Highland Park, Pittsburgh – Big City Appeal, Small Community Feel

Total Page:16

File Type:pdf, Size:1020Kb

Highland Park, Pittsburgh – Big City Appeal, Small Community Feel July 2018 Community Council Newsletter IN THIS ISSUE: Highland Park A Letter from the 2 President June Meeting 3 Minutes Reservoir 5 of Jazz Line-up Destination 9 Highland Park: Teppanyaki Kyoto Highland Park 11 Nature Watch New Online 14 Search Tools Available for Pittsburgh Residents Around 16 St. Andrew’s Reservoir 1 to get it back online, significant infrastructure changes to the pumping station at the end of N. Negley - that odd 1970’s looking building - so we can eliminate the temporary pumps across the street from the Park Lane, organizing the replacement of the Highland Park Super Playground as it is reaching the end of its life cycle, working with the Port Authority on their BRT plans, supporting Preservation Pittsburgh in their efforts to have our park added to the National Register of Historic Places, to name a few. It’s okay, you are not trapped in some strange If you missed the June HPCC meeting, be sure Groundhog Day scenario. In June, I became the to read through the meeting minutes in this president of the HPCC again. issue. PWSA gave a very thorough presentation on upcoming projects in the neighborhood that My thanks to Jake, who did a tremendous job you should at least be aware of. Nikole Sheaffer, over the past few years. I am grateful for his Highland Park resident and teacher, gave a good ongoing counsel and continued commitment overview of The Environmental Charter School to the neighborhood. Many of you may not be as well. aware, but numerous former board members continue to be very active in the neighborhood, I hope everyone is looking forward to Reservoir volunteering their many talents on various of Jazz, the HPCC sponsored free concerts in the committees and special projects. I honestly could park Sunday’s in August + Labor Day, from 5-7 not do this job without their support behind the p.m. We have a great line up this year that you scenes. can also read about in this issue. We’ll be selling 50/50 raffle tickets again so be sure to take a We have a number of large projects coming few bucks with you when you go. up and I am glad to be at the helm again to represent the neighborhood with a strong voice. Enjoy the rest of the summer! Some of the projects this year include working with PWSA on their implementation of the DEP’s required treatment/safety improvements to the Monica Watt water treatment facility in the park and Highland HPCC President 2 estimated that the improvements will cost HPCC June more than $700,000 million and take more than 5-10 years. Meeting Minutes Highland Reservoir #1 is still offline due to not meeting DEP requirements. For the last several Meeting called to order at 7:06 p.m. by months, Reservoir #2 has been producing all of Jake Pawlak the drinking water for this area. This is fine for the moment, but the system works better with Police Zone 5 updates – Officer McNeal and both reservoirs. The PWSA goals are to improve Officer Crawford the system and the quality of water. Last month there has not been too much crime in Highland Park. Officer Crawford spoke about two PWSA used to car break-ins in the neighborhood and reminded have an annual all community members to please lock your cars budget of $20 and homes to protect your belongings from million for theft. Zone 5 also extended thanks to HPCC for improvements participating in Zone 5 Community Day event. It but due to new was a great success. regulatory actions and years of Pittsburgh Water & Sewer Authority - not doing major Bob Weimar, Executive Director improvements, The changes the organization needed to the will likely need reservoir and the more than $200 pump systems million for the in Highland next several Park require years. immense cost, time, and work Barry King, PSWA Chief Engineer to improve the Three urgent projects for this summer: current outdated 1.) Two additional buildings required for facilities and make application of orthophosphate to treat our water meet the water current water standards, which a. Will help corrosion reduction in the have recently pipes changed. It is 3 b. Intend to meet water standards and still Annual Meeting Presentation and Elections – keep park aesthetically pleasing Jake Pawlak, Outgoing HPCC President c. Orthophosphate process was decided Nominations accepted for Officers and Board upon to maintain the corrosion in this Members area after a year of study Nominee for President – Monica Watt 2.) UV Treatment will occur inside the current Nominee for Vice President – Stephanie Walsh reservoir facility and not be visible to people Nominee for Treasurer – Paul Miller walking in the park Nominee for Secretary – Karin Manovich Nominees for Board Member: 3.) Security cameras and a security guard required to meet PA DEP standards and • Betsy Rogers avoid large and unsightly