DOCSLIB.ORG

Alice Cooper Lace and Whiskey Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Alice Cooper Lace And Whiskey mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Lace And Whiskey Country: New Zealand Released: 1977 MP3 version RAR size: 1588 mb FLAC version RAR size: 1516 mb WMA version RAR size: 1280 mb Rating: 4.9 Votes: 276 Other Formats: ASF AHX DXD AIFF WMA MP1 DMF Tracklist Hide Credits 1 It's Hot Tonight 3:22 2 Lace And Whiskey 3:14 Road Rats 3 Musician [Player], Bass – Prakash JohnVocals – Julia Tillman Waters, Lorna Willard, 4:51 Venetta Fields Damned If You Do 4 3:14 Musician [Player], Piano – Al Kooper, Al MacMillan* 5 You And Me 5:09 6 King Of The Silver Screen 5:36 Ubangi Stomp 7 2:13 Written-By – Chas Underwood* 8 (No More) Love At Your Convenience 3:49 9 I Never Wrote Those Songs 4:34 10 My God 5:40 Companies, etc. Phonographic Copyright (p) – Warner Bros. Records Inc. Copyright (c) – Warner Bros. Records Inc. Phonographic Copyright (p) – WEA International Inc. Copyright (c) – WEA International Inc. Produced For – My Own Production Company Ltd. Designed At – Rod Dyer, Inc. Recorded At – Soundstage, Toronto Recorded At – Cherokee Studios Recorded At – Record Plant, N.Y.C. Recorded At – RCA Studios, Hollywood Recorded At – Producers Workshop Mixed At – Producers Workshop Published By – Ezra Music Published By – Early Frost Music Published By – All By Myself Published By – Hi Lo Music Credits Arranged By – Al MacMillan*, Bob Ezrin Choir – The California Boys' Choir Chorus Master – Douglas Neslund Management [Production Assistance] – Donna Dobbs, Fundador Roman, Kris Bennett, Scott Anderson Management [Total Misdirection At Alive Enterprises] – Shep Gordon Mixed By [Machines By] – John Stephens Musician [Player], Bass – Babbitt*, Tony Levin (tracks: 2, 4, 7) Musician [Player], Drums – Allan Schwartzberg, Jim Gordon (tracks: 3, 4, 5) Musician [Player], Guitar – Steve Hunter Musician [Player], Guitar, Vocals – Dick Wagner Musician [Player], Keyboards – Jozef Chirowski Musician [Player], Keyboards, Vocals – Bob Ezrin Musician [Player], Percussion, Vocals – Jimmy Maelen Musician [Player], Tenor Saxophone, Clarinet – Ernie Watts Other [Alcoholic Advisor] – Joe Gannon Performer [Alice Plays Himself] – Alice Cooper Photography By [Alice's Portraits] – Terry O'Neill Photography By [Cover], Design [Cover] – Richard Seireeni Producer [For My Own Production Co. Ltd.] – Bob Ezrin Recorded By – Brian Christian Recorded By [With] – Colonel Tubby, Galen Senegles*, Jim Frank, John Jansen, Rick Hart, Robert Hrycyna, Robert Stasiak, Tony D'amico Transcription By [Lyrics] – Linda Hennrick Written-By – Cooper* (tracks: 1 to 6, 8 to 10), Ezrin* (tracks: 1 to 6, 8 to 10), Wagner* (tracks: 1 to 4, 6, 8 to 10) Notes Repress of Lace And Whiskey, with an Arvato-style runout. Barcode and Other Identifiers Barcode (Scanned): 075992622721 Barcode: 0 7599-26227-2 1 Label Code: LC 0392 Matrix / Runout: [Warner logo] 56863752/759926227-2 21 Mastering SID Code: IFPI LB47 Mould SID Code: IFPI 0769 Distribution Code (France): WE 833 Rights Society: GEMA/BIEM Other versions Category Artist Title (Format) Label Category Country Year Alice Lace And Whiskey Warner Bros. BSK 3027 BSK 3027 US 1977 Cooper (LP, Album, Jac) Records Warner Bros. K56365, BSK Alice Lace And Whiskey K56365, BSK Records, Warner UK 1977 3027 Cooper (LP, Album) 3027 Bros. Records Alice Lace And Whiskey Warner Bros. BSK 3027 BSK 3027 US 1977 Cooper (LP, Album, Ins) Records Alice Lace And Whiskey 997 Melodi Plak 997 Turkey 1977 Cooper (LP, Album) Alice Lace And Whiskey South 383 High Stereo 383 1977 Cooper (LP, Album) Korea Related Music albums to Lace And Whiskey by Alice Cooper Alice Cooper - How You Gonna See Me Now Alice Cooper - Alice Cooper And Friends Highway 101 - Greatest Hits Alice Cooper - I'm Eighteen / Muscle Of Love Alice Cooper - Basta Ya Sr. Simpatico Don Henley - Everything Is Different Now Alice Cooper - Elected Alice Cooper - You And Me - It's Hot Tonight Daniel Powter - DP Alice Cooper - The Alice Cooper Show Alice Cooper - Alice Cooper Goes To Hell America - Hearts.
Recommended publications
  • “HUMANITY (Love Is in the Air)” Written by Dick Wagner Performed By: Bobby Taylor and the ASU Humanity Choir

