Daniel Amos Horrendous Disc Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Daniel Amos Horrendous Disc mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Horrendous Disc Country: UK & Europe Released: 1981 Style: Classic Rock MP3 version RAR size: 1928 mb FLAC version RAR size: 1328 mb WMA version RAR size: 1280 mb Rating: 4.4 Votes: 149 Other Formats: TTA ASF DTS DMF RA MIDI MP3 Tracklist A1 I Love You #19 A2 Hound Of Heaven A3 I Believe In You A4 Sky King (Out Across The Sky) B1 On The Line B2 Never Leave You B3 After All These Years B4 Horrendous Disc Notes ℗ ©1981 Solid Rock records A Division of Solid Rock Productions Inc. Solid Rock/Chapel Lane Hampton Bishop, Hereford, England Other versions Category Artist Title (Format) Label Category Country Year Horrendous Disc (LP, Album, Solid Rock SRA 2011 Daniel Amos SRA 2011 US 1981 Gat) Records Solid Rock SR8-2011 Daniel Amos Horrendous Disc (8-Trk) SR8-2011 US 1981 Records Solid Rock SRC-2011 Daniel Amos Horrendous Disc (Cass) SRC-2011 US 1981 Records Horrendous Disc (2xCD, SRA2011 Daniel Amos Album, RE, RM + 3xCD + Stunt Records SRA2011 US 2018 Box, Dlx, Ult) Horrendous Disc (CDr, Solid Rock SRD-2112 Daniel Amos SRD-2112 US 2007 Album) Records Related Music albums to Horrendous Disc by Daniel Amos Rock Tori Amos - Datura Rock Tori Amos - Marianne Rock Tori Amos - Scarlet's Walk (Selections) Rock / Folk, World, & Country Daniel Amos - Daniel Amos (35th Anniversary Two-Disc Deluxe Edition) Rock Horrendous - The Chills Rock Tori Amos - Josephine Rock / Funk / Soul Amos Amaranti - Grande Italia Rock / Pop Tori Amos - The Beekeeper Stage & Screen Abbott & Costello, Amos 'N Andy - The Best Of Abbot & Costello And Amos & Andy Rock / Folk, World, & Country Daniel Amos - Shotgun Angel.

Copy Link

Recommended publications

Daniel Amos and Me: the Power of Pop Culture and Autoethnography
Daniel Amos and Me: The Power of Pop Culture and Autoethnography ANDREW F. HERRMANN Nearly everyone I know has a relationship with something in popular culture, whether it is Buffy the Vampire Slayer, amassing The Astonishing X-Men comics, or collecting every version of every Star Wars movie. Relationships and pop culture: couldn’t that make an autoethnography? This is a short version of my relationship with a band, Daniel Amos. I am not in Daniel Amos. I don’t know the members of the band (although I am Facebook friends with them now). I first heard them in 1982 serendipitously. Or maybe it was destiny. Either way, they opened my eyes to the wonders, doubts, and excesses of my life, critiqued my faith, and brought me joy. I feel like I know them, and they me. Thirty-one years after first hearing them, I realize our relationship is one of the longest I have had. We grew up and are growing older together. Popular Culture Autoethnography? Pop culture and autoethnography: two terms seemingly at odds with each other. On the one side stands popular culture studies, with its interrogations of music (Albiez), television shows (Stern), video gaming (Dunn & Guadagno), movie genres (Carroll), characters (Herrmann, “C-can”) – including individuals who become “characters” (Herbig 133) – and its examinations of power and discourses in popular texts, broadly defined (Stern, Manning & Dunn). On the other side sits autoethnography, the narrative first-person examination of the self, used as a jumping off point to interrogate cultural practices (Holman Jones, Adams & Ellis). One examines culture and identity from the outside in, the other from the inside out.
