Van Gogh Alive at Birmingham Hippodrome, Which Opened on 8 Oct 2020

Total Page:16

File Type:pdf, Size:1020Kb

Van Gogh Alive at Birmingham Hippodrome, Which Opened on 8 Oct 2020 Accessible Information Pack The experience has been created by Grande Exhibitions WHAT IS SENSORY4™? Developed by Grande Exhibitions, SENSORY4™ is a unique system that combines multichannel motion graphics, cinema quality surround sound and up to forty high-definition projectors to provide one of the most exciting multiscreen environments in the world. This Accessible Information Pack has been created by Birmingham Hippodrome, Deaf Explorer and Sightlines; to accompany visits to the UK premiere of Van Gogh Alive at Birmingham Hippodrome, which opened on 8 Oct 2020. Van Gogh Alive Van Gogh’s works have been home, in London and Paris, displayed and enjoyed around the planting the seed for an enduring world for over a century - but passion for painting. never like this. Forget traditions In his early 20s, Vincent of tiptoeing through silent unsuccessfully studied theology galleries and viewing paintings then briefly served as a from afar - Van Gogh Alive will missionary. In 1880, at the age of have you interacting with art in 27, Vincent finally turned to art: ways you never imagined. inspired by Impressionism and From the moment you enter, a Post-Impressionism, and heavily powerful and vibrant symphony influenced by artists of the time of light, colour and sound such as Monet and Gauguin. compels you to leave the world He had found his calling. behind and immerse yourself in Completely self-taught, Van Gogh Van Gogh’s paintings. was one of the most prolific Vincent Willem van Gogh was artists of his time. In only ten born in 1853 in a small town in years, he produced more than the south of the Netherlands. 2,000 works of art, consisting of Vincent became aware from an around 930 paintings and 1,100 early age of the divide between drawings and sketches. his own middle-class upbringing Despite this great volume of and the poverty-stricken lives of work, The Red Vineyard is the only the local labourers. piece known to have sold during Leaving school at 16, Vincent his lifetime. began work at an art dealership Van Gogh was constantly inspired in which his uncle was a partner; by the changing landscapes and organising exhibitions, selling people that surrounded him original and reproduced artworks throughout his ten-year artistic - and seeing the prices they were journey. fetching. Vincent was exposed to a wide range of paintings at Distinct changes can be seen in productive: his optimism clearly his use of colour, light, style and evident through the Sunflower technique; reflecting underlying series and his love for Japanese changes in his state of mind. art. Van Gogh Alive explores these Vincent’s Bedroom in Arles marks changes in shifting ‘movements’, a turning point in his emotional or chapters. Each movement is instability, and downward spiral accompanied by a musical score into mental illness. that echoes the emotions and Over the last ten years of his life, experiences that underlie Van Van Gogh expressed himself in Gogh’s work through the many over 800 letters, providing an phases of his artistic life. amazing insight into his personal We begin in Vincent’s homeland, and artistic journey. the Netherlands, through his During Van Gogh’s voluntary stylistically dark ‘Dutch’ period of commitment to the asylum at subdued, earthy tones: distinctly Saint-Remy, he produced both different to the vibrant style that tortured and peaceful would emerge over the following landscapes, leaving us with a years, laying the foundations for glimmer of hope embodied by ‘modern’ art. the Starry Night. From the Netherlands, we move Vincent’s sense of emptiness is to France. Inspired by the energy almost palpable in his haunting of Paris and the Impressionist final works, featuring the wide- painters, Vincent began to open spaces of Auvers-sur-Oise; develop a brighter palette and concluding with his most transform into the celebrated evocative and elemental piece, style for which he is known. Wheat Field with Crows, offering We make our way to the south of a candid insight into the artist’s France from Paris to Arles. Van emotional turmoil in his final Gogh’s time in this region was days. perhaps the happiest of his life, and certainly the most Guide to The Netherlands the Music of Oliver Ledbury - Skye At Night Potato Eaters - Atmospheric, Van Gogh Alive bleak violin over continuous drone. Van Gogh Alive is set to a classical music score that reflects the emotional turbulence Paris of Van Gogh’s life. Ian Hughes - Fromage Français For Deaf and hard of hearing A typical, happy, traditional- audiences, we