Catholic University Law Review Volume 47 Issue 4 Summer 1998 Article 7 1998 Follow the Footnote or the Advocate as Historian of Same-Sex Marriage Peter Lubin Dwight Duncan Follow this and additional works at: https://scholarship.law.edu/lawreview Recommended Citation Peter Lubin & Dwight Duncan, Follow the Footnote or the Advocate as Historian of Same-Sex Marriage, 47 Cath. U. L. Rev. 1271 (1998). Available at: https://scholarship.law.edu/lawreview/vol47/iss4/7 This Article is brought to you for free and open access by CUA Law Scholarship Repository. It has been accepted for inclusion in Catholic University Law Review by an authorized editor of CUA Law Scholarship Repository. For more information, please contact
[email protected]. FOLLOW THE FOOTNOTE OR THE ADVOCATE AS HISTORIAN OF SAME-SEX MARRIAGE Peter Lubin & Dwight Duncan* Sex as an institution, sex as a general notion, sex as a prob- lem, sex as a platitude-all this I find too tedious for words. Let us skip sex. Vladimir Nabokov, Strong Opinions1 But you're not a girl-you're a guy. Why would a guy want to marry a guy? Tony Curtis to Jack Lemmon, Some Like It Ho? Early in the twentieth century a talented group of Russian literary critics, known collectively as the Formalists, began to analyze literary prose as a collection of "devices" that could be isolated, described, un- derstood, and-by the right student--copied. One of these Formalist critics, Viktor Shklovsky, developed the theory of "art as device" in his study "Iskusstvo kak Priyom (Art as Device)",3 in which he famously analyzed the technique of "making strange" (ostranenie).