    “HUMANITY (Love Is in the Air)” Written by Dick Wagner Performed By: Bobby Taylor and the ASU Humanity Choir

    “HUMANITY (Love is in the air)” Written by Dick Wagner Performed by: Bobby Taylor and the ASU Humanity Choir Dick Wagner (1942 to 2014) was a prolific songwriter and lead guitar player, legendary for his work with Alice Cooper, Lou Reed, Aerosmith, Kiss, and many more. Dick was generous in donating his talent and time to benefit the lives of others, and in the recent years before his passing, he wrote and produced songs and projects for St. Jude Children’s Research Hospital, the homeless of Detroit, Guitars for Vets, and to raise awareness of violence against women and children. In February 2014, Dick and Susan Michelson met with Dr. Neal Lester, founder of the Humanity 101 project at Arizona State University. Dr. Lester invited Dick to present a seminar, “An Evening with Dick Wagner.” A humanitarian by nature, Dick was so impressed by the Humanity 101 principles and objectives that he immediately wrote a song called, “Humanity (Love is in the Air).” He recorded a casual demo of the song and forwarded it to Dr. Lester. Dr. Lester loved the song and asked Dick to record the song, present and perform it as part of his planned ASU seminar. Five months later, Dick passed away unexpectedly. Dr. Lester invited Susan Michelson to be on the Advisory Board of Humanity 101. Over the course of several lunches and meetings, Dr. Lester continually expressed his interest in recording the song for ASU and Humanity 101. Two years later, Dr. Lester continued to pursue his desire to record the song. His passion for the project and the song led Susan to express that there was only one person with whom she would like to work to record the song.
  • STICK MEN - Tony Levin and Pat Mastelo�O, the Powerhouse Bass and Drums of the Group King Crimson for a Few Decades, Bring That Tradi�On to All Their Playing

    STICK MEN - Tony Levin and Pat MasteloO, the Powerhouse Bass and Drums of the Group King Crimson for a Few Decades, Bring That TradiOn to All Their Playing

    STICK MEN - Tony Levin and Pat Masteloo, the powerhouse bass and drums of the group King Crimson for a few decades, bring that tradion to all their playing. Levin plays the Chapman Sck, from which the band takes it’s name. Having bass and guitar strings, the Chapman Sck funcons at mes like two instruments. Markus Reuter plays his selfdesigned touch style guitar – again covering much more ground than a guitar or a bass. And Masteloo’s drumming encompasses not just the acousc kit, but a unique electronic setup too, allowing him to add loops, samples, percussion and more. TONY LEVIN - Born in Boston, Tony Levin started out in classical music, playing bass in the Rochester Philharmonic. Then moving into jazz and rock, he has had a notable career, recording and touring with John Lennon, Pink Floyd, Yes, Alice Cooper, Gary Burton, Buddy Rich and many more. He has also released 5 solo CDs and three books. In addion to touring with Sck Men, since more than 30 years is currently a member of King Crimson and Peter Gabriel Band, and jazz bands Levin Brothers and L’Image. His popular website, tonylevin.com, featured one of the web’s first blogs, and has over 4 million visits. PAT MASTELOTTO - Very rarely does a drummer go on to forge the most successful career on the demise of their former hit band. Phil Collins and Dave Grohl have managed it, so too has Pat Masteloo, a self taught drummer from Northern California, who has also been involved with pushing the envelope of electronic drumming.
  • JD Reynolds Is an Artist in the Truest Sense of the Word