wanted to sounding French tune played on describe some of the musical the accordion. score that is played during the experience. J.S Bach - Cello Suite No. 1 for cello & strings The experience is divided into An uplifting expansive piece movements. We have described played on the cello. some highlights of the score for each movement. Erik Satie - Gymnopédie No.1 Satie was a French composer Self-Portraits and pianist. This piece is slow and melodic, almost melancholic. Antonio Vivaldi - Le quattro stagioni, Tormenta: From Vivaldi’s ‘The Four Seasons,’ the word Japan tormenta means storm. Unknown - Sakura Sakura Matched with the self-portraits Sakura sakura means ‘cherry Van Gogh painted throughout his blossoms’ in Japanese. The music life, the music reflects his inner is a traditional Japanese folk turmoil. song, celebrating the beauty of cherry blossoms in full bloom. Arles Charles-Camille Saint-Saëns was afraid that people would not J.S Bach / Charles Gounod - consider him a serious composer Prelude No. 1 in C Major if they heard The Carnival of the Animals. He stipulated in his will The music begins feeling light that it could not be published and romantic, however the music until after his death. then starts changing key which subtly alters the mood, giving In a small parallel to Van Gogh, darker undertones to the the only movement in Saint- romance, leaving the audience Saens’ Carnival of the Animals, unsettled. that was published during the Erik Satie - Gnossienne No.1 composer’s lifetime, was The Swan. He could have no idea how Played on the piano, the mood is famous his music would become, thoughtful and brooding. Feelings much like Van Gogh’s paintings. of timelessness and infinity come from the work’s cyclical nature - Auvers-sur-Oise you could leave the piece of music on repeat and never This movement includes a sound distinctly hear a beginning or an effect of a gunshot. A few days ending. after Van Gogh completed his painting of Wheatfield with Crows Saint-Rémy (July 1890) he walked into the same field and shot himself. Camille Saint-Saëns - Danse Macabre Eulogy Danse Macabre means the George Frederic Handel - Dance of Death. The theme of the Sarabande music is the universality of death: no matter who you are or where A sarabande is a dance that you are from, everyone eventually originated in Central America dies. The Danse Macabre unites back in the sixteenth century. all. Handel adopted the sarabande and his version is a stately and Camille Saint-Saëns - Carnival of mournful work. the Animals No.7, Aquarium Van Gogh Quotes Self-Portraits: With grey felt hat, with straw hat, with bandaged ear, Self-Portrait 1889 I feel that there is nothing more truly artistic than to love people. I dream of painting and then I paint my dream. Vincent’s Bedroom in Arles The only time I feel alive is when I’m painting. I want to touch people with my art. I want them to say ‘he feels deeply, he feels tenderly’. Irises If you truly love nature, you will feel beauty everywhere. What colour is in a picture, enthusiasm is in life. I work as diligently on my canvases as the labourers do in their fields. Cafe Terrace at Night Paintings have a life of their own that derives from the painter’s soul. Sunflowers Though I am still in the depths of misery, there is still calmness, pure harmony and music inside me. A great fire burns within me, but no one stops to warm themselves at it, and passers-by only see a wisp of smoke. I wish they would only take me as I have tried to express the idea I am. that the café is a place where one can ruin oneself, go mad or commit a crime. The way to know life is to love many things. Be clearly aware of the stars and infinity on high. Then life seems almost enchanted after all. Blossoming Almond Tree I experience a period of frightening clarity in those moments when nature is so beautiful. I am no longer sure of myself, and the paintings appear as in a dream. Starry Night You can’t be at the pole and equator at the same time. You I don’t know anything with must choose your own line, as I certainty, but seeing the stars hope to do, and it will probably makes me dream. be colour. The emotions are sometimes In either figure or landscape I so strong that I work without wish to express not sentimental knowing it. The strokes come like melancholy, but serious sorrow. speech. The more I become decomposed, Still Life with the more sick and fragmented I Quince Pears am, the more I become an artist. There is but one Paris and however hard living may be here, Line sketches and if it became worse and and drawings harder even, the French air cleans up the brain and does Great things are done by a series good - a world of good. of small things brought together.
