The Bulletin O F T H E S O C I E T Y F O R a M E R I C a N M U S I C F O U N D E D I N H O N O R O F O S C a R G
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LMDA New & Noteworthy, May 2019
University of Puget Sound Sound Ideas LMDA Newsletters: Canada and the United States LMDA Archive 5-2019 LMDA New & Noteworthy, May 2019 Katie Welsh Amanda Dawson Alonna Ray Susan Yassky Follow this and additional works at: https://soundideas.pugetsound.edu/lmdanewsletter May 2019 Vol. 4, No. 8 Chicago, IL is a city of contradictions: one of the most segregated places in the U.S., yet a proud sanctuary city; a site of wealth and privilege juxtaposed with poverty and disinvestment; and a symbol of the greatest community cohesion and some of the worst systemic injustices in the nation. Crossing Borders, Pt. 2 will host panels, round tables, workshops, and other dynamic conversations about what constitutes “action” for positive social change in a time of crisis; and which illumine how we build pathways to collaboration across imagined and real borders – including, but not limited to, the ones found in our host communities in Chicago. We hope you can join us in Chicago. Registration is still open! Learn more about the conference and how to register HERE! Find the conference schedule on the app Sched! Download the app today and search for "2019 LMDA Chicago Conference." On the app you can see the full conference schedule and build your own calendar of conference events. You can also connect with conference attendees! Q&A | Katie Welsh What is your background as a theater artist? While growing up, I took voice and piano lessons, performed with choirs, studied dance, and acted in plays and musicals. At Princeton, I continued training as a performer, but I also discovered a passion for performance studies. -
INS Price 1F-$0.65 HC Not Available from EDRS. Basic Song List, While
DOCUMENT RESUME ED 048 320 T7 499 843 TITLE Music Appreciation for High School. Curriculum Bulletin, 1969-70 Series, No. 4. INSTITUTICN New York City Board of Education, Brooklyn, N.Y. Bureau of Curriculum Development. PUB DATE 69 NOTE 188p. AVAILABLE ERCM Eoard of Education of the City of Pew York, Publications Sales Office, 110 Livingston Street, Brooklyn, N.Y.11201 ($4.00). Make checks payable to Auuitor, Board of Education FURS PRICE INS Price 1F-$0.65 HC Not Available from EDRS. DESCRIPTORS Bands (Music), Choral Music, Educational Objectives, *"tunic Activities, nisical Instruments, *Music Appreciatlon, *Music Education, Music Reading, Music Theory, Opera, Or-Jlestras, Oriental Music, Teaching Procedures, Vocal Music ABSTRACT Organized flexibly- these 17 unit. outlines are arranged to provide articulation with lower levels, utilization of student-preferred material, and coverage of the most essential instructional aspects of music appreciation in an increasing order of complexity. Each unit outline contains (1)aims and objectives, (2) vocabulary, (3) suggested and alternate lesson topics, (4) procedures,(F) summary concepts, (6) references, (7) audiovis.ial mat, al lists., (8) sample lesson plans, and (9) sample worksheets. The ,ntroducticn includes a sample pupil inventory lorm, an auditory discrimination test(of both performers and symphonic wor%s), and a basic song list, while suppleentary materials conclude the syllabus with lists of popular songs, au%iovisual aids, and recordings; an outline of musical rudimEnts; a sample lesson plan for appreciation and understanding of prograff music; and a bibliography. (JMC) OS DEPARTMENT OF HEALTH, EDUCATION a WAR! OFFICE OF EDUCATIO! !HIS DOCUMENT HIS ND REPRODUCED EXACTLY A: WEND IROM THE PERSON CR ORGANIZATtOH CR161111E10 ItPOINTS Of 011W OR OPINIONS STATED DO NOT KCESSIPILY REPREtrif OFFICIII OFFICE OF FIIKVION POSITION OR POOCH. -
Passing for Black: Coon Songs and the Performance of Race Patricia R
Ursinus College Digital Commons @ Ursinus College English Faculty Publications English Department 6-9-2010 Passing for Black: Coon Songs and the Performance of Race Patricia R. Schroeder Ursinus College Follow this and additional works at: https://digitalcommons.ursinus.edu/english_fac Part of the African American Studies Commons, American Studies Commons, Ethnomusicology Commons, Music Performance Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the United States History Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Schroeder, Patricia R., "Passing for Black: Coon Songs and the Performance of Race" (2010). English Faculty Publications. 4. https://digitalcommons.ursinus.edu/english_fac/4 This Article is brought to you for free and open access by the English Department at Digital Commons @ Ursinus College. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. 1 Passing for Black: Coon Songs and the Performance of Race Until recently, scholars exploring blackface minstrelsy or the accompanying “coon song craze” of the 1890s have felt the need to apologize, either for the demeaning stereotypes of African Americans embedded in the art forms or for their own interest in studying the phenomena. Robert Toll, one of the first critics to examine minstrelsy seriously, was so appalled by its inherent racism that he focused his 1974 work primarily on debunking the stereotypes; Sam Dennison, another pioneer, did likewise with coon songs. Richard Martin and David Wondrich claim of minstrelsy that “the roots of every strain of American music—ragtime, jazz, the blues, country music, soul, rock and roll, even hip-hop—reach down through its reeking soil” (5). -
CCLI 2015-2017 Top 100 Songs Vetted for United Methodist Congregations
