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F I L M S E R I E S The Immigrant Experience in English ASSOCIACIÓ DE PROFESSORS DEPARTAMENT D’ANGLÈS D’ANGLÈS DE LES ILLES BALEARS DE L’EOI DE PALMA APABAL and the Department of English of the Palma EOI are pleased to present four films with immigration - related themes during the January 2013 time frame. WHEN Wednesday, 9 January 2013 Wednesday, 16 January 2013 Wednesday, 23 January 2013 Wednesday, 30 January 2013 WHAT TIME 18.00 h. WHERE “Sa Nostra Cultural Centre”, c/ Concepció 12. Tel. 971 72 52 10 The films will be in the original English, with subtitles. * Attendance is free. Coordinator: Assumpta Sureda Film Moderators: Carol Williams, Michael Carroll, James Miele and Armando Fernández. More Information: www.apabal.com [email protected] January 9 (Wednesday) 18.00 h. THE TERMINAL (2004) An eastern immigrant finds himself stranded in JFK airport, and must take up temporary residence there. Director: Steven Spielberg Writers: Andrew Niccol (story), Sacha Gervasi (story). Stars: Tom Hanks, Catherine Zeta-Jones and Chi McBride. FILM MODERATOR: Carol Willliams January 16 (Wednesday) 18.00 h BEND IT LIKE BECKHAM (2002) The daughter of orthodox Sikh rebels against her parents' traditionalism by running off to Germany with a football team (soccer in America). Director: Gurinder Chadha. Writers:, Gurinder Chadha, Guljit Bindra. Stars: Parminder Nagra, Kheira Knightley and Jonathan RyesMeyers. FILM MODERATOR: Michael Carroll January 23 (Wednesday) 18.00 h MY BEAUTIFUL LAUNDERETTE (1985) Only recommended to people over 16. An ambitious Asian Briton and his white lover strive for success and hope, when they open up a glamorous laundromat. -
Quantum of Solace De Marc Forster Pierre Barrette
Document generated on 09/28/2021 5:22 p.m. 24 images Quantum of Solace de Marc Forster Pierre Barrette Comédie Number 140, December 2008, January 2009 URI: https://id.erudit.org/iderudit/25257ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Barrette, P. (2008). Review of [Quantum of Solace de Marc Forster]. 24 images, (140), 60–60. Tous droits réservés © 24/30 I/S, 2008 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ W. d'Oliver Stone figure paternelle, George juxtaposition d'événements réels soigneuse Jr est donc en quête per ment choisis suffisant à en déterminer une pétuelle d'une reconnais interprétation univoque. Quant au reste, sance qui, à ses yeux, ne Stone se fait portraitiste et livre son verdict viendra jamais. sur l'entourage de ce président faiblard : Dick Pour faire ce portrait, W. Cheney est la sombre eminence grise qui télé raconte essentiellement guide les décisions, Karl Rove une immonde la deuxième moitié du créature rampante, Condoleeza Rice une premier mandat du pré bourgeoise dédaigneuse, Donald Rumsfeld sident, c'est-à-dire que un dangereux imbécile, Paul Wolfowitz une Stone se concentre sur les quantité négligeable et Colin Powell la seule événements entourant la personne sensée au milieu de cette poignée 1/1/ peut être vu comme un double de décision d'envahir l'Irak, truffant son récit d'illuminés. -
Scared Oddities
SCACRED ODDITIES MICHAEL SCOFIELD Character research 1. Architect of Fox River State Penitentiary 2. Has a Bachelor of Science and Master of Science in Civil Engineering 3. Tattooed jail’s map on his body and jailed with the intention of saving his unjustly charged brother from jail 4. Mastermind of Fox River escape 5. In the later seasons, he discovers he has hypothalamic hamartoma (a tumour) 6. Extremely smart with high IQ and combined with his condition of low latent inhibition (which allows his brain to be more open to incoming stimuli) Makes him a creative genius who is able to process details and steps of any stimulus better than others 7. Very protective of his loved ones and loyal to them, especially his brother Lincoln Burrows and wife Sara Tancredi 8. Strongly sensitive and empathic. This can be seen in his refusal to hurt any innocent beings during his plan to escape and how he blames himself for all the sufferings faced by the innocent as a result of his plans, at one point causing him to wonder if his plan to save his brother at the cost of many innocent lives was worthed it TATTOOED BLUEPRINT Tattoed the blueprint of Fox River State Penitentiary on his body, hence it made things easier for him to reference the things he needed to escape from the prison. Character research SEASON 1 Scofield tries to steal an Allen wench to assist in his break through, which starts from his cell. He used a coin to obtain a long screw. Artefacts: Allen wench, coin Artefact: Pen ink Whlie serving his time, he got promoted to do P.I., known as Prison Industries where he had a lot of chance to get hold onto items which he needed for his escape in Fox River Character research SEASON 2 Scofield met an equally smart and high IQ/EQ FBI agent, Alexander Mahone after escaping from Fox River. -