Recommended publications
  • HAGAS Impressions the Master at Work
    HAGAS Impressions Henley and Grange Arts Society October 2016 Atkin Street, Henley Beach :: PO Box 215, Henley Beach SA 5022 Clubrooms phone: 8353 3710 Email: [email protected] Website: www.hagas.com.au The Master at Work Although now retired, Andris kindly agreed to demonstrate his technique and skills of mixing colours and completing an oil painting over the course of a day. Andris originally studied architecture and You could hear worked as a draftsman where he became familiar with the concepts of design and a pin drop at the perspective. Mostly self taught and with a recent demo by natural talent, he became a master at Andris Jansons depicting light and shadow. Andris is a well recognised painter and has exhibited as everyone was and sold works throughout Australia and spell bound by his overseas. We were very lucky to be able amazing talent. to see this wonderful painter at work. Attendance Books Exhibit For safety and security reasons (and to comply with our insurance and OH&S) all members are now obliged to sign the studio attendance book when they are using at the fete ... the studios at any time other than a tutored class. The Seasiders Club in Henley Beginning term 4, attendance books will be placed in the Beach is having a fete on Saturday art and ceramics studios alongside the tin for your $2 utility 26 November. There is an opportu- fee. This fee is payable for all members utilising the facilities nity to have a table at the fete for for ‘open studio’.
    [Show full text]
  • Working in Fields of Sunshine by HEIDI J
    42 Work Due to copyright restrictions, this image is only available in the print version of Christian Reflection. Van Gogh celebrates the peasant workers who toil in this vineyard in southern France. They enjoy the open air and sunshine the artist loved. Vincent van Gogh (1853-1890), THE RED VINEYARD (1888). Oil on canvas. 29.5” x 36.3”. Puskin Museum of Fine Arts, Moscow, Russia. Photo: Scala / Art Resource. Used by permission. Copyright © 2015 Institute for Faith and Learning at Baylor University 43 Working in Fields of Sunshine BY HEIDI J. HORNIK he workers depicted here by Vincent van Gogh are the subject of the only painting by the artist known to have been purchased during This lifetime. It is believed that he painted the vineyard from memory. Van Gogh had worked and studied in London, Antwerp, and The Hague. But it is not until seeing the paintings of the Impressionists and Post-Impressionists in Paris that he changed his palette dramatically in 1887 to use brighter, less opaque colors. Like the Impressionists, he painted from life, preferred the use of natural light, and employed the synthetic evocation of color through Divisionism (the juxtaposition of small touches of pure, unmixed pigment directly on the canvas). This last characteristic became the expressive trademark of his later works.1 In February 1888, Van Gogh left the bustle of Paris to live in Arles, a small town in southern France. He was inspired by Jean-Francois Millet’s paintings that focused on the work of the common peasant. Van Gogh enjoyed studying the workers as he viewed the golden wheat fields, the blossoming orchards, and sunflowers that appear in his later and most famous paintings.
    [Show full text]
  • How to Explain Modern Art – Part 2
    1 How to Explain Modern Art – Part 2 Series Summary Insights tracing how the use of painted color led from Impressionism to Abstract Art and the starving artists who produced works of art that now sell for hundreds of millions of dollars. A Three Part Series on Art Not Only How to Explain Modern Art (But How to Have Your Students Create Their Own Abstract Project) Part 2 The painter Matisse taught classes on painting and making art. He would tell his students that if they wanted to be a painter, they would need to first cut out their tongue because they can’t explain their art. It must speak for itself. (Flam, 2005). What would Matisse say about writing about art? Well we know don’t we, but please read on…. So we are to believe Matisse taught his classes in pantomime? No explanations about art? There were lectures and discussions and heated arguments; after all this was Paris the center of the Art World. Young painters came to learn how to make art that was totally inventive and alive. They had the idea that painting could “really speak to people”. Art was not about money. Selling your work was, of course, important and necessary, allowing you to buy paint and canvas and perhaps even eat a good meal once in a while. But, more important was that your work "spoke to the buyer". Good art was all about human intimate connection, and still is. This article will continue its examination of the profound way photographic technology affected painting of the 20th century and briefly identify the participating avant-garde artists, who were major influences on each other and how we see the world we live in.
