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Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
On the Front Lines for Racial Equality
WWCREIGHTONINDOWINDOW UNIVERSITY ■ WINTER 1995-96 FatherFather Markoe:Markoe: Our ‘Champagne A Life Glass’ Economy on the Don’t Play TV Front Lines Trivia With Her for Racial Finding God in Equality Your Daily Life LETTERS WINDOW Magazine edits Letters to the INDOW Editor, primarily to conform to space W■ ■ limitations. Personally signed letters Volume 12/Number 2 Creighton University Winter 1995-96 are given preference for publication. Our FAX number is: (402) 280-2549. E-Mail to: [email protected] Fr. Markoe’s Battle Against Racism ‘And If the Rules Change?’ Bob Reilly tells you about a man who I have read with interest the article “The was a lifelong fighter. Fr. Markoe Social Roots of Our Environmental found a cause for his fighting ener- Predicament” by Dr. Harper in your Fall gy. The word portrait of a strong- 1995 issue of WINDOW. minded Jesuit begins on Page 3. I would like to pose a question for Dr. Harper. In this third human environmental The Rich Get Richer, revolution, supposing we were to discov- er an inexhaustible source of energy. I The Poor Get Poorer am assuming that the laws of supply and Gerard Stockhausen, S.J., talks about what he calls “our cham- demand would eventually lead it to be at pagne-glass economy.” In this case, it doesn’t mean champagne an inconsequential cost. for everyone; it means the shape of our economy that puts the What would that do to the human liv- rich at the broad top of the glass and the poor at the narrow ing conditions in the world? bottom. -
Extensions of Remarks E1679 EXTENSIONS of REMARKS
September 25, 1996 CONGRESSIONAL RECORD Ð Extensions of Remarks E1679 EXTENSIONS OF REMARKS CLINTON ADMINISTRATION were not within ESA's zone of interest. The Babbitt adopts new rules, he is required by CLOSES COURTHOUSE DOOR ranchers have now appealed to the Supreme law to receive public comment from any mem- Court. However, Secretary Babbitt's attorneys ber of the public. When Federal judges inter- HON. DON YOUNG are now worried about the political con- pret the law, they can exclude the general sequences of having everyday people denied OF ALASKA public and allow only a limited viewpoint to be access to judicial review of Secretary Babbitt's heard. It is no wonder that we end up with IN THE HOUSE OF REPRESENTATIVES decisions, so they have quit arguing that these judge-made law that is so unbalanced and un- Tuesday, September 24, 1996 ranchers are not protected by the ESA. In- reasonable in so many cases. Mr. YOUNG of Alaska. Mr. Speaker, I rise stead, they are still arguing that these ranch- Not all judges would turn away those citi- to bring to your attention a terrible injustice. ers should not be allowed to sue but are bas- zens who wish to sue to protect their eco- The victims of this injustice are hardworking, ing their arguments on other legal technical- nomic, social, or recreational interest. Judge taxpaying American citizens who are being de- ities, such as claiming that the ranchers sued Rosenbaum of the U.S. District Court in Min- prived of basic rights guaranteed to each citi- the wrong Government agency within Sec- nesota had this to say when the lawyers rep- retary Babbitt's vast Department. -
Completeandleft
