The Educational Ideas of Louisa May Alcott
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Anna Bronson Alcott Pratt
ANNA BRONSON ALCOTT PRATT • Mr. Amos Bronson Alcott born November 29, 1799 as Amos Bronson Alcox in Wolcott, Connecticut married May 23, 1830 in Boston to Abigail May, daughter of Colonel Joseph May died March 4, 1888 in Boston • Mrs. Abigail (May) “Abba” Alcott born October 8, 1800 in Boston, Massachusetts died November 25, 1877 in Concord, Massachusetts • Miss Anna Bronson Alcott born March 16, 1831 in Germantown, Pennsylvania married May 23, 1860 in Concord to John Bridge Pratt of Concord, Massachusetts died July 17, 1893 in Concord • Miss Louisa May Alcott born November 29, 1832 in Germantown, Pennsylvania died March 6, 1888 in Roxbury, Massachusetts • Miss Elizabeth Sewall Alcott born June 24, 1835 in Boston, Massachusetts died March 14, 1858 in Concord, Massachusetts • Abby May Alcott (Mrs. Ernest Niericker), born July 26, 1840 in Concord, married March 22, 1878 in London, England to Ernest Niericker, died December 29, 1879 in Paris “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project Anna Bronson Alcott HDT WHAT? INDEX ANNA BRONSON ALCOTT ANNA BRONSON ALCOTT 1829 By this point Minot Pratt was at work as a printer in Boston. He and his bride were married by the Reverend Waldo Emerson at his 2d Unitarian Church on Hanover Street in the North End — quite possibly this was the first couple which Emerson united in matrimony.1 NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT 1. They would have three sons, one of whom, John Bridge Pratt, would become an insurance man and marry an Alcott daughter, Anna Bronson Alcott. -
Louisa May Alcott - Realistic Child
133 Louisa May Alcott - Realistic Child of the Concord Renaissance Karen Ann Takizawa ルイザ ・メイ ・オルコット― コンコー ド・ルネッサンスの現実主義的落し子 カ レ ン ・ア ン ・滝 沢 1994年 、 清 泉 女 学 院 短 期 大 学 の ドラ マ セ ミナ ー の 学 生 達 が ル イ ザ ・メ イ ・オ ル コ ッ トの 代表作7若 草物語」を脚色し、上演することなった。 このことが、彼女の作品 と時代 につ い て 調 べ 、 マ サ チ ュ ー セ ッ ツ 州 コ ン コ ー ド(当 時 の 超 絶 主 義 の 中 心 地)に あ る 彼 女 の 故 郷 へ文学巡礼の旅 をするきっかけ となった。ルイザ ・メイ ・オルコッ トは、今は少女小説の 作 家 で あ る と思 わ れ て い る が 、 純 文 学 を 書 く作 家 で も あ り、 ま た 収 入 を 得 る た め の 作 品 も 書いた現実主義的作家でもあった。 Introduction In 1994, the students in my Drama Seminar at Seisen Jogakuin College chose to write and perform a play based on Louisa May Alcott's most famous work, Little Women. This project led to an investigation into her life and times and a literary pilgrimage to her former home in Concord, Massachusetts, both of which will be discussed in this report. The Place of Louisa May Alcott in American Literature Louisa May Alcott lived for much of her life in Concord, Massachusetts, where her father, Bronson Alcott, was active as one of the leaders of the nineteenth century Transcendentalist movement. Among his friends were three of the major American writers of the day, Ralph Waldo Emerson, author of Nature, Henry David Thoreau, 134 Bu!. -
Alcott Family Papers 1814-1935
The Trustees of Reservations – www.thetrustees.org THE TRUSTEES OF RESERVATIONS ARCHIVES & RESEARCH CENTER Guide to Alcott Family Papers 1814-1935 FM.MS.T.1 by Jane E. Ward Date: May 2019 Archives & Research Center 27 Everett Street, Sharon, MA 02067 www.thetrustees.org [email protected] 781-784-8200 The Trustees of Reservations – www.thetrustees.org Box Folder Contents Date Extent: 6 boxes Linear feet: 3 lin. ft. Copyright © 2019 The Trustees of Reservations ADMINISTRATIVE INFORMATION PROVENANCE Transcendental manuscript materials were first acquired by Clara Endicott Sears beginning in 1918 for her Fruitlands Museum in Harvard, Massachusetts. Sears became interested the Transcendentalists after acquiring land in Harvard and restoring the Fruitlands Farmhouse. Materials continued to be collected by the museum throughout the 20th century. In 2016, Fruitlands Museum became The Trustees’ 116th reservation, and these manuscript materials were relocated to the Archives & Research Center in Sharon, Massachusetts. In Harvard, the Fruitlands Museum site continues to display the objects that Sears collected. The museum features four separate collections of significant Shaker, Native American, Transcendentalist, and American art and artifacts. The property features a late 18th century farmhouse that was once home to the writer Louisa May Alcott and her family. Today it is a National Historic Landmark. These papers were acquired by a combination of purchases and donations up through the 1980s. OWNERSHIP & LITERARY RIGHTS The Alcott Family Papers are the physical property of The Trustees of Reservations. