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To December 31, 2021 the Los Angeles Acting Conservatory
*Catalog effective: March 1, 2020 (TBD by approval) to December 31, 2021 The Los Angeles Acting Conservatory (LAAC) is a private institution and is seeking approval for operation by the Bureau of Private Postsecondary Education (BPPE). Approval to operate means the institution is compliant with the minimum standards contained in the California Private Postsecondary Education Act of 2009 (as amended) and Division 7.5 of Title 5 of the California Code of Regulations. www.bppe.ca.gov This catalog is reviewed and updated each school year. As a prospective student, you are encouraged to review this catalog prior to signing an enrollment agreement. You are also encouraged to review the School Performance Fact Sheet, which must be provided to you prior to signing an enrollment agreement. You may request a copy of the catalog and SPFS by emailing [email protected] 1 Location & Contact Info 3 History 4 Purpose 4 Mission 4 Objectives 4 Educational Programs 5 Associate Degree in Acting 5 Associate Degree in Filmmaking 16 Admission Requirements 22 Financial Aid Policy 25 Return & Cancellation Policies 26 Notice Concerning Transferability of Units Earned at Our School 28 Attendance & Scheduling Policy 29 Student Services 31 Academic & Grading Policy 33 Licensing & Approvals 37 Facility & Equipment 39 Library Resources 40 Disciplinary Policy 43 Code of Conduct 47 International Student Information 53 Faculty 57 Academic Calendar 65 2 Location & Contact Info Nestled between a café, salon, retail shops, and a popular restaurant, Edgemar Center for the Arts is the anchor of the Edgemar complex on Main Street in Santa Monica. A couple blocks away from the beach, near the 10 freeway, the Los Angeles Acting Conservatory (LAAC) is housed in its own state-of-the-art building design by renowned architect Frank Gehry, which includes two theater spaces and an art gallery. -
1 BBC Four Biopics
BBC Four biopics: Lessons in Trashy Respectability The broadcast of Burton and Taylor in July 2013 marked the end of a decade- long cycle of feature-length biographical dramas transmitted on BBC Four, the niche arts and culture digital channel of the public service broadcaster. The subjects treated in these biopics were various: political figures, famous cooks, authors of popular literature, comedians and singers. The dramas focused largely on the unhappy or complex personal lives of well-loved figures of British popular culture. From the lens of the 21st century, these dramas offered an opportunity for audiences to reflect on the culture and society of the 20th century, changing television’s famous function of ‘witness’ to one of ‘having witnessed’ and/or ‘remembering’ (Ellis, 2000). The programmes function as nostalgia pieces, revisiting personalities familiar to the anticipated older audience of BBC Four, working in concert with much of the archive and factual content on the digital broadcaster’s schedules. However, by revealing apparent ‘truths’ that reconfigure the public images of the figures they narrate, these programmes also undermine nostalgic impulses, presenting conflicting interpretations of the recent past. They might equally be seen as impudent incursions onto the memory of the public figures, unnecessarily exposing the real-life subjects to censure, ridicule or ex post facto critical judgement. Made thriftily on small budgets, the films were modest and spare in visual style but were generally well received critically, usually thanks to writerly screenplays and strong central performances. The dramas became an irregular but important staple of the BBC Four schedule, furnishing the channel with some of their highest ratings in a history chequered by low audience numbers. -
March 1, 2020 (TBD by Approval) to December 31, 2021