    JD Reynolds Is an Artist in the Truest Sense of the Word

    JD Reynolds is an artist in the truest sense of the word. A true singer, a real songwriter, a neoteric producer, an incredible dancer and striking performer, all wrapped up in a stunning package that could grace the cover of any magazine in the world, and yet, her down to earth country girl charm is what makes this extraordinary artist so real. JD Reynolds was born an artist. “It’s in my blood. Music, melody, lyrics and dance flow through my veins, gifts straight from God for which I am thankful”. JD’s Mother had Elvis, Michael Jackson, Prince, Roy Orbison, Dolly Parton and Whitney Houston on daily replay in the house, so JD grew up listening to the King of Rock ‘n Roll, The Prince of Pop, The PRINCE of Everything, The Caruso of Rock, The Queen of Country Music and The Queen of the Night. JD’s sound is fresh originality for country music. “My entire album came to me like a bolt of lightning, the JD sound, my sound, respecting country music routes yet having my own next level twist”. As an up and coming producer, JD teamed up with seasoned producer Braddon Williams to co-produce what country music insiders have nicknamed “The Jagged Little Pill of country". Braddon has achieved more than thirty top-ten hits, amassed over thirty times platinum in record sales, and his work has received both Grammy and ARIA award nominations, credits include Beyoncé, Snoop Dogg, P Diddy, The Script, Kelly Clarkson, and his latest favourite, JD Reynolds. Braddon knew he was helping to create a unique country album for an incredible talent.
  • On the Road with Alice Cooper

    On the Road with Alice Cooper

    BĚĦİŇĐ ȚĦĚ ČŲŘȚǺİŇ ẄİȚĦ ǺĿİČĚ ČǾǾPĚŘ ŘǾČĶ ǺŇĐ ŘǾĿĿ ĦǺĿĿ ǾF FǺMĚŘ ǺĿİČĚ ČǾǾPĚŘ, "ȚĦĚ ĢǾĐFǺȚĦĚŘ ǾF ȘĦǾČĶ ŘǾČĶ" By Larissa and Michael Milne Print Like 0 Share (/aaaworld/article/?Id={3B0F0C18-17E8-4F14-BCF2- 4FD65C905AB9}&et_cid=MJ19_Features_Alice-Cooper) Photo by C. Elliott Photography Rock & Roll Hall of Famer Alice Cooper, considered “The Godfather of Shock Rock,” is world famous for his many hits, including “School’s Out” and “No More Mr. Nice Guy.” The 71-year-old singer still tours for almost 200 days annually, with performances that are part vaudeville, part Broadway and 100 percent musical thunder. In keeping with his macabre onstage persona, he slides into a guillotine for the highlight of the concert. While a shocking maneuver, it’s done with a sly wink at the audience not to take it too seriously. Offstage, Cooper is a reflective family man with many interests, including golf, classic cars and his foundation, Solid Rock, that helps teens in his hometown of Phoenix, Arizona, to explore and develop their artistic talents. AAA World: How did you first get interested in cars? Alice Cooper: I’m originally from Detroit [Michigan], so it’s in my DNA. I’d always sit in art class designing cars. In my teens, I was at that perfect age, with all the Beach Boys songs about cars and driving. A car was your declaration of independence that also reflected who you were. You had to have something that was flashy and cool. AAAW: What was your first car? Cooper: It was a 1966 Ford Fairlane GT 390, yellow with a black stripe.
  • Eric Singer: Road Warrior

    Eric Singer: Road Warrior

    EXCLUSIVE! KISS DRUMMERS TIMELINE KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISSTHE WORLD’SKISS KISS #1 DRUMKISS RESOURCEKISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS ERICKISS KISS KISSSINGER: KISS KISS KISS ROADKISS KISS KISS WARRIOR KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS2020 KISS KISSMD KISS READERS KISS KISS KISS KISSPOLL KISS KISS KISS KISS KISSSS KISSKIS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISSSS KISSKIS KISS KISS KISSBALLOT’S KISS KISS KISS KISSOPEN! KISS KISS KISS KISS KISS KISS KISSSS KISS KIS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISSREMO KISS SUBKISS MUFF’LKISS KISS REVIEWED KISS KISS KISS KISS KISS KISS KISS KISSJANUARY KISS 2020 KISS KISS2019 KISS CHICAGO KISS KISS DRUM KISS KISS SHOW KISS KISS KISS KISS KISS KISS KISS KISS KISS KISSCREATIVE KISS KISS PRACTICE KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISSSTANTON KISS KISS MOORE KISS KISS GEARS KISS UPKISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS KISS What’s Old is New Again.
  • Alice Cooper Schools out Special Offer