fences • Mac Lynch a. Cameras are required for security. One • Justin Sandherr pole structure will be required. Cameras will take 360 degree surveillance of All Officer and Board nominees were elected Reservoir #1 unanimously. b. Security guard at all times when PSWA staff are not present Glenn Schultz stated the HPCC Board has approved the budget for the upcoming year. He 3 Strategic projects for the next year also encouraged that all community members to 4.) Pump station replacement make their $25 annual donation and to consider a 5.) New rising main larger donation this year if you have the capacity to do so. All can be done on our website 6.) Replacement of Highland Reservoir #2 cover www.hpccpgh.org. a. Timewise, it is important to replace this concurrent with the other work The Environmental Charter School – Nikole Sheaffer, Teacher and Visionary Additional Notes from the Q&A • 5 core principles of the Environmental Charter • PWSA has consulted with Pittsburgh Parks School Conservancy, Pittsburgh Port Authority, – Integration Pittsburgh Zoo and others – Getting students outside – Projects discussed with these partners include a possible Mellon Terrace redesign – Environment to accommodate PAT Bus needs – Authentic learning • Permits have been requested for all “urgent” – Whole child projects and work will begin after all permits • Currently 2 campus’ with a third building in are in place development near the Highland Park area, due • There will not be a building for the security to increase demand guard. He will be in the current building. – K-3 in Point Breeze • Traffic will be taken into consideration during – Milton Building/Frick Park all construction – James E. Rogers School 3rd building (in • Non-urgent projects will be discussed at a Development) former CAPPA building future HPCC later this summer • In 2019 there will 26 additional slots open in • PWSA is working with Pittsburgh Parks each grade level K-9 due to increasing demand Conservancy to preserve as many trees as possible • Applications will go live on their website in October • Council Woman Deb Gross, also in attendance, acknowledged the work that PWSA has done to keep Highland Reservoir #1 an open air reservoir 4 Join us for Reservoir of JSundaysA in AugustZ This summer you canZ once again relax on the lawn at Highland Park to the sounds of jazz performed by Pittsburgh’s finest musicians! When: Sunday evenings, August 5 – September 2 Time: 5 – 7 p.m. Location: The entrance to Highland Park, on the lawn Admission: FREE Roger Humphries August 5 & RH Factor August 12 TRAVLIN’ Rick DiMuzio & Tony August 19 Martucci Quartet Marty Ashby & Steve August 26 Rudolph Quartet Parker/ September 2 Throckmorton Trio 5 August 12 TRAVLIN’ TRAVLIN’ offers a fresh, new interpretation of timeless classics & originals. The band is diverse, artistically driven, and crosses many genres. For the first time in 18 years of volunteering as Chairperson of the HPCC Reservoir of Jazz Committee, Tania Grubbs will be taking the stage, sharing her vocal talents! Tania has been singing as long as she can remember, from concert stage to theatre stage to bandstand. While a student at Youngstown State University she gravitated toward singing August 5 and learning about jazz starting with the classic Roger Humphries American Songbook. Whenever possible, she would sing, and many years ago at a jazz session is where & RH Factor she met her now husband bassist, Jeff Grubbs. Jeff’s career landed the couple in South Florida Roger was 3-1/2 years old when his family first where they lived for 5 years. Tania was a featured discovered his early talent for playing drums. vocalist with the Florida Philharmonic, and a “voice” of Boca Raton Pops Orchestra for 3 years. In When Roger was 4-1/2 years old he sat in 1996, Jeff landed his position with the Pittsburgh with the Tab Smith Big Band. His Uncle Frank Symphony Humphries was working with the Tab Smith Orchestra, so band along with Savannah Churchill at the the family, now time. He began playing professionally at of 3, moved to the age of fourteen. He led his own group Pittsburgh. at Carnegie Music Hall when just sixteen. “I’ve had a love for music as long as I can TRAVLIN’ remember.” includes Ohio native, Clifford After playing with various groups around “Cliff” Barnes, the country, ace drummer Roger Humphries a well decided to organize his own group in 1972 sought-after which he calls RH Factor. keyboardist, organist Read the full bio on Roger here: & bassist. http://rogerhumphriesband.com/. He offers incredible His talent and legacy is impressive. depth to his playing, escalating songs to extraordinary heights, offering endless possibilities; Bassist Jeff Grubbs, a classical & jazz bassist who for the past 22 years has also been a member of the Pittsburgh Symphony Orchestra; Drummer David Throckmorton, a Pittsburgh based drummer who has traveled the world and recorded with trumpet legend Maynard Ferguson.