CCLI 2015-2017 Top 100 Songs Vetted for United Methodist Congregations CCLI Top 100 Vetting Team Taylor Burton-Edwards, Kim Chapman, Nelson Cowan, Keum Hwang, Jackson Henry, Laura Jaquith Bartlett, Lim Swee Hong, Robert McMichael, Janice McNair, and Lester Ruth One of the most significant indicators of the use of newer music in Christian congregations in The United States is the CCLI Top 100 list. CCLI is the nation’s leading provider of licensing services for churches that reproduce songs in print or on screen for congregational singing. As a list, the CCLI Top 100 only indicates what copyrighted songs congregations subscribing to the CCLI license are using the most. The list provides no information about the quality of the songs, either theologically, musically, or in terms of their use of language for humanity and God. The majority of the contemporary/modern worship corpus reflected in the CCLI Top 100 list is generated by artists whose theological traditions are not generally Wesleyan-Arminian. Most could be described as charismatic, Pentecostal, Calvinist, or neo-Calvinist. These traditions have not fully shared and sometimes have taken positions opposite to our core commitments as United Methodists. These commitments include: ¨ an understanding of salvation in which ongoing sanctification and making use of the means of grace are seen as crucial ¨ a practice of corporate worship and discipleship in which sacraments are central ¨ an attentiveness to doctrinal and biblical accuracy in lyrical form ¨ the importance of congregational singing, and ¨ the use of language for God that is expansive, inclusive, non-patriarchal and that consistently respects persons of all cultures, ethnicities, and physical and mental abilities. -
2017 CATALOGUE for Over Forty Years Omnibus Press Has Been Publishing the Stories That Matter from the Music World
2017 CATALOGUE For over forty years Omnibus Press has been publishing the stories that matter from the music world. Omnibus Press is the World’s/Europe’s largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist of over two hundred and seventy titles currently in print and many more as digital downloads. Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist Pete Frame, three editions of which remain in print to this day and have been the basis of two BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by magazines and critics as being amongst the finest rock biographies ever published. -
The Repeal of DADT
HOWARD BROWN MEETS GOAL PAGE 11 WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 DEC. 29, 2010 TIMES VOL 26, NO. 13 www.WindyCityMediaGroup.com Obama signs DADT repeal BY LISA KEEN RICK GARCIA OPENS KEEN NEWS SERVICE UP AGAIN ON FIRING Following a dramatic and eloquent speech, on Dec. 22 President Obama signed the legislation PAGE 12 that will launch the repeal of a 17-year-old law that prohibits openly gay people from serving in the military. “This is done,” he said, looking up and slap- ping his hand on the table, and the crowded auditorium of an Interior Department building in Washington, D.C., erupted with cheers and applause. The historic ceremony took place less than 24 hours after Republican Senate Minority Leader President Obama signs the DADT Repeal Act of 2010 during a ceremony at the Interior Depart- Turn to page 4 ment in Washington, D.C., on Dec. 22. Official White House photo by Chuck Kennedy LATIN STARS profiLED Doctors IN STEVE STARR BOOK united in PAGE 21 career and life BY ROSS FORMAN David Moore and David Blatt can appreciate the significance of Dec. 1 more than most in Illi- nois. It was, of course, World AIDS Day and also the day that the Illinois State Senate passed the Civil Union Act. Their lives, personally and professionally, are intertwined through their long medical fight against HIV/AIDS—and the fact they were mar- ried during the interval when gay marriages were TRANS WRESTLER legal in California in 2008. -
P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). -
Learning Lineage and the Problem of Authenticity in Ozark Folk Music
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2020 Learning Lineage And The Problem Of Authenticity In Ozark Folk Music Kevin Lyle Tharp Follow this and additional works at: https://egrove.olemiss.edu/etd Recommended Citation Tharp, Kevin Lyle, "Learning Lineage And The Problem Of Authenticity In Ozark Folk Music" (2020). Electronic Theses and Dissertations. 1829. https://egrove.olemiss.edu/etd/1829 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. LEARNING LINEAGE AND THE PROBLEM OF AUTHENTICITY IN OZARK FOLK MUSIC A Dissertation presented in partial fulfillment of requirements for the degree of Doctor of Philosophy in the Department of Music The University of Mississippi by KEVIN L. THARP May 2020 Copyright Kevin L. Tharp 2020 ALL RIGHTS RESERVED ABSTRACT Thorough examination of the existing research and the content of ballad and folk song collections reveals a lack of information regarding the methods by which folk musicians learn the music they perform. The centuries-old practice of folk song and ballad performance is well- documented. Many Child ballads and other folk songs have been passed down through the generations. Oral tradition is the principal method of transmission in Ozark folk music. The variants this method produces are considered evidence of authenticity. Although alteration is a distinguishing characteristic of songs passed down in the oral tradition, many ballad variants have persisted in the folk record for great lengths of time without being altered beyond recognition. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Translating Pete Seeger: the Challenge of Recreating an American Legend in All Its Popular Glory and Complexity