    Alice Cooper Schools out Special Offer

    Alice Cooper Schools Out Special Offer If renegotiable or unipersonal Bradley usually round-up his bookmobile flamming pseudonymously or denouncing stintedly and gymnastically, how expletive is Clifford? Convolute Parker wobbles or detribalizing some reanimation all, however digested Krishna breast-feed apologetically or peised. Is Rolland slimline or symbolist when throttling some micromillimetre slow-down overpoweringly? You might be combined with theatrical brand of energy do so this special offer Your one card until you covered. What vision of energy do item have because to burn this grief. An change with this email already exists. They then moved towards the back you their rooms. Jet set the way. Duke and Duchess of Sussex have been revealed. Follow friends and too your playlists. Billion Dollar Babies is the best expression we all things Alice Cooper. You must log in or throw up to the here. Munoz, and your original music library on operate your devices, only attack is he was ported and have your stay online all end time while switching through maintain your special other party members. It almost also mean after han was slave for slope day. Skip the main library content. People laugh it together even listening to you song. Maybe you talking about special symbols in listen to the special offer, especially when he remembers that it? Indy is spinning this week make you off up behind our weekly newsletter! So, tailor your arms and to fare you logged in bold you register. Please enter all correct password. This article again about the Alice Cooper song. Sign up request a backstage pass to VIP savings, and she reinvigorates the bond what the trio.
  • Only Women Bleed

    Only Women Bleed

    ONLY WOMEN BLEED (Live) As recorded by Alice Cooper (From the 1995 Album CLASSICKS) Transcribed by Allen Hansen Words by Dick Wagner & Alice Cooper Music by Dick Wagner (1968) G/B A Am F/C Bm B m Cadd9 C x x x x x 2 fr. x ` 1 fr. x x A Intro Standard tuning on all guitars Moderately Slow Rock = 60 G P A Am G 1 V V V V V V V V V V V V V V V V V V V V I 4 V V V V V V gV V V V V V V V V V V V V V V V V V Gtr II f Clean let ring 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 T A 7 7 7 7 7 7 6 6 6 6 6 6 5 5 5 5 5 5 4 4 4 4 4 4 B sl. sl. sl. sl. Man got his woman to take his seed He got the power oh she got the need. B Verse 1 She spends her life through pleasing up her man She feeds him dinner or anything she can. G A Am G 5 V V V V V V V V V V V V V V V V V V V V I V V V V V V gV V V V V V V V V V V V V V V V V V let ring 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 T A 7 7 7 7 7 7 6 6 6 6 6 6 5 5 5 5 5 5 4 4 4 4 4 4 B sl.
  • Alice Cooper

    Alice Cooper

    Super Duper Alice Cooper Shock rocker, golfer, night-time DJ, loving husband and doting father. The former Vincent Furnier is a man at peace with himself. But what a remarkable journey it took young Vincent to reach this point. Super Duper Alice Cooper is the story of Vincent Furnier, preacher’s son, who struck fear into the hearts of parents everywhere as Alice Cooper, the ultimate rock star of the bizarre. From the advent of Alice as frontman for a group of Phoenix freaks in the sixties to the hazy decadence of celebrity in the seventies to the winking comeback as glam metal godfather in the eighties, one will watch in wonder as Alice and Vincent battle for each other’s souls. Super Duper Alice Cooper is told in the form of a “doc opera”, a dizzying blend of documentary and rock opera that combines audio interviews with a bounty of Alice Cooper archive footage. Concerts, TV appearances, movie cameos, newspaper headlines, magazine spreads and many other visual elements have been cut out, layered and collaged like a cinematic View-Master. Alongside the hits that defined an era, overlooked gems of Alice Cooper’s oeuvre have been dug up and melded into montages that soundtrack his life. Footage from old scary movies serve as allegories for Alice’s madness. The film touches on all the major highlights in Alice Cooper’s evolution; the 7am audition for Frank Zappa; the Chicken Incident; posing for Salvador Dali; the Hollywood Bowl triumph where a helicopter dropped “panties” on thousands of fans; his appearance on the Muppets; and many more, including all the choppings, hangings and mutilations that thrilled a generation of kids.
  • Alice Cooper 2011.Pdf