Recommended publications
  • KSU Faculty Jazz Parliament Presenting the “Partial-Ment”
    SCHOOL of MUSIC Where PASSION is heard KSU Faculty Jazz Parliament Presenting the “Partial-Ment” Sam Skelton, Reeds Rob Opitz, Trumpet/Flugelhorn Tyrone Jackson, Piano Marc Miller, Bass Justin Chesarek, Drums Thursday, October 1, 2020 | 7:30 PM Presented virtually from Morgan Concert Hall of the Bailey Performance Center PROGRAM Selections will be announced from the stage. BIOGRAPHIES Justin Chesarek Percussionist Justin Chesarek began gigging at the age of twelve with Pittsburgh jazz legend Harold Betters and spent time listening to Roger Humphries live, well-known for his work with Horace Silver. Afer earning a Bachelors of Music in Music Education from Slippery Rock University, Justin pursued a Masters of Music and Jazz Studies at Georgia State University. Along the way, Chesarek filled his gig calendar, making a name for himself as an exceptional musician. He performs regularly with Joe Alterman, Trey Wright, Gary Motley, The Joe Gransden Big Band, the ATL Collective, and he is a regular at the Atlanta Jazz Festival. He has performed at The Iridium and The Blue Note in New York, Washington D.C’s Kennedy Center, a TED Talk, the Juneau Jazz and Classics Festival in Alaska, The North Sea Jazz Festival in Holland, and the Montreaux Jazz Festival in Switzerland. Chesarek teaches Jazz Percussion at Kennesaw State University, he is the Artist Affiliate of Jazz Percussion at Emory University, and he runs a private studio of his own, working with students of all ages. His students have gone on to become professional touring musicians, off-broadway theater pit players, and top call Atlanta drummers.
    [Show full text]
  • Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
    [Show full text]
  • August Wilson African American Cultural Center Launches Aw Studio Sessions Monthly Virtual Music Series
    AUGUST WILSON AFRICAN AMERICAN CULTURAL CENTER LAUNCHES AW STUDIO SESSIONS MONTHLY VIRTUAL MUSIC SERIES New Series Features Orrin Evans, Leela James, Roger Humphries, Gerald Veasely and Carol Riddick, Lyndsey Morgan Smith & more November 23, 2020 – Pittsburgh, PA – The August Wilson African American Cultural Center (AWAACC), one of the largest non-profit cultural organizations in the country focused exclusively on the African American experience and the arts of the African diaspora, announced the launch of AW Studio Sessions, a new monthly virtual music series. Featuring some of today’s most talented jazz, blues, R&B, and traditional Brazilian musicians and vocalists, AW Studio Sessions were recorded live in a series of intimate studio sessions. These digital concerts will be streamed on the first Thursday of every month beginning December 3, 2020 and will run through April 2021, with a special added performance by Leela James on Thursday, December 17, 2020, who will perform an array of Gertrude “Ma” Rainey classics in honor of the release of Netflix’s film adaptation of August Wilson’s Ma Rainey’s Black Bottom. Including performances by Roger Humphries, Gerald Veasely, Carol Riddick and a special work entitled Terreno Comun: The Brazilian Project by Orrin Evans commissioned by the Center, AW Studio Sessions showcase the Center’s commitment to supporting artists through performance, educational and commission opportunities. AW Studio Sessions offers a broad range of Black musical traditions. Over the course of the winter, the sessions will dive into varied styles from jazz, soul and more, and will explore the influence of Nina Simone, an artist who shared August Wilson’s passion for social justice.