[Show full text]
LARRY NORMAN, JESUS ROCK, and an INTERVIEW with GREGORY ALAN THORNBURY Rupert Loydell Falmouth Univ
WEIRD RELIGIOUS BACKGROUNDS: LARRY NORMAN, JESUS ROCK, AND AN INTERVIEW WITH GREGORY ALAN THORNBURY Rupert Loydell Falmouth University Keywords: Christianity, Larry Norman, Jesus Rock, CCM, Religion 'Christian rock is a genre that exists to edify and make money off evangelical Christians. [...] A Christian band , on the other hand is just a band that has more than one Christian in it.' – John Jeremiah Sullivan (2012: 17-18) Although The Bloomsbury Handbook of Religion and Popular Music (Stewart and Abraham 2017) contains chapters such as Michael J. Gilmour's 'The Bible and Popular Music' (67-76) and Ibrahim Abraham and Francis Stewarts' 'Punk and Hardcore' (241- 250), there remains little informed academic consideration of the Christian music genre, especially punk and post-punk. John J. Thompson's Raised by Wolves (2000) and Mark Joseph's The Rock & Roll Rebellion (1999) offer insider histories, whilst Andrew Beaujon's Body Piercing Saved My Life (2006) is an hilarious, sceptical exploration of 'the phenomenon of Christian rock', focussed mostly on the early 2000s. Gilmour 's Call Me the Seeker: Listening to Religion in Popular Music (2005) is interested more in religious sources and themes; the nearest it gets to post-punk is Anna Kessler's consideration of Nick Cave (79-94) and J.R.C. Cousland's discussion of 'God, the Bad, and the Ugly' in the work of Nick Cave and Polly Harvey (129-157). Better, is Jay R Howard & John M. Streck's Apostle of Rock (1999), which takes a more sociological approach to what it calls 'The Splintered World of Contemporary Christian Music' and considers the tensions between ideas of ministry, entertainment, art and business for Christian musicians.
[Show full text]
The Anchor, Volume 99.10: November 12, 1986
Hope College Hope College Digital Commons The Anchor: 1986 The Anchor: 1980-1989 11-12-1986 The Anchor, Volume 99.10: November 12, 1986 Hope College Follow this and additional works at: https://digitalcommons.hope.edu/anchor_1986 Part of the Library and Information Science Commons Recommended Citation Repository citation: Hope College, "The Anchor, Volume 99.10: November 12, 1986" (1986). The Anchor: 1986. Paper 23. https://digitalcommons.hope.edu/anchor_1986/23 Published in: The Anchor, Volume 99, Issue 10, November 12, 1986. Copyright © 1986 Hope College, Holland, Michigan. This News Article is brought to you for free and open access by the The Anchor: 1980-1989 at Hope College Digital Commons. It has been accepted for inclusion in The Anchor: 1986 by an authorized administrator of Hope College Digital Commons. For more information, please contact [email protected]. Prez Race: Down to Three Three persons have been in- from the field of more than 40 The Where of Hope. Dr. Braskamp received the State College since 1972, serving vited to campus by the Presiden- declared candidates for inter- The following is the schedule of B.A. degree in psychology from in his present capacity since tial Search Committee for inter- views by the Presidential Search these candidates; Central College (Iowa), the M.A. 1980. He previously served on the views involving students, facul- Committee. The three persons degree in counseling psychology faculties of Hamilton College and ty, staff and the Board of who will be visiting campus later Tuesday and Wednesday, Nov. and Ph.D. in educational Trustees. Florida Presbyterian College this month were selected from 18-19 — Dennis N.
[Show full text]
The Splintered Art World of Contemporary Christian Music
Butler University Digital Commons @ Butler University Scholarship and Professional Work - LAS College of Liberal Arts & Sciences 1996 The splintered art world of Contemporary Christian Music Jay R. Howard Butler University, [email protected] John M. Streck Follow this and additional works at: https://digitalcommons.butler.edu/facsch_papers Part of the Sociology of Culture Commons Recommended Citation Howard, Jay R. and John M. Streck. 1996. “The Splintered Art World of Contemporary Christian Music.” Popular Music 15(1):37-53. Available from: digitalcommons.butler.edu/facsch_papers/593/ This Article is brought to you for free and open access by the College of Liberal Arts & Sciences at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - LAS by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. The splintered art world of Contemporary Christian Music JAY R. HOWARD and JOHN M. STRECK For many, art is a product: the painting to be observed and contemplated, the concert to be heard and enjoyed. There is, however, another conception of art - art as activity - and it is in this context that Howard Becker (1984) develops his concept of art worlds. Art worlds, Becker argues, include more than the artists who create the work which the public commonly defines as art. Any given art world will consist of the network of people whose co-operative activity produces that art world's certain type of artistic
[Show full text]
ACM Journal Is Meant to Serve As Questions and Suggesting Answers to a Resource, Providing Information on Others
J o u R N A L ... Issue 1 Drawn by Kathy and David Hastings and taken from Jeff Johnson's compact disc, Fallen Splendor. U sed by permission. Jeff Johnson is the quintessence of mature, alternative Christian music. His lyrics are thought-provoking and insightful. His music, richly woven with sample~. Soon his first two titles, Face of the Deep and Through the Door, will be available on compact disc. Both are scheduled for release in the Fall of 1989. These join the long list of his works already available. You can find his discs and cassettes in Christian and other record stores, or order them directly from Ark Records, PO Box 230073, Tigard, Oregon 97223. Note: Jeff is currently scheduling live performances, write for additional information. ~------------------------------~=--===========~--- ----==-=-=-=-==~~- - --- contribute to or benefit from this pUblication and tell us how we might Purpose serve you better. We strive to be inspirat~onal and constructive always posing some ACM Journal is meant to serve as questions and suggesting answers to a resource, providing information on others. We hope to support existing alternative ministries, creativity and non-traditional methods pUblications and music. To achieve for sharing Christ. And, of course, this, different ministry areas will be no resource or program can replace highlighted in each issue. The regular fellowship and personal bible This pUblication is the result developing area of college progressive study. of many individuals. Some were and dance-oriented music will be a Finally, ACM Journal is intended able to contribute to this issue, regular section, including domestic, to address an international Christian while others have offered their international and independent artists.
