{FREE} the Way of the World 1St Edition

Total Page:16

File Type:pdf, Size:1020Kb

{FREE} the Way of the World 1St Edition THE WAY OF THE WORLD 1ST EDITION PDF, EPUB, EBOOK William Congreve | 9780486277875 | | | | | The Way of the World 1st edition PDF Book Let me go. Well, if worshipping of pictures be a sin—poor Sir Rowland, I say. Nothing remains when that day comes but to sit down and weep like Alexander when he wanted other worlds to conquer. Lady Wishfort and Foible. Why, one makes lovers as fast as one pleases, and they live as long as one pleases, and they die as soon as one pleases; and then, if one pleases, one makes more. No offence? And, indeed, the privilege of such a conversation is the only certain means of attaining to the perfection of dialogue. You just clipped your first slide! Comedy at best! Oh, my dear, I am satisfied of your tenderness; I know you cannot resent anything from me; especially what is an effect of my concern. Pray then walk by yourselves. For decency of funeral, madam! Pardon me, dear creature, I must laugh; ha, ha, ha! What was one purpose that writing served in the First Civilizations? Those denials are powerful in and of themselves. See who that is. Ha, Petulant? Fainall gives all her property to Mirabell. If you continue browsing the site, you agree to the use of cookies on this website. Dec 26, SofiaSevero rated it really liked it. We had many conversations on this specific issue, on the Habbush matter, with all of the key sources. A fellow that lives in a windmill has not a more whimsical dwelling than the heart of a man that is lodged in a woman. A fine gay glossy fool should be given there, like a new masking habit, after the masquerade is over, and we have done with the disguise. Mirabell will offer to help her out of the embarrassing situation if she consents to his marriage. I say that because, at least in my mind, I simply do not seem to be familiar with the plays, or the playwrights, between Shakespeare and the modern era beginning with Bernard Shaw and Oscar Wilde. Bush administration controversies. Pray, are the follies of this knight-errant and those of the squire, his brother, anything related? To you it should be meritorious that I have been vicious. Justin rated it liked it Feb 07, Well, that was my choice, this is hers; she is matched now with a witness—I shall be mad, dear friend; is there no comfort for me? Mirabell, can you be so generous at last? The statue of the dancing girl provides evidence that the Indus Valley civilization A had a well-developed copper and bronze industry. To drink is a Christian diversion, Unknown to the Turk or the Persian. Ay-h, adieu. If you marry Millamant, you must call cousins too. Paint, paint, paint, dost thou understand that, changeling, dangling thy hands like bobbins before thee? A Rivalry over land and water created a number of warring city-states. Alas, this is really the last Restoration comedy, but it may also be the best. Dear Cousin Witwoud, get him away, and you will bind me to you inviolably. With friends like these, who needs enemies? Your fortune has been bestowed as the prodigality of your love would have it, in pleasures which we both have shared. I think this play proves to me that the love of money is something that is the same in as it was in the s. Fainall, are you for the Mall? Nay, now a has seen me too. Upcoming SlideShare. After reading the statement, Corera emphasized that the sources he spoke with "were careful not to deny that a meeting did take place with the Iraqi intelligence chief on the eve of war in which this man Habbush denied Saddam had any weapons. Well, I have an opinion of your success, for I believe my lady will do anything to get an husband; and when she has this, which you have provided for her, I suppose she will submit to anything to get rid of him. Let us be as strange as if we had been married a great while, and as well-bred as if we were not married at all. But this much is certain: Suskind is off the mark. It will meet the approval of any reader who feels that depravity is to be enjoyed and cultivated. The Way of the World 1st edition Writer Shelves: english-lit. Is this Mr. Must I live to be confiscated at this rebel-rate? The only man that would tell me so at least, and the only man from whom I could hear it without mortification. Mirabell and Mrs. Ah, Tony! Millamant is unable t Originally published on my blog here in February Yes indeed, I enquired of the law in that case before I would meddle or make. If you would but appear barefaced now, and own Mirabell, you might as easily put off Petulant and Witwoud as your hood and scarf. Nay, I got a friend to put her into a lampoon, and compliment her with the imputation of an affair with a young fellow, which I carried so far, that I told her the malicious town took notice that she was grown fat of a sudden; and when she lay in of a dropsy, persuaded her she was reported to be in labour. Thou art a retailer of phrases, and dost deal in remnants of remnants, like a maker of pincushions; thou art in truth metaphorically speaking a speaker of shorthand. The play is centred on the two lovers Mirabell and Millamant originally played by John Verbruggen and Anne Bracegirdle. Paperback , pages. A process of centralization that took place in the First Civilizations, growing out of the greater complexity of urban life and the need for