    [Show full text]
  • Jazz Ensembles Concert.Indd
    UPCOMING PERFORMANCES GRIFFIN CONCERT HALL / UNIVERSITY CENTER FOR THE ARTS NOVEMBER 15, 2018 / 7:30 P.M. MUSIC PERFORMANCES Graduate String Trio Recital November 15, 7:30 p.m. ORH Music in the Museum Concert Series / FREE November 20, noon, 6 p.m. GAMA JAZZ ENSEMBLES CONCERT Holiday Spectacular Open Rehearsal for students (ID required) November 28, 7 p.m. GCH Parade of Lights Preview / FREE November 29, 6 p.m. UCA Holiday Spectacular November 29, 7 p.m. GCH Special Guest Don Aliquo Holiday Spectacular December 2, 4 p.m. GCH Concert Orchestra Concert / FREE December 2, 7:30 p.m. ORH SHILO STROMAN DIRECTOR DANCE PERFORMANCES Fall Dance Capstone Concert December 7, 8, 7:30 p.m. UDT WIL SWINDLER Fall Dance Capstone Concert December 8, 2 p.m. UDT DIRECTOR THEATRE PERFORMANCES Big Love by Charles Mee November 16, 7:30 p.m. ST Big Love by Charles Mee November 17, 2 p.m. ST Freshman Theatre Project / FREE November 30, 7:30 p.m. ST www.CSUArtsTickets.com UNIVERSITY CENTER FOR THE ARTS SEASON SPONSORS www.bwui.com www.ramcardplus.com CSU JAZZ ENSEMBLE II SHILO STROMAN, Director Hot House / TADD DAMERON arr. by JACK COOPER Soloist: Nicky Podrez, trumpet Josh Zimmerman, alto sax For All We Know / FRED COOTS (lyrics by SAM M. LEWIS) arr. by JOHN CLAYTON Soloist: Samantha Williams, piano Rivers / MIKE TOMARO Soloists: Nicky Podrez, trumpet Addy Dodd, bari sax Ian Maxwell, drums Lil’Darlin / NEAL HEFTI Soloists: Carolina Knonbauer, trumpet Tenor Madness / SONNY ROLLINS arr. by MARK TAYLOR Soloists: Kevin Rosenberger, tenor sax Noah Gulbrandson, tenor
    [Show full text]
  • Checklist for Beginning Through Intermediate Jazz Students
    Checklist for Beginning through Intermediate jazz students by Michael Tracy - Director, Jamey Aebersold Jazz Studies Program at the University of Louisville One of the most challenging things for young students as they strive to study jazz, is where to begin and what to practice. Often I hear either ‘what do I do, where do I begin’ or ‘there is so much I just don’t know where to start’. I have found it most helpful to provide these students a checklist of what needs to be covered. This helps the student and teacher to plan how and what to practice and, even more importantly, how to budget practice time. The following are areas which any student must address if they are to improve their skills within the jazz idiom. I will list basic areas with specific tasks followed by a suggested practice schedule. I. LISTENING TO JAZZ MASTERS AND SIGNIFICANT RECORDINGS I cannot imagine any student wishing to be involved in a creative activity not immersing themselves in examples. An art student seeks out examples by master artists such as Di Vinci, Rembrandt, Van Gogh, Picasso or Dali. Writers will read the works of Shakespear, Dickens, Poe, Wilde or Hemingway. The young classical musician will most certainly listen to Hayden, Mozart, Beethoven, Debussy and much more. Unfortunately, many aspiring jazz students don’t seem to surround themselves with the examples that will help open their minds and more importantly their ears. Too often the young jazz student is attracted to recordings which, while popular, don’t challenge or enlighten them musically.
