“You furnish the pictures, and I’ll furnish the war.” The true story of William Randolph Hearst’s 1897 cable to Frederic Remington By Ken Lawrence
[email protected] Spring Mills, Pennsylvania © October 2019. All rights reserved. “You go after the story and pictures,” they told [Richard Harding Davis]; “we’ll furnish the war.” If they didn’t absolutely bring on the Spanish-American War, they sure furnished it at that dinner. Somehow I’ve always believed that was the way it happened. Hedda Hopper, “Hedda Tells of San Simeon’s Wonders” (1952) Hearst later privately denied that his telegram [to Frederic Remington] was couched in the epigrammatic form quoted. John K. Winkler, William Randolph Hearst: A New Appraisal (1955) In his book On the Great Highway: The Wanderings and Adventures of a Special Correspondent, James Creelman wrote: Some time before the destruction of the battleship Maine in the harbor of Havana, the New York Journal sent Frederic Remington, the distinguished artist, to Cuba. He was instructed to remain there until the war began; for “yellow journalism” had an eye for the future. Presently Mr. Remington sent this telegram from Havana:— “W.R. Hearst, New York Journal, N.Y.: “Everything is quiet. There is no trouble here. There will be no war. I wish to return. “Remington.” This was the reply:— “REMINGTON, HAVANA: “Please remain. You furnish the pictures, and I’ll furnish the war. “W.R. HEARST.” The proprietor of the Journal was true to his word, and to-day the gilded arms of Spain, torn from the front of the palace in Santiago de Cuba, hang in his office in Printing House Square, a lump of melted silver, taken from the smoking deck of the shattered Spanish flagship, serves as his paper weight, and the bullet-pierced headquarters flag of the Eastern army of Cuba—gratefully presented to him in the field by General Garcia—adorns his wall.