coordination, regulation, adjudication, and military leadership. Ha, ha, ha! Nay, now a has seen me too. Ah, he has a false insinuating tongue. In The Way of the World, William Congreve follows this guideline very well, yet he's aware of the backlash that his strong message could cause. They each describe his work as "misleading. Mirabell is not so sure of her as he thinks for. What was one purpose that writing served in the First Civilizations? Ha, Petulant? The other thing is that the plots are so complex that, unless you actually see them being performed, they can, once again, be difficult to follow. Fainall, are you for the Mall? But a man so enamoured—so transported! I despise you and defy your malice. And have you the baseness to charge me with the guilt, unmindful of the merit? Then I have been your property, have I? Of course, Lady Wishfort can't accept the marriage because she hates Mirabell. She is more mistress of herself than to be under the necessity of such a resignation. I hope to see him lodge in Ludgate first, and angle into Blackfriars for brass farthings with an old mitten. I have forgot my gloves. You should have just so much disgust for your husband as may be sufficient to make you relish your lover. I have been convenient to you, it seems, while you were catering for Mirabell; I have been broker for you? Perfidious fiend! The falling out of wits is like the falling out of lovers:—we agree in the main, like treble and bass. Fainall, you have met with your match. Millamant is unable to marry who she pleases, since half of her fortune is controlled by her aunt, Lady Wishfort. Indeed, Mrs. But a little disdain is not amiss; a little scorn is alluring. Raillery, raillery, madam; we have no animosity. Average rating 3. With friends like these, who needs enemies? The Way of the World 1st edition Reviews More filters. I sent her to negotiate an affair, in which if I'm detected I'm undone. Enough, enough, cousin. Why dost thou not speak? I direct my discourse to the lady, sir. Your turtle is in custody already. Sep 25, Czarny Pies rated it liked it Recommends it for: No one. And for my part, but that it is almost a fashion to admire her, I should—harkee—to tell you a secret, but let it go no further between friends, I shall never break my heart for her. You may remember, gentlemen, I once requested your hands as witnesses to a certain parchment. And lastly, wherever I am, you shall always knock at the door before you come in. Behold the original. Well, Mr. Return to Book Page. One of the features of a Restoration comedy is the opposition of the witty and courtly and Cavalier rake and the dull-witted man of business or the country bumpkin, who is understood to be not only unsophisticated but often as, for instance, in the very popular plays of Aphra Behn in the s either Puritan or another form of dissenter. Beg him for his estate, that I may beg you afterwards, and so have but one trouble with you both. And lastly, wherever I am, you shall always knock at the door before you come in. Engine, is it thus with you? To drink is a Christian diversion, Unknown to the Turk or the Persian. You may read if you please [ holding out the parchment ], though perhaps what is written on the back may serve your occasions. For that, madam, give yourself no trouble; let me have your consent. The play opens with them enjoying one of their regular "cabal-nights After reading the statement, Corera emphasized that the sources he spoke with "were careful not to deny that a meeting did take place with the Iraqi intelligence chief on the eve of war in which this man Habbush denied Saddam had any weapons.
Recommended publications
  • English Literature 1590 – 1798
    UGC MHRD ePGPathshala Subject: English Principal Investigator: Prof. Tutun Mukherjee; University of Hyderabad Paper 02: English Literature 1590 – 1798 Paper Coordinator: Dr. Anna Kurian; University of Hyderabad Module No 31: William Wycherley: The Country Wife Content writer: Ms.Maria RajanThaliath; St. Claret College; Bangalore Content Reviewer: Prof. Tutun Mukherjee; University of Hyderabad Language Editor: Dr. Anna Kurian; University of Hyderabad William Wycherley’s The Country Wife Introduction This lesson deals with one of the most famous examples of Restoration theatre: William Wycherley’s The Country Wife, which gained a reputation in its time for being both bawdy and witty. We will begin with an introduction to the dramatist and the form and then proceed to a discussion of the play and its elements and conclude with a survey of the criticism it has garnered over the years. Section One: William Wycherley and the Comedy of Manners William Wycherley (b.1640- d.1716) is considered one of the major Restoration playwrights. He wrote at a time when the monarchy in England had just been re-established with the crowning of Charles II in 1660. The newly crowned king effected a cultural restoration by reopening the theatres which had been shut since 1642. There was a proliferation of theatres and theatre-goers. A main reason for the last was the introduction of women actors. Puritan solemnity was replaced with general levity, a characteristic of the Caroline court. Restoration Comedy exemplifies an aristocratic albeit chauvinistic lifestyle of relentless sexual intrigue and conquest. The Comedy of Manners in particular, satirizes the pretentious morality and wit of the upper classes.