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. CITE AS Alcott Family Papers, Fruitlands Museum. The Trustees of Reservations, Archives & Research Center. -
The Death of Christian Culture
Memoriœ piœ patris carrissimi quoque et matris dulcissimœ hunc libellum filius indignus dedicat in cordibus Jesu et Mariœ. The Death of Christian Culture. Copyright © 2008 IHS Press. First published in 1978 by Arlington House in New Rochelle, New York. Preface, footnotes, typesetting, layout, and cover design copyright 2008 IHS Press. Content of the work is copyright Senior Family Ink. All rights reserved. Portions of chapter 2 originally appeared in University of Wyoming Publications 25(3), 1961; chapter 6 in Gary Tate, ed., Reflections on High School English (Tulsa, Okla.: University of Tulsa Press, 1966); and chapter 7 in the Journal of the Kansas Bar Association 39, Winter 1970. No portion of this work may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review, or except in cases where rights to content reproduced herein is retained by its original author or other rights holder, and further reproduction is subject to permission otherwise granted thereby according to applicable agreements and laws. ISBN-13 (eBook): 978-1-932528-51-0 ISBN-10 (eBook): 1-932528-51-2 Library of Congress Cataloging-in-Publication Data Senior, John, 1923– The death of Christian culture / John Senior; foreword by Andrew Senior; introduction by David Allen White. p. cm. Originally published: New Rochelle, N.Y. : Arlington House, c1978. ISBN-13: 978-1-932528-51-0 1. Civilization, Christian. 2. Christianity–20th century. I. Title. BR115.C5S46 2008 261.5–dc22 2007039625 IHS Press is the only publisher dedicated exclusively to the social teachings of the Catholic Church. -
Wayside, Minute Man National Historical Park, Historic Structure Report Part II, Historical Data Section
National Park Service Cultural Landscapes Inventory 2013 Wayside Minute Man National Historical Park Table of Contents Inventory Unit Summary & Site Plan Concurrence Status Geographic Information and Location Map Management Information National Register Information Chronology & Physical History Analysis & Evaluation of Integrity Condition Treatment Bibliography & Supplemental Information Wayside Minute Man National Historical Park Inventory Unit Summary & Site Plan Inventory Summary The Cultural Landscapes Inventory Overview: CLI General Information: Purpose and Goals of the CLI The Cultural Landscapes Inventory (CLI) is an evaluated inventory of all significant landscapes in units of the national park system in which the National Park Service has, or plans to acquire any enforceable legal interest. Landscapes documented through the CLI are those that individually meet criteria set forth in the National Register of Historic Places such as historic sites, historic designed landscapes, and historic vernacular landscapes or those that are contributing elements of properties that meet the criteria. In addition, landscapes that are managed as cultural resources because of law, policy, or decisions reached through the park planning process even though they do not meet the National Register criteria, are also included in the CLI. The CLI serves three major purposes. First, it provides the means to describe cultural landscapes on an individual or collective basis at the park, regional, or service-wide level. Secondly, it provides a platform to share information about cultural landscapes across programmatic areas and concerns and to integrate related data about these resources into park management. Thirdly, it provides an analytical tool to judge accomplishment and accountability. The legislative, regulatory, and policy direction for conducting the CLI include: National Historic Preservation Act of 1966 (16 USC 470h-2(a)(1)). -