[Show full text]
ORDER FORM FULL Pdfcd
JAZZ ARTIST TITLE LABEL RETAIL BILK, ACKER STRANGER ON THE SHORE-BEST OF GNP CRESCENDO RM59.00 CAINE, ELLIOTT - SEXTET HIPPIE CHICKS ON ACID (LIVE AT ALVA WONDERCAP RM63.00 DJ BONEBRAKE TRIO THE OTHER OUTSIDE WONDERCAP RM63.00 GRADY, KRAIG BEYOND THE WINDOWS PERHAPS AMONG TH TRANSPARENCY RM48.00 HARLEY, RUFUS BAGPIPES OF THE WORLD TRANSPARENCY RM61.00 HARLEY, RUFUS RE-CREATION OF THE GODS TRANSPARENCY RM61.00 JONES, NORAH COME AWAY WITH ME (BONUS DISC) BLUE NOTE RM132.00 LEONARDSON, ERIC & STEVE BARSOTTI RAREBIT TRANSPARENCY RM48.00 LOS ANGELES FREE MUSIC SOCIETY THE BLORP ESETTE GAZETTE VOL.1 (FAL TRANSPARENCY RM61.00 LOS ANGELES FREE MUSIC SOCIETY THE BLORP ESETTE GAZETTE VOL.2 (WIN TRANSPARENCY RM61.00 MINGUS, CHARLES THE LEAVES JAZZ CAT RM67.00 MONK, THELONIOUS SOULVILLE JAZZ CAT RM67.00 MORGAN, LEE AFTER THE LIGHTS JAZZ CAT RM67.00 OMER, PIERRE - SWING REVUE SWING CREMONA VOODOO RHYTHM RM78.00 PATCHEN, KENNETH READS HIS POETRY WITH JAZZ TWO-BEAT BEATNK RM61.00 PUSSYWARMERS, THE THE CHRONICLES OF... VOODOO RHYTHM RM78.00 ROACH, MAX & CLIFFORD BROWN IN CONCERT GNP CRESCENDO RM59.00 ROYAL CROWN REVUE KINGS OF GANGSTER BOP BYO RM53.00 SUN RA DANCE OF THE LIVING IMAGE (L.R. 4) TRANSPARENCY RM61.00 SUN RA LIVE AT THE ELECTRIC CIRCUS/NEWPORT TRANSPARENCY RM62.00 SUN RA THE CREATOR OF THE UNIVERSE TRANSPARENCY RM61.00 SUN RA THE ROAD TO DESTINY (LOST REEL 6) TRANSPARENCY RM55.00 SUN RA THE SHADOWS TOOK SHAPE (LOST REEL 3 TRANSPARENCY RM61.00 SUN RA THE UNIVERSE SENT ME (LOST REEL 5) TRANSPARENCY RM55.00 SUN RA UNTITLED RECORDINGS TRANSPARENCY
[Show full text]
Feature • Badfish
------------------------- Feature • Badfish ----------------------- Keeping the Vibe Alive By Ryan Smith How many tribute bands re- ceive the opportunity to warm up for – or even tour with some of their heroes? The answer may be “not many,” but Badfish, a Rhode Island-based tribute to the So- Cal ska-punk 90s heroes Sublime have done exactly that. The band formed in 2001 at the University of Rhode Island where drummer Scott Begin and bass player Joel Hanks decided to form a band that would pay tribute to some of their heroes while differentiating themselves from other bands in the area at the time. “[Sublime] was just one of those bands that we all really liked a lot, and people in college that we were with and we knew growing up even before then, everyone really liked them,” says Begin. “It spanned differ- ent genres, and we really enjoyed their music, and there really were not any bands around [us] doing that type of thing. There were a few tribute bands here and there covering some classic rock stuff and whatnot, but we figured it might be something that BADFISH people would be interested in.” Saturday, November 17 • 8 p.m. Mainstream music fans Piere’s Entertainment Center will likely recognize Sub- effects that they used on the lime from their hit singles 5629 St. Joe Rd., Fort Wayne record we try to replicate “What I Got,” “Santeria,” Tix: $15 adv., $18 d.o.s. thru live,” says Begin. “Some- and “Wrong Way” from their Ticketmaster or Piere’s box office, times it’s a matter of replicat- eponymous third album, re- ing it ourselves.