    [Show full text]
  • "Play Your Fan": Exploring Hand Props and Gender on the Restoration Stage Through the Country Wife, the Man of Mode, the Rover, and the Way of the World
    Columbus State University CSU ePress Theses and Dissertations Student Publications 2011 "Play Your Fan": Exploring Hand Props and Gender on the Restoration Stage Through the Country Wife, the Man of Mode, the Rover, and the Way of the World Jarred Wiehe Columbus State University, [email protected] Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the English Language and Literature Commons Recommended Citation Wiehe, Jarred, ""Play Your Fan": Exploring Hand Props and Gender on the Restoration Stage Through the Country Wife, the Man of Mode, the Rover, and the Way of the World" (2011). Theses and Dissertations. 148. https://csuepress.columbusstate.edu/theses_dissertations/148 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/playyourfanexploOOwieh "Play your fan": Exploring Hand Props and Gender on the Restoration Stage Through The Country Wife, The Man of Mode, The Rover, and The Way of the World By Jarred Wiehe A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program For Honors in the Degree of Bachelor of Arts In English Literature, College of Letters and Sciences, Columbus State University x Thesis Advisor Date % /Wn l ^ Committee Member Date Rsdftn / ^'7 CSU Honors Program Director C^&rihp A Xjjs,/y s z.-< r Date <F/^y<Y'£&/ Wiehe 1 'Play your fan': Exploring Hand Props and Gender on the Restoration Stage through The Country Wife, The Man ofMode, The Rover, and The Way of the World The full irony and wit of Restoration comedies relies not only on what characters communicate to each other, but also on what they communicate to the audience, both verbally and physically.
    [Show full text]
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • Moliere's Influence on Congreve
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-1933 Moliere's Influence on Congreve Mildred Atkins Stern University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Stern, Mildred Atkins, "Moliere's Influence on Congreve. " Master's Thesis, University of Tennessee, 1933. https://trace.tennessee.edu/utk_gradthes/3096 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Mildred Atkins Stern entitled "Moliere's Influence on Congreve." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. John C. Hodges, Major Professor We have read this thesis and recommend its acceptance: ARRAY(0x7f6ffe6ad080) Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) July 12, 1933 To the Committee on Graduate Study : -�� I submit herewith a thesis by M ildred Atkins Stern , "Mo liere 1 s Influence on Congreve", and recommend that it be accepted for nine quarter hours credit in fulfi llment of the requirements for the degree of Master of Ar ts , with a major in English.
    [Show full text]
  • William Wycherly's the Gentleman Dancing-Master
    WILLIAM WYCHERLY'S THE GENTLEMAN DANCING-MASTER: A THESIS PRODUCTION FOR THE ARENA STAGE by MARY JEAN THOMAS B. S., Fort Hays Kansas State College, 1955 A THESIS submitted in partial fulfillment of the requirements for the degree MASTEK OF SCIENCE Department of Speech KANSAS STATE COLLEGE OF AGRICULTURE AND APPLIED SCIENCE 1958 2(j,&f ii ' TH IIS"? c .2_ TABLE OF CONTENTS £)ocurA*>^TS INTRODUCTION 10 RESTORATION COMEDY 1 ANALYSIS OF THE HISTORICAL PERIOD IN WHICH THE PLAY WAS WRITTEN. 9 Reviev; of Important Historical Events Leading to the Restoration ..... ....9 Political, Religious, and Social Atmosphere of England after the Restoration 13 The Author and His Place in Restoration Society 18 THE STAGING OF RESTORATION COMEDIES 21 Theatrical Developments from 1600 to 1660 21 Early Theaters 21 Scenes and Machines 23 The Closing of the Theaters 25 Theatrical Facilities after the Restoration 27 The Theaters 2? Onstage and Backstage 28 Box, Pit, and Gallery 30 Stage History and Criticism of The Gentleman Dancing-Master . .32 PHILOSOPHY AND PROBLEMS OF PRODUCTION J>k Directorial Concept and Approach JM General 3^ Direction 36 Acting 'tO Analysis of the Play ¥* Summary of the Action by Acts ^9 Technical Concept and Approach. 57 General 37 Setting 57 ill Lighting 58 Costuming 61 Problems of Production 64 Description of Scenery and Its Construction 64 Lighting Plots and Effects 69 Description and Construction of Costumes • 70 Properties and Miscellaneous Effects .... 80 Casting, Rehearsals, Special Problems, and Performance . .84 EVALUATION AND CONCLUSIONS 87 BIBLIOGRAPHY 90 ACKNOWLEDGMENTS 95 APPENDICES 96 INTRODUCTION TO RESTORATION COMEDI In turning over the pages of the best comedies, we axe almost transported to another world, and escape from this dull age to one that was all life, and whim, and mirth, and humour.