On the Transcendentalist Trail: New England's Literary Tourism
On the Transcendentalist Trail: New England’s Literary Tourism By Sydney Hopper Oct. 30th, 2018 Walden Pond, where Henry David Thoreau wrote Walden; or Life in the Woods. Photo by Sydney Hopper Tourists and book worms might seem like polar opposites: tourists eagerly travel around the world, while avid readers often escape from it into books. But a love of reading can also go hand-in-hand with the travel bug. Literary tourism, in which visitors explore locations related to their favorite books or authors, isn’t new. Some of the world’s most famous tourist sites are related to writers and their works: Anne Frank House in Amsterdam, Shakespeare’s Globe Theatre in London, and even the Wizarding World of Harry Potter theme parks. In the past few years, however, more and more cities are attempting to take advantage of literary tourism’s popularity and cater to bookish tourists. Consider Boston. In 2014 the city inaugurated the nation’s first “Literary District.” Tourists can now take a tour around the “Writer’s Block” and see sites ranging from the former home of Sylvia Plath to a statue of Edgar Allen Poe. The city also plans to hold events such poetry slams, themed cuisine, and pop-up Writer’s Booths. Though Boston is a great destination for any book lover, fans of one literary movement would do best to head slightly west: Transcendentalism, an American literary, political, and philosophical movement that began in the 1820s. Featuring writers such as Ralph Waldo Emerson, Henry David Thoreau, Margaret Fuller, Louisa May Alcott and the ever-popular Walt Whitman, the Transcendentalists believed in individualism, freedom, and idealism and as such had a uniquely American outlook. -
Louisa May Alcott 1 Louisa May Alcott
Louisa May Alcott 1 Louisa May Alcott Louisa Alcott Louisa May Alcott at about age 25 Born November 29, 1832 Germantown, Pennsylvania, United States Died March 6, 1888 (aged 55) Boston, Massachusetts, United States Pen name A. M. Barnard Occupation Novelist Nationality American Period Civil War Genres Prose, Poetry Subjects Young Adult stories Notable work(s) Little Women Signature Louisa May Alcott (November 29, 1832 – March 6, 1888) was an American novelist best known as author of the novel Little Women and its sequels Little Men and Jo's Boys. Raised by her transcendentalist parents, Abigail May and Amos Bronson Alcott in New England, she grew up among many of the well-known intellectuals of the day such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau. Nevertheless, her family suffered severe financial difficulties and Alcott worked to help support the family from an early age. She began to receive critical success for her writing in the 1860s. Early in her career, she sometimes used the pen name A. M. Barnard. Published in 1868, Little Women is set in the Alcott family home, Orchard House, in Concord, Massachusetts and is loosely based on Alcott's childhood experiences with her three sisters. The novel was very well received and is still a popular children's novel today. Alcott was an abolitionist and a feminist. She died in Boston. Childhood and early work Alcott was born on November 29, 1832, in Germantown, which is now part of Philadelphia, Pennsylvania, on her father's 33rd birthday. She was the daughter of transcendentalist and educator Amos Bronson Alcott and social worker Abby May and the second of four daughters: Anna Bronson Alcott was the eldest; Elizabeth Sewall Alcott and Abigail May Alcott were the two youngest. -
An Analysis of Feminist Themes in the Work of Louisa May Alcott