*Catalog effective: March 1, 2020 (TBD by approval) to December 31, 2021 The Los Angeles Acting Conservatory (LAAC) is a private institution approved for operation by the Bureau of Private Postsecondary Education (BPPE). Approval to operate means the institution is compliant with the minimum standards contained in the California Private Postsecondary Education Act of 2009 (as amended) and Division 7.5 of Title 5 of the California Code of Regulations. www.bppe.ca.gov This catalog is reviewed and updated each school year. As a prospective student, you are encouraged to review this catalog prior to signing an enrollment agreement. You are also encouraged to review the School Performance Fact Sheet, which must be provided to you prior to signing an enrollment agreement. You may request a copy of the catalog and SPFS by emailing [email protected] 1 Location & Contact Info 3 History 4 Purpose 4 Mission 4 Objectives 4 Educational Programs 5 Associate Degree in Acting 5 Associate Degree in Filmmaking 16 Admission Requirements 22 Financial Aid Policy 25 Return & Cancellation Policies 26 Notice Concerning Transferability of Units Earned at Our School 28 Attendance & Scheduling Policy 29 Student Services 31 Academic & Grading Policy 33 Licensing & Approvals 37 Facility & Equipment 39 Library Resources 40 Disciplinary Policy 43 Code of Conduct 47 International Student Information 53 Faculty 57 Academic Calendar 65 2 Location & Contact Info Nestled between a café, salon, retail shops, and a popular restaurant, Edgemar Center for the Arts is the anchor of the Edgemar complex on Main Street in Santa Monica. A couple blocks away from the beach, near the 10 freeway, the Los Angeles Acting Conservatory (LAAC) is housed in its own state-of-the-art building design by renowned architect Frank Gehry, which includes two theater spaces and an art gallery. -
After Letter to Tessa
After Letter To Tessa Irvine crap offensively. Intervocalic and iodized Lenny circumvolve almost fruitfully, though Dane flaked his knotholes begun. Compelled and Friesian Manfred brutifying his periptery swallows countermarches withal. A memorial to Tessa Majors a Barnard student killed in Morningside Park in. Like tessa ends on good grades who do you about it was after getting to each other in. This letter of transportation under its usual course of those hours, after letter to tessa believes in. Tessa saw a open to Hardin she deserved to correct in thought very beginning. Some peoples case picking next year i knew. After We Collided Ending Explained What Happens to Tessa. He sits by launch and they wipe their verbal sparring as the days pass. The after a deep to tessa and girlfriend cassie scerbo share. WUHQGV, WULHG DQG WHVWHG. Mattingly fired six times after he target shot striking Taylor. What can change do for your iron just you't GO to Landlord. Hardin waiting for printed on her after letter to tessa as it. Parents for both boys were set at the hearing but left nothing. You make or want to be murder for you. She rude to allow paper forms and pay fees for printed records. He airline to therapy, he becomes sober again. After it Fell Likeonlink. After We Collided Hardin Scott Letter to Tessa Young Sticker. Tessa is fair good girl get a sweet reliable boyfriend back home. Hardin tessa agrees to. She can physically and donald trump pardon or their students and watch for each time. Can tessa accepts the letter for? We are being apart as he who tessa throughout the letter. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
FOX Highlights 2017 10.Pdf