    [Show full text]
  • Vincent Van Gogh:The Flaming Soul
    Vincent van Gogh:The Flaming Soul 投稿類別:英文寫作類 篇名: Vincent Van Gogh:The Flaming Soul 作者: 徐 彤。北一女中。高三仁班 (Hsu Tong。Taipei First Girls’ Senior High School。Class 3-Ren) 指導老師: 姜文娟 老師 Vincent van Gogh:The Flaming Soul Table of Contents I. Introduction -------------------------------------------------------------------------------------------- P.02 A. Motivation of the Study ----------------------------------------------------------------------- P.02 B. Purpose of the Study --------------------------------------------------------------------------- P.02 C. Scope & Methods of the Study --------------------------------------------------------------- P.02 II. Thesis -------------------------------------------------------------------------------------------------- P.02 A. Biography --------------------------------------------------------------------------------------- P.02 1. Early Life – Intellectual Formation (1853~1880) ---------------------------------- P.02 2. The Beginning in Holland (1880~1885) --------------------------------------------- P.02 3. Apprenticeship Years in Paris (1886~1888) ---------------------------------------- P.03 4. Artistic Breakthrough Period in Arles (1888~1889) ------------------------------- P.03 5. Final Years in Saint-Rémy & Auvers (1889~1890) -------------------------------- P.03 B. Artistic Influences from Predecessors ------------------------------------------------------ P.04 1. Baroque ----------------------------------------------------------------------------------- P.04 2. Ukiyo-e -----------------------------------------------------------------------------------
    [Show full text]
  • VINCENT VAN GOGH Early Life Vincent Van Gogh Was Born on March 30, 1853 in the Netherlands
    DIRECTIONS: Read the following artist biographies. Answer the multiple choice, True/False, and matching questions on a separate sheet of paper. Make sure to put your name and class number at the top! VINCENT VAN GOGH Early Life Vincent van Gogh was born on March 30, 1853 in the Netherlands. Both his father and grandfather were ministers, but other family members worked in the art world, including his mother. Vincent had three brothers and two sisters. Young Adult Vincent enjoyed drawing as a young child, but had several other jobs before he decided to become a full-time artist. He worked as a teacher in London, and later as a minister. His other jobs included a book store attendant, an art gallery attendant, and a missionary. Around age 27, Vincent decided to devote himself fully to art. Early Art Vincent first began sketching pictures with pencils or charcoal sticks, and also used some watercolors. He liked drawing pictures of poor, hardworking people. He eventually started using oil paints. Van Gogh used a lot of dark colors, like browns and dark greens, in his early art career. His pictures were typically somber. One of his famous early paintings was called The Potato Eaters, a dark picture of a peasant family eating potatoes at dinner. Letters The majority of what is known about van Gogh comes from letters he wrote to his favorite brother, Theo, who worked in a Paris art gallery and supported Vincent’s art career. Theo sent money to Vincent and encouraged his brother’s artwork. Theo attempted to sell Vincent’s paintings, but no one was interested.
    [Show full text]
  • Strange Bedfellows, Van Gogh and Gauguin, Smithsonian, Dec200.Pdf
    1 STRANGE BEDFELLOWS A new exhibition tracks the turbulent nine weeks that artists Vincent Van Gogh and Paul Gauguin lived and painted together in the south of France By Joseph Harriss, Smithsonian, December, 2001 "MY DEAR GAUGUIN," SAID A CONTRITE, SOBER VINCENT van Gogh, "I have a vague memory that I offended you last evening." The offense having been nothing more than a glassful of absinthe thrown at his head, Paul Gauguin readily forgave his high-strung friend. But his doubts about their two-month experiment in communal living in the Provençal town of Aries were confirmed the next night, when van Gogh, distraught over Gauguin's impending departure, ran after him in the street hurling wild accusations. Gauguin turned to confront him, whereupon van Gogh returned to the house they shared. There he used a razor to cut off part of his left ear, which he carefully wrapped and presented to a young woman at the local brothel. Van Gogh was hospitalized, and Gauguin left for Paris the next day. But after van Gogh's discharge from the hospital, he begged Gauguin in a letter not to speak ill of "our poor little yellow house." Some dreams die hard. The creative sparks that flew when these two opinionated avant-garde artists came together in the South of France is one of the most dramatic episodes in the history of art. The tense friendship and unspoken rivalry between van Gogh The vastly different artists (in self-portraits they exchanged in early and Gauguin in late 1888 in Arles produced works that October 1888 - Gauguin's is at left) engaged in an intense creative helped set the stage for much of what we know today as dialogue in the little Yellow House (with green door, on a corner, in modern art.