    [Show full text]
  • Jazz Combos 5:30 Performance
    Directors: JUSTIN CHESAREK TREY WRIGHT TYRONE JACKSON MARC MILLER LUKE WEATHINGTON Saturday, February 3, 2018 Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Wednesday, MarchSeventy-fourth 27, 2019 at and5:30 Seventy-fifthpm and 8 pm Concerts Wilson Annex Building,of theOnyx 2017-18 Theater Concert Season Seventy-second & Seventy-third Concerts of the 2018-19 Concert Season 18SEASON19 5:30 performance Jazz Combos THURSDAY 109 COMBO, Justin Chesarek, Director Sandu / Clifford Brown / arr. Chesarek The Days of Wine and Roses / Henry Mancini and Johnny Mercer Afternoon in Paris / John Lewis WEDNESDAY 109 COMBO, Trey Wright, Director “A Tribute to Art Blakey and the Jazz Messengers” One by One / Wayne Shorter Along Came Betty / Benny Golson Blues March / Golson WEDNESDAY 2080 COMBO, Tyrone Jackson, Director Midnight Sun / Lionel Hampton and Sonny Burke Devil May Care / Bob Dorough / arr. Jamie Cullum Afro Blue / Mongo Santamaria / arr. Robert Glasper Jazz Combos 8:00 performance THURSDAY ANNEX COMBO, Marc Miller, Director When You Wish Upon a Star / Leigh Harline and Ned Washington Norwegian Wood / John Lennon and Paul McCartney / arr. Herbie Hancock Somewhere in the Hills / Music: Antonio Carlos Jobim / Lyric: Vinicius de Moraes / English lyric: Ray Gilbert THURSDAY 2080 COMBO, Tyrone Jackson, Director Midnight Special / Jimmy Smith Jazz Crimes / Joshua Redman Red Clay / Freddie Hubbard WEDNESDAY SCOTT COMBO, Luke Weathington, Director New Sense / Brad Cannata Cocho / Cannata Bye Bye Blues / Josh Inglis 5:30 pm Personnel 8:00
    [Show full text]
  • A Contextual Study of the Art of Three Pittsburgh Jazz Drummers
    CORE Metadata, citation and similar papers at core.ac.uk Provided by D-Scholarship@Pitt THE INTERPRETATION OF EXPERIENCE: A CONTEXTUAL STUDY OF THE ART OF THREE PITTSBURGH JAZZ DRUMMERS by Kenan A. Foley Bachelor of Music, Southern University and A & M College, 1984 Master of Arts, Binghamton University, 1995 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH Faculty of Arts and Sciences This dissertation was presented by Kenan A. Foley It was defended on April 23, 2007 and approved by Dr. Nathan T. Davis, Professor of Music, Dissertation Advisor J. H. Kwabena Nketia, Andrew W. Mellon Professor Emeritus of Music Dr. Akin Euba, Andrew W. Mellon Professor of Music Dr. Mathew Rosenblum, Professor of Music ii Copyright © by Kenan Foley 2007 iii THE INTERPRETATION OF EXPERIENCE: A CONTEXTUAL STUDY OF THE ART OF THREE PITTSBURGH JAZZ DRUMMERS Kenan A. Foley, PhD University of Pittsburgh, 2007 This dissertation presents an ethnomusicological study of the art of three Pittsburgh jazz drummers, Joe Harris, Ron Tucker, and Roger Humphries with particular reference to the nexus relations between performance practice and the interpretation of experience. Following the work of Davis, Nketia and others this study argues for an approach to the analysis of black music which takes into consideration the viewpoints of the musicians who produce the music as well as those of the community who participate at performance events. Accordingly it examines the art of these drummers not only in terms of sound and structure but also in respect of the cultural factors that govern the operation of style and the meaning systems behind the music.