Prison Break Free
FREE PRISON BREAK PDF Andrew Cope | 160 pages | 20 Jun 2011 | Penguin Books Ltd | 9780141326047 | English | United Kingdom Watch Prison Break Streaming Online | Hulu (Free Trial) Determined to help his brother break out of prison, a structural engineer holds up a bank so he can get arrested and smuggle in the prison blueprints. Structural engineer Michael Scofield gets Prison Break sent to jail so he can plan an escape for his brother, a death-row inmate who says he's been framed. Michael tries to get his hands on two items: a drug that will help him Prison Break positive for diabetes and a large bolt that he can use in his escape plan. Michael encounters problems bringing Abruzzi and Sucre into his plan. Meanwhile, Lincoln considers having a family member attend his execution. Michael obtains some Prison Break chemicals to use in his escape plan. Later, his new cellmate, Haywire, develops a fascination with Michael's tattoo. While Kellerman and Hale push Michael's transfer, he stalls it to test the first part of his escape plan. Michael's ploy to buy work time by prompting Prison Break cellblock lockdown leads to a full-scale riot. Meanwhile, Kellerman hires an inmate to kill Lincoln. During the prison riot, Michael rescues Sara, the assassin tries to kill Lincoln, Prison Break Bellick defies Pope to talk to the governor. As Michael tries to figure Prison Break how to tunnel into a building that houses a guards' break room, Kellerman and Hale attempt to kill Veronica and LJ. T-Bag loses one slave and targets another. -
Nostalgia, Nationalism and Notability: the Success of Skyfall
Nostalgia, Nationalism and Notability: The Success of Skyfall SARAH KELLEY, University of Bristol ABSTRACT 2012 saw the release of what has since been branded ‘the most successful British film to date’: Skyfall broke box office records by making £94 million in the first 40 days of its release. The positive reception from film critics would have undoubtedly gone some way to attracting patrons to its cinema run, however, the overwhelming commercial success of Skyfall indicates that there were more hooks at play here, amongst the promotional campaign for the film. This article argues that strong themes of nostalgia, nationalism and notability (of the cast and crew), present throughout the marketing and preview literature for Skyfall, played a significant part in generating audience interest for the film. Through textual analysis of a variety of artefacts circulated in anticipation of the film's release, this article aims to explore how these three themes engaged with the audience and helped to ensure a successful box office run for Skyfall. KEYWORDS Analysis, film, promotion, Skyfall, success. Introduction ‘And we’re back’: the words used by an enthralled Mark Kermode (2012) in his review of the most recent instalment in the Bond movie franchise, Skyfall (Sam Mendes, 2012). Despite the commercial success of Skyfall's predecessor, Quantum of Solace (Marc Forster, 2008), the negative response it received from reviewers, who critiqued it for a lack strong themes and identity, meant that the latest Bond instalment was in danger of losing its audience. In contrast to the previous film (which Kermode dubbed ‘Question of Sport’ in mockery of its rather forgettable title), the producers of Skyfall needed to give the cinema-going public a good reason to pay to see their new attempt. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
Proquest Dissertations
Conflicting expectations: Parish priests in late medieval Germany Item Type text; Dissertation-Reproduction (electronic) Authors Dykema, Peter Alan, 1962- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 09/10/2021 02:30:12 Link to Item http://hdl.handle.net/10150/282607 INFORMATION TO USERS This manusoi^t has been reproduced firom the microfilin master. UMI films the text directfy firom the original or copy submitted. Thus, some thesis and dissertation copies are in ^pewriter face, while others may be firom any type of computer printer. Hie qnali^ of this reprodaction is dqiendoit upon the qnali^ of rJie copy snbmitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrou^ substandard marpnc and inqn-oper alignment can adverse^ affect rqmxluction. In the unlikely event that the acthor did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing &om left to right in equal sections with small overl^>s. Each original is also photographed in one exposure and is included in reduced form at the back of die book. Photogrs^hs included in the original manuscr^ have been reproduced xerographically in this copy. -
