a sound the summer, or if applicable, offer extra credit to those who bring in a log of their musical endeavors next year. COLLABORATE—work jointly on an activity SLANT RHYME—an “imperfect rhyme” in which either the vowels or the consonants of stressed syllables are identical ASSESS Did the students read the article? HARDWARE—tools, machinery and other durable equipment Did they answer the review questions? BUDGET—the amount of money needed for a purpose CHOREOGRAPH—compose the sequence of steps and moves for a performance of dance IMMERSE—involve oneself deeply in an activity DEVELOP 4 • May 2019 • MUSICALIVE.COM LISTENING GUIDE “OUR HOUSE” BY CROSBY, STILLS, NASH AND YOUNG Meets National Core Arts Standards 5, 7, 9, and 11 OBJECTIVES Ask students about the song • Develop and refine artistic work for presentation Pr5( ) What instruments do you hear at the beginning? • Perceive and analyze artistic work (Re7) How would you describe the sound of the vocal track? • Apply criteria to evaluate artistic work (Re9) How does this song make you feel? • Relate artistic ideas and works with societal, cultural and his- Does this song remind you of any other song or artist? torical context to deepen understanding (Cn11) How does the orchestration change as the song develops? Which part of the song do you like better: MATERIALS verse or chorus? Why? • Music Alive! magazines (May 2019) If you were to remix this song, what would you change? • Computer or mobile device with Internet access CLOSE START Now play the video of Crosby, Stills, Nash &Young live at a concert in 2000.
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