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Spring 4-2000 A Woman's Legacy: An Analysis of Feminist Themes in the Work of Louisa May Alcott Jessica Brook Greene University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Greene, Jessica Brook, "A Woman's Legacy: An Analysis of Feminist Themes in the Work of Louisa May Alcott" (2000). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/383 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Appendix D- UNIVERSITY HONORS PROGRAM SENIOR PROJECT - APPROVAL Name: _~l~ 13~~--------------------------------------- College: ~ &_~.u;.;\ __ Department: __~~~ _ 1.l4~~..t If'J:. __ Fa cuI ty Men tor: _D.c..... _ B~a _ ~_____________________________ _ PROJECT TITLE: A _tLUax:ru:n:..$_.L£.e Uf -,-_A_/Jn~~__ 61lCUJ _~rt=.- _~-i.4tJ _ · ~iAJ..a£L.bE__ ~CD_ m~AJ~ _________________ _ I have reviewed this completed senior honors thesis with this student and certify that it is a project commensurate with honors level undergraduate research in this field. Signed: ___~_~_-=- __~ _____________ I Facultv \Ientor 0--l_:-t L Y 2..- 0 0 Q Date: _L~1I~ ______ L ______ - Comments (Optional): 27 A Woman's Legacy: An Analysis of Feminist Themes in the Work of Louisa May Alcott Senior Honors Thesis by Jessica Greene Director: Dr. -
The Trustees of Reservations Archives & Research
The Trustees of Reservations – www.thetrustees.org THE TRUSTEES OF RESERVATIONS ARCHIVES & RESEARCH CENTER Guide to Alcott Family Papers 1814-1935 FM.MS.T.1 by Jane E. Ward Date: May 2019 Archives & Research Center 27 Everett Street, Sharon, MA 02067 www.thetrustees.org [email protected] 781-784-8200 The Trustees of Reservations – www.thetrustees.org Extent: 6 boxes Linear feet: 3 lin. ft. Copyright © 2019 The Trustees of Reservations ADMINISTRATIVE INFORMATION PROVENANCE Transcendental manuscript materials were first acquired by Clara Endicott Sears beginning in 1918 for her Fruitlands Museum in Harvard, Massachusetts. Sears became interested the Transcendentalists after acquiring land in Harvard and restoring the Fruitlands Farmhouse. Materials continued to be collected by the museum throughout the 20th century. In 2016, Fruitlands Museum became The Trustees’ 116th reservation, and these manuscript materials were relocated to the Archives & Research Center in Sharon, Massachusetts. In Harvard, the Fruitlands Museum site continues to display the objects that Sears collected. The museum features four separate collections of significant Shaker, Native American, Transcendentalist, and American art and artifacts. The property features a late 18th century farmhouse that was once home to the writer Louisa May Alcott and her family. Today it is a National Historic Landmark. These papers were acquired by a combination of purchases and donations up through the 1980s. OWNERSHIP & LITERARY RIGHTS The Alcott Family Papers are the physical property of The Trustees of Reservations. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. CITE AS Alcott Family Papers, Fruitlands Museum. The Trustees of Reservations, Archives & Research Center. -
Alcott, Louisa May (1832–1888)
14 Alcott, Louisa May (1832–1888) Alcott, Louisa May (1832–1888) “I want something to do”... “Write a book,” Quoth the author of my being. “Don’t know enough, sir. First live, then write.” “Try teaching again,” suggested my mother. “No thank you, ma’am, ten years of that is enough.” “Take a husband like my Darby, and fulfill your mission,” said sister Joan, “Can’t afford expensive luxuries, Mrs. Coobiddy.” “Go nurse the soldiers,” said my young brother, Tom... “I will!” —Louisa May Alcott, from Hospital Sketches (1960, 7) During the Civil War, Louisa May Alcott worked as a writer, teacher, and nurse as well as serving as a volunteer in SOLDIERS’ AID SOCIETIES, abolitionist organizations, and the Boston auxiliary of the UNITED STATES SANITARY COMMISSION.Ofall of her wartime activities, her writing most occupied her thoughts, her time, and her dreams. Even while engaged in other business, war-related or not, she was always gathering ideas and organizing material for her next story, novel, play, or poem. Alcott’s fledgling professional writing career of the 1850s and early 1860s finally took flight in 1863 with the publication of Hospital