Swiss Review” Electronically
THE MAGAZINE FOR THE SWISS ABROAD february 2009 / NO. 1 A new role for the Swiss army Marc Forster: Switzerland’s man in Hollywood Ordering “Swiss Review” electronically EDITORIAL C O N te N T S 3 Policy on Swiss abroad needs a legal framework ithin the space of a few months, Switzerland’s councils have managed to approve a proposal to examine direct representation for Swiss people abroad W in Parliament, to drastically cut the budget for providing information to Swiss expatriates and, just days later, to establish “Swiss Review” in law. Two steps forward, one step back. Yes to the objective, but no to the cost. Inconsistency in the extreme. The reduction in the budget for “Swiss Review” on the initiative of the FDFA is pain- ful. Not just because the publisher, the Organisation of the Swiss Abroad (OSA), is sud- denly faced with a budgetary shortfall of half a million francs, but even more so because Illustration by Hannes Binder from the new Heidi book this severe course of action raises doubts about awareness in the federal capital Berne of the role played by “Swiss Review” and about how serious people are about recognising 4 the Fifth Switzerland. Discovering Switzerland: city breaks “Swiss Review” is the only publication to reach all Swiss citizens registered with rep- resentations abroad. It keeps you, the reader, up to date with news about your rights and 5 obligations. “Swiss Review” is your Official Journal. It also has the task of providing you Mailbag with information to make it easier for you to exercise your political rights in Switzerland. -
Makers of 'World War Z' Pay Tribute To
Press Release – August 2011 A HOLLYWOOD SEAL OF APPROVAL FOR FALMOUTH FILMING: MAKERS OF ‘WORLD WAR Z’ PAY TRIBUTE TO THE SOUTH CORNISH PORT TOWN Over £2.5m generated for the local economy… Officials from one of the world‟s largest film studios have praised Falmouth after the town hosted the filming of scenes for a major multi-million pound Hollywood production. Paramount Pictures spent two weeks at the start of August on location at Falmouth Docks as part of the making of apocalyptic zombie thriller World War Z – which stars Brad Pitt, Lost‟s Matthew Fox and several other high profile actors and actresses. Having been approached by Paramount less than two months prior to the shoot, the Falmouth Business Improvement District (BID), Falmouth Town Management, A&P (which operates Falmouth Docks), the harbour authorities and several other local organisations and businesses all worked together to ensure promotional, logistical, safety and security measures were in place to meet the tight production deadlines. The filming itself took place in and around the harbour and several hundred local people were involved as extras and assistants to the main crew. Based out of a temporary headquarters on the outskirts of Falmouth, the extras were transported onto set daily with the majority of them getting the chance to experience a behind- the-scenes view of some of Hollywood‟s most prestigious industry figures at work, including Oscar-winning cinematographer Robert Richardson, whose credits include Kill Bill, Casino, JFK and Platoon and Director Marc Forster (Quantum of Solace and The Kite Runner). “The people in Falmouth and Cornwall were incredibly eager to get involved and we had a massive response to our calls for extras, helpers and additional crew members,” said Jeff Taylor, 2nd Assistant Director from Paramount Pictures. -
GERRY JONES Hair Stylist/Designer
GERRY JONES Hair Stylist/Designer AWARDS AND NOMINATIONS 706 Hollywood Make-Up Artists & Hair Stylists Guild Awards - Won - Best Period Hair Styling – THE PATRIOT FILM THE COUP Department Head Bold Films Director: John Erick Dowdle Cast: Owen Wilson, Lake Bell, Pierce Brosnan, Sterling Jerins THE INTERNSHIP Personal Hair Stylist to Owen Wilson 20th Century Fox Director: Shawn Levy WORLD WAR Z Personal Hair Stylist to Brad Pitt Paramount Pictures Director: Marc Forster THE BIG YEAR Personal Hair Stylist to Owen Wilson Fox 2000 Pictures Director: David Frankel HALL PASS Personal Hair Stylist to Owen Wilson New Line Cinema Director: Bobby Farrelly LITTLE FOCKERS Personal Hair Stylist to Owen Wilson Universal Pictures Director: Paul Weitz HOW DO YOU KNOW Personal Hair Stylist to Owen Wilson Columbia Pictures Director: James L. Brooks THE YOUNG VICTORIA Hair and Make-Up Artist GK Films Director: Jean-Mac Vallée MARLEY & ME Personal Hair Stylist to Owen Wilson Fox 2000 Pictures Director: David Frankel DRILLBIT TAYLOR Personal Hair Stylist to Owen Wilson Paramount Pictures