    [Show full text]
  • Restoration Comedy/Comedy of Manners (Restoration Theatre) Larisa Kocic-Zámbó
    This teaching material has been made at the University of Szeged and supported by the European Union. Project identity number: EFOP-3.4.3-16-2016-00014 Restoration & Eighteenth-Century English Literature (ANGBA3- Literature Survey Course) Restoration Comedy/Comedy of Manners (Restoration Theatre) Larisa Kocic-Zámbó SUMMARY: Though hardly comparable to the renown of the Renaissance theatre and the ubiquitous popularity of Shakespeare, the theatre of the Restoration and 18th-century has introduced a fair number of innovations and changes that will determine our perception and reception of stage plays well into to 20th century. This lesson is part of a three-part take on the era’s theatre, introducing three prominent genres: (a) Restoration comedy or comedy of manners (vs the 18th-century Sentimental Comedy), (b) heroic tragedy or drama, and (c) the musical theatre. Starting with a short historical overview focusing on the precursory events that gave historical significance to the Restoration theatre, namely, the banning of theatres during the Commonwealth and its consequences, special attention will be paid to the novel features of the resurging theatrical life following the restoration of monarchy. Topics will include: • Prohibitions against acting (and its Elizabethan roots) • Resurgence of theatre (two-company monopoly system) • Changes and innovations o Restauration purpose-built theatres o Female actresess • Restoration Comedy vs 18th-century Sentimental Comedy o E.g. Wycherley’s The Country Wife o Critique of comedy of manners: Collier
    [Show full text]
  • William Congreve University Archives
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange The John C. Hodges Collection of William Congreve University Archives Spring 1970 The John C. Hodges Collection of William Congreve Follow this and additional works at: https://trace.tennessee.edu/utk_libarccong Part of the English Language and Literature Commons Recommended Citation "The John C. Hodges Collection of William Congreve" (1970). The John C. Hodges Collection of William Congreve. https://trace.tennessee.edu/utk_libarccong/1 This Book is brought to you for free and open access by the University Archives at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in The John C. Hodges Collection of William Congreve by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. THE UNIVERSITY OF TENNESSEE LIBRARIES Occasional Publication NU:MBER 1 • SPRING 1970 The Occasional Publication of The University of Tennessee Libraries is intended to be very flexible in its content and in its frequency of publication. As a medium for descriptive works re­ lated to various facets of library collections as well as for contributions of merit on a variety of topics, it will not be limited in format or subject matter, nor will it be issued at prescribed intervals' JOHN DOBSON, EDITOR JOHN C. HODGES 1892-1967 THE JOHN C. HODGES COLLECTION OF William Congreve In The University of Tennessee Library: A Bibliographical Catalog. Compiled by ALBERT M. LYLES and JOHN DOBSON KNOXVILLE· THE UNIVERSITY OF TENNESSEE LIBRARIES· 1970 Library of Congress Catalog Card Number 73-631247 Copyright © 1970 by The University of Tennessee Libraries, Knoxville, Tennessee.
    [Show full text]
  • Theater Playbills and Programs Collection, 1875-1972
    Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.