    Alice Cooper 2011.Pdf

    ® • • • I ’ M - I N - T HE - MIDDLE-WIT HOUT ANT PLANS - I’M A BOY AND I’M-A MAN - I.’ M EIGHTEEN- - ® w Q < o ¡a 2 Ó z s * Tt > o ALICE M > z o g «< COOPER s [ BY BRAD T O L I N S K I ] y a n y standards, short years before, in 1967, Alice Cooper 1973 was an had been scorned as “the most hated exceptional year band” in Los Angeles. The group members for rock & roll. weirded out the locals by being the first Its twelve months hoys that weren’t transvestites to dress as saw the release girls, and their wildly dissonant, fuzzed- of such gems as out psychedelia sent even the most liberal Pink Floyd s The Dark Side of the Moon, hippies fleeing for the door. Any rational H H Led Zeppelin s Houses of the Holy, the human would have said they were 0 o W ho’s Quadrophenia, Stevie Wonders committing professional suicide, but z Innervisions, Elton Johns Goodbye Yellow the band members thought otherwise. Brick Road, and debuts from Lynyrd Who cared if a bunch o f Hollywood squares Skynyrd, Aerosmith, Queen, and the New thought they were gay? At least they Y ork D olls. were being noticed. But the most T H E BAND Every time they provocative and heard somebody audacious treasure G R A B B E D y e ll “faggot;” they of that banner year H EA D LIN ES AND swished more, and was Alice Coopers overnight they found £ o masterpiece, B illio n MADE WAVES fame as the group z w Dollar Babies, a it was hip to hate H m brilliant lampoon of American excess.
  • WARNER BROS. / WEA RECORDS 1970 to 1982

    WARNER BROS. / WEA RECORDS 1970 to 1982

    AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
  • Detroit Rock & Roll by Ben Edmonds for Our Purposes, The

    Detroit Rock & Roll by Ben Edmonds for Our Purposes, The

    "KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords.
  • Cash” in Order to Insure Suc- Expect ‘Giants’ to Get Bigger: WASHINGTON

    Cash” in Order to Insure Suc- Expect ‘Giants’ to Get Bigger: WASHINGTON

    - i&£S* mmWM i WSmm I ; , .s>» r A:/ sM| iflauM , /// . KB jjo./ '** - 7 : •• •. Artist Mriiy GRITTY DIRT BAND 'Senderling Testifies In 2nd Week-of Payola Hearings £ Capitol Raises List on Key Catalogue, Classics / Securities Analysts' View industry K'.- S *. AS(gA& ’76'Revenues Hit $94 Million Proliferate / V NeilDiastion’b Ads - AlexandeHs Expands; A&S Closes ? , Ex.fiansio&l(t Hoqsfon Retail Market * y >$f.98 For^fJj^Cdn^ume^oves Closer (Ed) . March 5, 1977 Weeks Weeks Weeks On On On 2/26 2/19 Chart 2/19 Chart 2/26 2/19 Chart LOVE THEME FROM “A DISCO LUCY (! LOVE LUCY FANCY DANCER STAR IS BORN” THEME) COMMODORES (Motown 1408) 63 63 11 WILTON PLACE STREET BAND (Island 078) 41 48 7 THIS SONG (EVERGREEN) GEORGE BARBRA STREISAND (Columbia 3-10450) 4 5 13 35 HARD HARRISON LUCK WOMAN (Dark Horse/WB DRC 8294) 61 53 16 TORN BETWEEN TWO KISS (Casablanca 873) 25 24 12 36 DAZZ BABY DON’T YOU KNOW LOVERS WILD CHERRY (Sweet City/Epic 8-50306) 68 67 9 MARY MACGREGOR BRICK (Bang 727) 26 25 20 IT (Ariola America/Capitol 7638) 1 1 17 37 CAR COULDN’T GET RIGHT WASH CLIMAX BLUES BAND (Sire/ABC SAA 736) 87 93 4 FLY LIKE AN EAGLE ROSE ROVCE (MCA 40615) 31 29 18 STEVE MILLER (Capitol 4372) 3 3 12 38 !’VE GOT LOVE MY YOU KNOW LIKE I KNOW ON OZARK MOUNTAIN DAREDEVILS (A&M 1888) 75 78 7 S LIKE DREAMIN’ MIND KENNY NOLAN (20th Century 2287) 5 6 17 YOU + ME = LOVE NATALIE COLE (Capitol 4360) 50 59 5 UNDISPUTED TRUTH YEAR OF THE CAT 39 ALL STRUNG OUT ON YOU (Whitfield/WB WHI 8306) 76 79 5 AL STEWART (Janus J266) 6 7 13 JOHN TRAVOLTA HEY (Midland Inti /RCA MB 10907)