    [Show full text]
  • Portrait Vincent Van Gogh
    Portrait Vincent Van Gogh . Vincent was born in 1853 in the Netherlands. He tried to be preacher, a school teacher, and an art dealer before embarking on his career. Van Gogh spent 2 years sharpening his drawing skills before he allowed himself to use color or paint. He was almost entirely self-taught. His closest friend and relative was his brother Theo, and art dealer, who also supported him financially. Vincent Spent his life in poverty, choosing to spend money on paints rather than food to eat. His early paintings portrayed the lives of poor farmers and coal miners. The colors he used were dull and dark. Later, he was strongly influenced by the Impressionists of the day. With time he became much bolder in his paintings. He began to use slashing brush strokes and clear, bright colors. He was a pioneer for expressionism. Expressionists profoundly show their emotions through their paintings. The Potato Eaters 1885 Van Gogh Museum, Amsterdam, Netherlands This painting was Van Gogh’s first major work and would also be his only painting in a group setting. Coalmine in the Borinage 1879 Still Life with Beer Mug and Fruit 1881 Some of Van Gogh’s early paintings of farmers. Why do you think he used dull and dark colors in these early works? A Digger 1881 Sower with Basket 1881 Girl Kneeling in Front of a Bucket, 1881 La chambre de Van Gogh à Arles (Van Gogh’s Room at Arles) 1889 (200Kb); Oil on canvas, 57 x 74 cm (22 1/2 x 29 1/3 in); Musee d’Orsay, Paris Vincent’s Chair and Pipe What are the differences in these chairs? "Vincent's chair with
    [Show full text]
  • Vincent Van Gogh Is One of the Most Famous Artists Who Ever Lived. He Is
    Vincent van Gogh is one of the most famous artists who ever lived. He is known for his colorful, thick paintings, of which he created around 900 of in just ten years! Unfortunately, even with so many paintings that are popular today, he never became famous or earned any money from his art when he was still alive. In fact, he only ever sold one painting in his lifetime, The Red Vineyard. At the time, his paintings were too expressive, which means they had too much emotion and did not look very real to the audience, so people didn’t like them as much. But this was Vincent’s goal - not to paint things like a photograph, but to show what he saw through his eyes, with his own artistic style. He tried to balance what something actually looked like on the outside, with his interpretation, or understanding, of it on the inside - like when he painted his bedroom. You see a bed, window and chair, but they are painted in vibrant colors and in a way that makes the objects feel more exciting and personal than they are in real life. In fact, Vincent looked for balance between what was real and what was inside his mind his whole life. He felt emotions strongly, was smart, and a gifted artist, but he was also awkward, rude and unhappy. His moods and behaviors were often at the extremes - too gloomy, too grouchy and too low (like how he felt when he painted a self-portrait during his sad days) or too excitable, too energetic and too high (like in his joyful Sunflowers painting).
    [Show full text]
  • Using a Multimedia Mix to Teach Concepts of Business Administration
    Proceedings of ASBBS Volume 18 Number 1 USING A MULTIMEDIA MIX TO TEACH CONCEPTS OF BUSINESS ADMINISTRATION Dunphy, Steve M. Indiana University Northwest Meyer, David The University of Akron ABSTRACT An exercise is proposed which the author believes more carefully aligns contemporary undergraduate student interest with a faculty pedagogical delivery mechanism that meets the educational needs of both. The exercise involves the mixing of a piece of popular music synchronized to a slide show constructed using Microsoft’s PowerPoint for the purpose of illustrating a concept, theory or idea as delineated by the business administration textbook. An example based on the song “Vincent” and synchronized with the paintings of Vincent Van Gogh is provided in the appendix. INTRODUCTION The authors believe that the traditional, 15-30 page academic term paper is not always appropriate for today‟s undergraduate business student who may be facing a future that involves running a pawn shop, dry cleaner or convenience store but certainly does not involve matriculating in a doctoral program for the purpose of earning a Ph.D. in business administration. Why then are so many business school academics wedded to the 15-30 page academic term paper as a pedagogical vehicle for teaching concepts of management? Perhaps if the answer is that term paper construction was suggested in the doctoral program, then we know that new questions must be asked. Others have questioned the relevance and didacticism of the typical term paper when used in a business education course (Everett & Ladd, 2010; Carchiolo, Longheu, Malgeri, & Mangioni, 2007). For this reason, a multimedia “mix” exercise is proposed wherein students mix a selection of their own, preferred music ripped from a CD or downloaded from the Internet and synchronized with PowerPoint slides of their own choosing for the purpose of illustrating a concept of management.