Sketches,afictional- ized memoir of her experiences as an army nurse in Washington, DC. Alcott’s illustrious family background provided an important impetus and backdrop to her literary efforts and her war work. Aside from her earliest childhood years living in German- town, Pennsylvania, Alcott was raised in Concord and in Boston, Massachusetts, in an environ- ment steeped in transcendentalism, Unitarianism, and progressive educational reform. The daughter of Transcendental philosopher and writer Amos Bronson Alcott and the social reformer Abigail May Alcott, Louisa grew up in the midst of the most well-known intellectuals, writers, and social reformers of mid-nineteenth-century New England. -
On the Trail of Louisa May Alcott's
Finding Private Suhre: On the Trail of Louisa May Alcott’s “Prince of Patients” john matteson URING the course of Louisa May Alcott’s literary ca- D reer, no life experience transformed her writing more profoundly than her brief stint as a Civil War nurse. Alcott vol- unteered for a nursing position in the Army of the Potomac on or near the day she became eligible for service—her thirtieth birthday. Before that time, her authorial persona had yet to assume a definite shape, and whatever form it was acquiring gave little indication that, in a matter of just six more years, she would become the most popular writer in America. She had thus far produced only one book, a collection of fairy tales titled Flower Fables, which had stirred only passing interest among the reading public. A small assortment of other pieces had appeared—principally short stories as well as poems for the Saturday Evening Gazette—and she had one bona fide lit- erary triumph to her credit, a story for the prestigious Atlantic Monthly titled “Love and Self-Love.” She had a second book in the works, which would become the 1864 novel Moods.Yet, as Alcott herself was later to confirm, she had discovered nei- ther her authentic voice nor the kind of material to which her gifts were best suited. She seemed to be on her way to a career hemmed in by the banal tropes and expectations of sentimental, melodramatic magazine fiction. Despite its transience, Alcott’s military service changed all that. In younger days, she had been no stranger to harrow- ing experiences. -
The Ralph Waldo Emerson Memorial House That They Ran Into His Burning Home to Save His Books and Though Not Widely Read Today, Emerson Was the Literary Manuscripts
A Sense Henryat David 255 MainThoreau’spassed Street, away fnal where homein 1862 he of Place One of America’s richest literary legacies can be found in the quiet corners The Cottage, the 1812 home and workplace of Henry David of Concord, Massachusetts. Thoreau’s parents BY RICH WARREN ALL PHOTOS COURTESY OF MASSACHUSETTS OFFICE OF TRAVEL AND TOURISM t’s the place where Henry David Thoreau took the young country’s greatest destinations for literary pilgrims. Here’s I Louisa May Alcott on a nature walk and told her that a a roundup of the places to pay homage to that legacy. glistening cobweb was a handkerchief dropped by a fairy. It’s where Ralph Waldo Emerson was so beloved by his neighbors The Ralph Waldo Emerson Memorial House that they ran into his burning home to save his books and Though not widely read today, Emerson was the literary manuscripts. And it’s also where Nathaniel Hawthorne’s wife rock star of his day. A poet, essayist and popular lecturer— stood at a window holding their baby during an ice storm, even Abraham Lincoln went to hear him speak—Emerson scratching a message to commemorate the occasion onto the was the reason so many authors came to Concord. Writers window pane with her diamond wedding ring. ranging from Henry Wadsworth Longfellow to James Russell That place so imbued with literary history is Concord, Lowell and from John Greenleaf Whittier to Walt Whitman Massachusetts, just 20 miles northwest of Boston. In the called on him, and in his parlor, a group of intellectuals mid-19th century, this sleepy town of 2,000 residents was hammered out tenets of the Transcendentalist philosophy.