[Show full text]
The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 3 NUMBERS 1 & 2 2015 Editor BOB BATCHELOR Miami University Associate Editors KATHLEEN TURNER NORMA JONES Aurora University Kent State University Reviews Editor JENNIFER C. DUNN Dominican University Assistant Reviews Editor SAMANTHA LATHAM Independent Scholar Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture-studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2015 Midwest Popular and American Culture Association. All rights reserved. Cover photo credits Cover Artwork: "I Selfie, Therefore I Am" by Brent Jones © 2015 The Thinker, Main: Public Domain "The Thinker, Auguste Rodin" by Karora The Thinker Phone: Creative Commons "Wikimania15 Dschwen (77)" by Daniel Schwen under CC BY 3.0 Selfie Stick: "Casual man using a selfie stick shot in studio" by Wavebreakmedia licensed by PhotoDune EDITORIAL ADVISORY BOARD ANTHONY ADAH JUSTIN GARCIA Minnesota State University, Moorhead Millersville University AARON BARLOW ART HERBIG New York City College of Technology (CUNY) Indiana University - Faculty Editor, Academe, the magazine of the AAUP Purdue University, Fort Wayne JOSEF BENSON ANDREW F. HERRMANN University of Wisconsin Parkside East Tennessee State University PAUL BOOTH JARED JOHNSON DePaul University Thiel College GARY BURNS JESSE KAVADLO Northern Illinois University Maryville University of St. Louis KELLI S. BURNS KATHLEEN A. KENNEDY University of South Florida Missouri State University ANNE M. CANAVAN WILLIAM KIST Emporia State University Kent State University ERIN MAE CLARK LARRY Z. LESLIE Saint Mary’s University of Minnesota University of South Florida BRIAN COGAN MATTHEW MIHALKA Molloy College University of Arkansas - Fayetteville ASHLEY M.
[Show full text]
Playing with Virtual Reality: Early Adopters of Commercial Immersive Technology
Playing with Virtual Reality: Early Adopters of Commercial Immersive Technology Maxwell Foxman Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Maxwell Foxman All rights reserved ABSTRACT Playing with Virtual Reality: Early Adopters of Commercial Immersive Technology Maxwell Foxman This dissertation examines early adopters of mass-marketed Virtual Reality (VR), as well as other immersive technologies, and the playful processes by which they incorporate the devices into their lives within New York City. Starting in 2016, relatively inexpensive head-mounted displays (HMDs) were manufactured and distributed by leaders in the game and information technology industries. However, even before these releases, developers and content creators were testing the devices through “development kits.” These de facto early adopters, who are distinctly commercially-oriented, acted as a launching point for the dissertation to scrutinize how, why and in what ways digital technologies spread to the wider public. Taking a multimethod approach that combines semi-structured interviews, two years of participant observation, media discourse analysis and autoethnography, the dissertation details a moment in the diffusion of an innovation and how publicity, social forces and industry influence adoption. This includes studying the media ecosystem which promotes and sustains VR, the role of New York City in framing opportunities and barriers for new users, and a description of meetups as important communities where devotees congregate. With Game Studies as a backdrop for analysis, the dissertation posits that the blurry relationship between labor and play held by most enthusiasts sustains the process of VR adoption.