    [Show full text]
  • The Way of the World As Restoration Comedy
    The Way of the World as Restoration Comedy Restoration as a historical period was a time when England was an established colonial power in the world. It was a time of materialism and commerce and the people of the period emphasized money, pleasure and sex. Love and marriage were judged in terms of money. Artificiality and immorality were the defining features of the age. People looked towards relaxation and pleasure and serious things mattered less to them. In the Restoration period there was a moneyed class with leisure. Pursuit of sexual pleasure and money was the main concern of the people. Marriage was not just like as an institution for procreation or for providing stability to social life. It was seen as a mercenary venture. Main threads that made up the many-splendored “Restoration Comedy” may be listed in the following manner. There existed an English tradition of social comedy that treated the love game with lightness, humour, and some ribaldry. Such comedies are associated with Beaumont and Fletcher, among others. The plays included satire of social types: the fops, the pedants, and the vain women. At the same time, the English comic tradition included a different comedy of character types, Ben Jonson’s comedy of “humours”, which emphasized the way in which people’s characters would be strongly bent in one direction. Jonson's plays were also intensely satiric, attacking above all the sins of avarice, lechery, and hypocrisy. There was a strong French influence which led to elegance of plotting, characterization, and acting. The French emphasis on correctness was probably a salutary antidote to the casual attitude to structure of many Elizabethan and Jacobean dramatists.
    [Show full text]
  • THE WAY of the WORLD of Liaisons Exposed In, for Instance, William Wycherley's (J 640-1716) Savagely Satiric the Country Wife
    XVI THE WAY OF THE WORLD of liaisons exposed in, for instance, William Wycherley's (J 640-1716) savagely satiric The Country Wife. The Way of the World The dark side ofWycherley's work was matched by the portrayal in Vanbrugh's The Provoked Wife (1697) of an ill assorted couple; the plays written by Sir George Etherege (?1634- ?1691) on the other Congreve's dedication of the play explains something of his aims in hand have a frothy touch of fantasy and farce about them, even the writing it. He thought that the fools being ridiculed in contemporary . names of his characters - Sir Frederick Frollick, Sir Justin Jolly- comedies were too gross: they seemed to be objects created for the sugg\!sting this, though we can see in the names of Courtall and audience's charity rather than contempt; instead of amusing the Freeman in his play She Would ifShe Could (1668) the kind of men audience they were likely to excite its compassion. Congreve decided who are apt to find life dull without the pursuit of women. John to invent characters who were not so much ridiculous because they Dryden's (1631-1700) plays were a mixture of farce and wit, but they were natural fools and therefore incurable) H people who were varied in achievement: the diarist Samuel Pepys (1633-1703), whose absurd because t ey a fe£1ed t9~ WIUy. is aims were not comments on the plays of his day are so illuminating, thought one immediately clear: even the clever poet Alexander Pope (J 688-1744) play of Dryden's 'very smutty' whereas he praised another as the asked if Congreve's fools were fools indeed: 'most entire piece of mirth that was ever writ'.
    [Show full text]
  • The Way of the World
    The Way of the World William Congreve The Project Gutenberg Etext of The Way of the World, by Congreve #4 in our series by William Congreve Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Way of the World by William Congreve April, 1998 [Etext #1292] The Project Gutenberg Etext of The Way of the World, by Congreve ******This file should be named wwrld10.txt or wwrld10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, wwrld11.txt VERSIONS based on separate sources get new LETTER, wwrld10a.txt This etext was prepared from the 1895 Methuen & Co. edition by David Price, email [email protected] Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we do NOT keep these books in compliance with any particular paper edition, usually otherwise. We are now trying to release all our books one month in advance of the official release dates, for time for better editing.
    [Show full text]
  • The Way of the World As a Restoration Comedy of Manners by Debaditya
    The Way of the World as a Restoration Comedy of Manners By Debaditya Mukhopadhyay The terms “Restoration Comedy” or “Comedy of Manners” refer to a particular type of comic drama that developed in England following the Restoration of Monarchy in 1660. As suggested by its title, it is a type of comedy that focuses on “manners” or code of conducts that the society thrusts upon the individuals. Comic moments are created in these plays by depicting characters who do not follow these manners properly. The play The Way of the World by William Congreve is considered to be one of the finest examples of Restoration Comedy. It was written by Congreve at a time when a section of the society had started rejecting this type of theatre. This negative attitude was a result of the depiction of vulgarity and immorality by these plays. The middle class people in particular started disliking these plays after Jeremy Collier wrote a scathing critique of these plays titled “Short View of the Immorality and Profaneness of the English Stage” in 1698. Therefore, when Congreve wrote this play he had to make a very serious attempt for winning the audience. As a result, this play became a little different from the typical Restoration Comedies. Comedy of Manners was infamous for showing adultery and immorality. In most of the cases these plays showed the central characters behaving in a carefree and immoral manner. For instance, in the play The Provoked Wife, the virtuous woman Lady Brute is shown to become an infidel while her husband Sir John Brute is shown to be an alcoholic and abusive person.
    [Show full text]