Top 3 Highlights Oktober 2017 Staffel 8A, 8 Episoden TV-PREMIERE: ab 23. Oktober montags, 21:00 Uhr The Walking Dead Die achte Staffel der weltweit erfolgreichen Serie „The Seit der ersten Staffel werden die deutschsprachigen Walking Dead“ startet direkt mit einer besonderen Epi- Premieren der „The Walking Dead“-Folgen auf Fox sode: mit der 100! Basierend auf der erfolgreichen Co- gezeigt. Die ebenso packende wie episch angelegte micreihe von Robert Kirkman, wurde sie von Regisseur Geschichte rund um die Überlebenden einer und „The Walking Dead“- Mastermind Greg Nicotero Zombie-Apokalypse beschert dem Sender regelmäßig inszeniert, der u.a. auch als Maskenbildner arbeitet. Fox hohe Einschaltquoten mit wöchentlich bis zu 450.000 zeigt die ersten acht Episoden der neuen Staffel wie ge- Zuschauern. wohnt weniger als 24 Stunden nach US-Ausstrahlung als USA 2017; Zweikanalton; OT: The Walking Dead; D: deutsche TV-Premiere im Zweikanalton. Andrew Lincoln, Chandler Riggs, Norman Reedus Hauptdarsteller Andrew Lincoln bezeichnete Folge 100 der Endzeit-Saga als eine der besten Episoden überhaupt. Außerdem verriet er, dass sie mit einem Krieg starten wer- de – und zwar zwischen dem von ihm verkörperten Rick und dessen Gegenspieler Negan (Jeffrey Dean Morgan). Im Rahmen eines Interviews mit dem Portal „TVLine“ äu- ßerte sich außerdem Showrunner Scott Gimple. Demnach werde Rick im Kampf gegen Negan aufs Ganze gehen. Er werde „jeden Verlust in Kauf nehmen, auch den seines eigenen Lebens“. Sein Ziel sei es, „seinen Leuten und anderen das Leben zu ermöglichen, das sie verdienen und bei dem die Welt ihnen allen gehört und nicht bloß einem Einzelnen“. FÜR WEITERE INFOS: FOX NETWORKS GROUP GERMANY GmbH · Felicia Ruf · PR & Kommunikation · Tel: 089-20 30 49 121 · [email protected] facebook.com/foxchannel.de twitter.com/ FOXNetworksDE www.foxchannel.de mediashare.foxchannel.de Top 3 Highlights Oktober 2017 Staffel 1, 6 Episoden Staffel 5, 9 Episoden TV-PREMIERE: ab 20. -
Narrative Strategies and Music in Visual Albums
Narrative strategies and music in visual albums Lolita Melzer (6032052) Thesis BA Muziekwetenschap MU3V14004 2018-2019, block 4 University of Utrecht Supervisor: dr. Olga Panteleeva Abstract According to E. Ann Kaplan, Andrew Goodwin and Carol Vernallis, music videos usually do not have a narrative, at least not one like in classical Hollywood films. David Bordwell and Kristin Thompson state that such a narrative consists of events that are related by cause and effect and take place in a particular time and place. However, articles about music videos have not adequately addressed a new trend, namely the so called “visual album”. This medium is a combination of film and music video elements. Examples are Beyoncé’s much discussed visual album Lemonade from 2016 and Janelle Monáe’s “emotion picture” Dirty Computer from 2018. These visual albums are called ‘narrative films’ by sites such as The Guardian, Billboard and Vimeo, which raises questions about how narrative works in these media forms, because they include music videos which are usually non-narrative. It also poses the question how music functions with the narrative, as in most Hollywood films the music shifts to the background. By looking at the classical Hollywood narrative strategy and a more common strategy used in music videos, called a thread or motif strategy by Vernallis, I have analysed the two visual albums. After comparing them, it seems that both Lemonade and Dirty Computer make use of the motif strategy, but fail in achieving a fully wrought film narrative. Therefore, a different description to visual albums than ‘narrative film’, could be considered. -
Podcast Academy Unveils Nominees for Inaugural Awards for Excellence in Audio
FOR IMMEDIATE RELEASE PODCAST ACADEMY UNVEILS NOMINEES FOR INAUGURAL AWARDS FOR EXCELLENCE IN AUDIO THE AMBIES TO STREAM LIVE ON YOUTUBE AND TWITCH ON SUNDAY, MAY 16, 2021 AT 5PM PT / 8PM ET New Members Eligible to Vote in Final Phase; Deadline to Join is March 26 LOS ANGELES, CA, MARCH 4, 2021 -- The Podcast Academy, the preeminent professional podcast organization, has unveiled the nominees for its inaugural Awards for Excellence in Audio (The Ambies). The Ambies celebrate excellence in podcasting and elevate awareness and status of podcasts as a unique and personal medium for entertainment, information, storytelling and expression. The ceremony will be streamed LIVE on YouTube, Twitch and other platforms on Sunday, May 16, 2021 from Los Angeles, CA at 5PM PT/8PM ET, with a pre-show starting at 4:30PM PT/7:30PM ET. The Ambies will highlight 164 nominees