[Show full text]
Check out Our $5 Classic Cd Bins
Wooden Nickel -----------------------------------------Spins --------------------------------------- CD of the Week The Lurking Corpses Workin’ for the Devil BACKTRACKS $11.99 The Lurking Corpses have Roky Erickson & the Aliens been causing musical havoc for Five Symbols (1980) years in the Fort and beyond. As much a theatrical delight as Roky Erickson was born in a musical one, they’re monsters Texas after World War II and is stalking stages and countrysides, remembered most for his ground- but with point guitars rather than breaking work with the 13th Floor axes and chain saws. They stalk Elevators. A pioneer in the psych- stages like the damned looking rock movement, Erickson was a for another soul to steal, all the believer in LSD experimentation while creating a vile, cursed and was diagnosed with paranoid noise that’s equal parts The Misfits, Iron Maiden and late night crea- schizophrenia when he was just 21. ture features. Their newest evil creation, the demonically righteous The creative thought process may have been compromised, but Workin’ for the Devil, doesn’t disappoint. there was a still a career of music to be had. This work, like most Like a cross between Hammer Films, Clive Barker and early of his music, is abstract and weird, yet organic (especially through Venom, the title track opens this godforsaken horror metal atrocity a good set of speakers). MACY GRAY with equal parts metal fervor and punk rock anarchy. “The Gate” This album features themes of Satan, zombies and aliens. Mu- WAY gurgles and spits occult vitriol and howls otherworldly screams sically, it’s a nice bridge from the late 70s to the early 80s.
[Show full text]
The Hornet, 1923 - 2006 - Link Page Previous Volume 58, Issue 30 Next Volume 58, Issue 32
Funding, Senator orientation Man of the Year AS Senate acts on variety of issues FC's Man of the Year for 1980 Morrow plans to attend the is James Alan Morrow, a 20-year University of California at Davis. old A.S. senator and pre-medical His goal is to work as a doctor in major. a rural underprivileged commun- By MARK TOMA the motion, because "once elected, was also vetoed by Miller. The finance committee before they recognized in ity, Olsen said. reach the senate floor. Morrow was Hornet Staff Writer and the votes are approved the meeting was adjourned in mid- both the fields of student govern- The four other finalists senator has full rights and respon- discussion of the motion. On that note, the Senate ap- ment and life sciences at last recognized at the Men of Distinc- proved the allocation of not more The Associated Students Senate sibilities of a senator-elect. Senator Dawson night's public observance of the tion ceremonies were James presented the than $150 for the funding of a facul- Wednesday failed to override one text of a speech that annual Men of Distinction Chasteen, Life Sciences; Saard The motion to override the veto he was to make ty appreciation luncheon to be coor- vetoed measure concerning new- at the North Orange County Achievement Recognition Sajjaviriya, Math and Engineer- was supported by Senator Jim Mor- Com- dinated in conjunction with a pro- senator orientation and postponed a munity College District Awards program. ing; Steven Stoeckel, Service to row, who said that the senate would (NOCCCD) ject being undertaken by Dr.
[Show full text]
LUE NOTES TOP by Peter Keepnews Acc Compiled from a National Sample of Retail Store Io and One -Stop Sales Reports
FOR WEEK ENDING SEPTEMBER 13, 1986 ©Copyright 1986, Billboard Publications, Inc. No part of this publication may be reproduced, stored in any retrieval system, or Billboardm transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. ,AZZ ALBUMS. LUE NOTES TOP by Peter Keepnews _ acc Compiled from a national sample of retail store Io and one -stop sales reports. w a z 0 ARTIST TITLE 3 c -. w 3 LABEL & NUMBER /DISTRIBUTING LABEL FESTIVAL SEASON is winding to a close, but it's not which was capped by a re- creation of Monk's famous quite over yet. A couple of major festivals just hap- big -band concerts, complete with the original Hall * * No. 1 * * and original participants BOB JAMES /DAVID SANBORN WARNER BROS. 25393 (CD) 7 weeks at No. One pened, and there are still a few more to come. Overton arrangements 1 1 13 DOUBLE VISION The most intriguing of the upcoming events is Jazz Charlie Rouse, Steve Lacy, Phil Woods, and Eddie SPYRO GYRA MCA 5853 (CD) On The Rocks, a daylong event set for Sept. 27 in Bert. 0) 2 11 BREAKOUT Sedona, Ariz. The roster includes Billy Eckstine, And in Atlanta, the summerlong Atlanta Jazz Fes- a of free concerts co-sponsored ANDREAS VOLLENWEIDER CBS MASTERWORKS FM 42255 (CD) Louie Bellson, and Dianne Reeves, but the main at- tival- actually series 5 5 O DOWN TO THE MOON traction is the setting -an outdoor amphitheater sur- YELLOWJACKETS MCA 5752 (CD) rounded by what a press release describes as "the ® 4 11 SHADES most spectacular scenery in the world." The festival is Fall festival roundup: LARRY CARLTON MCA 5689 (CD) a nonprofit affair, with proceeds going to fund vari- 5 3 23 scenery, good music ALONE /BUT NEVER ALONE ous cultural activities throughout Arizona.
[Show full text]