    [Show full text]
  • Suggested Listening - Jazz Artists 1
    SUGGESTED LISTENING - JAZZ ARTISTS 1. TRUMPET - Nat Adderley, Louis Armstrong, Chet Baker, Terrance Blanchard, Lester, Bowie, Randy Brecker, Clifford Brown, Don Cherry, Buck Clayton, Johnny Coles, Miles Davis, Kevin Dean, Kenny Dorham, Dave Douglas, Harry Edison, Roy Eldridge, Art Farmer, Dizzy Gillespie, Bobby Hackett, Tim Hagans, Roy Hargrove, Phillip Harper,Tom Harrell, Eddie Henderson, Terumaso Hino, Freddie Hubbard, Ingrid Jensen, Thad Jones, Booker Little, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue Mitchell, Lee Morgan, Fats Navarro, Nicholas Payton, Barry Ries, Wallace Roney, Jim Rotondi, Carl Saunders, Woody Shaw, Bobby Shew, John Swana, Clark Terry, Scott Wendholt, Kenny Wheeler 2. SOPRANO SAX - Sidney Bechet, Jane Ira Bloom, John Coltrane, Joe Farrell, Steve Grossman, Christine Jensen, David Liebman, Steve Lacy, Chris Potter, Wayne Shorter 3. ALTO SAX - Cannonball Adderley, Craig Bailey, Gary Bartz, Arthur Blythe, Richie Cole, Ornette Coleman, Steve Coleman, Paul Desmond, Eric Dolphy, Lou Donaldson, Paquito D’Rivera, Kenny Garrett, Herb Geller, Bunky Green, Jimmy Greene, Antonio Hart, John Jenkins, Christine Jensen, Eric Kloss, Lee Konitz, Charlie Mariano, Jackie McLean, Roscoe Mitchell, Frank Morgan, Lanny Morgan, Lennie Niehaus, Greg Osby, Charlie Parker, Art Pepper, Bud Shank, Steve Slagel, Jim Snidero, James Spaulding, Sonny Stitt, Bobby Watson, Steve Wilson, Phil Woods, John Zorn 4. TENOR SAX - George Adams, Eric Alexander, Gene Ammons, Bob Berg, Jerry Bergonzi, Don Braden, Michael Brecker, Gary Campbell,
    [Show full text]
  • Mid Atlantic Arts Foundation's
    16 BNY Mellon Jazz 2017 Living Legacy Award Purpose: To honor living jazz master artists residing in the mid-Atlantic region who have made exceptional contributions to the development and perpetuation of jazz, distinguished themselves as performers, and have demonstrated a significant commitment to jazz education, either within schools, universities or conservatories; or through the mentorship of new generations of jazz artists. Eligibility: Artists must be citizens or permanent residents of the United States and currently reside in one of the following states or jurisdictions: Delaware, District of Columbia, Maryland, New Jersey, New York, Pennsylvania, U.S. Virgin Islands, Virginia or West Virginia. Process: Nominators are asked to submit the names and brief information on up to three artists they wish to be considered for the award (see attached Nomination Form). Nominations are confidential. The deadline for submissions is Friday, January 27, 2017. A panel of experienced arts professionals will review the submissions and select the BNY Mellon Jazz Living Legacy Award winner. Foundation staff will notify the winner and communicate the results of the selection process to the nominators. Award: The BNY Mellon Jazz Living Legacy Award winner will be honored during a ceremony at the John F. Kennedy Center for Performing Arts in Washington, DC in October 2015 and will also receive a cash award. In addition, the Foundation will publicize their achievements during the year of the award. Previous BNY Mellon Jazz Living Legacy Award winners: Since its inception, the award has been given to nineteen distinguished artists. Additionally, a special Millennium Award was conferred on Dr.