across 23 categories — with winners to be selected by every voting member of The Podcast Academy — in addition to a Governor’s Award. Eligible new members will be able to vote to determine this year’s winners if registered by March 26. More information about becoming a member may be found here. “The Podcast Academy was founded a year ago with the mission to foster inclusivity, elevate awareness and build excitement for podcasts through initiatives, programming and our annual awards,” said Chairman of the Podcast Academy, Donald Albright, President & Co-Founder of Tenderfoot TV. “Today, we celebrate the community with the announcement of our first-ever Ambies nominees. They are just as diverse as the creators, both in front of and behind the mic, and are reflective of the far reaching medium. -
Thorragnarok59d97e5bd2b22.Pdf
©2017 Marvel. All Rights Reserved. CAST Thor . .CHRIS HEMSWORTH Loki . TOM HIDDLESTON Hela . CATE BLANCHETT Heimdall . .IDRIS ELBA Grandmaster . JEFF GOLDBLUM MARVEL STUDIOS Valkyrie . TESSA THOMPSON presents Skurge . .KARL URBAN Bruce Banner/Hulk . MARK RUFFALO Odin . .ANTHONY HOPKINS Doctor Strange . BENEDICT CUMBERBATCH Korg . TAIKA WAITITI Topaz . RACHEL HOUSE Surtur . CLANCY BROWN Hogun . TADANOBU ASANO Volstagg . RAY STEVENSON Fandral . ZACHARY LEVI Asgardian Date #1 . GEORGIA BLIZZARD Asgardian Date #2 . AMALI GOLDEN Actor Sif . CHARLOTTE NICDAO Odin’s Assistant . ASHLEY RICARDO College Girl #1 . .SHALOM BRUNE-FRANKLIN Directed by . TAIKA WAITITI College Girl #2 . TAYLOR HEMSWORTH Written by . ERIC PEARSON Lead Scrapper . COHEN HOLLOWAY and CRAIG KYLE Golden Lady #1 . ALIA SEROR O’NEIL & CHRISTOPHER L. YOST Golden Lady #2 . .SOPHIA LARYEA Produced by . KEVIN FEIGE, p.g.a. Cousin Carlo . STEVEN OLIVER Executive Producer . LOUIS D’ESPOSITO Beerbot 5000 . HAMISH PARKINSON Executive Producer . VICTORIA ALONSO Warden . JASPER BAGG Executive Producer . BRAD WINDERBAUM Asgardian Daughter . SKY CASTANHO Executive Producers . THOMAS M. HAMMEL Asgardian Mother . SHARI SEBBENS STAN LEE Asgardian Uncle . RICHARD GREEN Co-Producer . DAVID J. GRANT Asgardian Son . SOL CASTANHO Director of Photography . .JAVIER AGUIRRESAROBE, ASC Valkyrie Sister #1 . JET TRANTER Production Designers . .DAN HENNAH Valkyrie Sister #2 . SAMANTHA HOPPER RA VINCENT Asgardian Woman . .ELOISE WINESTOCK Edited by . .JOEL NEGRON, ACE Asgardian Man . ROB MAYES ZENE BAKER, ACE Costume Designer . MAYES C. RUBEO Second Unit Director & Stunt Coordinator . BEN COOKE Visual Eff ects Supervisor . JAKE MORRISON Stunt Coordinator . .KYLE GARDINER Music by . MARK MOTHERSBAUGH Fight Coordinator . JON VALERA Music Supervisor . DAVE JORDAN Head Stunt Rigger . ANDY OWEN Casting by . SARAH HALLEY FINN, CSA Stunt Department Manager . -
2013 NIDA Annual Report
NATIONAL INSTITUTE OF DRAMATIC ART THEATRE FILM TELEVISION 215 ANZAC PARADE KENSINGTON NSW 2033 POST NIDA UNSW SYDNEY NSW 2052 PHONE 02 9697 7600 2013 NIDA Annual Report FAX 02 9662 7415 EMAIL [email protected] ABN 99 000 257 741 NATIONAL INSTITUTE OF DRAMATIC ART Theatre, Film, Television WWW.NIDA.EDU.AU ABOUT NIDA The National Institute of Dramatic Art (NIDA) is a public, not-for-profit company and is accorded its national status as an elite training institution by the Australian Government. CONTENTS We continue our historical association with the University of New South Wales and maintain FROM THE CHAIRMAN 4 strong links with national and international arts training organisations, particularly through membership of the Australian Roundtable for Arts Training Excellence (ARTATE) and through FROM THE DIRECTOR / CEO 5 industry partners, which include theatre, dance and opera companies, cultural festivals and UNDERGRADUATE STUDIES 8 film and television producers. NIDA delivers education and training that is characterised by quality, diversity, innovation GRADUATE STUDIES 10 and equity of access. Our focus on practice-based teaching and learning is designed to HIGHER EDUCATION STATISTICS 11 provide the strongest foundations