    [Show full text]
  • Van Gogh's Last Supper: Transforming
    Anistoriton Journal, vol. 14 (2014‐2015) Viewpoints Van Gogh’s Last Supper Transforming “the guise of observable reality” Although little has been written about Café Teras (Fig. 1), it has enraptured the imagination of the general public, becoming one of the world’s most reproduced paintings (Reynolds 2010). Perhaps the accepted, superficial interpretations of this seemingly casual street scene: that it is “something like” the opening description of “drinkers in the harsh, bright lights of their illuminated facades” from Guy de Maupassant’s Bel-Ami (Jansen et al. 2009, l. 678, n. 15) or homage to Louis Anquetin’s Avenue de Clichy: 5 o’clock in the Evening (Welsh- Ovcharov 1981); coupled by the relatively scant description in van Gogh’s existing letters and 20th century art critic Dr. Meyer Schapiro’s slight that it may be “less concentrated than the best of van Gogh” (1980 p. 80), have undermined a more thorough investigation of this luminous subject. ( F(Fig. 1 Café Teras) (Fig. 2 Café Teras, Sketch) Nevertheless, this lack of inquiry seems peculiar for a number of reasons. 1) Café Teras was conceived over several months during his self-imposed isolation in Arles, a time when Vincent, feeling marginalized and alienated, ceaselessly schemed to reconnect with his copains Émile Bernard, Paul Gauguin and others, hoping to found a kind of Pre-Raphaelite brotherhood of twelve “artist-apostles” who, communally, would forge the new Renaissance. 2) It is Vincent’s original “starry night,” composed “on the spot,” painstakingly crafted over several nights while he reported feeling a “terrible need for religion” (Jansen et al.
    [Show full text]
  • Unit 4 Match These Van Gogh Paintings with Their Titles
    Unit 4 Match these Van Gogh paintings with their titles L'Arlésienne Old man in Sorrow Portrait of Dr. Gachet The Night Café Ward of Arles Hospital Self Portrait with Bandaged Ear Irises Match these Van Gogh paintings with their titles L'Arlésienne Old man in Sorrow Portrait of Dr. Gachet The Night Café Irises Vincent Van Gogh most famous paintings https://youtu.be/ViPFEwkrMdg Find the title of the painting, inspired by these themes The Church at Auvers Terrace Cafe The Starry Night Wheatfield with Crows Potato Eaters What do you think this is ? -I can see….. In the background I can see….. -I think this might be…. , - I say this because….. -This painting makes me wonder…… -What makes the painting impressive….. -This painting makes me feel ……… -A question that I have is ……. Before listening Starry –Starry night by Don Mc Lean (Video) https://youtu.be/LsYB-sHugH4 How does this song make you feel? This is Van Gogh’s bedroom in Arles . What assumptions can you make about his life? https://edpuzzle.com/media/5fbedc1b57554440fa2b8451 Vincent van Gogh was born in Zundert, Holland. The son of a pastor, was brought up in a religious and cultured atmosphere, a profession that Vincent found appealing and to which he would be drawn to a certain extent later in his life. His sister described him as a serious and introspective child, highly emotional and lacking self-confidence. At the age of 16 Vincent started to work for an art dealer in The Hague. His four years younger brother Theo, with whom Vincent cherished a life-long friendship, would join the company later.
    [Show full text]
  • Van Gogh Museum Journal 1999
    Van Gogh Museum Journal 1999 bron Van Gogh Museum Journal 1999. Waanders, Zwolle 1999 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012199901_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword On 23 June 1999 the new exhibition wing and renovated existing building of the Van Gogh Museum were opened in the presence of Her Majesty Queen Beatrix. This was a momentous occasion, marking the beginning of a new phase in our history. From its origins as a showcase for the collections that had been cared for by the artist's family, the Van Gogh Museum has developed into one of the most popular museums in Europe. Over the years, the museum's ambitions have expanded in numerous ways: the collection has been broadened to encompass a wide range of paintings, sculptures, drawings and prints from the period c. 1840-1920, forming a crucial link between the collections of our neighbours the Rijksmuseum and the Stedelijk Museum; changing exhibitions have become an essential complement to the permanent displays; new activities have been added and more emphasis is now placed on education and making the collection accessible to a broad public. Throughout the 1980s and 1990s these ambitions placed increasing pressures on the original building designed by Gerrit Rietveld and his partners, and the need for extra space was urgent. This need was met by an extraordinarily generous donation from the private sector. The Yasuda Fire and Marine Insurance Company Ltd. provided, via The Japan Foundation, the funds which enabled the museum to create a new building to house its temporary exhibitions.
    [Show full text]