Director: Steven Brill THE WALKER Personal Hair Stylist to Woody Harrelson Kintop Pictures Director: Paul Schrader YOU, ME AND DUPREE Personal Hair Stylist to Owen Wilson Universal Pictures Directors: Anthony Russo, Joe Russo FLIGHT OF THE PHOENIX Department Head 20th Century Fox Director: John Moore Cast: Dennis Quaid, Tyrese Gibson, Giovanni Ribisi, Miranda Otto THE MILTON AGENCY Gerry Jones 1st Floor Electra House, 93a Rivington Street, London EC2A 3AY Hair Stylist / Designer Telephone: +44 (0) 207 729 9226 Page 1 of 3 [email protected] www.miltonagency.com PIRATES OF THE CARIBBEAN: Hairstylist – Crowd Only THE CURSE OF THE BLACK PEARL Director: Gore Verbinski Walt Disney Pictures THE BIG BOUNCE Personal Hair Stylist to Owen Wilson Shangri-La Entertainment Director: George Armitage SHANGHAI KNIGHTS Personal Hair Stylist to Owen Wilson Touchstone Pictures Director: David Dobkin BEHIND ENEMY LINES Chief Hair Stylist 20th Century Fox Director: John Moore THE MUMMY RETURNS Asst. -
Mattel Films and Marc Forster's 2Dux² Partner to Develop
Mattel Films and Marc Forster’s 2Dux² Partner to Develop “Thomas & Friends®” Feature Film October 6, 2020 Marc Forster to direct the four-quadrant family adventure that blends live-action and animation “Thomas & Friends” marks the tenth Mattel Films project in development EL SEGUNDO, Calif.--October 6, 2020-- Mattel, Inc. (NASDAQ: MAT) and production company 2Dux² announced today plans to develop a feature film based on Thomas & Friends®, the global franchise about the iconic blue engine. Mattel Films and 2Dux² will bring Thomas & Friends to life through a four-quadrant family adventure that blends live-action and animation. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20201006005440/en/ Mattel Films will co-produce the film alongside Marc Forster (“Christopher Robin,” “Finding Neverland,” “Quantum of Solace”), who will also direct, and Renée Wolfe (“Christopher Robin,” “All I See Is You”), co-founder and co-CEO of 2Dux². Alyssa Hill (“A Taste of Power”) and Jesse Wigutow (“TRON3” - upcoming) have penned the script. Robbie Brenner, executive producer, and Kevin McKeon, supervising producer, will lead the project for Mattel Films. “Thomas is a beloved global franchise that focuses on the importance of friendship, a theme that resonates deeply with children and parents around the world,” said Brenner. “Marc is an incredible storyteller and I look forward to partnering with him to tell Thomas’ story in a modern and unexpected way.” “Thomas has been a personal favorite of mine since childhood,” said Forster. “I couldn’t be more excited to be working with Robbie and the entire team at Mattel, and embarking on this beautiful journey with such a timeless property.” Thomas & Friends, celebrating its 75th anniversary this year, introduces children to the world around them through the wonder and awe of trains. -
The Critical-Industrial Practices of Contemporary Horror Cinema
Off-Screen Scares: The Critical-Industrial Practices of Contemporary Horror Cinema A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Joseph F Tompkins IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Richard Leppert, Adviser January 2013 © Joseph F Tompkins, 2013 Acknowledgements I would like to extend my thanks to the many friends, colleagues, teachers, and family members who provided the necessary support and advice to usher me through both the dissertation writing process and my time as a graduate student. I am grateful to the members of my dissertation committee: Mary Vavrus, Gil Rodman, John Mowitt and Gary Thomas, for their lasting guidance, scholarly advice, and critical feedback. In particular, this project was hatched in Mary Vavrus’s Political Economy of Media seminar, and for that, I’m especially indebted. Also, to Gary Thomas, who taught me, among other things, the power of good, clean prose as well as the radical possibilities of making the classroom into a vitalizing, “heterotopian” space—a rampart against the “mechanical encrustation on the living.” I would also like to convey my sincerest appreciation to my mentor, Richard Leppert, who, since my earliest days as an undergraduate, has been a source of both professional guidance and companionship. Richard is my model—as an educator and a friend. I would also like to thank Jochen Schulte-Sasse, Robin Brown, Cesare Casarino, Liz Kotz, Keya Ganguly, Timothy Brennan, Siobhan Craig, and Laurie Ouellette for their sage advice during my graduate studies. Many friends and colleagues provided me intellectual and emotional support throughout the years: Mathew Stoddard, Tony Nadler, Alice Leppert, Manny Wessels, Mark Martinez, Doyle “Mickey” Greene, Kathie Smith, and Eleanor McGough.