    [Show full text]
  • Woody Shaw - Gladsaxe Jazzlytteklub - 20
    Woody Shaw - Gladsaxe Jazzlytteklub - 20. marts 2019 Woody Shaw (W. Herman S. Jr.) Amerikansk trompetist, f. 21.12.1944 i Laurinburg, NC. d. 9.5.1989. Begyndte at spille trompet da han var 11 , og spillede som 18- årig med Willie Bobo og derefter med Eric Dolphy, hvis harmoniske opfattelse påvirkede ham stærkt. Opholdt sig i Paris1964-65 og spillede hér med bl.a. Johnny Griffin, Kenny Clarke og Art Taylor og spillede efter hjemkomsten med Horace Silver (The Cape Verdean Blues; Blue Note, 1965), Larry Young, Chick Corea (Tones for Joan's Bones; Atlantic, 1966), McCoy Tyner og Max Roach (1968-69). Var 1971-72 medlem af Art Blakeys Jazz Messengers (Mission Eternal; Prestige, 1972) og ledede i midten af 70'erne sammen med Louis Hayes en kvintet, der bl.a. akkompagnerede Dexter Gordon (Homecoming; CBS, 1976). Trods sygdom, misbrugsproblemer og svigtende syn havde han igennem 80'erne egne grupper med bl.a. Steve Turre og Mulgrew Miller og aver 1984-85 medlem af Paris Reunion Band. De sidste par år af sit lov var han kun sporadisk aktiv og han døde af komplikationer efter at have mistet sin ene arm ved at falde ud foran et tog i undergrundsbanen i New York. Med udgangspunkt i Lee Morgan og Freddie Hubbard absorberede Shaw påvirkninger fra Booker Little og Eric Dolphy og førte derved det typiske neobop trompetspil et skridt videre imod et rytmisk og harmonisk friere udtryk. Hans spil har siden haft betydning for bl.a. Tom Harrell og Dave Douglas, og det var primært af hans personlige problemer der var årsag til at han aldrig fik den bredere anerkendelse, som hans spils originalitet berettigede ham til.
    [Show full text]
  • Downbeat.Com September 2015 U.K. £4.00
    SEPTEMBER 2015 U.K. £4.00 DOWNBEAT.COM September 2015 VOLUME 82 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson,
    [Show full text]
  • Joe Resume.Pages
    Joseph Lawrence Badaczewski Trumpet - Arranger - Composer EDUCATION M.M. Performance, Duquesne University, Pittsburgh PA -Graduate Assistant to Sean Jones, Dr. Robert Cameron and Dr. Eli Tamar B.M. Trumpet Performance, Youngstown State University, Youngstown OH Master teachers Sean Jones, Dr. Christopher Krummel, Rick Baptist TEACHING EXPERIENCE Adjunct professor of Trumpet, Duquesne University, Pittsburgh PA 2014-present Interim professor of Trumpet, Youngstown State University, Youngstown OH 2016 Adjunct professor of Trumpet, Santa Ana College, Santa Ana CA 2010-2012 Teaching Assistant and Trumpet Soloist, Disneyland All-American College Band, Anaheim CA 2008, 2009 RECENT ENSEMBLE HISTORY Lead and solo trumpet, Pittsburgh Jazz Orchestra Frequent sub, C Street Brass Quintet Beauty Slap, winner of “Best Jazz and Blues Ensemble”, Pittsburgh City Paper, 2017 Manchester Craftsman’s Guild Jazz Orchestra East Central Collegiate Educators All-Star Big Band Duquesne Faculty Jazz Chamber Ensemble Trumpet and arranger, Lyndsey Smith and Soul Distribution Horn section and arranger for Brandon Flowers, lead singer of Grammy nominated rock band “The Killers” Director of the Joe Bad Chamber Jazz Project, affiliated with the multimillion dollar Pittsburgh Cultural Trust Frequent member of Roger Humphries RH Factor, of Horace Silver and Ray Charles fame RELEVANT PERFORMANCE TOURS C Street Brass Quintet -Artist in Residence, Strings Music Festival, Steamboat CO -Master Classes with the Boston Brass and Michael Sachs, principal trumpet of the Cleveland
    [Show full text]