Actas del II Congreso Internacional de la Asociación Ibérica de Estudios de Traducción e Interpretación Translating Pete Seeger: The challenge of recreating an American legend in all its popular glory and complexity Dr. David SHEA Facultad de traducción e Interpretación Universidad de Las Palmas de Gran Canaria Como citar este artículo: SHEA, David (2005) «Translating Pete Seeger: the challenge of recreating an American legend in al its popular glory and complexity», en ROMANA GARCÍA, María Luisa [ed.] II AIETI. Actas del II Congreso Internacional de la Asociación Ibérica de Estudios de Traducción e Interpretación. Madrid, 9-11 de febrero de 2005. Madrid: AIETI, pp. 852-861. ISBN 84-8468-151-3. Versión electrónica disponible en la web de la AIETI: <http://www.aieti.eu/pubs/actas/II/AIETI_2_DS_Translating.pdf>. TRANSLATING PETE SEEGER: THE CHALLENGE OF RECREATING AN AMERICAN LEGEND IN ALL ITS POPULAR GLORY AND COMPLEXITY Dr. David Shea AIETI member Facultad de Traducción e Interpretación Universidad de Las Palmas de Gran Canaria Abstract The oral historian Studs Terkel has called Pete Seeger “America’s tuning fork” and many US historians have referred to Seeger as America’s conscience. In this paper we consider the challenges of translating from English to Spanish Seeger’s unique musical autobiography Where Have All the Flowers Gone? (SingOut! Publications 1994) which has involved collaborating with Seeger (our suggested title of the as yet unpublished book, ¿Qué habrá sido de las flores?). The book is written in a folksy, easy to read style as Seeger discusses complex issues which concern US culture and politics, though not necessarily in that order. -
Skyhorse Publishing FA20 Catalog Lo-Res.Pdf
Skyhorse Publishing • Fall 2020 Kevin Daum, Anne Mary Ciminelli 12 Lessons in Business Leadership Insights From the Championship Career of Tom Brady Expert analysis of the leadership style of New England Patriots quarterback Tom Brady! The merits of business leaders are under scrutiny more and more these days, whether it’s Travis Kalanick, Elon Musk, Mark Zuckerberg, or many others. But there’s one place where true leadership is always revealed: on the field. And no matter what you think of the New England Patriots, you can’t argue with the success of Tom Brady, the winningest quarterback of all time. Both revered and hated by football fans, Brady is loved and respected by those who work with him, and his leadership abilities cannot be denied by even his harshest critics. The skills he uses to make his team successful year after year on the field can be executed in the workplace, whether you’re a team leader or the CEO. In 12 Lessons in Business Leadership: Insights From the Championship Career of Tom Brady, authors Kevin Daum and Anne Mary Ciminelli team up to analyze the strong leadership abilities of the six-time Super Bowl Champion, and translate them into accessible, practical lessons for any stage of your career. In this easy-to-read, entertaining book, the authors help you acquire and practice all the skills you need to have a championship season every year of your career. Practical and instructive, this book makes the perfect gift for anyone looking to rise in their particular vocation or looking to emulate one of the most respected leaders of today! MONTH: September Each chapter focuses on one of twelve leadership lessons gleaned from $19.99 ($26.99 CAD) Hardcover Brady’s career and why it matters in your life and career. -
Music Recommendation Algorithms: Discovering Weekly Or Discovering
MUSIC RECOMMENDATION ALGORITHMS Music Recommendation Algorithms: Discovering Weekly or Discovering Weakly? Jennie Silber Muhlenberg College, Allentown, PA, USA Media & Communication Department Undergraduate High Honors Thesis April 1, 2019 1 MUSIC RECOMMENDATION ALGORITHMS 2 MUSIC RECOMMENDATION ALGORITHMS Abstract This thesis analyzes and assesses the cultural impact and economic viability that the top music streaming platforms have on the consumption and discovery of music, with a specific focus on recommendation algorithms. Through the support of scholarly and journalistic research as well as my own user experience, I evaluate the known constructs that fuel algorithmic recommendations, but also make educated inferences about the variables concealed from public knowledge. One of the most significant variables delineated throughout this thesis is the power held by human curators and the way they interact with algorithms to frame and legitimize content. Additionally, I execute my own experiment by creating new user profiles on the two streaming platforms popularly used for the purpose of discovery, Spotify and SoundCloud, and record each step of the music discovery process experienced by a new user. After listening to an equal representation of all genre categories within each platform, I then compare the genre, release year, artist status, and content promotion gathered from my listening history to the algorithmically-generated songs listed in my ‘Discover Weekly’ and ‘SoundCloud Weekly’ personalized playlists. The results from this experiment demonstrate that the recommendation algorithms that power these discovery playlists intrinsically facilitate the perpetuation of a star- driven, “winner-take-all” marketplace, where new, popular, trendy, music is favored, despite how diverse of a selection the music being listened to is.