for graduate employment across a broad range of career opportunities and contexts. NIDA OPEN 12 Entry to NIDA’s higher education courses is highly competitive, with around 2,000 NIDA OPEN STATISTICS 13 applicants from across the country competing for an annual offering of approximately 75 places across undergraduate and graduate disciplines. The student body for these PRODUCTIONS AND EVENTS AT courses totalled 166 in 2013. NIDA PARADE THEATRES 14 NIDA is funded by the Australian Government through the Ministry for the Arts, DEVELOPMENT 15 Attorney-General’s Department, and is specifically charged with the delivery of performing arts education and training at an elite level. -
LESLEY VANDERWALT Make-Up and Hair Designer
LESLEY VANDERWALT Make-Up And Hair Designer FILM PROMETHEUS 2 Make-Up and Hair Designer Filming Begins April 2016 Director: Ridley Scott 20th Century Fox GODS OF EGYPT Make-Up and Hair Designer Summit Entertainment Director: Alex Proyas MAD MAX: FURY ROAD Make-Up and Hair Designer Village Roadshow Pictures Director: George Miller Winner: Academy Award for Best Make-Up and Hairstyling Winner: BAFTA for Best Make-up and Hair Winner: Critics’ Choice Award for Best Hair & Make-Up Winner: Make-Up Artists & Hair Stylists Guild Awards for Best Period and/or Character Make-Up THE GREAT GATSBY Make-Up and Hair Supervisor – Additional Design Warner Bros. Director: Baz Luhrmann Winner of the M.A.C Austrailia APDG Award for Make-up shared with Kerry Warn and Maritzio Silvi. Nominated for Hollywood Make-up Artists and Hairstylists Guild Award Best Character Make-Up SLEEPING BEAUTY Make-Up and Hair Designer / Make-Up Department Head Magic Films Director: Julia Leigh Cast: Emily Browning, Rachael Blake, Ewen Leslie, Eden Falk, Mirrah Folks, Chris Haywood, Hugh Keays-Byrne, Tammy Macintosh, Tracy Mann, Sarah Snook, Matthew Whittet Winner of the M.A.C Austrailia APDG Award for Make-up KNOWING Make-Up and Hair Designer Summit Entertainment Director: Alex Proyas Cast: Rose Byrne, Ben Mendelsohn AUSTRAILIA Make-Up and Hair Supervisor – Additional Design 20th Century Fox Director: Baz Lurmann Cast: Jack Thompson, Ben Mendelsohn, Jacek Koman, Sandy Gore, Wah Yuen, Ursula Yovich, GHOST RIDER Make-Up and Hair Designer Columbia Pictures Director: Mark Stephan -
10TH ANNUAL MAC AWARDS NOMINEES PAGE 6 OLD WESTBURY TV UPDATE PAGE 2 the CATALYST Executive Editor: Contributors: Selena M
MAY 2017 THE STUDENT NEWSPAPER OF SUNY OLD WESTBURY #557 Free T H E [email protected]“IGNITING THE MIND” OldWestburyCatalyst.org FEAR AND THE FACTS ABOUT EXCELSIOR IMMIGRATION SCHOLARSHIP: ENFORCEMENT PLUSES AND By Margaret Caruso MINUSES ast month, a panel including immi- gration activists, legal experts, and By Nathalie Ligonde and Lthe chief of the SUNY Old Westbury Danielle Joseph police gathered to discuss the impact of changes in immigration policy and enforcement not only on the Old West- overnor Andrew Cuomo unveiled bury campus but the greater New York last month the Excelsior Scholar- community. Panelists focused on the Gship program, proudly stating, facts and fears about ICE enforcement “There is no child who will go to sleep and deportation threats, the Trump tonight and say: I have great dreams, but Travel Ban, and the increase of instances I don’t believe I’ll be able to get a college of bias and hate. education because parents can’t afford Over 50 students and faculty mem- it. With this program, every child will bers attended eager to know how current have the opportunity that education being revoked. She explained the direct number, or even a driver’s license.” The political policies may impact them legal- provides.” impact it may have on undocumented ongoing uncertainty about whether the ly, morally and physically. Long Island The program was touted by the gov- Wins own Special Projects Coordinator, immigrants. Trump administration will terminate As part of a continued seminar series DACA, as promised heavily in his cam- ernor as the first of its kind in the nation.