MEN WOMEN 1. GA Gary Allan=Singer-songwriter=123,618=9 Gimena Accardi=Actress, model and singer=13,470=148 Gregg Allman=rock and blues singer, keyboardist, Gabriela Arciero=American, Musician=5,158=277 guitarist and songwriter=51,528=24 Girls Aloud= musician=4,523=293 GG Allin=American singer-songwriter=42,387=29 Ginger Alden=American actress=53,539=50 Gold Ag=Kosovar, Rapper=6,880=175 Gianna Amore=American, Model=5,787=254 Giorgio Armani=Couturier=8,533=144 Gael Anderson= =31,295=84 Gianni Agnelli=Italian, Diplomat=3,717=272 Gillian Anderson=Actress=115,933=23 Gary Allen=Actor=3,685=274 Gwili Andre=Actress=4,897=284 Gael Anderson= =31,295=46 Giovanna Antonelli=Brazilian actress=60,662=46 Gerald Anderson=Filipino, Actor=44,204=28 Gabrielle Anwar=Actress=112,179=29 Geoffrey Arend=Actor=7,998=157 Ginevra Arabia=Canadian, Model=20,888=113 Groove Armada= =3,294=298 Gülcan Arslan=Turkish, Actress=7,701=209 Gabriel Aubry=Canadian, Model=88,766=12 Gemma Arterton=British actress=329,841=4 George Augusto=Peruvian, Film/TV Gina Athans=South African model=8,607=191 Producer=35,899=38 Gemma Atkinson=British actress and model=427,743=1 Gene Autry=American, Actor=12,644=104 …………………….. Groove Armada COMPLETEandLEFT Gabrielle Aplin GA,Gene Autry Guano Apes GA,Gillian Anderson Gary Allan GA,Giorgio Armani GA,Gracie Allen George ,Abbott ,Playwright ,Damn Yankees GA,Gregg Allman Grace ,Abbott ,Activist ,Advocate against child labor Gamal ,Abdel-Nasser ,Head of State ,President of Egypt, 1956-70 Gary ,Ackerman ,Politician ,Congressman, New York 5th Gerry -
Twlight Zone Episode Guide
a Ed Wynn in One For The Angels EPISODE GUIDE ESCAPE CLAUSE JUDGMENT NIGHT Writer: Rod Serling. Director: Mitch Leisen. Cast: Writer: Rod Serling. Director: John Brahm. Cast: Compiled by GARY GERANI, David Wayne, Virginia Christine, Wendell Holmes, Nehemiah Persoff, Ben Wright, Patrick McNee, Bradley Deirdre Owen, author of Fantastic Television Thomas Gomez. Hugh Sanders, Leslie James Franciscus. A hypochondriac makes a pact with the Devil Murky tale about a passenger aboard a war- for immortality. He then kills someone for First Season: 1959-60 time freighter who is certain the ship will be kicks, but instead of getting the electric chair, sunk at 1:15A.M. he is sentenced to life imprisonment! WHERE IS EVERYBODY? Writer: Rod Serling. Director: Robert Stevens. AND WHEN THE SKY WAS Cast: Earl Holliman, James Gregory. THE LONELY Writer: Rod Serling. Director: Jack Smight. Cast: Pilot show for the series concerns a man who OPENED Jack Warden, Jean Marsh, John Dehner, Ted Writer: Rod Serling. Director: Douglas Heyes. finds himself in a completely deserted city. In Knight, JimTurley. Cast: Rod Taylor, Charles Aidman, James Hutton, the end, we learn that it was all a test to ob- This classic episode concerns one James Maxine Cooper. serve how human beings will respond to ex- Corry (Warden), a man convicted of murder After three astronauts return from man's first treme loneliness during space flights. This and sentenced to spend forty years on a dis- space flight, each of them mysteriously dis- was the only episode shot at Universal tant asteroid. He has only one companion— appears. -
Ralph Edwards Productions Production Records PASC.0336
http://oac.cdlib.org/findaid/ark:/13030/kt767nf2nr No online items Finding Aid for the Ralph Edwards Productions production records PASC.0336 UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2020 July 27. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Ralph Edwards PASC.0336 1 Productions production records PASC.0336 Contributing Institution: UCLA Library Special Collections Title: Ralph Edwards Productions production records Creator: Ralph Edwards Productions Identifier/Call Number: PASC.0336 Physical Description: 156.5 Linear Feet(313 boxes) Date (inclusive): 1940-circa 2001 Abstract: The collection consists of materials pertaining to the various Ralph Edwards Productions projects such as Truth or Consequences , This is Your Life, and Name That Tune . Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.